Knowledge (XXG)

The Courier of Lyons

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in attendance, and an initial run of twenty-six performances. It was revived frequently, and proved so popular that it soon spawned a number of pirated versions. Reade commented in 1855 that it had been seen in nearly every theatre in London.
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There were a number of adaptations of Reade's work, notably a 1916 silent film
88: 297: 148: 73:, a name by which the original play is sometimes known as well. 152: 28:, which was first performed in 1854. He based it on the 1796 362: 309: 63:
Reade in 1877 wrote a revised version for the actor
209: 186: 47:Reade wrote the play specifically for the actor 382: 329: 164: 145:(Cambridge: Cambridge University Press, 1986) 8: 357:This article on a play from the 1850s is a 389: 375: 336: 322: 304:This British theatre–related article is a 171: 157: 149: 51:. It had its début on 26 June 1854, with 113: 7: 347: 345: 294: 292: 361:. You can help Knowledge (XXG) by 308:. You can help Knowledge (XXG) by 14: 418:British plays adapted into films 349: 296: 24:is a play by the English writer 1: 433:United Kingdom theatre stubs 236:It Is Never Too Late to Mend 244:The Cloister and the Hearth 454: 344: 291: 438:19th-century play stubs 408:Plays by Charles Reade 143:Plays by Charles Reade 276:A Terrible Temptation 42:Louis-Mathurin Moreau 30:Courrier de Lyon case 16:Play by Charles Reade 201:The Courier of Lyons 34:Revolutionary France 21:The Courier of Lyons 423:Plays set in France 91:and a 1931 talkie, 228:Christie Johnstone 99:Twickenham Studios 370: 369: 317: 316: 286: 285: 141:Hammet, Michael, 445: 391: 384: 377: 353: 346: 338: 331: 324: 300: 293: 173: 166: 159: 150: 130: 127: 121: 118: 101:by the director 67:under the title 453: 452: 448: 447: 446: 444: 443: 442: 398: 397: 396: 395: 343: 342: 289: 287: 282: 205: 195:Masks and Faces 182: 177: 138: 133: 128: 124: 119: 115: 111: 79: 17: 12: 11: 5: 451: 449: 441: 440: 435: 430: 428:Broadway plays 425: 420: 415: 410: 400: 399: 394: 393: 386: 379: 371: 368: 367: 354: 341: 340: 333: 326: 318: 315: 314: 301: 284: 283: 281: 280: 272: 264: 260:Griffith Gaunt 256: 248: 240: 232: 224: 220:Peg Woffington 215: 213: 207: 206: 192: 190: 184: 183: 178: 176: 175: 168: 161: 153: 147: 146: 137: 134: 132: 131: 122: 112: 110: 107: 94:The Lyons Mail 84:The Lyons Mail 78: 75: 70:The Lyons Mail 53:Queen Victoria 15: 13: 10: 9: 6: 4: 3: 2: 450: 439: 436: 434: 431: 429: 426: 424: 421: 419: 416: 414: 411: 409: 406: 405: 403: 392: 387: 385: 380: 378: 373: 372: 366: 364: 360: 355: 352: 348: 339: 334: 332: 327: 325: 320: 319: 313: 311: 307: 302: 299: 295: 290: 278: 277: 273: 270: 269: 265: 262: 261: 257: 254: 253: 249: 246: 245: 241: 238: 237: 233: 230: 229: 225: 222: 221: 217: 216: 214: 212: 208: 203: 202: 197: 196: 191: 189: 185: 181: 180:Charles Reade 174: 169: 167: 162: 160: 155: 154: 151: 144: 140: 139: 135: 126: 123: 117: 114: 108: 106: 104: 100: 96: 95: 90: 86: 85: 76: 74: 72: 71: 66: 61: 58: 57:Prince Albert 54: 50: 45: 43: 39: 38:Paul Siraudin 35: 31: 27: 26:Charles Reade 23: 22: 363:expanding it 356: 310:expanding it 303: 288: 274: 266: 258: 250: 242: 234: 226: 218: 200: 199: 193: 142: 136:Bibliography 125: 116: 103:Arthur Maude 92: 87:directed by 82: 80: 68: 65:Henry Irving 62: 49:Charles Kean 46: 20: 19: 18: 129:Hammet p. 9 120:Hammet p. 9 77:Adaptations 413:1854 plays 402:Categories 109:References 97:, made at 268:Foul Play 252:Hard Cash 89:Fred Paul 198:(1852) 279:(1871) 271:(1869) 263:(1866) 255:(1863) 247:(1861) 239:(1856) 231:(1853) 223:(1853) 211:Novels 204:(1854) 188:Plays 359:stub 306:stub 55:and 40:and 32:in 404:: 105:. 44:. 390:e 383:t 376:v 365:. 337:e 330:t 323:v 312:. 172:e 165:t 158:v

Index

Charles Reade
Courrier de Lyon case
Revolutionary France
Paul Siraudin
Louis-Mathurin Moreau
Charles Kean
Queen Victoria
Prince Albert
Henry Irving
The Lyons Mail
The Lyons Mail
Fred Paul
The Lyons Mail
Twickenham Studios
Arthur Maude
v
t
e
Charles Reade
Plays
Masks and Faces
The Courier of Lyons
Novels
Peg Woffington
Christie Johnstone
It Is Never Too Late to Mend
The Cloister and the Hearth
Hard Cash
Griffith Gaunt
Foul Play

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