Knowledge (XXG)

The Earl and the Girl

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for eloping with his niece, and, being a good republican, Bliss is not impressed by Dick's earldom. Mrs. Shimmering Black is after Dick because the Earl of Hole has jilted her daughter (in fact it is Boodel who has done so). Mr. Talk and Mr. Downham are both lawyers; the first is English and the second American. They are both in search of the missing heir and after the reward for finding him. Dick is unaware that these two are bearing him good news, and when he learns from the landlord that some strangers have been asking about him, he concludes that there is trouble brewing.
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intent on shooting him, and the latter, a circus strongwoman, is a terrifying prospect – but when he tells them the truth about who is who, everyone is satisfied. Mrs Black's wrath subsides when she realises that the man who jilted her daughter is not, in fact, an earl, Bunker Bliss is appeased, and all ends happily.
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Dick persuades Jim Cheese to exchange identities with him, taking his name and even his girlfriend, and entrusting Elphin to Jim's care. The American lawyer finds Jim and tells him that he is an earl, and advances him money on the strength of his title. Elphir runs across a friend, Daisy Fallowfield,
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The real heir to the Hole property is Dick Wargrave, a friend of Boodel's. He has eloped from Paris with a schoolgirl, Elphin Haye, who is an American heiress masquerading as a penniless orphan. They arrive at the inn, preceded by four people who are in pursuit of them. A. Bunker Bliss is after Dick
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The Hon. Crewe Boodel believes himself to be the heir to the earldom of Hole. He and a party of his friends are on their way to a fancy dress ball at Hole Hall, but their vehicle breaks down, and they take refuge in a country inn, the Fallowfield Arms. Jim Cheese, the owner of a troupe of performing
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All the characters turn up at the ball at Hole Hall. Boodel brings Dick and passes him off as another guest. Liza slips in after Jim, who is announced as the Earl of Hole. The four pursuers gatecrash the party. Jim has a rough time with Bunker Bliss and Mrs. Black when they find him – the former is
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dogs, and his coster sweetheart, Liza Shoddam, have walked from London to attend the local fair. They are at first mistaken by Boodel's party for two more guests for the fancy dress party. Jim and Liza are in debt to the landlord of the inn, who threatens to turn them out or have them arrested.
194:. Lytton later used the song "My Cosy Corner" from the show in his music hall acts with much success, and made a recording of it. Kern's song "How'd You Like to Spoon with Me?" was interpolated into the New York production, and it also became a hit. 518:
thought the production overdone: "the stage is too crowded, and the restlessness of the chorus becomes irritating." The reviewer praised the principal performers and singled out Louie Pounds in particular: "a voice which is worthy of better things."
667: 403: 514:. As to the show, the paper thought "the merits of the piece are neither great nor new … pointless, often tasteless." The music was pronounced "cheap in form and old-fashioned in its kind." The journal 338:
Guests at the Hall: Florrie Sutherland, Rosie Edwards, Lily Mcintyre, L. Montez and the misses Hammerton, Taylor, Glenn, Williams, Ricards, Francis, Ohmead, Beresford and Harris
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wrote, "a veritable frolic from start to finish, light, tuneful, and full of color, and engaging a company of exceptionally clever people. Reviewing the Australian production,
139:. A production toured Australia in 1906 and 1907. A revival in London in 1914 ran for a total of 107 performances, and there were later revivals and tours. 905: 34: 709: 377:
at the inn, and the whole party go off to the ball, where Elphir has to introduce Jim to her aunt, Miss Virginia Bliss, as her fiancΓ©.
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8. Quartet (Talk, Bunker Bliss, Mrs. Black, and Downham) "When We Get Hold Of Him" (I Know Somebody I Want To Meet)
890: 124: 511: 202: 880: 295: 183: 120: 65: 846: 743: 532:, wrote, "Mr. J. F. Sheridan has surely produced few comedies in which the fun was so fast and furious." 142:
The original London cast included a number of performers who had recently appeared in productions of the
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The D'Oyly Carte Opera Company in Gilbert and Sullivan Operas: A Record of Productions, 1875–1961
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12. Quartet (Dick, Elphin, Jim, and Liza) "For One Night Only" (To-Night You'll Be A Bloomin' Swell)
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11. Song (Dick) and Chorus "By The Shore Of The Mediterranean" (Away, Come Away From The Gray Land)
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in New York beginning on 4 November 1905 for 148 performances (with some added music and lyrics by
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4. Concerted Number "Little Ladies In Distress" (Oh, Dear Me, What On Earth Are We To Do?)
