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over the lack of political ideals among his generation and the effect of advertising and media images. About this, he stated, "We don't know where to put our revolutionary energy and we don't know how to fight the system because we can't grab it, we don't know how to attack it," he said. "The system has become so invulnerable because it sells revolution to us."
602:
deals with generational conflict and stories of love and friendship. Weingartner said, "the whole idea of 'Edukating' is playful. The movie is full of jokes. And happiness. I read somewhere that kids laugh out loud more than 150 times a day. Adults laugh only 10 times a day. Well, I want people to laugh. I want people to go see the film and have fun."
473:
The trio finally decides that kidnapping
Hardenberg was wrong and take him back to his house to let him go. As they prepare to leave, Hardenberg gives Jule a letter forgiving her debt and promising not to involve the police. The film ends with Peter, Jan and Jule asleep in the same bed as a group of
358:
as three young, anti-capitalist Berlin activists involved in a love triangle. The friends, calling themselves "the
Edukators", invade upper-class houses, rearrange the furniture, and leave notes identifying themselves. Weingartner, a former activist, wrote the film based on his experiences and chose
509:
was influenced by his past as a political activist: "There's some of me in the film". He considers it an autobiographical film, with BrĂĽhl playing
Weingartner. It describes the last 10 years of his life, an attempt to find a political movement satisfying his ideals. It also reflects his frustration
601:
Even if the subject of the film is political, it deals with "lots of themes," and "the theme of revolution, of rebellion," and of "how a person can change the course of his life" are the main ones. Similarly, BrĂĽhl commented that "there are different things you can take out of it" as the film also
552:
The character of Peter was written for Erceg after
Weingartner saw him "in a friend's film." BrĂĽhl, already a popular actor in Germany, was known to the director, who saw him as a "perfect match" for Erceg. KlauĂźner was cast because, according to Weingartner, "I knew the energy and vibe between us
543:
was shot with hand-held digital cameras, allowing the director "to explore the space and give actors license to go wherever they wanted." Weingartner wanted a technically simple film focused on the actors. His decision to have a low budget was measured: "More money means more pressure. This way, I
430:
while he is away on business. During the break-in, the thrill of the moment entices them to kiss before Jan leaves Jule alone for a few minutes; he does not want to destroy his friendship with Peter. As she wanders around outside Jule accidentally sets off the house's floodlights, and they quickly
1075:
was directed by JoĂŁo
Fonseca and scripted by Rafael Gomes. The idea came from Pablo Sanábio, who stars in the play as Peter. The remaining cast was composed by FabrĂcio Belsoff (Jan), Nathália Lage (Jule) and EdmĂlson Barros (Hardenberg). To promote the play, furniture-like sculptures by juvenile
562:
Another theme of the movie is getting rid of one's fears. It's important to put an end to anxiety, to stop worrying about safety and security. Freedom is more strenuous than safety ... I believe that human beings are nomadic. They need to be free. And nowadays, very few of us are. Most people are
525:
The authenticity of the love triangle was "very important" to
Weingartner, who was once part of such a relationship. Although the actors were uncertain at first that Peter could forgive Jan and Jule's betrayal, Weingartner uses the situation to explore his concept of friendship: "Friendship means
521:
Although BrĂĽhl thought the film "very realistic", he was dissatisfied with his character's authenticity. The actor felt "attached" to Jan, admiring his "courage to want to change the way things are going, to act to defend his beliefs", but thought it was "very utopian and naive, that they take so
434:
When Peter returns the next day, Jan and Jule do not tell him about their activities the night before. Jule realises that her mobile phone is gone, and she and Jan leave later that night to look for it in the house. After she finds it, Hardenberg walks in the door and struggles with Jule when he
790:
reported gross earnings of US$ 8,152,859 in
Argentina, Austria, the Czech Republic, Germany, the Netherlands, New Zealand, Norway, Portugal, Slovakia, Taiwan, the United Kingdom and the United States. In Germany and Austria, the film's home countries, it grossed US$ 4,540,541 and US$ 479,678
480:) gather outside their flat and knock on the door. Jule wakes up when she hears a knock, and the police force their way into the almost-empty flat. Apparently in Barcelona, Jule opens the door to a hotel maid who wishes to clean their room. In the Berlin apartment, the police find a note:
1016:, Wendy Ide wrote: "What could have been an effective piece of drama, a dialogue to cause both sides to question the very foundations of their belief systems, is just a two-hour rant from a wispy bearded idealist whose idea of brotherhood is to sleep with his best friend's girlfriend."
573:
Weingartner commented that the film is "about economic revolution, about poor vs. rich." He also tried to explore in the film the fact that, in his opinion, "Today, we live in a society in which revolution is on sale." For example, in the film Jan comments that revolutionary icon
621:, said that it was part of a trend of films that "attempt to figure out what it is about political extremes that seduces young people – and how their idealism and hormone-powered gumption can eventually come head-to-head with the much uglier realities of politics and life".
