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in which he had an acting, playing, and writing role; it is the equivalent of
Freddie Redd's "(Theme for) Sister Salvation"... "I Want More", the significantly titled Gordon theme that closes the first side, is the West Coast equivalent of "O.D. (Overdose)"... "Ernie's Theme", is the last of the
242:
The play has a play-within-a-play format, with characters Jim Dunn as the "producer" and
Jaybird as the "writer" attempting to stage a production about the underbelly of society using "real" addicts. Some of the addicts are jazz musicians. They all (except for the "producer", "writer", and two
848:
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Quote (from the liner notes to the Blue Note album): "Soul Sister," the original that launches the first side is one of the themes Dexter wrote for the score of the
Hollywood version of
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243:"photographers") have one thing in common: they are waiting for their drug dealer, their "connection". The dialogue of the characters is interspersed with jazz music.
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New York, 2009, 50th
Anniversary Production at the Living Theatre, directed by Judith Malina, music director
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who also played "Number One
Musician". He later recorded several pieces from this production for his
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European Tour, 1962: Italy, France, Germany, Switzerland, Sweden, Belgium, Denmark, The
Netherlands
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846:(2017). "Poetic Tension: The Aesthetic Politics of the Living Theatre". In Goyens, Tom (ed.).
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New York
University's Fales Library and Special Collections Guide to the Jack Gelber Papers
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883:"Poetic Tension, Aesthetic Cruelty: Paul Goodman, Antonin Artaud, and the Living Theatre"
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Seattle, 2011, Sight by Sound productions, directed by Gavin Reub in The Little
Theater
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Radical Gotham: Anarchism in New York City from Schwab's Saloon to Occupy Wall Street
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The references used may be made clearer with a different or consistent style of
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Chicago, 1992, the inaugural production of A Red Orchid
Theatre, featuring
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for outstanding achievement in the off-broadway theatre - Jack Gelber
852:. Urbana, Illinois: University of Illinois Press. pp. 142–160.
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The score to accompany the Los
Angeles production was performed by
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Grand Prix for Best Play at the Théâtre des Nations, Paris, 1961
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Score by Cecil Payne and Kenny Drew, Conducted by Cecil Payne
605:, BLP 4027 (m)/BST 84027 (s). Released on CD, Blue Note 89392.
570:, 1961. Released on DVD, Jazz Movie Classics/EFORFILMS 2869032
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613:, different recording of the above score, issued as under
831:, Liner notes to Blue Note BLP 4027/BST 84027
8:
765:: CS1 maint: numeric names: authors list (
519:Obie Award for Best Actor - Warren Finnerty
64:Learn how and when to remove these messages
887:Anarchist Developments in Cultural Studies
516:Obie Award for Best All-Around Production
197:Learn how and when to remove this message
179:Learn how and when to remove this message
117:Learn how and when to remove this message
222:, directed by Living Theatre co-founder
142:This article includes a list of general
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492:three themes on this LP from Dexter's
496:score. It parallels "Music Forever".
319:Sister Salvation – Barbara Winchester
230:, and featured music by jazz pianist
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738:The Living Theater Repertory, 1959.
666:, Recorded 14, 15, 16 March 1962 -
313:3rd Musician – Clyde Harris (drums)
300:First Photographer – Louis McKenzie
297:4th Musician – Jimmy Corbett (bass)
303:Second Photographer – Jamil Zakkai
148:it lacks sufficient corresponding
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951:American plays adapted into films
505:1959–60 Village Voice Obie Awards
45:This article has multiple issues.
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632:The Music from "The Connection"
582:The Music from "The Connection"
218:. It was first produced by the
53:or discuss these issues on the
1:
379:The Music from the Connection
399:(originally Jackie McLean's
621:, I. Ching (Freddie Redd),
337:Original production credits
972:
740:"Premiere: The Connection"
524:1959–60 Vernon Rice Awards
376:
18:The Connection (1959 play)
610:Music from the Connection
226:, designed by co-founder
946:Obie Award-winning plays
923:Jackie McLean discusses
880:Previously published as
263:Jim Dunn – Leonard Hicks
27:1959 play by Jack Gelber
779:Liner Notes to BLP 4083
690:Club with Bill Wallis,
374:Redd's score, new cast
163:more precise citations.
915:Jackie McLean recalls
876:10.5406/j.ctv4ncnpj.10
858:10.5406/j.ctv4ncnpj.10
711:and Guy Van Swearingen
668:Charlie Parker Records
466:Los Angeles Production
362:Other performances of
700:New York, 1981, with
634:, rewritten score by
601:, February 15, 1960,
589:, with Freddie Redd,
420:Touring Cast, 1961/62
377:Further information:
278:Solly – Jerome Raphel
646:, with Cecil Payne,
585:, music composed by
316:Harry – Henry Proach
956:Theatre about drugs
889:(1 & 2). 2015.
815:, Grove Press, 1960
803:General references
403:), tenor saxophone
370:Revised Cast, 1961
328:Man in audience –
281:Sam – John McCurry
214:is a 1959 play by
867:978-0-252-04105-1
791:, Liner Notes to
789:Douglas McLelland
692:John Ratzenberger
688:Hampstead Theatre
686:London, 1974, at
675:Other productions
530:Vernon Rice Award
513:for Best New Play
500:Awards and honors
481:Dexter Calling...
294:(composer, piano)
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749:. Retrieved
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680:London, 1960
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652:Bennie Green
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627:Osie Johnson
608:
587:Freddie Redd
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441:Bennie Green
423:
413:Osie Johnson
385:Freddie Redd
373:
363:
354:Designed by
348:Directed by
332:(uncredited)
330:Martin Sheen
292:Freddie Redd
241:
232:Freddie Redd
210:
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47:Please help
44:
819:Lionel Abel
811:, preface,
793:Cecil Payne
716:Rene McLean
656:Duke Jordan
648:Clark Terry
644:Cecil Payne
636:Cecil Payne
623:Milt Hinton
619:Tina Brooks
447:Duke Jordan
435:Clark Terry
429:Cecil Payne
407:Milt Hinton
397:Tina Brooks
356:Julian Beck
344:Jack Gelber
342:Written by
228:Julian Beck
216:Jack Gelber
161:introducing
107:August 2011
941:1959 plays
935:Categories
829:Ira Gitler
725:References
660:Ron Carter
640:Kenny Drew
575:Recordings
511:Obie Award
494:Connection
453:Ron Carter
443:, trombone
401:understudy
266:Jaybird –
144:references
99:footnoting
50:improve it
895:1923-5615
704:as Cowboy
603:Blue Note
476:Blue Note
437:, trumpet
393:, trumpet
322:Cowboy –
268:Ira Lewis
169:June 2020
56:talk page
761:cite web
670:PLP 806
484:(1961).
478:release
324:Carl Lee
284:Ernie –
272:Leach –
238:Synopsis
95:citation
795:release
751:1 April
617:, with
461:, drums
449:, piano
415:, drums
157:improve
893:
874:
864:
455:, bass
409:, bass
251:": -->
146:, but
872:JSTOR
537:Other
891:ISSN
862:ISBN
767:link
753:2024
745:eBay
662:and
638:and
625:and
597:and
253:edit
97:and
854:doi
234:.
937::
885:.
870:.
860:.
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763:}}
759:{{
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