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The Dinner Game

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Brochant has made that day to straighten out his life, including breaking up with his mistress, reconciling with his best friend, and wanting to make amends to her. A skeptical Christine asks Pignon whether Brochant is with him, coaching him. Though Brochant is next to him--amazed at how gracefully Pignon has managed to describe his repentance to Christine--Pignon lies and says that he left Brochant and is calling from a phone booth. When a softened-up Christine calls Brochant at home to discuss reconciliation, however, true to form, Pignon picks up the phone and Christine hangs up, wrongly convinced that Brochant has manipulated Pignon's eloquent account of Brochant's reformation. The film ends with Brochant again blaming Pignon for ruining his life.
1572: 282:, attends a weekly "idiots' dinner", where guests, who are modish, prominent Parisian businessmen, must bring along an oblivious "idiot." The ideal "idiot" is usually one who is obsessed by a ridiculous hobby or theme, whom the other guests can ridicule subtly all evening without the idiot catching on. At the end of the dinner, the evening's "champion idiot" is selected among the businessmen. 519:, the film was honored with six nominations, of which it won three. The categories it won were Best Actor for Jacques Villeret, Best Supporting Actor for Daniel Prévost, and Best Screenplay for Francis Veber. It was nominated but did not win for Best Film, Veber as Best Director, and Catherine Frot as Best Supporting Actress. 305:. His wife, Christine, leaves him shortly before Pignon arrives at his apartment, as she realizes that he still wants to go to the "idiots' dinner". Brochant initially wants Pignon to leave, but instead becomes reliant on him, because of his back problem and his need to resolve his relationship problems. 316:
In the meantime, Brochant is able to make amends with an old friend, Juste Leblanc, from whom he stole Christine, and through the evening's events is forced to reassess his mistakes. Brochant almost succeeds in reconciling with Christine when Pignon (unprompted) calls her to describe all the efforts
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Kemp noted that “in this kind of comic pairing isn't the gravitation of the idiot to the straight guy, which is understandable enough, but the reverse: the fatal delusion on the part of a logical individual, operating on cool self-interest, that even the most unpromising human material can, with a
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He solicits Pignon's assistance in making a series of telephone calls to locate his wife, but Pignon blunders each time, including revealing the existence of Brochant's mistress, Marlene Sasseur (thinking that she is Brochant's sister, since her name sounds like
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were continually thrown off course by a well-meaning idiot, in Le Dîner de cons, the same relationship occurs, with “Thierry Lhermitte's supercilious publisher having his well-ordered life dismantled by the disastrously eager-to-please Jacques Villeret”.
1823: 507:. His comic persona also shares something of a baby's abrupt, discontinuous mood swings, and in the film's funniest moments the camera focuses delightedly on his mobile moon-face as it slumps from inane self-satisfaction to lip-quivering dismay”. 503:
little coaching, be co-opted into the same well-ordered system”. For Kemp the film was stolen by Villeret as Pignon “his balding, spherical head, bug eyes and pudgy little mouth” appearing as “a cross between a giant baby and a less aggressive
1828: 1818: 313:"), to his wife Christine and inviting tax inspector Lucien Cheval to Brochant's house, where Brochant is forced quickly to hide most of his valuables in an attempt to disguise his tax evasion. 1503: 286: 405:
ran for over 900 performances on the Parisian stage before being made into a film, so "not surprisingly the pacing and mechanics of the comedy run with dovetailed precision".