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In 2006 a group of left-wing activists calling itself "Hamburg for Free" dressed as superheroes, robbing food from upper-class stores to distribute to the underclass. The media considered the crimes inspired by the film, and some protesters had T-shirts and banners reading
370:
was praised by critics and audiences. It grossed more than US$ 8 million worldwide and received a number of awards and nominations. It did, however, receive criticism mainly for its political statements and also for its long running time. It has become a
786:, the film was seen by over 1.4 million people in Europe: almost 890,000 in Germany, 71,000 in Austria and 67,000 in Switzerland. The highest attendance in non-German-speaking countries was in France (over 72,000) and Turkey (over 69,000).
553:
was right." The most difficult role to cast was Jule; Weingartner searched for eight months, and when he found
Jentsch she was committed to another film. Since he was certain that the actress was "the perfect cast", he rescheduled filming.
544:
used a limited crew and was able to set the shooting schedule the way I wanted it – usually. The huge advantage of this kind of film-making is that it's rapid." Most of the film was shot in Berlin, except for scenes in the
Austrian Alps.
534:
Weingartner said he received an offer large enough that "I would not have to work for the rest of my life" from an
American studio but refused it, opting to produce the film with his own studio, y3film, and coop99, an Austrian studio. A
526:
more to him than bourgeois moral values. Peter loves Jule – he doesn't own her. He can tell that when she falls in love with Jan, their love is a wonderful thing, coloured by a joint rebellion – a shared rejection of social constraint."
965:, Jason Clark wrote that the film needed "a touch of the perverse", but "Weingartner plays out the drama far too earnestly, and the story barely sustains the length of a movie half of its running time." According to Jack Mathews of the
469:
As the story progresses, political ideology and the characters' relationships become the main issues. Peter and Jan temporarily fall out over Jan's developing romance with Jule, and Hardenberg seems to regain some of his former self.
484:("some people never change"). In the original German version, the Edukators set off in Hardenberg's boat in the Mediterranean, presumably to disrupt the island signal towers supplying most television programming to Western Europe.
517:
gang which "practically killed the Left movement in Germany ... because they gave the police an excuse to really arm up and create a more totalitarian system." Instead, Weingartner gave his characters "poetic resistance."
892:
wrote that despite "its shortcomings" on political subjects, it "succeeds brilliantly in telling the story of a man who falls in love with his best buddy's girlfriend and doesn't know what to do about it." Tim Appelo of
1175:, a reference to the scarcity that will follow his "fat days." The official translation of the statement as used in the film and the subtitle to the English-language release was "Your days of plenty are numbered".
872:, it was "a rare film that gets smarter as it goes along ... inject a satisfying dash of pragmatism every time it seems ready to slip into either unearned idealism or cynical fatalism." Ray Bennett wrote for
928:
critic Carina Chocano described it as a "sweet, funny and gripping romantic adventure," and "The only accurate, ironic and poignant depiction of what it's like to be young and socially committed in the
971:, "The dialogue between the captive and the captors gets a little didactic, and the ending is as contrived as it is cynical." Similar criticism of the film's didacticism was made by Brett Michel of
1213:
Earlier in the film Jan proposes disrupting the towers to Peter and Jule, as he believes that Europe's youth watches too much television, which keeps them from engaging in revolutionary activities.
1025:
staff considered it to be one of the best German films of 2004 and early 2005. In 2018, the British Film Institute named it one of the ten "great German films of the 21st century". News publisher
3115:
582:. Hardenberg's "psycho-sexual powerplay" against the main characters while in the Alps stands for what Weingartner considers "a betrayal of European Left by hippie-era survivors including
3379:
1330:
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1996:
2488:
594:." Nonetheless, Weingartner was "not calling for revolution with this film. It was much more important to me to emphasize how important it is to be critical and to question the
359:
to use nonviolent characters. The film, shot in Berlin and Austria with digital hand-held cameras, was made on a low budget which Weingartner said kept the focus on the acting.
880:
is that rare beast, a terrific movie that boasts intelligent wit, expert storytelling, delightful characters and grown-up dialogue plus suspense and a wicked surprise ending."
2080:
2511:
833:
wrote that in Germany it was a "huge hit ... Abroad, however, it has been the butt of plenty of criticism. It is too earnest, too naive, too Teutonic and sincere."
1429:
1289:
415:, Jan tells Jule that he and Peter spend their nights "educating" upper-class people by breaking into their houses, moving furniture around and leaving notes saying
1948:
1535:
2889:
1606:
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rating from 100 top reviews by mainstream critics, calculated a score of 68 based on 28 reviews, indicating "generally favorable reviews". Stephanie Bunbury of
2026:
1674:
2283:
1916:
752:, KlauĂźner was Best Supporting Actor and Weingartner was nominated for the Best Director Award. It was the Best Film and Jentsch the Best Actress at the 2005
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1100:. Film director Weingartner approved the stage adaptation and besides watching it in Rio de Janeiro, he made a five-minute montage for the play featuring
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Howard Swains wrote that it "manages to combine political discourse, a love-triangle and a hostage plot, all without sacrificing its graceful humour."
