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using it as the inspiration for the cast to arch their eyebrows to assured cramp, flare nostrils in unintentional comedic fury, and bounce impassioned lines of dialogue off each other with medicine ball grace. It's equal parts hilarious and aggravating, with Perry showing little shame as he works the characters into pants-wetting hysteria.
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elicit near-Pavlovian responses of cheers, jeers, and tears. Here and there, Perry throws us a curve ball—an act of physical violence presented as deserved comeuppance or a character's grim and dubiously appropriate endgame—but even these are not jarring enough to derail it. This is film as comfort food, and not the gourmet kind.
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The Family That Preys has that Love Boat kind of watchability and simplicity. Everything runs in a straight line, all endings are inevitable, and emotions and morals are no more complex than a well-timed platitude. The characters are amalgams of recognizable types plunked down in sitcom settings that
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is no exception, reflecting the helmer's view that the emotional roller-coaster of life can whip its passengers from outrage to exhilaration, from belly laughs to tears in an instant, making for an exhausting yet cathartic overall experience. The result seems ideal for who don't see too many movies,
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is a soap opera in the most unashamed sense, and while this aesthetic has made Perry heaps of coin, his personal screen touch remains some of the worst overall filmmaking around. The new feature is perhaps even more melodramatic than anything that's come before, taking the Andrea/William affair and
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isn't always believable—it's a stretch to accept the lifelong friendship of the two matriarchs as well as the last-minute business coup that they engineer—there's plenty of action to keep us engrossed. Perry wears his religious faith lightly . . . and is shrewd enough to balance piety with raucous
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Chris later becomes wealthier after opening a firm with Ben. Andrea, on the other hand, becomes guilt-ridden, heartbroken and unemployed. She is forced to live in a low-rent apartment and rely on child support from Chris to survive. Nick is wealthy and buys a house. He has always been wealthy, but
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William plots to take over the family firm. Jillian goes to
Charlotte for advice. Charlotte reminds her that she is a woman scorned without a prenuptial agreement, and as such can divorce or reconcile and be okay either way. Jillian warns Charlotte of William's plan to have the board vote her out.
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Charlotte and Alice return to
Atlanta. Andrea confronts Chris for taking her $ 300,000. She says that he and Ben will never be like William. Ben states that nobody cares about William and that Andrea cannot see that because of the affair. Andrea admits to Chris that the money was from William, her
262:
and determines the company will have to front $ 25 million to make
William's deal viable. The only way to raise the money is for Charlotte to sell 10% of her shares, leaving her with a minority vote. William tells Abby that Charlotte's vote and his vote combined will give the Cartwrights continued
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Chris dreams of opening a construction firm with Ben, but Andrea ridicules those aspirations. At the bank, Chris is rejected for a loan application, but discovers Andrea deposited nearly $ 300,000 in a secret account. Andrea eventually catches Chris going through her hidden financial records. She
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Tyler Perry's melodramas have a tendency to skid not only off the counter but out the kitchen and down the hall, too. The Family That Preys, his first film in six months, is all over the place: It's a boardroom/family/couples/road-trip story. Kathy Bates plays the head of an
Atlanta construction
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At the company gala, both
Jillian and Abby discover Andrea and William's affair. William fires Chris and Ben after Chris asks for money to start a construction business of their own. Abby warns Andrea of the repercussions of the affair that will likely result in her termination from the company.
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revealed to be Alice. Alice has been receiving financial guidance for years from
Nicholas "Nick" Blanchett, a homeless man she frequently fed at her diner. Nick had been a regular customer who left large tips until he lost his job, wife, and custody of his children. Nick still visits the diner
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yet another example of how the mini-mogul from
Atlanta is his own worst enemy, raiding his cupboard of his popular but pandering stage plays and not bothering to script doctor them for the screen. As sophisticated as the filmmaking becomes, Perry's scripts are still painfully unsophisticated
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In the parking lot, Andrea approaches
William unaware of the recent events and expecting him to leave Jillian for her. Instead, he washes his hands of Andrea, and drives away, ignoring her claim that he is her son's father. Charlotte commits suicide by taking a deadly combination of pills.
