Knowledge (XXG)

The Fair at Sorochyntsi

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842:, was composed slowly and in fragments, and after the composer's death in 1881 remained unfinished. Originally only five excerpts were published: the Introduction to the opera (adapted according to the preliminary draft by A.K. Lyadov), the Lad's Dumka (ed. by Lyadov), the Gopak, the Scene of Khivrya expecting Afanasiy Ivanovich, and Parasya's Dumka (the orchestral edition of all five numbers belongs to Lyadov). Mussorgsky's manuscripts nevertheless still afforded a substantial quantity of musical material, namely, the "scene of the fair" which begins the opera and the first half of the second act. This material was adapted by V.G. Karatygin, supplemented and orchestrated by C.A. Cui. Nevertheless the remainder, in particular the scene of Cherevik and Khivrya and the scene of the Lad and the Gypsy in Act 1, 2nd half, and all of the third , with the exception of Parasya's Dumka and the Gopak, is added and orchestrated by C.A. Cui, and consequently Mussorgsky's posthumous labor is completed. 251: 104: 25: 1818: 1558: 1568: 1266: 794:. However, Lyadov orchestrated only five numbers (published in 1904) and did not finish the opera. Vyacheslav Karatygin later edited some fragments of Mussorgsky's manuscripts, which were orchestrated by Lyadov and performed in 1911. The next year Vladimir Senilov published his orchestration of Parasya's 694:
Merchants peddle their wares to crowds of visitors arriving from all around. The Gypsy makes reference to a red jacket that the devil is looking for, while the lad Gritsko woos Parasya. Her father, Cherevik, at first is indignant at this forwardness, but, after realizing that Gritsko is the son of a
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Inside Kum's house, where they are lodging, Khivrya quarrels with Cherevik, getting him to leave, so that she may keep her secret rendezvous with Afanasy Ivanovich, the son of the village priest. When the latter arrives, she offers him her culinary delicacies, which he devours. In the midst of
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in the course of composition, despite the fact that such an episode is not suggested by the original story. Although Mussorgsky managed to complete some numbers and even some of the orchestration (the whole prelude and the Andantino of Parasya's Dumka), significant portions of the
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their amorous encounter a knock is heard at the door. Afanasy hides on a shelf, and in walk Cherevik and Kum, with friends, alarmed by a rumor that someone has seen the red jacket and the devil. Kum tells the full story of the red jacket,
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Several subsequent composers and editors (cited below) played partial or maximal roles in bringing the work into a performable state. The first staged performance, with spoken sections, occurred on 8 October 1913 in Moscow under
1504: 268:(1872–1880); both were incomplete at the time of his death in 1881. He reused some music that he had written previously (such as the "Market Scene" from Act II of the ill-fated 1383: 1571: 1855: 1498: 798:
from Act III. Yury Sakhnovsky edited and orchestrated some fragments which, together with material edited by Lyadov, Karatygin, and Rimsky-Korsakov (i.e., the
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close friend, he agrees to let Gritsko marry his daughter. The two men go into the tavern to celebrate, as evening settles and the people disperse.
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between the two scenes of the third act, instead of as an interlude in act one (following Gritsko's Dumka), as Mussorgsky originally planned.
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Scenes where Mussorgsky did not compose the music are bracketed and marked in italics. The ordering of scenes follows Shebalin's completion.
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suggestive of early morning. This is usually accompanied visually by a scene depicting the fair stalls being set up and visitors arriving.
1622: 46: 1139:: опера в трех действиях по Гоголю, недостающие сцены досочинил В. Шебалин. Клавираусцуг. (Soviet ed., rpt. New York: E. F. Kalmus, ). 1875: 68: 1709: 440:
Two of the Ukrainian folk tunes that Mussorgsky incorporated into this opera (Act 1) were used also by Rimsky-Korsakov in his own
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However, Cui's version failed to find a permanent place in the repertory, and the opera was completed and orchestrated again by
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On a street in front of Kum's house, Parasya at first is sad about Gritsko, but then cheers herself up with a little
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Alone, Gritsko falls asleep and has a dream involving witches and devils. They are dispelled by church bells.