959:' romantic triangle thriller," adding: "It ends interestingly, but it would've ended better, and played better, had it been half an hour shorter." In
2627:
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998:, " starts strong, with an ingratiatingly anarchic vibe, but quickly devolves into a dust-dry, hectoring socialist lecture: a cinematic version of
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praised the film's realism: "The whole thing feels messy, painful, funny and believable, just like that hideous circus known as real life."
31:
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2004:
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458:. As they try to decide how to deal with their hostage, they learn that Hardenberg was a radical himself during the 1960s. A leader of the
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The three cannot decide what to do with Hardenberg and take him to a remote, rarely used cabin belonging to Jule's uncle in the
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was returned with a note ("Bernie the Swindler, Lesson: Return stolen property to rightful owners") signed by "The Educators".
411:). After her eviction for non-payment of rent, she moves in with Peter and Jan, who are often out all night. While Peter is in
3437:
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1419:
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1184:"Edukators" is a made-up word used in the English dub. In the German version of the film, the three call themselves the
539:, it was funded by a €250,000 loan Weingartner obtained with his parents' house as collateral. His second feature film,
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After hearing this, Jule convinces the reluctant Jan to break into Hardenberg's home in the affluent Berlin suburb of
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2018:
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praised "the marvelous acting, the sensitive, utterly realistic treatment of the young-love triangle," adding: "
375:, part of a "German New Wave", and the inspiration for real-life actions and a 2013 stage adaptation in Brazil.
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1081:
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994:
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403:). Jule is a waitress struggling to pay off a €100,000 debt she incurred a year ago when she crashed into a
1970:
1890:
736:, Weingartner was Best Director, Erceg Best Actor, and writers Weingartner and Held received a jury award.
563:
like Hardenberg, prisoners of their own possessions. 'What you own,' someone once said, 'One day owns you.'
2826:
1864:
985:
617:
606:
476:
760:, Jentsch won Best New Actress. The film shared the Audience Award for Best Dramatic Feature at the 2005
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debuted in German theaters on 25 November 2004, and the following day in Austria. According to the
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The director opted for nonviolence because violence "only makes the system stronger", citing the
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said that Weingartner "presents his indictment of the System in crudely stacked terms that make
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recognises her. Hearing them, Jan comes downstairs and knocks Hardenberg unconscious with a
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era". Chocano choose it as one of the 13 best films released in 2005. Liese Spencer of
910:
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also included the film among the best ten films of Germany in 2018 and 2019 articles.
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706:, marking the first time a German film entered in the competition since 1993, when
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The film has been considered to be part of a "New German Wave" in the cinema. The
819:
engagingly plays out the clash between youthful idealism and older pragmaticism."
807:
The film was generally well received by critics. Based on 76 reviews collected by
656:
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1200:
are special police forces that are essentially the German equivalent of American
702:, where it received a 10-minute standing ovation. There it was nominated for the
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883:
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s Marc Savlov said the film was a "smart, kicky little gem that owes as much to
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436:
2284:"Adaptação teatral de cultuado filme "Edukators" chega a SP; leia entrevista"
615:
dubbed it as a film about "disillusioned youth", Boyd van Hoeij, writing for
501:
Director Hans Weingartner based the film on his past as a political activist.
3288:
2075:
1562:
1163:
The original German title translates literally as "the fat years are over".
1027:
915:
796:
412:
372:
739:
Erceg and Jentsch were nominated for the 2005 New Faces Award. At the 2005
2350:
2256:
1787:"Another Brick in the Wall: Five German Movies About Disillusioned Youth"
1085:
609:
also stressed its "generational conflict" theme. While Roxanne Sancto of
455:
3299:
1012:
very much a teen movie rather than a plausible political statement." In
645:
2407:"Diane Lane Is Fetching But 'Must Love Dogs' Is a Romance Without Bite"
1284:
1112:. After being staged in Rio de Janeiro, performances were also held in
1089:
1068:
would adapt and direct a version of the film set in the United States.
829:
451:
522:
much risk to break into some rich man's house to move things around."
2845:
Steinbacher, Bradley; Mudede, Charles; Wright, Andrew (August 2005).
1097:
999:
439:. Not knowing what to do, they call Peter and he comes to their aid.
388:
1360:"Press Conference: "Die Fetten Jahre sind Vorbei" ("The Edukators")"
1064:
It gained international attention and in 2006 it was announced that
3310:
3202:"Sucesso do cinema alemĂŁo, "Edukators" ganha versĂŁo teatral no Rio"
732:
for Best Actor. Of the German Cinema New Talent Awards at the 2004
366:
on 17 May 2004 and released in its home countries later that year,
2733:
Bernard, Jami; Weitzman, Elizabeth; Mathews, Jack (22 July 2005).
