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The Elusive Summer of '68

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619:, where films were screened out of competition. The explanation given by the jury at the time was that the film did not communicate well enough with the audience. According to Paskaljević's opinion, the film faced challenges due to jealousy from his colleagues, given the success of his previous films. However, he received support from the film crew and the ensemble cast, who accompanied him to premieres of the film in various cities. 362:, the screenplay was offered to Goran Paskaljević, who decided to shift the film's setting to the "turbulent and pivotal" year of 1968. Wanting to create a film that would contain his personal signature, he introduced certain details into the screenplay, such as a young Czech girl, graduation thesis on Marxism, and others. Additionally, Paskaljević felt the need to address the events of 1968— 374:—since his generation believed at the time that this year was pivotal, that something would change, and the world would become a better place. As he didn't have the desire to make a film about student demonstrations, he decided to create a sentimental comedy with political content and depict how tumultuous political events impact the lives of ordinary people. 410:. Her father, who held a higher position, was informed about what would happen and managed to obtain visas for himself, his wife, and daughters. When Paskaljević returned to Prague for his studies at the end of August, he couldn't find her, and he lost all contact with her (he only met Mirka again years later in America, where she owned a fashion boutique in 238:, high school graduate Petar Cvetković searches for the love of his life by falling in love alternately and simultaneously with multiple women, mostly mature and married ones: a pharmacist, a baker, a librarian, both daughters of the president of the court, and his sociology professor, for whom he chooses a topic related to 475:
A few days after receiving the screenplay, Vukos called Paskaljević and offered to have Radio Television Belgrade provide additional funding for the film's realization, on the condition that a three-episode television series be simultaneously produced. He accepted this proposal and, along with Mihić,
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Paskaljević hesitated when it came to choosing the lead actor, as both he and Slavko Štimac were concerned about whether the then twenty-three-year-old actor could convincingly portray the character of high school graduate Petar Cvetković. However, believing in his authenticity, Paskaljević made the
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Although the film's story is set from May to August, the filming of the movie was delayed and took place at the end of September and the beginning of October in 1983 due to production delays. Because of the good weather, the film was shot in just about twenty days. The famous beach scene was filmed
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Despite the fact that Paskaljević had five successful feature films to his name, produced by Centar Film, this production house did not provide enough funds for the realization of the film, even though the shooting plan was already prepared. Offended because the production house did not believe in
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have created a film that is both a love story and a political comedy set in the summer of 1968. The protagonist, high school graduate Petar, spends his summer in an idyllic and patriarchal province where the echoes of tumultuous global and domestic political events reach. His world is populated by
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for his graduation thesis. The need to finally find the woman of his life leads Petar into a series of humorous situations, bewildering his father, a municipal judge with dogmatic beliefs who believes that youth should be raised with a "firm hand" and who suffers due to his
33: 472:, the director of Radio Television Belgrade, and told him about the problem with Centar Film and the lack of funds for the film's realization. Since Vukos was interested in the story, he told him to bring the screenplay, and he would see how he could help. 622:
Despite weak advertising and poor reviews, the film was well received by audiences, which recognized the film's energy. The cinema hall at "Balkan" was full in all showtimes for several months, and the film was seen by over 160,000 viewers in Belgrade
611:. From the very start, the film faced obstacles, and the premiere was not held at the then-prestigious cinemas "Jadran" and "Kozara." Most of the domestic film critics belittled the film, and it was not even included in the supporting program of the 353:
The original screenplay by Gordan Mihić, titled "Samо јednоm se živi" (You Only Live Once), presented a story about the relationship between a grandfather, father, and son set in contemporary times (early 1980s) and was intended for director
421:, whom he met through mutual friends. As a lover of Czech films from the 1960s, which were stylized charming comedies, he decided that this film should pay homage to this period of Czech cinema. Since the original title of the screenplay, 587:
decision to entrust him with this role. When it came to selecting the actress for the role of Petar's sister Vladica, the director was not satisfied with the proposed candidates. He decided to offer this role to the thirteen-year-old
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only after everything was over. During his stay in Prague, he met a Czech girl named Mirka, with whom he fell in love. Together with him, she came to Yugoslavia during the holidays, and they spent a month on the
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The decision to shift the film's setting from the early 1980s to 1968 was personal for Paskaljević. In that year, he was a twenty-one-year-old student in his first year of film directing at the
523:. Nevertheless, a significant part of the film was shot in the center of Belgrade, as the house of the fictional Cvetković film family was actually the house of the scientist 569:(Beach Guard in Winter), where they played Milovan and Spasenija Pašanović, the parents of the main character. This highly successful duo also appeared the following year in 595:, and their daughter accepted the role, treating it as a kind of game. The role of the youngest member of the Cvetković family, little Tadija, was played by five-year-old 591:, the daughter of the screenwriter Gordan Mihić. As Paskaljević suspected, Mihić initially resisted this idea, but he was supported in this endeavor by Mihić's wife, 464:(Twilight Time) having brought in half a million dollars in profit, Paskaljević had almost given up on making the film. In August 1983, while returning by plane from 1201: 414:). His personal love story served as a motive for introducing the character of Ruženka Hrabalova, a Czech holidaymaker, with whom the main character falls in love. 984: 393:
and the attempt to create "socialism with a human face." In June 1968, when he was at the end of his first year, he received news of student demonstrations in
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were also filmed. The beach in Čortanovci gained particular popularity, and the area where the film was shot is now known as "Varljivo Leto Beach."