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Charlotte
Cartwright hosts the wedding of Andrea—the daughter of Charlotte's best friend, Alice Evans—and construction worker Chris Bennett. Meanwhile, Charlotte's son, William, and his wife, Jillian, have eloped instead of letting Charlotte plan an elaborate reception for them.
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company where Sanaa Lathan is a snooty exec and her husband (Rockmond Dunbar), for maximum class/race sizzle, is a worker grunt. As usual, the villains, like Lathan, are very bad, and the good guys, like Dunbar, are very noble—until they get mad and clock their wives.
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after his wife died and lost his kids he just kept on moving around. William and
Jillian reconcile. Alice sells the diner, driving off in the car that Charlotte left her, with a photo of her and Charlotte taped to the dashboard, to start life anew on the road.
486:, hangs on an elegant structure that doesn't feel forced. Perry's skills as a director have improved as his casts have gotten better, and he gives the lovely Woodard one of her most satisfying roles . . . By melding the pleasures of 1950s-style
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Chris confronts William on a job site and punches him. Jillian then confronts Andrea in the hotel room where trysts with William were held each Wednesday, and warns her to stay away from her family and that William will not be seeing her again.
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Four years later, Andrea's sister, Pam, is married to Ben and looks after Andrea's three-year-old son for extra income while working at their mother's diner. Andrea does not help their mother more financially, but has designer clothes and a new
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494:-aimed plots, Perry has found success in a niche only he now occupies. And by adding Christian tenets and modern issues . . . Perry shows he knows what his audience wants. First and foremost, that's a smart, satisfying movie experience, which
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Alice tries to persuade Andrea to reconcile with Chris and end her affair, explaining that it will not last and William will never marry her, begging her to stop before her life is destroyed. Andrea refuses to listen to her.
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As with Perry’s other films, his Christian moralistic storytelling can be slightly off-putting—but the solid acting and genuinely entertaining story are sure to satisfy fans, and maybe even bring in some
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Andrea disagrees, believing that William will protect her. Convinced that they were marital assets, Chris takes the money from the hidden account and pays deposits to start a construction firm with Ben.
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William is determined to take the family business from his mother, believing the $ 500-million deal he recently closed will prove his capabilities. Charlotte hires Abigail "Abby" Dexter as
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and their offspring. As the movie proceeds, the flow quickens into a surging flood tide of recriminations and reversals in which blows are exchanged, claws bared and tears shed . . .
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treads the filmmaker's established terrain of family loyalty and moral uprightness, though the occasionally predictable plot slides forward, aided by an excess of soapy melodrama."
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lover. Furious, Chris slaps her. Andrea, further incensed, tells him to keep the money and move out. As Chris brings up their son, Andrea says that William is the father.
519:-style story, and the moments each are on-screen are undeniably the movie's best. One senses a rapport and chemistry between the women that transcends the formulaic plot.
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The film opened in 2,070 theaters in North America on September 12, 2008 and grossed $ 17.4 million in its opening weekend, ranking #2 at the box office behind
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is the opportunity it affords to watch a pair of veteran actresses still at the top of their game. Alfre Woodard and Kathy Bates play best pals in this
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doesn’t worry about how it gets from A to Z. There is no problem that a miraculous (and preposterous) plot development can’t resolve in two minutes.
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said the film "recycles familiar ingredients according to his own unique formula, serving up a lip-smacking, finger-snapping sudser" and added:
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assigned the film a weighted average score of 49 out of 100, based on 14 critics, indicating "mixed or average reviews". Audiences polled by
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humor and lots of sinful shenanigans. Perry's filmmaking skills have improved to the level of competence, and he has assembled a dream cast.
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regularly and pays Alice with investment advice. Nick was working for William as a stockbroker until William fired him without cause.
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rated the film three out of four stars and said, "Thanks to some first-rate acting from its stars, it ranks among Perry's best."
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rated the film two out of five stars and called it Tyler Perry's "most cinematically polished production to date" but also:
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Charlotte bought. Alice agrees, and they head west without a set route or schedule. Charlotte introduces Alice to
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format, with audio tracks and subtitles in English and Spanish. Bonus features include deleted scenes,
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says that the money is bonuses she received from William and refuses to finance his business.
