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The painting is unusual for the way it explores the relationship between flatness and deep space. The red of the tablecloth and walls are the same color, making the surface appear unified, but surrounding objects convey a sense of depth. For instance, the chair appearing behind the table gives
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The woman in the painting provides a sense of reality in the painting. The woman is proportional to the table. The woman gives context to the time of the painting with the clothing she is wearing and the action she is completing. In the book
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Matisse was intentional about maintaining the realistic qualities of objects even as he experimented with the colors of their surrounding environment. For example, the lemons on the table are yellow and maintain a realistic shape and size.
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context to the presence of a table. There is a faint line that runs between the table and the wall, providing a further hint of three-dimensional space.
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The background of the painting was originally green, but
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purchased the work from the exhibition. In 1909, Matisse repainted the background in red, giving it the new title
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began a trend in
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180 cm Ă— 220 cm (70.9 in Ă— 86.6 in)
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272:(1st ed.). Museum of Modern Art; F First Edition.
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The painting reworks elements from
Matisse's 1897 work
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The
Hermitage, Leningrad: French 20th Century Masters
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491:A Glimpse of Notre-Dame in the Late Afternoon
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841:Young Woman in White on a Red Background
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308:"Matisse: radical invention, 1913-1917"
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184:is similar to the pose of the woman in
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268:Elderfield, John (October 1, 1992).
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857:Deux fillettes, fond jaune et rouge
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563:Self-Portrait in a Striped T-shirt
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1119:Paintings in the Hermitage Museum
350:"Matisse: His Art and His Public"
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943:Goldfish paintings and etchings
889:Black Leaf on Green Background
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270:Henry Matisse: A retrospective
219:List of works by Henri Matisse
16:1908 painting by Henri Matisse
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406:The Dessert: A Harmony in Red
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142:by Henri Matisse in 1907-1908
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168:Matisse: The Man and His Art
197:The Dessert: Harmony in Red
186:The Dessert: Harmony in Red
117:The Dessert: Harmony in Red
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1114:Paintings by Henri Matisse
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742:The Painter and His Model
646:Still Life with Geraniums
499:Luxury, Calm and Pleasure
170:, Katharine Kuh compares
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801:Purple Robe and Anemones
475:Landscape, the Pink Wall
174:with Matisse's painting
131:Description and analysis
125:Saint Petersburg, Russia
881:The Sorrows of the King
243:Izergina, A.N. (1970).
809:Woman in a Purple Coat
611:Portrait of Greta Moll
539:Landscape at Collioure
483:Academy Study of a Man
324:10.5860/choice.48-1272
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718:Woman on a High Stool
603:Bathers with a Turtle
312:Choice Reviews Online
182:Bathers with a Turtle
177:Bathers with a Turtle
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140:Bathers with a Turtle
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1124:Still life paintings
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678:Zorah on the Terrace
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96:. Previously titled
1081:An Essay on Matisse
1021:Lydia Delectorskaya
555:The Young Sailor II
547:Le bonheur de vivre
354:College Art Journal
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817:La Blouse Roumaine
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726:The Yellow Curtain
710:View of Notre-Dame
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247:. Prague, Artia.
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988:(1947 book)
945:(1912–1929)
939:(1909–1930)
897:La NĂ©gresse
785:1930s–1950s
705:(1912–1913)
665:(1908–1912)
622:1910s–1920s
486:(1900-1901)
459:1890s–1900s
1103:Categories
1011:(grandson)
950:Blue Nudes
360:(4): 309.
279:0870704338
225:References
156:The Desert
64:Dimensions
1048:Le Cateau
1029:(teacher)
977:Art books
905:The Snail
374:1543-6322
332:0009-4978
288:cite book
913:The Boat
670:Goldfish
213:See also
72:Location
1075:Fauvism
1068:Related
1037:Museums
1023:(model)
961:Chapels
107:History
996:People
953:(1952)
928:Series
916:(1953)
908:(1953)
900:(1952)
892:(1952)
884:(1952)
876:(1950)
868:(1948)
860:(1947)
852:(1947)
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836:(1946)
828:(1944)
820:(1940)
812:(1937)
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796:(1932)
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769:(1923)
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721:(1914)
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54:Medium
36:Artist
1005:(son)
638:Music
630:Dance
451:Works
378:JSTOR
78:city=
1058:Nice
985:Jazz
833:Asia
370:ISSN
328:ISSN
294:link
274:ISBN
249:ISBN
205:and
49:1908
46:Year
362:doi
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