Knowledge (XXG)

The Exile (1947 film)

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559:"When people ask me if I'm following in my father's footsteps, I tell them his footsteps were so light they didn't leave a trace", said Fairbanks. "The proof of it is that his pictures were so carefully tailored to him that no remakes by others have ever been entirely successful. Still I find myself drifting back to the kind of roles he played – by public demand, as it were... However my stunting is more of a piece de resistance than the thing itself, if you get what I mean. Now that I have my own company I'll probably go in for the swashbuckling type of thing. I'm not necessarily wedded to it; our stories will be of varied dramatic content, but I find that I can whip up more enthusiasm for those of a romantic and slightly fantastic nature, like 325:. After a sword fight, he kills Ingram, and his followers come to the rescue. Sir Edward informs him that Parliament has offered him back his throne. To take the crown, however, Charles has to leave Katie; Charles resists the idea, but Sir Edward reminds him of his duty, and Katie of what he can do for his people, and the two star-crossed lovers sadly part. 314:. Knowing that Katie owes 3000 guilders to her cousin, Jan (Otto Waldis), Charles has the music box sold and pays off the debt without her knowledge. Katie becomes jealous of Anabella and dismisses Charles. However, when she learns of his generosity from a gracious, departing Anabella, she takes him back. 612:
Filming started in May 1947. Though the studio was initially concerned by Ophüls unorthodox filming methods, preferring to film in long takes full of complex camera movements, they eventually warmed to his filmmaking techniques and formed a good relationship. Due to this being his first American
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announced the matter had been settled out of court. Montez would receive first billing and in equal size font to Fairbanks. (In the end credits would read "Starring Maria Montez, Henry Daniell, Nigel Bruce, Robert Coote and introduces Paule Croset with Douglas Fairbanks".) Montez also received a
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His Majesty, the King: Being the Chronicle of Certain Hours, in the Ill-Starred Life of Charles the Second of England, During the Period of His Exile in Flanders with Those of the Faithful That Fled from the Despot, Oliver Cromwell, the Which Have Received of on Account in the History of His
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The film's original ending, preferred by Ophüls, was a bit longer than the one shown in the United States. The shorter version ends with Charles leaving for England, while the longer has a further scene in which two courtiers casually discuss a plaque that is erected to his stay.
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but changed her mind and wanted top billing, and wound up suing for $ 250,000 in damages. Universal had agreed to give Fairbanks top billing so deferred the issue to court. A judge put a temporary stop on any billing until the issue was resolved. In December Montez's lawyer
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The bulk of the film was shot on a large set created by Howard Bay. "This is not a realistic set", he said, "but a romantic one fashioned to fit the mood of the story. We aimed at the picturesque rather than scenes from the workaday world; the exaggeration is deliberate."
299:), recommends he hide somewhere, neither too close for Roundhead assassins to find him, nor too far for news to reach him of further developments. Charles, without revealing his royal identity, persuades Katie to take him on as a farm hand. The two soon fall in love. 29: 306:) who is posing as him; the imposter stays at Katie's inn. Shortly afterward, there arrives another guest, Countess Anabella de Courteuil (María Montez), an old lover of Charles's and an emissary from King 804:
Schallert, Edwin (January 10, 1941). "Marx Bros. to Frolic Next in 'Big Business': Noted Quartet in 'Miami' Harmon Feature Named New Award for 'Grapes' Lead Looms for Cooper Newsman to Be Glorified".
789:"Rise Stevens and Nelson Eddy Will Appear for Metro in 'Chocolate Soldier': MARCH OF TIME TO OPEN 'Uncle Sam -- Non-Belligerent' Released Today -- Strand to Hold Over 'Four Mothers'". 1547: 620:
Fairbanks later said the film was one of his favorites. "It should have been done in color but we ran out of money and Universal forced Maria Montez on us. But I love it.
