Knowledge (XXG)

The Execution of Marshal Ney

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761: 205: 147: 31: 174: 186: 165:. When Napoleon abdicated in 1814, Ney pledged his allegiance to the Bourbon monarchy, but when Napoleon returned to France, Ney rejoined his former leader. When the monarchy was restored in 1815, Marshal Ney was accused of plotting Napoleon’s return and charged with treason. At his execution he refused to wear a blindfold and was allowed to give the order to fire. 114:
seen marching away from the site. On the wall behind Ney's corpse are two inscriptions: one that says "vive l'empereur" ("long live the emperor") and is crossed out, and one that says "vive" right before the bullet holes from the execution. According to Gérôme this was a comment on Ney's multiple
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The general reception was very split and the 1868 Salon marked the beginning of a lasting divide between Gérôme and many French art critics. Those who were negative accused the painting of relying on literary techniques, of commercializing art, and of bringing politics into art.
230:. Although Ney's execution was over fifty years in the past, a depiction of the incident still roused emotions and created controversy. On behalf of Ney's descendants, Gérôme was asked to withdraw the painting, but he did not comply. 238:
wrote a positive review highlighting details that give the picture meaning, Gérôme's treatment of the death theme, and the success of the painting at capturing a mental climate.
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Henri Oulevay made a caricature where Gérôme is depicted in front of the wall with art critics as the departing firing squad, carrying pens and quills instead of rifles. "Vive
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Mitchell, Claudine (2010). "The Damaged Mirror: Gérôme's Narrative Technique and the Fractures of French History". In Allan, Scott; Morton, Mary (eds.).
204: 621: 589: 833: 481: 146: 692: 457: 127: 30: 247: 597: 474: 264: 210: 740: 853: 784: 776: 272:, with the corpse in the foreground and the killers departing with their backs to the viewer. In that painting, too, (as also in 581: 838: 256: 535: 274: 748: 700: 637: 708: 573: 650: 497: 103: 41: 563: 724: 173: 823: 645: 558: 676: 525: 716: 520: 548: 543: 629: 605: 449: 279: 235: 197: 410: 215: 131: 77: 284:), "characteristically, Gérôme…depicted not the incident itself, but its immediate aftermath." 668: 453: 406: 252: 189: 120: 684: 95: 512: 161:
was a marshal in Napoleon’s army, a heroic figure called "the bravest of the brave" by
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65.2 cm × 104.2 cm (25.7 in × 41.0 in)
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Caricature of Gerome by Henri Oulevay, commenting on the controversy roused by
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immediately after his execution on 7 December 1815, with the
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that graphically depicted the execution by firing squad of
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Some details of the work may be more legible in this
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It depicts the French Marshal 29: 834:Paintings in Sheffield Museums 337:"The Execution of Marshal Ney" 257:Emperor Maximilian I of Mexico 1: 829:Paintings by Jean-Léon Gérôme 536:The Duel After the Masquerade 275:The Duel After the Masquerade 115:shifts of allegiance between 749:Truth Coming Out of Her Well 701:Slave Market in Ancient Rome 614:The Execution of Marshal Ney 270:The Execution of Marshal Ney 251:series of paintings made by 179:The Execution of Marshal Ney 91:The Execution of Marshal Ney 24:The Execution of Marshal Ney 709:Bonaparte Before the Sphinx 574:Phryne Before the Areopagus 194:The Execution of Maximilian 100:L'exécution du maréchal Ney 870: 757: 28: 435:Chandler, David (1999). 854:Oil on canvas paintings 677:A Chat by the Fireside 439:. Wordsworth editions. 360:Chandler 1999, p. 314. 223: 201: 182: 155: 99: 839:Paintings about death 733:Pygmalion and Galatea 407:"The Death of Caesar" 207: 188: 176: 149: 142:Historical background 630:Prayer in the Mosque 582:Cleopatra and Caesar 450:J. Paul Getty Museum 446:Reconsidering Gérôme 152:albumen silver print 717:The Carpet Merchant 598:The Death of Caesar 521:The Age of Augustus 265:The Death of Caesar 211:The Death of Caesar 198:Kunsthalle Mannheim 741:The Birth of Venus 411:Walters Art Museum 224: 216:Walters Art Museum 202: 183: 156: 132:Graves Art Gallery 78:Graves Art Gallery 811: 810: 669:The Snake Charmer 459:978-1-60606-038-4 384:, pp. 96–97. 236:Théophile Gautier 87: 86: 861: 763: 654: 590:The Slave Market 567: 552: 529: 498:Jean-Léon Gérôme 491: 484: 477: 468: 463: 440: 422: 421: 419: 417: 403: 397: 391: 385: 379: 373: 367: 361: 358: 352: 351: 349: 347: 333: 324: 318: 309: 303: 121:House of Bourbon 104:Jean-Léon Gérôme 42:Jean-Léon Gérôme 33: 21: 869: 868: 864: 863: 862: 860: 859: 858: 814: 813: 812: 807: 791: 764: 755: 685:The Tulip Folly 648: 561: 546: 523: 500: 495: 460: 448:. 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Index


Jean-Léon Gérôme
Oil on canvas
Graves Art Gallery
Sheffield
French
Jean-Léon Gérôme
Michel Ney
firing squad
Napoleon
House of Bourbon
Sheffield Galleries and Museums Trust
Graves Art Gallery
Sheffield

albumen silver print
Michel Ney
Napoleon


Édouard Manet
Kunsthalle Mannheim

The Death of Caesar
Walters Art Museum
Baltimore
Paris Salon
Théophile Gautier
Manet
The Execution of Emperor Maximilian

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