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2. Song (Daisy) and Chorus - "The Sporting Girl" (Some Girls I Know Like Living In A Town)
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10. Song (Elphin) and Chorus "When A Maiden Leaves School " (When A Maiden Leaves School)
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15. Song (Daisy) "The Prettiest Girl In Town" (There's A Girl Who Is Always So Busy)
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9. Duet (Elphin and Dick) "We Were So Happy, You And I" (The First Time That We Met)
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on 12 September 1904, running for a total of 371 performances. It also ran at the
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7. Song (Downham) "I Haven't A Moment To Spare" (I'm Sure I Shall Always Remember)
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3. Duet (Jim and Liza) "Celebrities" (Oh, The Public Don't Appreciate Them Dogs)
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18. Song (Jim) And Chorus "I'm A Lord, What Ho!" (Behold In Me A Belted Earl)
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16. Song (Elphin) "Careless Kate" (Simple Little Maiden Once I Used To Know)
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22. Song (Crewe Boodle) and Chorus "The Grenadiers" (There's A Far-Off Hum)
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20. Song (Dick) "My Cosy Corner Girl" (Beside The Murmuring Sad Sea Waves)
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A 1907 photograph showing handbills for a production in Atlantic City, NJ
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6. Song (Crewe Boodle) "Thou Art My Rose" (In The Hush Of Silver Morning)
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23. Song (Crewe Boodle) "The Queen Of June" (Out In The Garden Closes)
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21. Song (Daisy) "Sammy" (Did You Ever Meet The Fellow Fine And Dandy)
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17. Chorus "Hail! Your Lordship" (Hail! The Heir So Long Expected)
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Musical comedy by Seymour Hicks, Percy Greenbank and Ivan Caryll
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19. Vocal Gavotte "To And Fro" (To And Fro, Dignified And Slow)
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5. Song (Daisy) and Chorus "Shopping" (When My Ship Comes In)
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Miss Virginia Bliss (Elphin Haye's Aunt) – Phyllis Broughton
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prefaced its review with a lament for the bygone days of
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Includes biographies of many of the members of this cast
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Liza Shoddam (Jim Cheese's Sweetheart) – Florence Lloyd
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Mrs. Shimmering Black (A Strong Lady) – Helen Kinnaird
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in London on 10 December 1903. It transferred to the
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A. Bunker Bliss (Elphin Haye's Uncle) – John C. Dixon