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and Fairbanks' production company, the Fairbanks Company, which he had formed with Clarence Erickson. Fairbanks would produce all three – the others were an adaptation of
321:) has been given the mission of assassinating the king. He tracks Charles to his hiding place. Charles escapes from Ingram's men, but they follow Katie and trap him in a 834:"Fairbanks Agrees to Make 3 Films: Actor and International Sign Production Deal--He Will Have Lead in 'The Exile' Laraine Day as Alice Adams Of Local Origin". 1492: 284:, is in exile in the Netherlands with a few loyalists, awaiting the right opportunity to return. Whilst bartering in a local marketplace, he meets Katie ( 1537: 527:
Plans to make it were interrupted by Fairbanks' service in World War II. In January 1946 he announced he would star in and produce a film version called
586:. Fairbanks signed Ophus in December 1946. "He needed the money desperately to get back to Europe and was a most interesting director", said Fairbanks. 597:
was borrowed from Universal for a relatively small part. Press reports at the time said this was done at Montez's request over Universal's objections.
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in any film in which she appeared, so her name comes first in the opening credits, despite her secondary role. The film is based on the 1926 novel
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In January 1941, it was announced Fairbanks had bought the screen rights to a novel and would appear in a film based it, which he would make with
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THOMAS F. BRADY (April 3, 1947). "MYRNA LOY SIGNED FOR 'THE RED PONY': Will Portray Ranch Owner in Milestone Film Version of Steinbeck Story".
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THOMAS F. BRADY (August 3, 1947). "UNITED ARTISTS REMAINS DIVIDED: Pickford-Chaplin Impasse Blocks Reorganization -- Other Studio Notes".
938:"Paule Croset Wins Role 'Because She Was Ready': New Film Personality, Tyrolean Blond, Selected for 'The Exile' by Douglas Fairbanks Jr". 537: 1472: 292: 731: 722: 628:
Under her contract with Universal, Montez was normally entitled to top billing in a film. She agreed to accept second billing for
499:. It was written in 1926. The same year Hamilton announced he had written a play version for production by the Dramatist Theatre. 1522: 411: 147: 641:
In August 1947 Universal elected not to pick up its option on Montez's services for the following year, making her freelance.
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film, Ophüls was paid $ 22,600, compared to the usual $ 75,000 or more that established Hollywood directors commanded.
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The film was produced by Universal-International Pictures, and while the initial plan was for the film to be made in
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AFI Catalog of Motion Pictures Produced in the United States; Feature Films, 1941-1950, Volumes 1-2; Volume 4
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Scheuer, Philip K. (December 21, 1947). "DRAMA AND THE ARTS: Problems of Prestige Give Showmen Grief".
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Schallert, Edwin (December 1, 1947). "DRAMA AND FILM: John Wayne to Head Ford's 'Family' Cast".
1087: 1111: 727: 517: 516:. Fairbanks, Jr., a well-known Anglophile, sought to make the film as a tribute to his father 1288: 649:
The film initially performed well at the box office, but then suffered after the release of
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Thomas, K. (November 5, 1978). "DOUGLAS FAIRBANKS JR. AT 68: SEMIRETIRED 'ACTOR FELLOW'".
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When unrest in England presents both opportunity and danger, Charles's chief advisor, Sir
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This was Ophüls' first film in Hollywood, after he was fired from his initial project,
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Scheuer, Philip K. (December 16, 1946). "Texas Corrals McCrea; SOS Calls Lizabeth".
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HEDDA HOPPER (August 31, 1947). "THIS MOVIE JOB IS A SETUP: LOOKING AT HOLLYWOOD".
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Schallert, Edwin (November 4, 1946). "'Red Dust' Repeat May Star Marilyn Maxwell".
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Edwin Schallert (June 20, 1946). "'Exile' to Head Doug's Independent Program".
28: 1408: 1116: 604:, budget constraints meant that the movie had to be shot in black and white. 513: 311: 281: 552:
In July 1946 Robert Coote signed to play a support role. In November 1946,
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His Majesty, the King: A Romantic Love Chase of the Seventeenth Century
240:(billed as "Paule Croset") played the romantic interest. According to 882:
Scheuer, Philip (January 19, 1947). "This Town Called Hollywood".
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During his stay, Charles encounters an actor named Dick Pinner (
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Remnant, Ernest, ed. (April 1927). "HIS MAJESTY THE KING".
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payout rumored to have been between $ 15,000 and $ 30,000.
