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initially balks at the idea of aiding a criminal enterprise, but Ethel encourages him to likewise abandon his morals, arguing that money and power are the only things that matters in life, and that all people must look after themselves. In order to please Ethel, Martin agrees, and the two share a kiss. However, Ethel and
Castleman share a mutual attraction based on a shared ambition to claw their way to the top, and she reciprocates his advances when meeting with him to discuss Martin's pay.
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Ethel, disillusioned with
Castleman, reluctantly attends one of Nick's meetings and learns the names of the associates who intend to support his double-cross. However, she is unable to conceal the information, as Castleman ambushes her at home and accuses her of falling in love with Nick. He confronts Nick and reveals than Ethel was nothing more than a mole before shooting him dead.
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whom Miss
Crawford lures into the syndicate, plays a Milquetoast so completely that his whole performance seems a succession of timid gulps. Steve Cochran as a tricky West Coast mobster and Selena Royle as a vagrant socialite do their jobs in a conventional B-story, A-budget way. Vincent Sherman's direction is as specious as the script."
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Ethel successfully seduces Nick Prenta, but falls in love with him after learning of his circumstances and becoming sympathetic. She chafes under her responsibility after a meeting with Martin informs her that a vindictive
Castleman intends to murder Nick if his suspicions about a rebellion are true.
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With Martin's assistance, Castleman's plans flourish, but he faces difficulties with Nick Prenta, an underling who he had sent west in order to be rid of him, but who found success and is rumored to be planning a rebellion following the murder of Grady. Castleman orders Ethel to join Nick and uncover
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Ethel
Whitehead, a married woman living in a squalid factory town with an abusive husband and unsupportive parents, is only attached to her young son. After he dies in a tragic accident, she abandons her marriage and leaves town, determined to discover a worthwhile life at any cost. With no education
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was tough on the film in his review. He wrote "Miss
Crawford as the 'fancy lady' runs through the whole routine of cheap motion-picture dramatics in her latter-day hard-boiled, dead-pan style...A more artificial lot of acting could hardly be achieved" He added "And Kent Smith, as a public accountant
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Ethel meets the store's mild-mannered accountant, Martin
Blackford, who accepts her invitation to dine out with herat the club where she usually entertains out-of-town clients. After learning that Martin's financial situation is hardly better than her own, she engineers a meeting between the club's
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critic
Jeremiah Kipp wrote "The direction by hack Vincent Sherman is adequate and humble before Joan, though some scenes feel like the transition into the editing room was hardly smooth. (At least two insert shots feel wobbly and jarring.) But Crawford gets what she wants, and that's all we really
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Ethel flees back home to her parents, but Martin soon locates her; he admitted that
Castleman murdered Nick to the police, and warns her that Castleman also knows of her location and intends to kill her as well. Before Ethel can escape, Castleman arrives and attempts to kill Martin. Ethel wrestles
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As Martin's friendship with Ethel deepens and his reputation grows, Ethel manages to ingratiate him further into the criminal underworld by encouraging him to join in with a casino gambling plot masterminded by George
Castleman, an organized crime boss and former smalltime crook. The honest Martin
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or work experience, she works at a low-wage job until she attracts the attention of a customer, who invites her to model dresses at his department store. Before long, she finds herself shedding her morals to become an escort for wealthy clients on the side.
585:. The plot may be far-fetched and the characters absurdly exaggerated, but the film is otherwise well-constructed (using the familiar film noir device of the extended flashback) and well-performed by a well-chosen ensemble of acting talent.
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for the gun and is shot, while Martin manages to kill Castleman. Ethel, wounded but alive, convalesces in bed as two reporters predict that she'll try once more to make it out of her roughshod hometown once she recovers.
609:, which also starred Joan Crawford. It is efficiently directed by Vincent Sherman...Joan Crawford gives a solid performance as the gangster's moll who discovers when it's too late that she took the wrong path."
637:
Warner Bros financial information in The William Schaefer Ledger. See Appendix 1, Historical Journal of Film, Radio and Television, (1995) 15:sup1, 1-31 p 30 DOI: 10.1080/01439689508604551
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starts out as if it were one of Crawford's earlier 'poor gal makes good' flicks, but it quickly becomes lurid and unbelievable. As is often the case in her later vehicles,
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came for, no? Like the star in question, this diva showcase knows what it is and what it's good at. If you don't like it, why are you still here?"
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his plans. Ethel (now going by Lorna Hansen Forbes, a glamorous socialite cover invented by Castleman) obeys his command out of love for him.
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Critic Dennis Schwartz liked the film, Crawford's work and its direction. He wrote "A dreary crime drama following the formula of
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Modern critics are generally more sympathetic. James Travers in 2012 stated: "It is not hard to account for the popular appeal of
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Film critic Craig Butler called the film "a ridiculous melodrama that is fairly poor as real drama but is quite enjoyable as
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finds Crawford in a one-dimensional world and asks that she find ways of giving the illusion of depth to her character."
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The movie was a hit. According to Warner Bros., it earned $ 1,540,000 in the U.S. and $ 671,000 in other markets.
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boss, Grady, who badly needs a competent accountant. Needing the money, Martin reluctantly takes the extra work.