496:
3228:"Artistas usam esculturas para promover peça 'Edukators' no Rio"
1838:"Twenty culture ministers on the red carpet for "The Edukators""
1201:
724:. The film won the Silver Giraldillo (second place) at the 2004
447:
3314:
815:
score of 6.5 out of 10. According to the website's consensus, "
811:, it has an overall approval rating of 70% from critics and an
665:
The main characters received accolades for their performances:
466:
before marrying, getting a good job and abandoning his ideals.
3142:
2479:"Limited movie runs: 'Save the Green Planet,' 'The Edukators'"
930:
2533:
Miller, Brina; Appelo, Tim; Schindler, Neal (August 2005).
1320:"Suburban Break-In as Political Statement, With Kidnapping"
682:
BrĂĽhl was nominated for a Best Actor European Film Award.
346:. A co-production between Germany and Austria, it stars
939:
also elected it as one of the best five films of 2005.
720:
and Matthias Schellenberg were nominated for the 2004
3259:"Espetáculo "Edukators" faz apresentação única em BH"
903:
is educational—not intellectually, but emotionally."
407:
belonging to a wealthy businessman named Hardenberg (
2071:""Die fetten Jahre sind vorbei" – Ein Film sahnt ab"
1167:
is a German expression originating from the life of
1002:'s My First Revolution playset." Jonathan Romney of
849:"an uncommonly smart and interesting" film, and the
3348:
2589:"Smart and poignant, and that can be revolutionary"
1840:. Cannes Film Festival. 17 May 2004. Archived from
1461:"German film's political message sets Cannes abuzz"
313:
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228:
218:
195:
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161:
142:
111:
94:
68:
58:
44:
23:
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2617:
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2559:
2420:
1629:
1555:
1318:
383:Set in 2004, the film revolves around three young
3022:"Ten must-see German films of past and present"
1057:original title). In 2009, a statue stolen from
746:shared the Best Feature Film Silver Award with
560:
3139:"Statue stolen from Madoff found with message"
2768:"Die fetten Jahre sind vorbei / The Edukators"
1698:"The Edukators / Die fetten Jahre sind vorbei"
1188:, which roughly translates as "The Guardians."
1104:film scenes and newspaper headlines about the
1080:were placed in affluent neighborhoods such as
3326:
16:2004 Austrian-German film by Hans Weingartner
8:
2970:"German Films Experience Renaissance Abroad"
1971:""Head-On" Up for Five European Film Awards"
1939:"Euro-focused Seville taps 'Avanim' top pic"
2968:Mohebbi, Monika Vosough (7 February 2007).
2165:"Film #21962: Die fetten Jahre sind vorbei"
1764:"10 great German films of the 21st century"
1534:: CS1 maint: numeric names: authors list (
3333:
3319:
3311:
2611:
2609:
2159:
2157:
1891:"German Film Flexes its Muscles in Cannes"
728:, and that year BrĂĽhl was nominated for a
29:
20:
2282:Barsanelli, Maria LuĂsa (12 April 2013).
2104:"Downfall dominates Bavarian Film Awards"
1917:"Camerimage 2004. Jutro poczÄ…tek imprezy"
1549:
1547:
1545:
1381:
1379:
1377:
1071:In 2013, a Brazilian stage adaptation of
679:) won an award and received a nomination.
3196:
3194:
3192:
3190:
3070:
3068:
1557:"All we are saying is peace in our time"
1354:
1352:
1350:
1348:
1273:
1271:
1269:
1267:
1265:
1263:
3047:"Ten German films that you should know"
1226:
1153:
672:) received two awards and a nomination.
342:film directed by the Austrian director
3165:"Anderson to helm redo of 'Edukators'"
3137:Chinnici, Christian (1 January 2009).
2253:"Youth's Resentful Protest in Germany"
2246:
2244:
2029:from the original on 24 September 2015
1757:
1755:
1753:
1527:
1455:
1453:
1451:
1449:
1447:
1432:from the original on 24 September 2015
1413:
1411:
1409:
1159:
1157:
1142:List of films featuring home invasions
754:German Film Critics Association Awards
2995:"The Best of Germany's Silver Screen"
2940:Weingarten, Susanne (26 April 2005).
2335:
2333:
1951:from the original on 24 December 2014
1785:Sancto, Roxanne (29 September 2015).
1587:
1585:
1500:
1498:
1496:
1494:
1492:
1490:
1488:
1486:
1484:
1482:
1309:
1307:
1292:from the original on 11 November 2012
7:
3257:Cassese, PatrĂcia (14 August 2013).
2616:Chocano, Carina (18 December 2005).
