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in 1944 and 1946 and focuses on
Maurice and Sarah, who vows to end their illicit affair if his life is spared in a bombing. His survival leads to Sarah's religious conversion and Maurice's railing against God for it. After Sarah returns to her husband, Maurice hires a private detective to investigate
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Reaction to the version of the novel was decidedly mixed. "In what is a kind of on-stage musical equivalent of the slow fade into a flashback, he tells the story while bits and pieces are sung by the other characters until we are firmly in the flashback. That was an interesting effect that worked
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well," The same reviewer comments: "That is a good message but the response from most was so what. The connection between that and the love of God was not communicated."
185:(mezzo-soprano) as Mrs. Bertram, Victor Benedetti (baritone) as Henry Miles, Robert Orth (baritone) as private Mr. Parkis, and Gerard Powers (tenor) as Richard Smythe.
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410:"A Bargain and a Prayer"
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143:novel of the same title
609:Operas based on novels
574:Operas by Jake Heggie
533:It’s a Wonderful Life
501:The End of the Affair
112:The End of the Affair
74:The End of the Affair
22:The End of the Affair
604:Operas set in London
478:List of compositions
266:Peter Coleman-Wright
44:The opera's composer
16:Opera by Jake Heggie
352:Kennedy, Steven A.
314:Katherine Ciesinski
274:a private detective
160:Houston Grand Opera
154:Performance history
101:Houston Grand Opera
402:The New York Times
358:Film Score Monthly
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469:Jake Heggie
423:David Parry
223:Sarah Miles
215:Conductor:
127:by Heggie,
121:Jake Heggie
32:Jake Heggie
568:Categories
363:2007-10-15
336:References
320:Lancelot,
209:Voice type
50:Librettist
517:Moby-Dick
322:young son
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278:baritone
262:baritone
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125:libretto
86:Premiere
69:Based on
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293:tenor
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