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Cherevik and his buddy, Kum, come out of the tavern in a drunken state. After they wander around in the dark,
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Catalog of autographs of M. P. Mussorgsky in the manuscript department of the St. Petersburg Conservatory
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music) constituted a staged "premiere" of sorts, performed at the Moscow Free Theatre on 8 October 1913 (
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The opera was first performed in England on 24 November 1936 by the British Music Drama Opera Company at
1752: 1744: 1701: 1669: 1258: 442: 238:. The opera remained unfinished and unperformed at Mussorgsky's death in 1881. Today, the completion by 1645: 1590: 1860: 1514: 1489: 1459: 1422: 1318: 812: 371: 298: 1677: 424: 1494: 851: 847: 669: 361: 331: 324: 239: 207: 1538: 1530: 1215: 478: 344: 213: 95: 1728: 1484: 1048: 790:
finish the composition of the work, the libretto to be completed by Mussorgsky's old friend
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is not a part of the standard operatic repertoire in the West. The best-known numbers from
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The St Petersburg Mussorgsky State Academic Opera and Ballet Theatre — Mikhailovsky Theatre
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sequence – was staged on 13 October 1917 (Old Style) at the Theatre of Musical Drama in
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Mussorgsky worked on the opera between 1874 and 1880, in competition with his work on
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in 1930. Shebalin's version became the standard since then. This also includes the
1613: 816: 314: 301:. Beginning in 1917, the first of several fully-sung versions reached the stage. 382: 337: 91: 1179: 109: 828: 591: 414: 367: 320: 177: 421:. Mussorgsky also arranged the Gopak and the market scene for piano solo. 1251: 808:), with spoken dialogue inserted for scenes without music by Mussorgsky. 683: 631: 615: 607: 290: 285: 221: 1567: 673: 575: 508: 1077:. London: W. Reeves, 1939; rpt. New York: Books for Libraries, 1980. 611: 1184: 1771: 1272: 795: 770: 745: 627: 623: 535: 418: 284:
as a dream sequence involving the hero was a late addition to the
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Yekaterinburg State Academic Opera Theatre Orchestra and Chorus
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were left only in bare sketches, or without any music at all.
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during 1914–1916. This fully sung version – but without the
1582: 1150: 1066:Ленинград: Издательство "Музыка," 1968, pp. 318–322. 1037: 232:, from his early (1832) collection of Ukrainian stories 1109:
http://biblio.conservatory.ru/Today/Public/Miller02.htm
1091:. Москва: Советский композитор, 1962, pp. 279–280. 437:
is based mainly on the version included in this opera.
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Completed versions of the opera took place as follows:
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Introduction: "A Hot Day in Little Russia" (Orchestra)
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Recordings source: operadis-opera-discography.org.uk
