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The Conversation (Matisse)

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Art historian Hilary Spurling has described this "stern encounter" as "portray the profound underlying shape or mechanism of a relationship laid down for both parties on the day, soon after they first met in 1897, when Matisse warned his future wife that, dearly as he loved her, he would always love
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period in favor of a flatter and more decorative style. The painting is large (69 5/8 in. x 85 3/8 in., or 177 cm x 217 cm), and shows Matisse in profile, standing at the left in striped pajamas, while his wife, AmĂ©lie, sits to the right. The flatly painted blue wall
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The pajamas worn by Matisse were fashionable as leisure wear in early 20th century France. They had recently been introduced to Europe from India, where they were worn by tea planters, and Matisse habitually thereafter wore pajamas as his studio working clothes.
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dating from 1908 to 1912, depicts the artist and his wife facing each other before a background of intense blue. It is in the collection of the
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at a time when he had abandoned the open, spontaneous brushwork of his
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behind them is relieved by a window opening onto a garden landscape.
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This was among several works acquired directly from Matisse in
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Index


Henri Matisse
Hermitage Museum
Saint Petersburg
Henri Matisse
Hermitage Museum
Saint Petersburg
Russia
Paris
Russian
Sergei Shchukin
Pushkin Museum of Fine Arts
Moscow
Hermitage Museum
St Petersburg
Fauve
List of works by Henri Matisse


"Matisse's Pajamas"
The New York Review of Books
v
t
e
Henri Matisse
Works
Woman Reading
Landscape, the Pink Wall
Academy Study of a Man
A Glimpse of Notre-Dame in the Late Afternoon

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