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The suds that cascade through more than equal the cubic footage from nighttime soaps like
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Perry's notoriously overstuffed plots have sometimes been top-heavy, but this movie, like
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cramming enough into one film to satisfy them until the next Perry pic comes out.
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for her role in the film combined with two other performances in
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grab-bags of melodramatic cliches, tired jokes and sermonizing.
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gave the film an average grade of "A" on an A+ to F scale.
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Charlotte asks Alice to go on a road trip in the vintage
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rated the film three out of five stars and commented:
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AARP Movies for Grownups Award for Best Buddy Picture
876:"Tyler Perry gets serious in 'The Family That Preys'"
286:. She was told nothing can slow her mental decline.
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control; Abby advises Charlotte to sell her shares.
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955:"Movie Review: Tyler Perry's The Family that Preys"
567:Perry has a tendency to overload his features, and
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909:"Two matriarchs keep 'Family That Preys' afloat"
1374:Temptation: Confessions of a Marriage Counselor
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1052:Kirschling, Gregory (September 19, 2008).
823:"'Burn After Reading' fires up box office"
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227:film, written, produced, and directed by
753:
1296:Hell Hath No Fury Like a Woman Scorned
773:"Tyler Perry Movie Box Office Results"
717:and DVD on January 13, 2009. It is in
1995:Films with screenplays by Tyler Perry
1054:"Tyler Perry's The Family That Preys"
7:
907:Puig, Claudia (September 16, 2008).
675:Best Screenplay, Original or Adapted
2015:English-language comedy-drama films
1822:Tyler Perry's The Family that Preys
953:Moore, Roger (September 12, 2008).
800:– via www.rottentomatoes.com.
744:discusses her concept for the set.
702:The Curious Case of Benjamin Button
511:said the best thing about the film
1985:Films shot in Georgia (U.S. state)
1955:Films about dysfunctional families
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1980:Films set in Georgia (U.S. state)
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729:, about filming in New Orleans;
1960:Films about interracial romance
284:early-onset Alzheimer's disease
1881:Absolutely Fabulous: The Movie
791:"The Family That Preys (2008)"
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1970:Films directed by Tyler Perry
2005:2000s English-language films
1975:Films scored by Aaron Zigman
167:September 12, 2008
1965:Films about the upper class
1945:American comedy-drama films
1608:The Haves and the Have Nots
1544:Madea's Destination Wedding
1282:The Haves and the Have Nots
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1495:Madea's Witness Protection
1481:I Can Do Bad All by Myself
1460:Diary of a Mad Black Woman
1353:Why Did I Get Married Too?
1198:Diary of a Mad Black Woman
1191:I Can Do Bad All by Myself
533:Although this interracial
1990:Films shot in New Orleans
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1254:Laugh to Keep from Crying
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723:Two Families, Two Legends
713:The film was released on
490:. . . with equal-gender,
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1523:Boo 2! A Madea Halloween
1488:Madea's Big Happy Family
1261:Madea's Big Happy Family
1184:I Know I've Been Changed
633:Gregory Kirschling from
370:as Abigail "Abby" Dexter
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727:Preying in the Big Easy
382:as Charlotte Cartwright
340:as Andrea Evans-Bennett
334:as Alice Reynolds-Evans
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1530:A Madea Family Funeral
1516:Boo! A Madea Halloween
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1332:Why Did I Get Married?
1247:The Marriage Counselor
1219:Why Did I Get Married?
1205:Madea's Family Reunion
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845:(September 12, 2008).