1798: 1763: 1720: 1629: 1523: 1477: 1441: 1394: 1365: 1346: 1299: 1231: 162: 148: 140: 132: 116: 85: 1125:. Ленинград: Гос. муз. изд-во, 1955, p. 694. 1783:(Dargomyzhsky, Introduction and end of Tableau 1) 819:became the first to create a complete version of 748:, in which Cherevik joins without her noticing. 446:, which was likewise based on a story by Gogol. 1145:Taruskin, Richard. "Fair at Sorochintsï, The", 751:The people celebrate the wedding with a hopak. 1598: 1200: 8: 1084:. New York: W.W. Norton, 1986, p. 129. 427:made an arrangement of the Gopak for piano. 274:of 1872, rewritten for the opening scene of 941:Moscow Radio Symphony Orchestra and Chorus 504:Cherevik’s daughter, Khivrya’s stepdaughter 1605: 1591: 1583: 1445: 1398: 1303: 1235: 1207: 1193: 1185: 1064:100 опер: история создания, сюжет, музыка. 974:Stanislavsky Theater Orchestra and Chorus 811:In commemoration of his late comrade from 102: 82: 1170:International Music Score Library Project 1121:Gusin, I.L. Editorial commentary in Cui, 1101:, London: J.M.Dent & Sons, Ltd., 1946 69:Learn how and when to remove this message 865: 642:: The Shebalin edition incorporates the 456: 32:This article includes a list of general 1073:and Cherepnin's Completion of It," his 1030: 1856:Operas based on works by Nikolai Gogol 1114:"Double Bill Given by the New Opera," 1175:Russian libretto in zip file for Word 1099:Mussorgsky, 'Master Musicians' Series 701:Gritsko, alone, bemoans his sadness. 7: 1510:Urals Mussorgsky State Conservatoire 740:Scene 2: The Street before Kum's Hut 728:Scene 1: The Street before Kum's Hut 216:, composed between 1874 and 1880 in 212:) is a comic opera in three acts by 665:Time: Beginning of the 19th century 1141:(With editorial notes by P. Lamm.) 323:'s Theatre of Musical Drama under 278:). Incorporation of the music of 38:it lacks sufficient corresponding 14: 1149:(Accessed 17 December 2005), < 470:Conductor: Konstantin Saradzhev) 220:, Russia. The composer wrote the 1817: 1816: 1775:(Act I, with three others, 1872) 1566: 1557: 1556: 1264: 1107:(Accessed 30 October 2007), < 839:was begun by Mussorgsky in 1875 23: 1082:The New Grove Russian Masters 1 766:Aria: Parasya's Dumka (Parasya) 763:Aria: Parobok's Dumka (Gritsko) 645:Dream Vision of the Peasant Lad 235:Evenings on a Farm near Dikanka 1407:The Destruction of Sennacherib 1384:Stokowski orchestration (1939) 387:on 3 November 1942 in New York 349:: 10 January 1925 in Moscow's 1: 1505:Ferry "Compositor Musorgskij" 1358:(1867, revised 1872 and 1880) 1080:_______. "Modest Musorgsky," 417:Introduction and the closing 108:Mussorgsky, 1881 portrait by 1153:> (subscription required) 230:short story of the same name 1841:Operas by Modest Mussorgsky 1544:Michel-Dimitri Calvocoressi 1495:Airbus A321 "M. Mussorgsky" 792:Arseny Golenishchev-Kutuzov 755:Principal arias and numbers 570:: Market-women, merchants, 1897: 1876:Operas completed by others 1380:Ravel orchestration (1922) 340:with Tcherepnin conducting 16:Opera by Modest Mussorgsky 1814: 1686:A Feast in Time of Plague 1620: 1552: 1448: 1431:Songs and Dances of Death 1401: 1374:Pictures at an Exhibition 1306: 1238: 1222: 1151:http://www.grovemusic.com 912:Slovenian National Opera 871: 682:The opera begins with an 602: 582: 566: 242:has become the standard. 198: 167:13 October 1917 125: 101: 90: 1638:Prisoner of the Caucasus 885:Conductor and Orchestra 1851:Russian-language operas 1788:The Fair at Sorochyntsi 1289:The Fair at Sorochyntsi 1165:The Fair at Sorochyntsi 1071:The Fair of Sorochintsy 969:Vyacheslav Voynarovsky 821:The Fair at Sorochyntsi 784:Nikolai Rimsky-Korsakov 778:Versions by other hands 578:, lads, lasses, guests 407:The Fair at Sorochyntsi 190:The Fair at Sorochyntsi 154:The Fair at Sorochyntsi 86:The Fair at Sorochyntsi 53:more precise citations. 