574:, Internet Broadway Database, accessed 3 March 2011. 76: 64: 54: 44: 23: 462:14. Opening Chorus (Madly and Merrily Here We Go) 398:Lytton, Florence Lloyd, Passmore and Agnes Fraser 328:Ladies of Crewe Boodle's Party: Lena Leibrandt, 246:Mr. Talk (An English Solicitor) – Frank Elliston 99:is a musical comedy in two acts, with a book by 847:Opening night review of the New York production 492:24. Finale (By The Shore Of The Mediterranean) 674:, Oxford Music Online, accessed May 10, 2010 8: 319:Daisy Fallowfield (Elphin Haye's Friend) – 249:Mr. Hazell (Host of the Fallowfield Arms) – 231:The Hon. Crewe Boodle (The Supposed Heir) – 452:13. Finale (Fancy His Getting The Earldom!) 33: 20: 416:1. Opening Chorus - (After A Capital Day) 406:Poster from the New York production, 1905 831:Midi files, lyrics and other information 146:, which was no longer performing at the 732:Judy, or the London serio-comic journal 694:Oxford Dictionary of National Biography 636: 634: 540: 802:Rollins, Cyril; R. John Witts (1962). 785:Lytton, Gilbert and Sullivan's Jester 770:. London: Sir Isaac Pitman and Sons. 307:Elphin Haye (An American Heiress) – 7: 857:A poster for the New York production 852:List of London shows opening in 1903 744:"A rollicking show opens new Casino" 702:10.1093/odnb/9780198614128.013.62580 582: 580: 837:​The Earl and the Girl​ 240:Downham (An American Solicitor) – 14: 688:Innes, Eilidh (9 November 2023), 332:, G. Thornton, Miss Standen and 225:Dick Wargrave (The Real Heir) – 182:, Alec Fraser, Ernest Torrence, 787:. London: Trafford Publishing. 150:at the time of the premiere of 906:Musicals set in country houses 1: 351:Louie Pounds and Robert Evett 219:Jim Cheese (A Dog Trainer) – 628:Rollins and Witts, pp. 13–20 522:Of the Broadway production, 696:, Oxford University Press, 927: 842:Internet Broadway Database 806:. London: Michael Joseph. 765:Who's Who in the Theatre, 730:"Players and Playthings", 280:Rossiter – Ernest Torrence 144:D'Oyly Carte Opera Company 553:, December 1903 pp. 55–80 547:"The Earl and the Girl", 32: 734:, 6 January 1904, p. 632 644:, 11 December 1903, p. 6 606:, 8 February 1915, p. 10 512:Edwardian musical comedy 911:Musicals by Ivan Caryll 896:Musicals set in England 676:(subscription required) 619:, 20 October 1918, p. 5 602:"The Theatrical Week", 593:, 23 October 1907, p. 5 572:"The Earl and the Girl" 255:Friends of Crewe Boodle 198:Roles and original cast 901:Musicals set in hotels 668:"Kern, Jerome (David)" 407: 399: 373: 352: 215: 207: 131:and others), starring 111:. It was produced by 783:Jones, Brian (2005). 662:Byrnside, Ronald and 615:"Dramatis Personae", 405: 397: 371: 350: 287:Footmen at Stole Hall 213: 205: 152:The Earl and the Girl 96:The Earl and the Girl 26:The Earl and the Girl 763:Gaye, Freda (1967). 591:The Morning Bulletin 530:The Morning Bulletin 270:Charles Childerstone 262:Dudley Cranbourne – 180:Charles Childerstone 640:"Adelphi Theatre", 300:Charles – J. Gordon 268:George Bellamy – 206:Passmore and Lytton 767:fourteenth edition 750:, 5 November 1905. 748:The New York Times 550:The Play Pictorial 525:The New York Times 497:Critical reception 408: 400: 374: 372:Guests at the Hall 353: 334:Winifred Hart-Dyke 216: 208: 115:and opened at the 886:West End musicals 711:978-0-19-861412-8 274:Hugh Wallander – 251:Reginald Crompton 214:The four pursuers 172:Reginald Crompton 92: 91: 918: 891:British musicals 815: 798: 779: 751: 741: 735: 728: 722: 721: 720: 718: 685: 679: 677: 660: 654: 651: 645: 638: 629: 626: 620: 613: 607: 600: 594: 584: 575: 569: 563: 560: 554: 545: 37: 27: 21: 926: 925: 921: 920: 919: 917: 916: 915: 871: 870: 822: 801: 795: 782: 762: 759: 754: 742: 738: 729: 725: 716: 714: 712: 687: 686: 682: 675: 661: 657: 652: 648: 639: 632: 627: 623: 614: 610: 601: 597: 587:"Theatre Royal" 585: 578: 570: 566: 561: 557: 546: 542: 538: 499: 392: 390:Musical numbers 345: 227:Henry A. Lytton 221:Walter Passmore 200: 156:Walter Passmore 117:Adelphi Theatre 105:Percy Greenbank 84: 59:Percy Greenbank 40: 25: 17: 12: 11: 5: 924: 922: 914: 913: 908: 903: 898: 893: 888: 883: 873: 872: 869: 868: 863: 854: 849: 844: 833: 828: 821: 