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had a stipulation in her contract that she had to have top
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The film was based on a novel by Cosmo Hamilton called
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November 27, 1947. p. A1. 148:Universal-International Pictures 1032:. December 4, 1947. p. 41. 793:. January 17, 1941. p. 21. 778:. October 10, 1926. p. X1. 1543:American adventure drama films 1533:1940s historical romance films 1483:American black-and-white films 748:. October 6, 1926. p. 22. 720:Hanson, Patricia King (1999). 1: 1528:Films scored by Frank Skinner 1498:Films based on British novels 1478:American romantic drama films 1513:Films set in the Netherlands 1503:Films directed by Max Ophüls 1488:1940s English-language films 1419:The Earrings of Madame de... 1359:Letter from an Unknown Woman 1146:AFI Catalog of Feature Films 1093:. Accessed January 10, 2014. 942:. March 9, 1947. p. B1. 853:. July 26, 1946. p. 16. 1518:American swashbuckler films 1468:1940s adventure drama films 1002:. June 21, 1947. p. 8. 655:and wound up losing money. 1569: 624:Maria Montez billing issue 441:Thomas P. Dillon as Jasper 162:October 17, 1947 1473:1947 romantic drama films 1202: 486:as Roundhead (uncredited) 357:("Paule Croset") as Katie 26: 774:"GOSSIP OF THE RIALTO". 390:Milton A. Owen as Wilcox 1523:English Civil War films 16:1947 film by Max Ophüls 1299:The Trouble With Money 763:. London. p. 517. 533:International Pictures 524:of the silent period. 244:, the primary host of 1259:A Man Has Been Stolen 1209:The Company's in Love 1090:Turner Classic Movies 985:Chicago Daily Tribune 884:Chicago Daily Tribune 700:Turner Classic Movies 657:Terry and the Pirates 538:Terry and the Pirates 497:His Majesty, the King 343:Charles II of England 339:Douglas Fairbanks Jr. 246:Turner Classic Movies 234:Douglas Fairbanks Jr. 138:The Fairbanks Company 86:Douglas Fairbanks Jr. 77:Douglas Fairbanks Jr. 50:Douglas Fairbanks Jr. 1553:1940s American films 1319:The Novel of Werther 652:Captain from Castile 541:, and a film called 474:as Second Court Lady 432:as Roundhead General 426:as Cavalier Official 394:Colin Keith-Johnston 1379:The Reckless Moment 1329:There's No Tomorrow 1088:Article on film at 849:"Of Local Origin". 468:as First Court Lady 341:as Charles Stuart ( 218:is a 1947 American 1219:The Bartered Bride 1194:Films directed by 1123:TCM Movie Database 836:The New York Times 761:The English review 522:swashbuckler films 456:Alla Dunn as Marie 396:as Captain Bristol 369:as Sir Edward Hyde 1508:Films set in 1660 1450: 1449: 1269:Everybody's Woman 1075:Los Angeles Times 1045:Los Angeles Times 1015:Los Angeles Times 1000:Los Angeles Times 940:Los Angeles Times 917:Los Angeles Times 899:Los Angeles Times 866:Los Angeles Times 821:Los Angeles Times 806:Los Angeles Times 663:were never made. 593:. In April 1947, 518:Douglas Fairbanks 363:as Colonel Ingram 211: 210: 95:(as Paule Croset) 1560: 