1806:List of literary works 1737:Little Red Riding Hood 1710:The Captain's Daughter 1355:Night on Bald Mountain 951:CD: Melodiya-Eurodisc, 856:Night on Bald Mountain 825:Night on Bald Mountain 801:Night on Bald Mountain 668:Place: The village of 654:Сонное видение паробка 653: 435:Night on Bald Mountain 366:: 12 December 1931 in 281:Night on Bald Mountain 259: 203:Sorochinskaya yarmarka 1881:Operas set in Ukraine 920:Cat: A 00329-00330 L 618:), Topelets, Smert' ( 319:: 13 October 1917 in 253: 1623:List of compositions 1490:Mussorgskij (crater) 1460:The Song of the Flea 1225:List of compositions 1128:Mussorgsky, Modest. 967:Anatoliy Mishchevsky 932:Lyudmila Belobragina 882:Afanasiy Ivanovich) 670:Velikiye Sorochyntsі 604:Chorus, silent roles 568:Chorus, silent roles 544:Afanasiy Ivanovich, 299:Konstantin Saradzhev 224:, which is based on 1846:Operas by César Cui 1137:Сорочинская ярмарка 1130:Сорочинская ярмарка 982:Cat: C10 20721 007; 930:Antonina Kleshchova 586:(Shebalin edition) 425:Sergei Rachmaninoff 336:: 17 March 1923 in 305:Performance history 246:Composition history 199:Сорочинская ярмарка 126:Сорочинская ярмарка 1646:The Mandarin's Son 1147:Grove Music Online 1118:, 4 November 1942. 1095:Calvocoressi, M.D. 1069:Abraham, Gerald. " 996:Svetlana Zalizniak 852:Vissarion Shebalin 848:Nikolai Tcherepnin 372:Maly Opera Theatre 362:Vissarion Shebalin 332:Nikolai Tcherepnin 325:Grzegorz Fitelberg 260: 240:Vissarion Shebalin 1866:Unfinished operas 1828: 1827: 1721:Children's operas 1694:Mademoiselle Fifi 1580: 1579: 1539:Mussorgsky family 1473: 1472: 1469: 1468: 1342: 1341: 1338: 1337: 1216:Modest Mussorgsky 1017: 1016: 1005:Yevgeniy Brazhnik 998:Nadezhda Ryzhkova 986:Cat: OCD 114 A/B 949:Cat: D 026823-28; 928:Gennadiy Troytsky 637: 636: 345:Nikolai Golovanov 214:Modest Mussorgsky 186: 185: 96:Modest Mussorgsky 79: 78: 71: 1888: 1820: 1819: 1729:The Snow Bogatyr 1654:William Ratcliff 1607: 1600: 1593: 1584: 1570: 1560: 1559: 1485:1059 Mussorgskia 1446: 1399: 1304: 1300:Film adaptations 1268: 1236: 1209: 1202: 1195: 1186: 1180:English Libretto 1168:: Scores at the 1123:Избранные письма 1075:On Russian Music 1051: 1046: 1040: 1035: 1002:Sergei Maistruk 961:Vladimir Matorin 939:Yuri Ahronovitch 907:Slavko Shtrukel 866: 837:Sorochyntsi Fair 835:The comic opera 457: 200: 174: 172: 127: 106: 83: 74: 67: 63: 60: 54: 49:this article by 40:inline citations 27: 26: 19: 1896: 1895: 1891: 1890: 1889: 1887: 1886: 1885: 1831: 1830: 1829: 1824: 1810: 1794: 1780:The Stone Guest 1759: 1716: 1625: 1616: 1611: 1581: 1576: 1548: 1519: 1465: 1437: 1390: 1361: 1334: 1295: 1227: 1218: 1213: 1160: 1097:, Abraham, G., 1087:Bernandt, G.B. 1055: 1054: 1047: 1043: 1036: 1032: 1022: 1006: 1001: 999: 997: 995: 985: 983: 981: 973: 972:Vladimir Esipov 968: 966: 965:Lidiya Chernikh 964: 962: 952: 950: 948: 940: 936:Yuriy Yelnikov 935: 934:Aleksey Usmanov 933: 931: 929: 919: 911: 906: 904: 902: 901:Bogdana Stritar 900: 899:Latko Koroshetz 881: 879: 877: 875: 873: 864: 850:in 1923 and by 786:suggested that 780: 757: 725: 709: 692: 662: 489:Cherevik’s wife 469: 467: 452: 431:Rimsky-Korsakov 397:Vladimir Rosing 355:Yuri Sakhnovsky 351:Bolshoi Theatre 307: 257: 248: 182: 181: 175: 170: 168: 157: 128: 112: 75: 64: 58: 55: 45:Please help to 44: 28: 24: 17: 12: 11: 5: 1894: 1892: 1884: 1883: 1878: 1873: 1868: 1863: 1858: 1853: 1848: 1843: 1833: 1832: 1826: 1825: 1815: 1812: 1811: 1809: 1808: 1802: 1800: 1796: 