2120:from the original on 2 November 2014
1762:Grieb, Juliane (25 September 2018).
1738:from the original on 6 February 2017
1677:from the original on 8 December 2014
1394:from the original on 6 February 2017
866:." According to Sean Axmaker of the
3087:from the original on 31 August 2017
2859:from the original on 31 August 2017
2747:from the original on 31 August 2017
2689:from the original on 31 August 2017
2491:from the original on 31 August 2017
2458:from the original on 31 August 2017
2228:from the original on 30 August 2017
2209:from the original on 30 August 2017
1609:from the original on 31 August 2017
1388:"Hans Weingartner: Hello, Germany!"
1248:from the original on 22 August 2016
942:Not all reviews were positive. The
419:("the days of plenty are over") or
3458:Films directed by Hans Weingartner
3163:Goldstein, Gregg (25 April 2006).
3106:Ulrich, Andreas (19 August 2006).
2878:Romney, Jonathan (17 April 2005).
2809:from the original on 24 June 2016.
2778:Phoenix Media/Communications Group
2602:from the original on 16 June 2016.
2558:Swains, Howard (27 October 2004).
2311:VerfĂĽrth, Eva-Maria (March 2019).
2102:Blaney, Martin (14 January 2005).
2019:"New Faces Award: Die Nominierten"
1923:. 26 November 2004. Archived from
1597:"Teaching the Bigs a Thing or Two"
1234:Jeffries, Stuart (14 April 2005).
14:
3208:(in Portuguese). 17 February 2013
3118:from the original on 4 March 2016
2675:Moore, Roger (2 September 2005).
2630:from the original on 7 March 2016
2251:Klatell, James (17 August 2006).
2179:from the original on 23 June 2018
2144:Miami International Film Festival
1871:from the original on 4 March 2016
1663:Schwaldt, Norbert (22 May 2005).
1628:Sandhu, Sukhdev (15 April 2005).
1554:Dalton, Stephen (14 April 2005).
1418:Molitorisz, Sacha (13 May 2005).
1278:Bunbury, Stephanie (8 May 2005).
762:Miami International Film Festival
605:Like BrĂĽhl, Juliane Grieb of the
482:"Manche Menschen ändern sich nie"
3287:
2892:from the original on 29 May 2010
2677:"3 characters, too much talking"
2586:Chocano, Carina (29 July 2005).
2173:European Audiovisual Observatory
2083:from the original on 4 June 2016
1997:"German Cinema New Talent Award"
1811:van Hoeij, Boyd (9 March 2021).
1644:from the original on 6 July 2016
1570:from the original on 31 May 2016
1507:"The Edukators production notes"
1333:from the original on 8 July 2019
955:"a surprisingly generic German '
791:respectively. Since its release
784:European Audiovisual Observatory
655:
644:
633:
2795:Allison, Kriss (28 July 2005).
2477:Axmaker, Sean (4 August 2005).
2444:Savlov, Marc (19 August 2005).
2222:"The Edukators (2005): Foreign"
2199:"The Edukators (2005): Summary"
1704:. Intellect Books. p. 98.
1631:"Sex intrudes on the class war"
1516:. Cinematic Intelligence Agency
2797:"The Edukators – Movie Review"
2079:(in German). 11 January 2005.
1048:"Die fetten Jahre sind vorbei"
749:Sophie Scholl – The Final Days
726:Seville European Film Festival
691:Accolades and public reception
460:Socialist German Student Union
417:"die fetten Jahre sind vorbei"
1:
3075:Harding, Luke (17 May 2006).
2820:Whipp, Glenn (29 July 2005).
2766:Michel, Brett (August 2005).
2710:"Film Review – The Edukators"
1813:"'Je Suis Karl': Film Review"
1366:. 17 May 2004. Archived from
423:("you have too much money").
3020:Dilley, Ana (18 June 2019).
2911:Ide, Wendy (14 April 2005).
2649:James, Nick (January 2006).
2510:Bennett, Ray (18 May 2004).
1702:World Film Locations: Berlin
1420:"Children of the revolution"
335:Die fetten Jahre sind vorbei
49:Die fetten Jahre sind vorbei
3453:2000s German-language films
2025:(in German). 17 June 2005.
1505:y3film; coop99; UGC Films.
698:premiered on 17 May at the
399:) and his best friend Jan (
3489:
3423:Austrian crime drama films
2484:Seattle Post-Intelligencer
1700:. In Ingram, Susan (ed.).
869:Seattle Post-Intelligencer
505:According to Weingartner,
493:Development and characters
462:, he was a good friend of
263:26 November 2004
252:25 November 2004
2535:"This Week's Attractions"
1696:Bida, Aleksandra (2012).
1425:The Sydney Morning Herald
1280:"Carry on the Revolution"
716:did it. Cinematographers
700:2004 Cannes Film Festival
54:
40:
28:
3448:German crime drama films
3108:"Robin Hood or Robbery?"