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With the help of an "idiot scout", Brochant manages to find a "gem", François Pignon, a sprightly employee of the
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of famous landmarks. Shortly after inviting Pignon to his home, Brochant is suddenly stricken with
266: 260: 495:, the film has an approval rating of 74% based on 46 reviews, with an average score of 6.8/10. On 30: 1375: 499:, the film received a score of 73 based on 19 reviews, indicating "generally favorable reviews". 264:. It became that year's top-grossing French film at the French box office (second overall behind 1297:
The last word is difficult to translate directly into English, as the equivalent English word, "
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The character name 'François Pignon' occurs in several films of Francis Veber. Previously in
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Besides Cosma's score the film uses the 1961 song "Le temps ne fait rien à l'affaire" by
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Films featuring a Best Supporting Actor César Award-winning performance
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Films featuring a Best Actor Lumières Award-winning performance
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Films featuring a Best Actor César Award-winning performance
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was the second most popular film in France in 1998, after
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With over 9 million tickets sold at the box office,
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Pignon has a passion for building 1593: 991:Philip Catherine, Romane & Vladimir Cosma 935:Philip Catherine, Romane & Vladimir Cosma 8: 1269:"Le Dîner de cons (The Dinner Game) (1998)" 806:"Dîner de cons" (Phillip Catherine version) 1600: 1586: 1578: 1570: 1494:Tomasovitch, Geoffroy (16 February 2007). 1015: 682: 521: 29: 20: 746: 429:'s character has the same name, as does 1804:Films with screenplays by Francis Veber 1412:Box-office France 1998, Jp's Box-office 1207: 997: 1392: 1390: 1388: 1386: 1849:Films based on works by Francis Veber 1758:Films based on works by Francis Veber 1373:"French Box Office Top 25 for 1998". 998: 921:Vladimir Cosma & String Orchestra 865:Vladimir Cosma & Philip Catherine 823:Vladamir Cosma & String Orchestra 809:Vladimir Cosma & Philip Catherine 385:Pétronille Moss as Mademoiselle Blond 237: 7: 1279:from the original on 13 October 2017 1251:"Angels goes to box office heaven". 1232:from the original on 12 January 2016 1225:British Board of Film Classification 769:"Dîner de cons" (orchestral version) 301:while playing golf at his exclusive 1353:from the original on 5 October 2013 1319:from the original on 5 October 2013 790:"Le temps ne fait rien à l'affaire" 1506:from the original on 22 March 2012 1475:from the original on 25 April 2022 1218:LE DINER DE CONS (THE DINNER GAME) 14: 382:Christian Pereirra as Dr. Sorbier 1441:from the original on 24 May 2022 932:"Dîner de cons" (Romane version) 779:& LAM Philharmonic Orchestra 1799:Films directed by Francis Veber 1307:Bradshaw, Peter (2 July 1999). 1257:. 19 February 1999. p. 20. 1809:Films scored by Vladimir Cosma 1379:. 11 January 1999. p. 96. 