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When the film was released, the reviews were mixed, even though the box office was considered good.
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is the first of three cinematic collaborations between Sherman and Crawford, the others being
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This article is about the 1950 film. For the 2022 film, see
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299:was based on the story "Case History" by
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377:as Ethel Whitehead/Lorna Hansen Forbes
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1209:Films scored by Daniele Amfitheatrof
437:Uncredited (in order of appearance)
1224:English-language crime drama films
25:
1194:Films directed by Vincent Sherman
32:The Damned Don't Cry (2022 film)
1179:American black-and-white films
686:. January 3, 1951. p. 58.
383:as Joe Cavany/George Castleman
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1214:1950s English-language films
792:AFI Catalog of Feature Films
654:AFI Catalog of Feature Films
36:The Damned Don't Cry (album)
34:. For the Visage album, see
27:1950 film by Vincent Sherman
905:The Man Who Talked Too Much
311:. The film was directed by
40:The Damned Don't Cry (song)
38:. For the Visage song, see
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1174:American crime drama films
29:
18:The Damned Don't Cry!
883:
751:Ozus' World Movie Reviews
59:Theatrical release poster
52:
1199:Films shot in California
1093:The Young Philadelphians
1189:Films about socialites
1169:1950 crime drama films
1117:The Second Time Around
1013:Adventures of Don Juan
889:The Return of Doctor X
546:
542:- publicity still for
929:All Through the Night
833:The Damned Don't Cry!
821:The Damned Don't Cry!
810:The Damned Don't Cry!
799:The Damned Don't Cry!
786:The Damned Don't Cry!
680:"Top Grosses of 1950"
648:The Damned Don't Cry!
544:The Damned Don't Cry!
525:
407:as Patricia Longworth
208:May 7, 1950
1219:1950s American films
1109:A Fever in the Blood
1037:The Damned Don't Cry
583:The Damned Don't Cry
512:as Springboard Diver
321:The Damned Don't Cry
269:The Damned Don't Cry
216: (United States)
160:Daniele Amfitheatrof
48:The Damned Don't Cry
913:Flight from Destiny
897:Saturday's Children
395:as Martin Blackford
272:is a 1950 American
1204:Warner Bros. films
1077:The Garment Jungle
1069:Affair in Trinidad
989:Janie Gets Married
937:Across the Pacific
875:Films directed by
826:TCM Movie Database
702:The New York Times
571:The New York Times
547:
456:Herschel Daugherty
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1053:Goodbye, My Fancy
565:Critical response
488:as Maitre d'hotel
425:as Mrs. Castleman
332:Goodbye, My Fancy
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16:(Redirected from
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957:Old Acquaintance
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419:as Mr. Whitehead
411:Jacqueline deWit
315:and produced by
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285:Joan Crawford
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949:The Hard Way
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835:film trailer
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536:Richard Egan
504:John Maxwell
468:Kathryn Card
444:Tom Greenway
429:Richard Egan
405:Selena Royle
399:Hugh Sanders
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305:Bugsy Siegel
279:directed by
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267:
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225:Running time
201:Release date
194:Warner Bros.
184:Warner Bros.
95:Case History
94:
965:In Our Time
942:John Huston
921:Underground
540:David Brian
486:Tris Coffin
480:Herb Vigran
452:as Reporter
450:Dabbs Greer
381:David Brian
329:(1950) and
289:David Brian
277:crime-drama
261:$ 2,211,000
253:$ 1,233,000
229:103 minutes
126:David Brian
108:Produced by
65:Directed by
1164:1950 films
1158:Categories
1101:Ice Palace
620:References
550:Box office
526:L. to R.:
393:Kent Smith
317:Jerry Wald
258:Box office
212:1950-05-07
177:Production
136:Ted McCord
112:Jerry Wald
98:1950 novel
1184:Film noir
1125:Cervantes
1061:Lone Star
518:Reception
506:as Doctor
494:as Butler
462:Ned Glass
446:as Deputy
413:as Sandra
274:film noir
150:Rudi Fehr
146:Edited by
1029:Backfire
815:AllMovie
401:as Grady
335:(1951).
242:Language
156:Music by
118:Starring
91:Based on
944:, 1942)
840:YouTube
824:at the
789:at the
684:Variety
651:at the
573:critic
559:Variety
245:English
234:Country
210: (
179:company
1144:(1980)
1136:(1977)
1128:(1967)
1120:(1961)
1112:(1961)
1104:(1960)
1096:(1959)
1088:(1958)
1080:(1957)
1072:(1952)
1064:(1952)
1056:(1951)
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984:(1945)
976:(1944)
968:(1944)
960:(1943)
952:(1943)
940:(with
932:(1941)
924:(1941)
916:(1941)
908:(1940)
900:(1940)
892:(1939)
598:Damned
594:Damned
538:&
431:as Roy
291:, and
250:Budget
140:A.S.C.
1141:Bogie
613:Slant
804:IMDb
667:IMDb
590:camp
368:Cast
339:Plot
307:and
838:on
813:at
802:at
100:by
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765:.
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628:^
534:,
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319:.
287:,
138:,
868:e
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20:)
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