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335:. Baltimore Museum of Art, Baltimore; Philbrook Museum of Art, Tulsa; Norton Museum of Art, West Palm Beach; Royal Academy of Arts, London; Albright-Knox Art Gallery, Buffalo; Dayton Art Institute, Dayton. 2000–2002.
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223:. Walters asked the manager of the exhibition at the National Academy of Design for a letter of authentication from GĂ©rĂ´me and a comparison of his copy to the original.
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of 1857, then in London the same year with the
English merchant Gambart. The painting became famous almost overnight with critics of the
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341:. The Nelson-Atkins Museum of Art, Kansas City; Mint Museum of Art, Charlotte; The Walters Art Museum, Baltimore. 2002–2004.
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speculating about Gerome's sources for the incident depicted in the painting. (The theme seems to have been in fashion;
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at the
National Academy of Design in New York for $ 2,500. The painting is a replica by GĂ©rĂ´me of his 1857 work
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It was characteristic of GĂ©rĂ´me to depict not a violent event itself, but the aftermath of such violence; see
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353:. J. Paul Getty Museum, Los Angeles; Musee D'Orsay, Paris; Museo Thyssen-Bornemisza, Madrid. 2010–2011.
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211:. It was not unusual for artists to replicate their own paintings; GĂ©rĂ´me also painted versions for
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The
Walters indicates that the work has been included in the following exhibitions:
298:. The bizarreness of the scene in regard to the brightly colored costumes turns to
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39.1 cm Ă— 56.3 cm (15.4 in Ă— 22.2 in)
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From Ingres to
Gauguin: French Nineteenth Century Paintings Owned in Maryland
347:. The Walters Art Museum, Baltimore; Phoenix Art Museum, Phoenix. 2007–2008.
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has been mortally wounded in a duel and has collapsed into the arms of a
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A Magnificent Age: Masterpieces from the
Walters Art Museum, Baltimore
439:. Baltimore, Md. : Johns Hopkins Univ. Press. pp. 17, 183, 241.
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were asked to identify their fifty-five favorite works of art, and
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Triumph of French
Painting: Masterpieces from Ingres to Matisse
246:, trees bare and snow covering the ground. A man dressed as a
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The Taste of
Maryland: Art Collecting in Maryland 1800–1934
384:(English ed.). Paris: ACR Editions. pp. 49–50.
277:, towards his carriage, shown waiting in the background.
487:"DĂ©jĂ Vu? Revealing Repetition in French Masterpieces"
518:"The Spectacular Art of Jean-Léon Gérôme (1824–1904)"
273:, leaving behind his weapon and some feathers of his
22:
The Duel After the
Masquerade (Suite d'un bal masqué)
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DĂ©jĂ Vu? Revealing
Repetition in French Masterpieces
184:. GĂ©rĂ´me borrowed the painting to present it at the
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437:William and Henry Walters: the Reticent Collectors
242:The scene is set on a gray winter morning in the
329:. The Walters Art Gallery, Baltimore. 1998–2001.
134:, of which multiple copies exist. The original,
359:. The Walters Art Museum, Baltimore. 2014–2016.
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226:In a poll taken in the winter of 1909–1910,
180:). The painting was acquired in 1858 by the
323:. The Walters Art Gallery, Baltimore. 1984.
317:. Baltimore Museum of Art, Baltimore. 1951.
258:, tries to stop the flow of blood, while a
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172:dealt with the same subject in 1857 with
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351:The Spectacular Art of Jean-LĂ©on GĂ©rĂ´me
357:From Rye to Raphael: The Walters Story
302:at the sight of blood on the Pierrot.
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516:Weisberg, Gabriel P. (Autumn 2010).
382:Jean-LĂ©on GĂ©rĂ´me: His Life, His Work
922:Paintings in the Walters Art Museum
130:is a painting by the French artist
786:The Christian Martyrs' Last Prayer
485:Mainardi, Patricia (Spring 2008).
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140:, first shown in 1857, is in the
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522:Nineteenth-Century Art Worldwide
491:Nineteenth-Century Art Worldwide
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461:"The Duel After the Masquerade"
327:Highlights from the Collection
269:, walks away with his second,
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927:Paintings by Jean-LĂ©on GĂ©rĂ´me
629:The Duel After the Masquerade
435:Johnston, William R. (1999).
232:The Duel After the Masquerade
205:The Duel After the Masquerade
127:The Duel After the Masquerade
942:Paintings in the Musée Condé
842:Truth Coming Out of Her Well
794:Slave Market in Ancient Rome
707:The Execution of Marshal Ney
380:Ackerman, Gerald M. (2008).
289:The Execution of Marshal Ney
186:Universal Exhibition of 1867
16:Painting by Jean-LĂ©on GĂ©rĂ´me
802:Bonaparte Before the Sphinx
667:Phryne Before the Areopagus
254:. A surgeon, dressed as a
174:Le Duel après le bal masqué
112:Le Duel après le bal masqué
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551:Walters Art Museum version
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201:William Thompson Walters
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262:clutches his own head.
770:A Chat by the Fireside
465:The Walters Art Museum
215:of Russia (now in the
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932:Paintings about death
826:Pygmalion and Galatea
410:Suite d'un bal masqué
209:Suite d'un bal masqué
158:Suite d'un bal masqué
137:Suite d'un bal masqué
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723:Prayer in the Mosque
675:Cleopatra and Caesar
937:Works about dueling
810:The Carpet Merchant
691:The Death of Caesar
614:The Age of Augustus
283:The Death of Caesar
834:The Birth of Venus
555:Google Art Project
306:Exhibition history
178:Wallace Collection
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120:Wallace Collection
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102:Walters Art Museum
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762:The Snake Charmer
234:topped the list.
156:GĂ©rĂ´me exhibited
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213:Prince Alexander
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731:Pollice Verso
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632:(1857, 1859)
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530:. Retrieved
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499:. Retrieved
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182:duc d'Aumale
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520:. Reviews.
489:. Reviews.
238:Composition
190:Musée Condé
162:Paris Salon
142:Musée Condé
89:Replica in
74:Musée Condé
911:Categories
862:Sculptures
446:0801860407
415:8 November
364:References
203:purchased
196:, France.
148:, France.
62:Dimensions
818:Bathsheba
699:Jerusalem
598:Paintings
295:Jerusalem
275:headdress
271:Harlequin
221:Ali Pacha
199:In 1859,
194:Chantilly
146:Chantilly
78:Chantilly
637:Diogenes
118:, 1857,
70:Location
889:Related
878:Tanagra
870:Omphale
248:Pierrot
160:at the
152:History
881:(1890)
873:(1887)
845:(1896)
837:(1890)
829:(1890)
821:(1889)
813:(1887)
805:(1886)
797:(1884)
789:(1883)
781:(1882)
773:(1881)
765:(1879)
757:(1878)
749:(1876)
734:(1872)
726:(1871)
718:(1869)
710:(1868)
702:(1867)
694:(1867)
686:(1866)
678:(1866)
670:(1861)
662:(1861)
647:(1860)
624:(1855)
609:(1846)
443:
388:
300:pathos
292:, and
260:Domino
54:Medium
36:Artist
746:]
659:]
644:]
621:]
532:3 May
501:3 May
470:3 May
166:Salon
534:2017
503:2017
472:2017
441:ISBN
417:2012
386:ISBN
49:1857
46:Year
553:at
528:(2)
497:(1)
192:in
144:in
114:by
913::
744:fr
657:fr
642:fr
619:fr
524:.
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463:.
425:^
408:.
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286:,
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576:t
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536:.
526:9
505:.
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474:.
449:.
419:.
394:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