879:Vladimir Cosma & ICE Group 750: 210:FFR82 million ($ 14.1 million) 1: 904:"Marlène Sasseur, nymphomane" 278:Pierre Brochant, a Parisian 1814:French films based on plays 1794:1990s French-language films 848:"Cheval, contrôleur fiscal" 1865: 1839:Gaumont Film Company films 984: 970: 956: 942: 928: 914: 900: 886: 872: 858: 844: 830: 816: 802: 786: 765: 757: 754: 707:17 January 2000 645: 538: 533: 530: 527: 524: 377:as Pascal Meneaux's voice 152:Buena Vista International 35:Theatrical release poster 28: 531:Recipients and nominees 250:written and directed by 820:"Christine et Brochant" 602:Best Supporting Actress 473:are 'François Pignon'. 469:in the 2008 re-make of 239:[lədined(ə)kɔ̃] 166:15 April 1998 1343:"see you next Tuesday" 862:"Con à grande vitesse" 525:Award / Film Festival 230: 1414:accessed 5 June 2011. 918:"Départ de Christine" 587:Best Supporting Actor 353:as Christine Brochant 1347:London Theatre Guide 1340:could be used (see: 1337:See You Next Tuesday 1254:Screen International 1228:. 16 November 1998. 351:Alexandra Vandernoot 140:TF1 Films Production 87:Alexandra Vandernoot 1789:French comedy films 1333:to Tuesdays so the 1154:Dinner for Schmucks 295:matchstick replicas 289:(which Brochant, a 246:) is a 1998 French 1844:1990s French films 1697:Ruby & Quentin 1335:euphemistic title 946:"Louche connexion" 890:"Pignon décomposé" 635:Best European Film 371:as Pascal Meneaux 359:as Marlène Sasseur 335:as Pierre Brochant 329:as François Pignon 1784:1998 comedy films 1766: 1765: 1199: 1198: 1185:Zach Galifianakis 1173:Stéphanie Szostak 1138:Jagathy Sreekumar 1008: 1007: 744: 743: 676: 675: 656:Jacques Villeret 517:1999 César Awards 490:review aggregator 484:Critical response 333:Thierry Lhermitte 222: 221: 75:Thierry Lhermitte 1856: 1602: 1595: 1588: 1579: 1574: 1516: 1515: 1513: 1511: 1491: 1485: 1484: 1482: 1480: 1457: 1451: 1450: 1448: 1446: 1421: 1415: 1409: 1403: 1394: 1381: 1380: 1370: 1364: 1362: 1360: 1358: 1328: 1326: 1324: 1295: 1289: 1288: 1286: 1284: 1273:Jpbox-office.com 1265: 1259: 1258: 1248: 1242: 1241: 1239: 1237: 1212: 1016: 1001: 794:Georges Brassens 773:Philip Catherine 752: 747: 730: 729: 725: 714: 712: 692:Soundtrack album 686:Le Dîner de cons 683: 577:Jacques Villeret 522: 478:Georges Brassens 410:Le Dîner de cons 403:Le Dîner de cons 347:as Lucien Cheval 341:as Juste Leblanc 327:Jacques Villeret 287:Finance Ministry 261:Le Dîner de Cons 241: 236: 231:Le Dîner de Cons 173: 171: 71:Jacques Villeret 33: 24:Le Dîner de Cons 21: 18:1998 French film 1864: 1863: 1859: 1858: 1857: 1855: 1854: 1853: 1834:Lionsgate films 1769: 1768: 1767: 1762: 1746: 1719: 1681:The Dinner Game 1657:Three Fugitives 1612: 1606: 1563:The Dinner Game 1557:Rotten Tomatoes 1552:The Dinner Game 1546:Box Office Mojo 1541:The Dinner Game 1530:The Dinner Game 1525: 1520: 1519: 1509: 1507: 1493: 1492: 1488: 1478: 1476: 1463:The Dinner Game 1459: 1458: 1454: 1444: 1442: 1434:Rotten Tomatoes 1427:The Dinner Game 1423: 1422: 1418: 1410: 1406: 1399:Sight and Sound 1395: 1384: 1372: 1371: 1367: 1356: 1354: 1349:. 3 July 2003. 