158: 17: 406:. In August, Mirka returned to Prague, and on the day before the Soviet intervention, August 20, 1968, she left Czechoslovakia with her family for 631:
and the film's producer, Centar film, digitally restored this classic. The premiere took place on August 23, 2018, at the closing of the first
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mountain. Fearing that there would be no more sunny days resembling summer, all beach scenes were shot in a single day.
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Parallel to the film, a television series with the same name was also produced, which was broadcast in the same year on
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expanded the screenplay. This was the third film project of the Paskaljević-Mihić duo, following the successful films
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women who are the objects of his youthful desires—married ladies, shy peers, provocative professors, and others.
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When choosing the actors to portray the main characters in the film, Paskaljević immediately decided to cast
1111: 879:"Andrija Mrkaić, mali Tadija iz "Varljivog leta '68": Šetao sa dedom, pa slučajno došao na audiciju za film" 180: 95: 722:"Kako je snimljeno "Varljivo leto '68.": I reditelj Goran Paskaljević zauvek je izgubio svoju Ruženjku..." 316: 776: 355: 1007: 661: 624: 477: 219: 1131: 1045: 994: 459: 442: 304: 200: 196: 43: 596: 1181: 558: 386: 271: 215: 81: 570: 328: 234:
During the summer of 1968, in the middle of various political changes in Yugoslavia, most notably
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included the film among the one hundred Serbian feature films that were declared of great
580: 524: 310: 283: 207: 53: 527:, which houses his memorial museum. This house is located on Jelena Ćetković Street, in 32: 1101: 854:"Шетња чортановачком шумом Михаљевац: Кроз Дабар до Козарице и плаже "Варљиво лето 68"" 539: 505: 426: 248: 962: 1175: 899: 750: 497: 390: 511:
To capture the atmosphere of a small provincial town, much of the film was shot in
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his film and was unwilling to accept the financial risk, despite his previous film
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As a young film student, Paskaljević was particularly influenced by Czech director
403: 435:(You Love Only Once) Paskaljević decided to paraphrase the title of Menzel's film 565:
as Petar's parents, as he had collaborated with them in his first feature film,
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Through collaborative work, director Goran Paskaljević and screenwriter
239: 501: 493: 382: 363: 519:, the railway station, and others), while some scenes were done in 520: 616: 465: 966: 803:"Polako nestaje železnička stanica iz filma Varljivo leto '68" 751:"Kultni domaći filmovi.Varljivo leto ʹ 68 :: COBISS+" 607:
The film premiered on the last day of January 1984 at the
425:, had to be changed due to its similarity to the title of 247:
background. When Petar finally finds true love, a young
531:, the same location where other projects like the film 579:(Balkan Spy). There was no hesitation in selecting 251:girl, their romance is suddenly interrupted by the 164: 154: 144: 121: 111: 101: 91: 73: 59: 49: 39: 25: 777:"Paskaljević: "Varljivo leto" sam posvetio Menclu" 749:Марибор, IZUM-Институт информацијских знаности. 978: 8: 358:. After a prolonged period of being held by 829:"Varljivo leto 68: Kuća porodice Cvetković" 985: 971: 963: 668:of great importance on December 28, 2016. 31: 22: 372:the Soviet intervention in Czechoslovakia 681: 599:, who was selected through auditions. 583:for the role of Petar's grandfather. 379:Faculty of Film and Television (FAMU) 7: 744: 742: 740: 738: 716: 714: 712: 710: 488:(The Dog Who Loved Trains) in 1977. 482:(Beach Guard in Winter) in 1976 and 1202:Films directed by Goran Paskaljević 253:Soviet occupation of Czechoslovakia 775:Jakovljević, Marija (2020-09-08). 