820:External links 818: 817: 816: 799: 793: 780: 758: 755: 753: 752: 736: 723: 710: 680: 655: 646: 630: 621: 608: 595: 576: 564: 555: 539: 537: 534: 498: 495: 494: 493: 490: 487: 484: 481: 478: 475: 472: 469: 466: 463: 454: 453: 450: 447: 444: 441: 438: 435: 432: 429: 426: 423: 420: 417: 391: 388: 383: 382: 358: 357: 344: 341: 340: 339: 336: 326: 323: 317: 314: 311: 304: 303: 302: 301: 298: 289: 288: 284: 283: 282: 281: 278: 272: 266: 257: 256: 253: 247: 244: 238: 235: 229: 223: 199: 196: 125:Casino Theatre 90: 89: 78: 74: 73: 68: 62: 61: 56: 52: 51: 46: 42: 41: 38: 30: 29: 15: 13: 10: 9: 6: 4: 3: 2: 923: 912: 909: 907: 904: 902: 899: 897: 894: 892: 889: 887: 884: 882: 881:1903 musicals 879: 878: 876: 867: 864: 862: 858: 855: 853: 850: 848: 845: 843: 839: 838: 834: 832: 829: 827: 824: 823: 819: 813: 809: 805: 800: 796: 794:1-4120-5482-6 790: 786: 781: 777: 773: 769: 766: 761: 760: 756: 749: 745: 740: 737: 733: 727: 724: 713: 707: 703: 699: 695: 691: 684: 681: 673: 669: 665: 659: 656: 650: 647: 643: 637: 635: 631: 625: 622: 618: 612: 609: 605: 599: 596: 592: 588: 583: 581: 577: 573: 568: 565: 562:Gaye, p. 1531 559: 556: 552: 551: 544: 541: 535: 533: 531: 527: 526: 520: 517: 513: 509: 505: 504: 496: 491: 488: 485: 482: 479: 476: 473: 470: 467: 464: 461: 460: 459: 458: 451: 448: 445: 442: 439: 436: 433: 430: 427: 424: 421: 418: 415: 414: 413: 412: 404: 396: 389: 387: 380: 379: 378: 370: 366: 362: 355: 354: 349: 342: 337: 335: 331: 327: 324: 322: 318: 315: 312: 310: 306: 305: 299: 297: 296:Rudolph Lewis 293: 292: 291: 290: 286: 285: 279: 277: 273: 271: 267: 265: 261: 260: 259: 258: 254: 252: 248: 245: 243: 239: 236: 234: 230: 228: 224: 222: 218: 217: 212: 204: 197: 195: 193: 189: 185: 184:Rudolph Lewis 181: 177: 173: 169: 165: 161: 157: 153: 149: 148:Savoy Theatre 145: 140: 138: 134: 130: 126: 122: 121:Lyric Theatre 118: 114: 113:William Greet 110: 107:and music by 106: 102: 101:Seymour Hicks 98: 97: 88: 83: 79: 75: 72: 71:Seymour Hicks 69: 67: 63: 60: 57: 53: 50: 47: 43: 36: 31: 28: 22: 19: 836: 803: 784: 768: 764: 747: 739: 731: 726: 715:, retrieved 693: 683: 672:Grove Online 671: 658: 653:Jones, p. 96 649: 641: 624: 617:The Observer 616: 611: 603: 598: 590: 567: 558: 548: 543: 529: 523: 521: 515: 501: 500: 456: 455: 410: 409: 384: 375: 363: 359: 321:Louie Pounds 309:Agnes Fraser 264:Powis Pinder 242:M. R. Morand 233:Robert Evett 192:Louie Pounds 188:Agnes Fraser 176:Powis Pinder 168:M. R. Morand 164:Robert Evett 160:Henry Lytton 154:, including 151: 141: 103:, lyrics by 95: 94: 93: 24: 18: 664:Andrew Lamb 508:Savoy opera 276:Alec Fraser 137:W. H. Denny 129:Jerome Kern 109:Ivan Caryll 77:Productions 49:Ivan Caryll 39:Vocal Score 875:Categories 757:References 717:9 February 80:1903–1904 861:Eddie Foy 859:starring 812:504581419 642:The Times 604:The Times 503:The Times 330:Olive Rae 294:George – 133:Eddie Foy 343:Synopsis 87:Broadway 82:West End 840:at the 776:5997224 810:  791:  774:  708:  457:Act II 381:Act II 190:, and 55:Lyrics 536:Notes 411:Act I 356:Act I 85:1905 45:Music 808:OCLC 789:ISBN 772:OCLC 719:2024 706:ISBN 516:Judy 135:and 66:Book 698:doi 877:: 746:, 704:, 692:, 670:. 666:. 633:^ 589:, 579:^ 186:, 178:, 174:, 170:, 166:, 162:, 158:, 814:. 797:. 778:. 700:: 678:.

Index


Ivan Caryll
Percy Greenbank
Book
Seymour Hicks
West End
Broadway
Seymour Hicks
Percy Greenbank
Ivan Caryll
William Greet
Adelphi Theatre
Lyric Theatre
Casino Theatre
Jerome Kern
Eddie Foy
W. H. Denny
D'Oyly Carte Opera Company
Savoy Theatre
Walter Passmore
Henry Lytton
Robert Evett
M. R. Morand
Reginald Crompton
Powis Pinder
Charles Childerstone
Rudolph Lewis
Agnes Fraser
Louie Pounds

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