1443: 1433: 1423: 1413: 1403: 1393: 1383: 1373: 1363: 1353: 1343: 1333: 1323: 1313: 1303: 1293: 1289:The Tender Enemy 1283: 1273: 1263: 1253: 1243: 1233: 1223: 1213: 1188: 1181: 1174: 1165: 1152:Senses of Cinema 1094: 1085: 1079: 1078: 1070: 1064: 1063: 1055: 1049: 1048: 1040: 1034: 1033: 1025: 1019: 1018: 1010: 1004: 1003: 995: 989: 988: 980: 974: 973: 965: 959: 958: 950: 944: 943: 935: 929: 928: 912: 903: 902: 894: 888: 887: 879: 870: 869: 861: 855: 854: 846: 840: 839: 838:. June 20, 1946. 831: 825: 824: 816: 810: 809: 801: 795: 794: 786: 780: 779: 771: 765: 764: 756: 750: 749: 741: 735: 718: 712: 711: 709: 707: 691: 685: 684: 676: 424:C.S. Ramsey-Hill 183:95 or 89 minutes 169: 167: 31: 19: 1568: 1567: 1563: 1562: 1561: 1559: 1558: 1557: 1453: 1452: 1451: 1446: 1439:Montparnasse 19 1436: 1426: 1416: 1406: 1396: 1386: 1376: 1366: 1356: 1346: 1336: 1326: 1316: 1306: 1296: 1286: 1276: 1266: 1256: 1246: 1236: 1226: 1216: 1206: 1198: 1192: 1154:by Robert Keser 1102: 1097: 1086: 1082: 1072: 1071: 1067: 1057: 1056: 1052: 1042: 1041: 1037: 1027: 1026: 1022: 1012: 1011: 1007: 997: 996: 992: 982: 981: 977: 967: 966: 962: 952: 951: 947: 937: 936: 932: 914: 913: 906: 896: 895: 891: 881: 880: 873: 863: 862: 858: 848: 847: 843: 833: 832: 828: 818: 817: 813: 803: 802: 798: 788: 787: 783: 773: 772: 768: 758: 757: 753: 743: 742: 738: 719: 715: 705: 703: 693: 692: 688: 678: 677: 673: 669: 647: 626: 610: 510: 505: 493: 491:Source material 478:Charles Stevens 436:Lester Matthews 335: 308:Louis of France 278:Oliver Cromwell 270: 236:French actress 180: 173: 165: 163: 156: 139: 134: 132: 91: 87: 64: 62: 17: 12: 11: 5: 1566: 1564: 1556: 1555: 1550: 1545: 1540: 1535: 1530: 1525: 1520: 1515: 1510: 1505: 1500: 1495: 1490: 1485: 1480: 1475: 1470: 1465: 1455: 1454: 1448: 1447: 1445: 1444: 1434: 1424: 1414: 1404: 1394: 1384: 1374: 1364: 1354: 1344: 1334: 1324: 1314: 1304: 1294: 1284: 1274: 1264: 1254: 1244: 1234: 1229:Laughing Heirs 1224: 1214: 1203: 1200: 1199: 1193: 1191: 1190: 1183: 1176: 1168: 1162: 1161: 1158:Review of film 1155: 1149: 1148: 1136: 1125: 1114: 1101: 1100:External links 1098: 1096: 1095: 1080: 1065: 1060:New York Times 1050: 1035: 1030:New York Times 1020: 1005: 990: 975: 968:Bacher, Lutz. 960: 955:New York Times 945: 930: 904: 889: 871: 856: 851:New York Times 841: 826: 811: 808:. p. A10. 796: 791:New York Times 781: 776:New York Times 766: 751: 746:New York Times 736: 713: 686: 679:Bacher, Lutz. 670: 668: 665: 661:Happy Go Lucky 646: 643: 625: 622: 609: 606: 578:Robert Siodmak 543:Happy Go Lucky 509: 506: 504: 501: 492: 489: 488: 487: 481: 475: 469: 466:Grayce Hampton 463: 462:as Sea Captain 457: 454: 448: 442: 439: 433: 427: 421: 415: 409: 403: 397: 391: 388: 382: 376: 375:as Dick Pinner 370: 364: 358: 352: 346: 334: 331: 274:Charles Stuart 269: 266: 262:Cosmo Hamilton 242:Robert Osborne 209: 208: 205: 201: 200: 197: 193: 192: 189: 185: 184: 181: 178: 175: 174: 172: 171: 159: 157: 154: 151: 150: 145: 144:Distributed by 141: 140: 137: 