1341: 1322: 1320: 1306: 1296: 1292: 1282: 1280: 1267: 1266: 1262: 1250: 1249: 1245: 1235: 1233: 1214: 1213: 1209: 1204: 1189:Bruce Greenwood 1177:Jemaine Clement 1130:Navya Natarajan 1014: 1009: 999: 988:"Dîner de cons" 974:"Juste Leblanc" 727: 723: 722: 710: 708: 699: 681: 665:Best Screenplay 647:Lumières Awards 513: 493:Rotten Tomatoes 486: 392: 365:as Jean Cordier 323: 276: 244:Dinner of Fools 234: 226:The Dinner Game 183: 176: 169: 167: 160: 142: 138: 136: 129: 127: 89: 85: 81: 77: 73: 36: 19: 12: 11: 5: 1862: 1860: 1852: 1851: 1846: 1841: 1836: 1831: 1826: 1821: 1816: 1811: 1806: 1801: 1796: 1791: 1786: 1781: 1771: 1770: 1764: 1763: 1761: 1760: 1754: 1752: 1748: 1747: 1745: 1744: 1736: 1727: 1725: 1724:As writer only 1721: 1720: 1718: 1717: 1709: 1701: 1693: 1685: 1677: 1669: 1661: 1653: 1645: 1637: 1629: 1620: 1618: 1614: 1613: 1607: 1605: 1604: 1597: 1590: 1582: 1576: 1575: 1559: 1548: 1537: 1524: 1523:External links 1521: 1518: 1517: 1486: 1452: 1416: 1404: 1382: 1365: 1290: 1260: 1243: 1206: 1205: 1203: 1200: 1197: 1196: 1191: 1162: 1157: 1150: 1146: 1145: 1140: 1119: 1114: 1107: 1103: 1102: 1097: 1084: 1079: 1072: 1068: 1067: 1062: 1049: 1044: 1037: 1033: 1032: 1029: 1026: 1023: 1020: 1013: 1010: 1006: 1005: 1002: 996: 995: 992: 989: 986: 982: 981: 978: 975: 972: 968: 967: 964: 963:Vladimir Cosma 961: 960:"Allo, Henry!" 958: 954: 953: 950: 949:Vladimir Cosma 947: 944: 940: 939: 936: 933: 930: 926: 925: 922: 919: 916: 912: 911: 908: 907:Vladimir Cosma 905: 902: 898: 897: 894: 891: 888: 884: 883: 880: 877: 874: 870: 869: 866: 863: 860: 856: 855: 852: 849: 846: 842: 841: 838: 837:Vladimir Cosma 835: 832: 828: 827: 824: 821: 818: 814: 813: 810: 807: 804: 800: 799: 796: 791: 788: 784: 783: 780: 777:Vladimir Cosma 770: 767: 763: 762: 759: 756: 753: 745: 742: 741: 738: 732: 731: 720: 716: 715: 705: 701: 700: 697:Vladimir Cosma 695: 688: 687: 680: 677: 674: 673: 670: 669:Francis Veber 667: 661: 660: 657: 654: 649: 643: 642: 639: 637: 632: 626: 625: 622: 621:Francis Veber 619: 613: 612: 609: 607:Catherine Frot 604: 598: 597: 594: 592:Daniel Prévost 589: 583: 582: 579: 574: 568: 567: 564: 559: 553: 552: 549: 547: 542: 536: 535: 532: 529: 526: 512: 509: 485: 482: 467:Patrick Timsit 447:Daniel Auteuil 431:Pierre Richard 391: 388: 387: 386: 383: 380: 379: 378: 366: 360: 357:Catherine Frot 354: 348: 345:Daniel Prévost 342: 339:Francis Huster 336: 330: 322: 319: 275: 272: 258:from his play 220: 219: 218:$ 65.4 million 216: 212: 211: 208: 204: 203: 200: 196: 195: 192: 188: 187: 184: 181: 178: 177: 175: 174: 163: 161: 158: 155: 154: 148: 147:Distributed by 144: 143: 132: 130: 125: 122: 121: 119:Vladimir Cosma 116: 112: 111: 108: 104: 103: 101:Luciano Tovoli 98: 97:Cinematography 94: 93: 91:Catherine Frot 83:Daniel Prévost 79:Francis Huster 68: 64: 63: 60: 56: 55: 52: 48: 47: 42: 38: 37: 34: 26: 25: 17: 13: 10: 9: 6: 4: 3: 2: 1861: 1850: 1847: 1845: 1842: 1840: 1837: 1835: 1832: 1830: 1827: 1825: 1822: 1820: 1817: 1815: 1812: 1810: 1807: 1805: 1802: 1800: 1797: 1795: 1792: 1790: 1787: 1785: 1782: 1780: 1777: 1776: 1774: 1759: 1756: 1755: 1753: 1749: 1742: 1741: 1737: 1734: 1733: 1729: 1728: 1726: 1722: 1715: 1714: 1710: 1707: 1706: 1702: 1699: 1698: 1694: 1691: 1690: 1686: 1683: 1682: 1678: 1675: 1674: 1670: 1667: 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Index


Francis Veber
Jacques Villeret
Thierry Lhermitte
Francis Huster
Daniel Prévost
Alexandra Vandernoot
Catherine Frot
Luciano Tovoli
Vladimir Cosma
Gaumont
TF1 Films Production
Buena Vista International
[lədined(ə)kɔ̃]
comedy film
Francis Veber
adapted
Le Dîner de Cons
Titanic
publisher
Finance Ministry
tax cheat
matchstick replicas
back pain
country club
Jacques Villeret
Thierry Lhermitte
Francis Huster
Daniel Prévost
Alexandra Vandernoot

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