633:International Danube Film Festival 368:student demonstrations in Belgrade 295:Andrija Mrkaić as Tadija Cvetković 14: 255:which forces her to return home. 801:Todorov, Vladimir (2021-07-04). 651:(1984) — Grand Prix of the Jury 319:as President of the court Micić 827:Petković, Milan (2020-10-19). 1: 1227:Films scored by Zoran Hristić 1027:The Days on Earth Are Flowing 953:The Elusive Summer of '68 567:Čuvar plaže u zimskom periodu 504:region, on the slopes of the 479:Čuvar plaže u zimskom periodu 1207:1980s Serbian-language films 649:Bastia Italian Film Festival 553:Selection of the lead actors 609:"Balkan" cinema in Belgrade 184: 1243: 672:is included in this list. 1056:The Elusive Summer of '68 1001: 670:The Elusive Summer of '68 625:The Yugoslav Film Archive 216:Radio Television Belgrade 176:The Elusive Summer of '68 30: 26:The Elusive Summer of '68 1018:The Dog Who Loved Trains 627:, in collaboration with 485:Pas koji je voleo vozove 1187:Films set in Yugoslavia 1122:Midwinter Night's Dream 1112:How Harry Became a Tree 603:Reception and critiques 559:Danilo "Bata" Stojković 1092:Someone Else's America 613:Yugoslav Film Festival 468:, he accidentally met 389:'s reforms during the 307:as Jagodinka Simonović 286:as Petar's grandfather 236:student demonstrations 226:on December 28, 2016. 96:Miljen Kreka Kljaković 1008:Beach Guard in Winter 662:Yugoslav Film Archive 397:, but he returned to 301:as Ruženjka Hrabalova 224:cultural significance 220:Yugoslav Film Archive 1222:Films shot in Serbia 1192:Yugoslav drama films 496:near the village of 492:on October 5 on the 432:Samо јednоm se ljubi 292:as Vladica Cvetković 274:as Veselin Cvetković 1217:Films set in Serbia 1197:Serbian drama films 928:www.kinoteka.org.rs 900:"VARLJIVO LETO '68" 694:www.kinoteka.org.rs 423:Samо јednоm se živi 337:as Man on the beach 331:as School Principal 317:Miodrag Radovanović 993:Films directed by 529:Kopitareva Gradina 517:Karlovci Gymnasium 445:, the producer at 313:as Olja Miranovski 268:as Petar Cvetković 1212:Films set in 1968 1169: 1168: 1036:Special Treatment 995:Goran Paskaljević 666:cultural heritage 364:protests in Paris 280:as Petar's mother 201:Goran Paskaljević 185:Varljivo leto '68 172: 171: 44:Goran Paskaljević 1234: 1162: 1159:Land of the Gods 1154: 1144: 1136: 1126: 1116: 1106: 1096: 1086: 1078: 1074:Time of Miracles 1068: 1060: 1050: 1040: 1030: 1022: 1012: 987: 980: 973: 964: 939: 938: 936: 935: 920: 914: 913: 911: 910: 896: 890: 889: 887: 886: 875: 869: 868: 866: 865: 850: 844: 843: 841: 840: 833:Filmske lokacije 824: 818: 817: 815: 814: 807:Filmske lokacije 798: 792: 791: 789: 788: 772: 766: 765: 763: 762: 746: 733: 732: 730: 729: 718: 705: 704: 702: 701: 686: 576:Balkanski špijun 513:Sremski Karlovci 356:Živojin Pavlović 272:Danilo Stojković 193:Варљиво лето '68 189:Serbian Cyrillic 137: 135: 82:Danilo Stojković 35: 23: 1242: 1241: 1237: 1236: 1235: 1233: 1232: 1231: 1172: 1171: 1170: 1165: 1157: 1150:When Day Breaks 1147: 1139: 1129: 1119: 1109: 1099: 1089: 1083:Tango Argentino 1081: 1071: 1063: 1053: 1043: 1033: 1025: 1015: 1005: 997: 991: 948: 943: 942: 933: 931: 922: 921: 917: 908: 906: 898: 897: 893: 884: 882: 877: 876: 872: 863: 861: 852: 851: 847: 838: 836: 826: 825: 821: 812: 810: 800: 799: 795: 786: 784: 774: 773: 769: 760: 758: 755:plus.cobiss.net 748: 747: 736: 727: 725: 720: 719: 708: 699: 697: 688: 687: 683: 678: 658: 645: 605: 555: 455: 443:Ružica Petrović 385:. 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Index

Yugoslavia

Goran Paskaljević
Gordan Mihić
Milan Žmukić
Boško Savić
Slavko Štimac
Danilo Stojković
Mira Banjac
Miljen Kreka Kljaković
Olga Skrigin
Zoran Hristić
Yugoslavia
Serbo-Croatian
Serbian Cyrillic
Yugoslav film
Goran Paskaljević
Gordan Mihić
Radio Television Belgrade
Yugoslav Film Archive
cultural significance
student demonstrations
Marxism
bourgeois
Czech
Soviet occupation of Czechoslovakia
Slavko Štimac
Danilo Stojković
Mira Banjac
Mija Aleksić

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