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1099:The Family That Preys
1091:The Family That Preys
1066:on September 13, 2008
719:anamorphic widescreen
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460:The Family That Preys
420:The Family That Preys
352:as William Cartwright
346:as Jillian Cartwright
220:The Family That Preys
22:The Family That Preys
2010:2000s American films
1430:The Six Triple Eight
1423:Divorce in the Black
1381:The Single Moms Club
1325:Daddy's Little Girls
1059:Entertainment Weekly
963:. Tribune Publishing
888:. September 13, 2008
828:Entertainment Weekly
636:Entertainment Weekly
403:Daddy's Little Girls
175: (United States)
1706:All the Queen's Men
1594:For Better or Worse
1167:Tyler Perry Studios
881:New York Daily News
739:production designer
665:were nominated for
542:Roger Moore of the
469:New York Daily News
223:is a 2008 American
1537:A Madea Homecoming
1509:Madea's Tough Love
1474:Madea Goes to Jail
1233:Madea Goes to Jail
886:Tribune Publishing
854:The New York Times
731:Casting the Family
673:was nominated for
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439:The New York Times
397:Burn After Reading
16:2008 American film
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1409:A Jazzman's Blues
1402:A Fall from Grace
1360:For Colored Girls
1268:A Madea Christmas
997:Time Out New York
761:BoxOfficeMojo.com
696:Not Easily Broken
655:Black Reel Awards
615:Brian Orndorf of
579:Time Out New York
576:Monika Fabian of
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1064:the original
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858:. Retrieved
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794:. Retrieved
785:
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715:Blu-ray Disc
712:
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685:Best Actress
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667:Best Actress
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663:Sanaa Lathan
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364:as Pam Evans
338:Sanaa Lathan
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225:comedy-drama
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184:Running time
160:Release date
143:Aaron Zigman
97:Robin Givens
77:Sanaa Lathan
1898:Da 5 Bloods
1838:Unstoppable
1830:The Soloist
1678:Young Dylan
1151:Tyler Perry
1025:DVD Verdict
737:, in which
671:Tyler Perry
603:DVD Verdict
591:Ken Fox of
478:Woody Allen
428:CinemaScore
380:Kathy Bates
374:Tyler Perry
350:Cole Hauser
276:strip clubs
272:honky-tonks
268:convertible
229:Tyler Perry
188:106 minutes
110:Kathy Bates
106:Tyler Perry
92:Cole Hauser
60:Tyler Perry
57:Produced by
52:Tyler Perry
43:Tyler Perry
39:Directed by
1935:2008 films
1929:Categories
1857:Last Vegas
1657:The Paynes
1558:Television
1367:Good Deeds
748:References
742:Ina Mayhew
709:Home media
690:BET Awards
529:observed:
517:soap opera
424:Metacritic
209:Box office
171:2008-09-12
133:Maysie Hoy
49:Written by
1720:Perimeter
1416:Mea Culpa
914:USA Today
587:converts.
508:USA Today
488:melodrama
410:Reception
274:and male
240:Socialite
153:Lionsgate
129:Edited by
1865:Land Ho!
1762:Category
1685:Ruthless
1664:The Oval
1642:episodes
1628:episodes
1614:episodes
1600:episodes
1586:episodes
1572:episodes
1388:Acrimony
1115:AllMovie
1070:March 1,
1039:DVD Talk
1011:TV Guide
639:stated:
618:DVD Talk
594:TV Guide
311:investor
249:Mercedes
201:Language
139:Music by
65:Starring
983:Variety
919:Gannett
796:22 June
687:at the
669:. Also
657:, both
653:At the
560:Variety
535:Dynasty
455:Dynasty
390:Release
280:baptism
204:English
193:Country
169: (
1909:(2021)
1901:(2020)
1884:(2016)
1876:(2015)
1868:(2014)
1860:(2013)
1852:(2012)
1841:(2010)
1833:(2009)
1825:(2008)
1817:(2007)
1713:Zatima
1671:Sistas
1452:series
1041:review
1027:review
1013:review
999:review
985:review
967:May 4,
942:review
924:May 4,
892:May 4,
860:May 4,
699:, and
649:Awards
621:said:
606:said:
582:said:
496:Family
449:Dallas
442:said:
376:as Ben
1906:Finch
1737:Books
1449:Madea
1313:Films
1176:Stage
626:Preys
1692:Bruh
1104:IMDb
1072:2010
969:2009
926:2009
894:2009
862:2009
798:2020
683:won
661:and
466:The
326:Cast
235:Plot
1113:at
1102:at
505:of
498:is.
480:'s
436:of
414:On
260:COO
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173:)
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