135: 130: 127: 126: 121: 117: 116: 111: 107: 106: 101: 100:Cinematography 97: 96: 84: 80: 79: 74: 70: 69: 67:Cosmo Hamilton 56: 52: 51: 48: 44: 43: 42:(as Max Opuls) 37: 33: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 1565: 1554: 1551: 1549: 1546: 1544: 1541: 1539: 1536: 1534: 1531: 1529: 1526: 1524: 1521: 1519: 1516: 1514: 1511: 1509: 1506: 1504: 1501: 1499: 1496: 1494: 1491: 1489: 1486: 1484: 1481: 1479: 1476: 1474: 1471: 1469: 1466: 1464: 1461: 1460: 1458: 1441: 1440: 1435: 1431: 1430: 1425: 1421: 1420: 1415: 1411: 1410: 1405: 1401: 1400: 1395: 1392:(1950, fired) 1391: 1390: 1385: 1381: 1380: 1375: 1371: 1370: 1365: 1361: 1360: 1355: 1351: 1350: 1345: 1341: 1340: 1335: 1331: 1330: 1325: 1321: 1320: 1315: 1311: 1310: 1305: 1301: 1300: 1295: 1291: 1290: 1285: 1281: 1280: 1275: 1271: 1270: 1265: 1261: 1260: 1255: 1251: 1250: 1245: 1241: 1240: 1235: 1231: 1230: 1225: 1221: 1220: 1215: 1211: 1210: 1205: 1204: 1201: 1197: 1189: 1184: 1182: 1177: 1175: 1170: 1169: 1166: 1159: 1156: 1153: 1150: 1147: 1144: 1142: 1141: 1137: 1135: 1131: 1130: 1126: 1124: 1120: 1119: 1115: 1113: 1109: 1108: 1104: 1103: 1099: 1092: 1091: 1084: 1081: 1077:. p. A2. 1076: 1069: 1066: 1062:. p. X3. 1061: 1054: 1051: 1047:. p. C1. 1046: 1039: 1036: 1031: 1024: 1021: 1016: 1009: 1006: 1001: 994: 991: 987:. p. G6. 986: 979: 976: 972:. p. 64. 971: 964: 961: 957:. p. 32. 956: 949: 946: 941: 934: 931: 926: 922: 918: 911: 909: 905: 901:. p. A3. 900: 893: 890: 886:. p. g8. 885: 878: 876: 872: 868:. p. A2. 867: 860: 857: 852: 845: 842: 837: 830: 827: 822: 815: 812: 807: 800: 797: 792: 785: 782: 777: 770: 767: 762: 755: 752: 747: 740: 737: 733: 732:0-520-21521-4 729: 725: 724: 717: 714: 702: 701: 696: 690: 687: 682: 675: 672: 666: 664: 662: 658: 654: 653: 644: 642: 639: 636: 631: 623: 621: 618: 614: 607: 605: 603: 598: 596: 592: 587: 585: 584: 579: 575: 574:Howard Hughes 571: 570: 564: 562: 557: 555: 554:Clemence Dane 550: 548: 544: 540: 539: 534: 530: 525: 523: 519: 515: 507: 502: 500: 498: 490: 485: 484:Harry Cording 482: 479: 476: 473: 470: 467: 464: 461: 458: 455: 452: 449: 446: 445:William Trenk 443: 440: 437: 434: 431: 428: 425: 422: 419: 416: 413: 410: 407: 404: 401: 400:Ben H. Wright 398: 395: 392: 389: 386: 383: 380: 377: 374: 371: 368: 365: 362: 361:Henry Daniell 359: 356: 353: 350: 347: 344: 340: 337: 336: 332: 330: 326: 324: 320: 319:Henry Daniell 315: 313: 309: 305: 300: 298: 294: 289: 287: 283: 279: 275: 267: 265: 263: 259: 255: 251: 247: 243: 239: 235: 231: 227: 226:romantic film 224: 221: 217: 216: 206: 202: 198: 194: 191:United States 190: 186: 182: 176: 161: 160: 158: 152: 149: 146: 142: 136: 128: 125: 124:Frank Skinner 122: 118: 115: 112: 108: 105: 102: 98: 94: 90: 85: 81: 78: 75: 71: 68: 61: 57: 53: 49: 45: 41: 38: 34: 30: 25: 20: 1437: 1427: 1417: 1407: 1397: 1387: 1377: 1367: 1357: 1348: 1347: 1337: 1327: 1317: 1307: 1297: 1287: 1277: 1267: 1257: 1249:A Love Story 1247: 1237: 1227: 1217: 1207: 1139: 1128: 1117: 1106: 1089: 1083: 1074: 1068: 