436:"tough-fibered, exciting entertainment" and wrote: "When a talented director and a resourceful company of players meet up with a solid story, say one such as 'The Dark Corner,' then movie-going becomes a particular pleasure. ... Henry Hathaway has drawn superior performances from most of the cast. ... His fine craftsmanship is very evident throughout 'The Dark Corner,' and it is regrettable that he had to mar the atmospheric realism by resorting to scene-faking in a few sequences. But this is a minor shortcoming in an otherwise sizzling piece of melodrama."
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critic Donald
Kirkley wrote that the film "is very good indeed for this sort of uninhibited whodunit" and was "sparked by a most engaging performance by Lucille Ball" and "a very fine, hard-boiled portrayal of a tough guy by William Bendix." However, Kirkley criticized the script, feeling that Webb's
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borrowed
Lucille Ball from MGM to play Kathleen. At the time, Ball was trying to break from MGM and had an "unsettled" personal life. A Henry Hathaway biographer wrote: "Early into the shoot, it was obvious to Hathaway that Ball was not concentrating on her job. After she flubbed her lines one time
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Bradford Galt has moved from San
Francisco to New York to escape a troubled past. He blames his former partner Tony Jardine for his problems. Complicating matters, he is hounded by New York police lieutenant Frank Reeves and pursued by a thug in a white suit. The thug is forced to admit that he has
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Galt suspects that
Jardine is trying to frame him for a murder, but Jardine is part of a wider-ranging conspiracy involving wealthy art gallery owner Hardy Cathcart. With the help of his sharp-witted secretary Kathleen, Galt is able to overcome all of these obstacles and clear himself.
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too many, Hathaway embarrassed her before her peers by ordering her to leave the set and actually read the script." However, some regarded the role as one of Ball's finer dramatic performances. According to
Hathaway, Ball subsequently apologized for her behavior.
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Bradford Galt's comment, "There goes my last lead. I'm all dead inside. I'm backed up in a dark corner, and I don't know who's hitting me," has been described as a "prime example of existential anguish" that typifies film noir.
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Hathaway described Webb as an "angel, but he never really was a good actor. He was a character. He was marvelous because he was so elegant." Hathaway said that
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character's motivation is unclear, and that the film often "speeds into high gear, but just as often relaxes into spells of relative inertness and tedium."
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was initially cast as
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rates it three out of five stars and calls it "a grade-A example of '
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Twentieth
Century-Fox: A Corporate and Financial History
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Pryor, Thomas M. (1946-05-09). "The Screen in Review".
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666:Henry Hathaway: The Lives of a Hollywood Director
815:Conard, Mark T.; Porfirio, Robert (2007-08-17).
699:. Scarecrow Press. pp. 204, 205, 206, 220.
530:. Rowman & Littlefield. pp. 221, 243.
669:. Rowman & Littlefield. pp. 121–122.
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821:. University Press of Kentucky. p. 224.
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632:"Right Out of Film Noir, a Shadowy New York"
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693:Hathaway, Henry; Platt, Polly (2001).
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1555:English-language crime thriller films
663:Pomainville, Harold N. (2016-06-10).
480:was overshadowed by Hathaway's other
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389:. The arcade sequence was filmed in
368:Fox paid $ 40,000 for the rights to
1270:The Desert Fox: The Story of Rommel
33:Theatrical release one sheet poster
1525:Films scored by Cyril J. Mockridge
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1540:Films directed by Henry Hathaway
630:Jamieson, Wendell (2005-12-02).
432:, critic Thomas M. Pryor called
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1500:American black-and-white films
1078:The Trail of the Lonesome Pine
737:Kirkley, Donald (1946-05-11).
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1495:American crime thriller films
1150:Ten Gentlemen from West Point
426:In a contemporary review for
1520:Films based on short fiction
1505:1940s English-language films
1054:The Lives of a Bengal Lancer
853:AFI Catalog of Feature Films
611:AFI Catalog of Feature Films
563:AFI Catalog of Feature Films
818:The Philosophy of Film Noir
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1530:Films set in New York City
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580:"The Dark Corner (1946)"
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636:The New York Times
429:The New York Times
147:Cyril J. Mockridge
135:J. Watson Webb Jr.
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792:"The Dark Corner"
764:"The Dark Corner"
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259:directed by
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213:Running time
190:Release date
113:Mark Stevens
105:Clifton Webb
101:Lucille Ball
91:Fred Kohlmar
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1430:5 Card Stud
998:Sunset Pass
796:www.tcm.com
775:29 December
591:29 December
345:Reed Hadley
339:Cathy Downs
241:$ 1 million
87:Produced by
53:Jay Dratler
39:Directed by
1485:1946 films
1479:Categories
1326:The Racers
1158:China Girl
801:2020-12-29
749:2020-12-29
649:2020-12-29
616:2020-12-31
508:References
397:Ida Lupino
370:Leo Rosten
364:Production
238:Box office
217:99 minutes
201:1946-05-08
166:Production
81:Leo Rosten
1515:Film noir
1454:Shoot Out
1438:True Grit
644:0362-4331
464:film noir
422:Reception
281:film noir
257:film noir
131:Edited by
1182:Nob Hill
876:AllMovie
585:AllMovie
459:AllMovie
385:and the
230:Language
143:Music by
97:Starring
65:Based on
1294:Niagara
1262:Rawhide
1142:Sundown
917:YouTube
901:at the
850:at the
560:at the
233:English
222:Country
199: (
168:company
1465:(1974)
1462:Hangup
1457:(1971)
1449:(1971)
1441:(1969)
1433:(1968)
1425:(1967)
1417:(1966)
1409:(1965)
1401:(1964)
1393:(1962)
1385:(1960)
1377:(1960)
1369:(1959)
1361:(1958)
1353:(1957)
1345:(1956)
1337:(1956)
1329:(1955)
1321:(1954)
1313:(1954)
1305:(1953)
1297:(1953)
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1281:(1952)
1273:(1951)
1265:(1951)
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1241:(1950)
1233:(1949)
1225:(1948)
1217:(1947)
1209:(1947)
1201:(1946)
1193:(1945)
1185:(1945)
1177:(1944)
1169:(1944)
1161:(1942)
1153:(1942)
1145:(1941)
1137:(1941)
1129:(1940)
1121:(1940)
1113:(1939)
1105:(1938)
1097:(1937)
1089:(1936)
1081:(1936)
1073:(1936)
1065:(1935)
1057:(1935)
1049:(1934)
1041:(1934)
1033:(1934)
1025:(1934)
1017:(1933)
1009:(1933)
1001:(1933)
993:(1933)
985:(1933)
977:(1932)
969:(1932)
825:
703:
673:
642:
534:
473:Legacy
383:Bowery
254:crime
865:IMDb
823:ISBN
777:2020
701:ISBN
671:ISBN
640:ISSN
593:2020
532:ISBN
494:and
486:noir
484:and
466:.'"
303:Cast
287:Plot
275:and
915:on
885:at
874:at
863:at
283:."
79:by
1481::
794:.
766:.
741:.
685:^
638:.
634:.
609:.
582:.
571:^
546:^
516:^
393:.
271:,
267:,
945:e
938:t
931:v
831:.
804:.
779:.
752:.
709:.
679:.
652:.
619:.
595:.
566:.
540:.
203:)
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