2822:"Rearranging radicalism"
2651:"The best films of 2005"
2619:"Major studios excepted"
1766:. British Film Institute
1386:Achour, Bernard (2004).
421:"Sie haben zu viel Geld"
395:), her boyfriend Peter (
2412:The Wall Street Journal
2372:"The Edukators reviews"
1034:DE magazine Deutschland
992:Andre Wright wrote for
983:and Glenn Whipp of the
842:The Wall Street Journal
3473:Works about capitalism
3418:2004 crime drama films
3292:Quotations related to
3169:The Hollywood Reporter
2880:"The Edukators review"
2827:Los Angeles Daily News
2685:. Tribune Publishing.
2516:The Hollywood Reporter
2341:"The Edukators (2005)"
1865:University of Waterloo
1855:Holloway, Ron (2004).
1817:The Hollywood Reporter
1665:"Berlin wird Filmstar"
1390:(in French). Cineman.
1198:Spezialeinsatzkommando
1186:Erziehungsberechtigten
986:Los Angeles Daily News
874:The Hollywood Reporter
618:The Hollywood Reporter
607:British Film Institute
571:
530:Production and filming
502:
477:Spezialeinsatzkommando
474:heavily armed police (
391:'s city centre: Jule (
333:
3438:Films shot in Austria
3428:Films about anarchism
2942:"Wunders Never Cease"
2708:Clark, Jason (2005).
951:s Roger Moore called
625:Release and reception
500:
405:Mercedes-Benz S-Class
237:17 May 2004
154:Matthias Schellenberg
3443:Films shot in Berlin
2855:. Index Newspapers.
2722:on 20 November 2005.
2547:on 20 November 2005.
2150:on 16 December 2013.
2140:"2005 Award Winners"
2001:Munich Film Festival
1947:. 15 November 2004.
1857:"Cannes 2004 Report"
1364:Cannes Film Festival
758:Bavarian Film Awards
734:Munich Film Festival
364:Cannes Film Festival
247:Cannes Film Festival
3433:Films set in Berlin
2834:on 2 November 2014.
2740:New York Daily News
2224:. Box Office Mojo.
2007:on 2 November 2014.
1927:on 2 November 2014.
1844:on 5 February 2017.
1670:Berliner Morgenpost
1637:The Daily Telegraph
1602:The Washington Post
1370:on 2 November 2014.
977:, Kriss Allison of
968:New York Daily News
730:European Film Award
580:appears on T-shirts
557:Themes and analysis
362:First shown at the
3468:2000s German films
3373:Reclaim Your Brain
3175:on 2 November 2014
3053:. 15 February 2018
2425:on 2 November 2014
2263:on 2 November 2014
2053:German Film Awards
1977:. 11 November 2004
1326:The New York Times
1110:Occupy Wall Street
957:Stockholm syndrome
889:The New York Times
823:, which assigns a
803:Critical reception
741:German Film Awards
713:Faraway, So Close!
503:
191:Andreas Wodraschke
172:Andreas Wodraschke
35:German film poster
3463:Films set in 2004
3400:
3399:
3380:"Endangerers" in
3238:. 17 January 2013
3234:(in Portuguese).
3001:. 23 January 2005
2655:Sight & Sound
2624:Los Angeles Times
2595:Los Angeles Times
2522:on 18 March 2005.
2049:"Preistäger 2005"
1605:. Nash Holdings.
1595:(5 August 2005).
936:Sight & Sound
925:Los Angeles Times
409:Burghart KlauĂźner
321:
320:
134:Burghart KlauĂźner
3480:
3390:Hut in the Woods
3342:Hans Weingartner
3335:
3328:
3321:
3312:
3291:
3275:
3274:
3272:
3270:
3254:
3248:
3247:
3245:
3243:
3224:
3218:
3217:
3215:
3213:
3198:
3185:
3184:
3182:
3180:
3171:. Archived from
3160:
3154:
3153:
3151:
3149:
3134:
3128:
3127:
3125:
3123:
3103:
3097:
3096:
3094:
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3063:
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3058:
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3017:
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3008:
3006:
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2958:
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2928:
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2916:
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2902:
2901:
2899:
2897:
2875:
2869:
2868:
2866:
2864:
2842:
2836:
2835:
2830:. Archived from
2817:
2811:
2810:
2792:
2786:
2785:
2784:on 3 March 2016.
2780:. Archived from
2763:
2757:
2756:
2754:
2752:
2730:
2724:
2723:
2718:. Archived from
2705:
2699:
2698:
2696:
2694:
2682:Orlando Sentinel
2672:
2666:
2665:
2663:
2661:
2646:
2640:
2639:
2637:
2635:
2621:
2613:
2604:
2603:
2591:
2583:
2577:
2576:
2574:
2572:
2563:
2555:
2549:
2548:
2543:. Archived from
2530:
2524:
2523:
2518:. Archived from
2507:
2501:
2500:
2498:
2496:
2474:
2468:
2467:
2465:
2463:
2451:Austin Chronicle
2441:
2435:
2434:
2432:
2430:
2424:
2419:. Archived from
2405:(29 July 2005).