1059: 1053: 1044: 1038: 1029: 1023: 1014: 1008: 999: 993: 984: 978: 969: 963: 954: 948: 939: 933: 916: 898: 892: 883: 865: 859: 850: 844: 835: 829: 820: 814: 805: 799: 790: 784: 775: 769: 760: 754: 745: 739: 721: 716: 704:. Retrieved 698: 689: 680: 674: 660: 656: 650: 648: 640: 635:Greg Bautzer 629: 627: 619: 615: 611: 599: 595:Maria Montez 591:Paule Croset 588: 582: 568: 565: 560: 558: 551: 546: 542: 536: 528: 526: 520:, a star of 511: 496: 494: 460:Torben Meyer 430:Lumsden Hare 418:Will Stanton 373:Robert Coote 349:Maria Montez 327: 316: 304:Robert Coote 301: 290: 271: 257: 250:María Montez 228:directed by 214: 213: 212: 179:Running time 155:Release date 104:Franz Planer 89:María Montez 58: 1429:Lola Montès 695:"The Exile" 602:Technicolor 583:The Killers 508:Development 472:Mary Forbes 453:as Coachman 451:Fred Cavens 406:Colin Kenny 402:as Milbanke 385:Eldon Gorst 379:Otto Waldis 367:Nigel Bruce 355:Rita Corday 297:Nigel Bruce 293:Edward Hyde 286:Rita Corday 238:Rita Corday 207:$ 1,774,990 170: (U.S.) 114:Ted J. Kent 93:Rita Corday 73:Produced by 36:Directed by 1463:1947 films 1457:Categories 1409:Le Plaisir 1196:Max Ophüls 1160:at Variety 667:References 503:Production 480:as Painter 447:as Footman 438:as Robbins 412:Peter Shaw 387:as Seymour 282:Roundheads 230:Max Ophüls 220:historical 166:1947-10-17 131:Production 63:1926 novel 47:Written by 40:Max Ophüls 1349:The Exile 1309:Yoshiwara 1140:The Exile 1129:The Exile 1118:The Exile 1107:The Exile 925:158771879 706:March 15, 645:Reception 630:The Exile 561:The Exile 547:The Exile 529:The Exile 514:Hal Roach 420:as Tucket 414:as Higson 312:music box 272:In 1660, 223:adventure 215:The Exile 110:Edited by 22:The Exile 1399:La Ronde 1389:Vendetta 1339:Sarajevo 1239:Liebelei 1134:AllMovie 921:ProQuest 608:Shooting 569:Vendetta 323:windmill 280:and the 196:Language 120:Music by 83:Starring 55:Based on 1143:at the 1121:at the 408:as Ross 254:billing 199:English 188:Country 164: ( 133:company 1442:(1958) 1432:(1955) 1422:(1953) 1412:(1952) 1402:(1950) 1382:(1949) 1372:(1949) 1369:Caught 1362:(1948) 1352:(1947) 1342:(1940) 1332:(1939) 1322:(1938) 1312:(1937) 1302:(1936) 1292:(1936) 1282:(1935) 1279:Divine 1272:(1934) 1262:(1934) 1252:(1933) 1242:(1933) 1232:(1933) 1222:(1932) 1212:(1932) 923:  730:  381:as Jan 204:Budget 1112:IMDb 728:ISBN 708:2016 659:and 333:Cast 268:Plot 60:Time 1132:at 1110:at 563:." 260:by 65:by 1459:: 919:. 907:^ 874:^ 697:. 264:. 248:, 1187:e 1180:t 1173:v 927:. 823:. 734:. 710:. 345:) 295:( 168:)

Index


Max Ophüls
Cosmo Hamilton
Douglas Fairbanks Jr.
María Montez
Rita Corday
Franz Planer
Ted J. Kent
Frank Skinner
Universal-International Pictures
historical
adventure
romantic film
Max Ophüls
Douglas Fairbanks Jr.
Rita Corday
Robert Osborne
Turner Classic Movies
María Montez
billing
Cosmo Hamilton
Charles Stuart
Oliver Cromwell
Roundheads
Rita Corday
Edward Hyde
Nigel Bruce
Robert Coote
Louis of France
music box

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