2403:Morgenstern, Joe
2399:
2393:
2392:
2390:
2388:
2368:
2362:
2361:
2359:
2357:
2337:
2328:
2327:
2325:
2323:
2308:
2302:
2301:
2299:
2297:
2289:Folha de S.Paulo
2279:
2273:
2272:
2270:
2268:
2259:. Archived from
2248:
2239:
2237:
2235:
2233:
2218:
2216:
2214:
2195:
2189:
2188:
2186:
2184:
2161:
2152:
2151:
2146:. Archived from
2136:
2130:
2129:
2127:
2125:
2099:
2093:
2092:
2090:
2088:
2067:
2061:
2060:
2055:. Archived from
2045:
2039:
2038:
2036:
2034:
2015:
2009:
2008:
2003:. Archived from
1993:
1987:
1986:
1984:
1982:
1967:
1961:
1960:
1958:
1956:
1935:
1929:
1928:
1913:
1907:
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1887:
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1401:
1399:
1383:
1372:
1371:
1356:
1343:
1342:
1340:
1338:
1322:
1317:(22 July 2005).
1311:
1302:
1301:
1299:
1297:
1275:
1258:
1257:
1255:
1253:
1236:"Radically chic"
1231:
1214:
1211:
1205:
1195:
1189:
1182:
1176:
1171:as found in the
1165:Die fetten Jahre
1161:
1056:
950:
945:Orlando Sentinel
921:
857:
852:Austin Chronicle
659:
648:
637:
588:Gerhard Schroder
569:
568:Hans Weingartner
344:Hans Weingartner
270:
268:
259:
257:
244:
242:
223:Celluloid Dreams
180:
168:Dirk Oetelshoven
104:Hans Weingartner
87:Hans Weingartner
84:
63:Hans Weingartner
33:
21:
3488:
3487:
3483:
3482:
3481:
3479:
3478:
3477:
3403:
3402:
3401:
3396:
3357:The White Sound
3344:
3339:
3284:
3279:
3278:
3268:
3266:
3265:(in Portuguese)
3256:
3255:
3251:
3241:
3239:
3226:
3225:
3221:
3211:
3209:
3200:
3199:
3188:
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3162:
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3136:
3135:
3131:
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3119:
3105:
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3090:
3088:
3074:
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3044:
3040:
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3028:
3019:
3018:
3014:
3004:
3002:
2993:
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2988:
2978:
2976:
2967:
2966:
2962:
2952:
2950:
2939:
2938:
2934:
2924:
2922:
2914:"The Edukators"
2910:
2909:
2905:
2895:
2893:
2885:The Independent
2877:
2876:
2872:
2862:
2860:
2844:
2843:
2839:
2819:
2818:
2814:
2802:Stylus Magazine
2794:
2793:
2789:
2765:
2764:
2760:
2750:
2748:
2732:
2731:
2727:
2707:
2706:
2702:
2692:
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2674:
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2669:
2659:
2657:
2648:
2647:
2643:
2633:
2631:
2615:
2614:
2607:
2585:
2584:
2580:
2570:
2568:
2561:"The Edukators"
2557:
2556:
2552:
2532:
2531:
2527:
2512:"The Edukators"
2509:
2508:
2504:
2494:
2492:
2476:
2475:
2471:
2461:
2459:
2446:"The Edukators"
2443:
2442:
2438:
2428:
2426:
2401:
2400:
2396:
2386:
2384:
2382:CBS Interactive
2370:
2369:
2365:
2355:
2353:
2346:Rotten Tomatoes
2339:
2338:
2331:
2321:
2319:
2317:Goethe-Institut
2310:
2309:
2305:
2295:
2293:
2292:(in Portuguese)
2281:
2280:
2276:
2266:
2264:
2250:
2249:
2242:
2231:
2229:
2220:
2212:
2210:
2203:Box Office Mojo
2197:
2196:
2192:
2182:
2180:
2163:
2162:
2155:
2138:
2137:
2133:
2123:
2121:
2101:
2100:
2096:
2086:
2084:
2069:
2068:
2064:
2047:
2046:
2042:
2032:
2030:
2017:
2016:
2012:
1995:
1994:
1990:
1980:
1978:
1969:
1968:
1964:
1954:
1952:
1937:
1936:
1932:
1915:
1914:
1910:
1900:
1898:
1889:
1888:
1884:
1874:
1872:
1854:
1853:
1849:
1836:
1835:
1831:
1821:
1819:
1810:
1809:
1805:
1795:
1793:
1784:
1783:
1779:
1769:
1767:
1761:
1760:
1751:
1741:
1739:
1734:. 25 May 2006.
1726:"TV Revolution"
1724:
1723:
1719:
1712:
1695:
1694:
1690:
1680:
1678:
1662:
1661:
1657:
1647:
1645:
1627:
1626:
1622:
1612:
1610:
1593:Hunter, Stephen
1591:
1590:
1583:
1573:
1571:
1553:
1552:
1543:
1526:
1519:
1517:
1509:
1504:
1503:
1480:
1470:
1468:
1459:
1458:
1445:
1435:
1433:
1417:
1416:
1407:
1397:
1395:
1385:
1384:
1375:
1358:
1357:
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1312:
1305:
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1277:
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1261:
1251:
1249:
1233:
1232:
1228:
1223:
1218:
1217:
1212:
1208:
1196:
1192:
1183:
1179:
1162:
1155:
1150:
1138:
1054:
1043:
1041:Cultural impact
1005:The Independent
980:Stylus Magazine
948:
919:
906:Washington Post
855:
837:Joe Morgenstern
809:Rotten Tomatoes
805:
788:Box Office Mojo
693:
688:
687:
686:
685:
662:
661:
660:
651:
650:
649:
640:
639:
638:
627:
584:Joschka Fischer
570:
567:
559:
550:
537:low-budget film
532:
495:
490:
385:anti-capitalist
381:
317:US$ 8.1 million
301:
281:
274:
266:
264:
255:
253:
240:
238:
231:
214:
213:
200:
198:
183:
174:
157:
138:
107:
101:Antonin Svoboda
90:
78:
36:
17:
12:
11:
5:
3486:
3484:
3476:
3475:
3470:
3465:
3460:
3455:
3450:
3445:
3440:
3435:
3430:
3425:
3420:
3415:
3405:
3404:
3398:
3397:
3395:
3394:
3386:
3377:
3369:
3361:
3352:
3350:
3349:Films directed
3346:
3345:
3340:
3338:
3337:
3330:
3323:
3315:
3309:
3308:
3297:
3283:
3282:External links
3280:
3277:
3276:
3249:
3219:
3206:Deutsche Welle
3186:
3155:
3129:
3112:Spiegel Online
3098:
3077:"A merry band"
3064:
3051:Deutschland.de
3038:
3012:
2999:Deutsche Welle
2986:
2974:Deutsche Welle
2960:
2947:Spiegel Online
2932:
2903:
2870:
2837:
2812:
2787:
2773:Boston Phoenix
2758:
2735:"Movie Digest"
2725:
2715:Slant Magazine
2700:
2667:
2641:
2605:
2578:
2550:
2540:Seattle Weekly
2525:
2502:
2469:
2436:
2394:
2363:
2329:
2303:
2274:
2240:
2190:
2153:
2131:
2094:
2062:
2059:on 2 May 2006.
2040:
2010:
1988:
1975:Deutsche Welle
1962:
1930:
1908:
1895:Deutsche Welle
1882:
1847:
1829:
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1146:
1145:
1144:
1137:
1134:
1130:Belo Horizonte
1078:Rio de Janeiro
1059:Bernard Madoff
1042:
1039:
1022:Deutsche Welle
974:Boston Phoenix
962:Slant Magazine
911:Stephen Hunter
896:Seattle Weekly
804:
801:
756:. At the 2005
692:
689:
684:
683:
680:
673:
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531:
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515:Baader-Meinhof
494:
491:
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454:, overlooking
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286:
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271: (Austria)
261:
260: (Germany)
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220:
219:Distributed by
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143:Cinematography
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76:Katharina Held
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3370:
3367:
3366:
3365:The Edukators
3362:
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3351:
3347:
3343:
3336:
3331:
3329:
3324:
3322:
3317:
3316:
3313:
3307:
3303:
3302:
3301:The Edukators
3298:
3295:
3294:The Edukators
3290:
3286:
3285:
3281:
3264:
3260:
3253:
3250:
3237:
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3229:
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119:Daniel BrĂĽhl
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2847:"On Screen"
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1106:Arab Spring
1076:interns in
884:A. O. Scott
708:Wim Wenders
576:Che Guevara
397:Stipe Erceg
352:Stipe Erceg
340:crime drama
284:127 minutes
175: [
129:Stipe Erceg
95:Produced by
79: [
59:Directed by
3413:2004 films
3407:Categories
3382:Germany 09
3236:Rede Globo
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3091:2 November
2925:8 December
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2751:1 November
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2660:18 January
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1640:. London.
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1221:References
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825:normalised
821:Metacritic
722:Camerimage
704:Palme d'Or
596:status quo
592:Tony Blair
488:Production
437:flashlight
428:Zehlendorf
314:Box office
267:2004-11-26
256:2004-11-25
241:2004-05-17
197:Production
69:Written by
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797:cult film
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