1795: 1793: 1792: 1784: 1776: 1767: 1765: 1764:Collaborations 1761: 1760: 1758: 1757: 1749: 1741: 1733: 1724: 1722: 1718: 1717: 1715: 1714: 1706: 1698: 1690: 1682: 1674: 1666: 1658: 1650: 1642: 1633: 1631: 1627: 1626: 1621: 1618: 1617: 1612: 1610: 1609: 1602: 1595: 1587: 1578: 1577: 1575: 1574: 1564: 1553: 1550: 1549: 1547: 1546: 1541: 1536: 1527: 1525: 1521: 1520: 1518: 1517: 1512: 1507: 1502: 1492: 1487: 1481: 1479: 1475: 1474: 1471: 1470: 1467: 1466: 1464: 1463: 1456: 1449: 1443: 1439: 1438: 1436: 1435: 1427: 1419: 1411: 1402: 1396: 1392: 1391: 1389: 1388: 1387: 1386: 1381: 1369: 1367: 1363: 1362: 1360: 1359: 1350: 1348: 1344: 1343: 1340: 1339: 1336: 1335: 1333: 1332: 1324: 1316: 1307: 1301: 1297: 1296: 1294: 1293: 1285: 1277: 1269: 1256: 1248: 1239: 1233: 1229: 1228: 1223: 1220: 1219: 1214: 1212: 1211: 1204: 1197: 1189: 1183: 1182: 1177: 1172: 1159: 1158:External links 1156: 1155: 1154: 1143: 1133: 1126: 1119: 1116:New York Times 1112: 1102: 1092: 1085: 1078: 1067: 1060: 1059: 1053: 1052: 1041: 1029: 1028: 1027: 1026: 1021: 1018: 1015: 1014: 1011: 1008: 1003: 994:Hermann Kuklin 992: 988: 987: 978: 975: 970: 963:L. 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1534:(1950 film) 1415:The Nursery 1330:(1989 film) 1322:(1959 film) 1314:(1954 film) 463:Voice type 385:'s version: 383:Emil Cooper 357:conducting. 338:Monte Carlo 258:(1809–1852) 208:Sorochyntsi 92:Comic opera 51:introducing 1835:Categories 1532:Mussorgsky 1347:Orchestral 1020:References 910:Samo Hubad 874:(Cherevik, 862:Recordings 614:), Chumá ( 610:, Cherv' ( 584:Intermezzo 557:The gypsy 415:orchestral 180:'s Theatre 171:1917-10-13 136:Mussorgsky 133:Librettist 110:Ilia Repin 34:references 1614:César Cui 1478:Namesakes 1135:_______. 1010:Shebalin 977:Shebalin 944:Shebalin 915:Shebalin 829:Petrograd 817:César Cui 806:Old Style 712:Kum's Hut 592:Chornobog 529:Gritsko, 502:Parasya, 487:Khivrya, 475:Cherevik 368:Leningrad 321:Petrograd 315:César Cui 178:Petrograd 1822:Category 1562:Category 1497:(number 1462:" (1879) 1252:Zhenitba 1244:Salammbô 1038:100 Опер 888:Version 880:Gritsko, 878:Parasya, 876:Khivrya, 813:The Five 782:In 1881 773:(Chorus) 769:Finale: 684:overture 660:Synopsis 608:Kashchéy 576:Cossacks 574:, Jews, 454:Source: 413:are the 364:version: 291:scenario 286:scenario 222:libretto 163:Premiere 158:by Gogol 149:Based on 141:Language 1799:Related 1524:Related 1453:"Night" 1423:Sunless 1377:(1874) 1263:(1872) 1058:Sources 674:Poltava 672:, near 650:Russian 628:witches 572:Gypsies 509:soprano 399:, with 370:at the 347:version 334:version 317:version 195:Russian 169: ( 144:Russian 122:Russian 47:improve 1871:Operas 1756:(1915) 1748:(1913) 1740:(1911) 1732:(1905) 1713:(1909) 1705:(1907) 1697:(1903) 1689:(1901) 1681:(1899) 1673:(1894) 1665:(1876) 1662:Angelo 1657:(1869) 1649:(1859) 1641:(1858) 1630:Operas 1499:VP-BWP 1455:(1864) 1434:(1877) 1426:(1874) 1418:(1872) 1410:(1867) 1292:(1880) 1284:(1880) 1276:(1872) 1255:(1868) 1247:(1866) 1232:Operas 891:Label 632:dwarfs 624:demons 616:Plague 550:tenor 36:, but 1772:Mlada 1572:Audio 1442:Songs 1395:Vocal 1366:Piano 1273:Mlada 1025:Notes 1013:URAL 991:1996 958:1983 925:1975 896:1955 872:Cast: 869:Year 796:dumka 771:Hopak 746:hopak 723:Act 3 707:Act 2 690:Act 1 620:Death 596:bass 560:bass 536:tenor 460:Role 450:Roles 419:Gopak 353:with 271:Mlada 1111:> 640:Note 612:Worm 517:Kum 479:bass 411:Fair 276:Fair 210:Fair 656:). 622:), 606:: 228:'s 94:by 1837:: 815:, 652:: 630:, 626:, 205:, 201:, 197:: 124:: 1606:e 1599:t 1592:v 1501:) 1458:" 1208:e 1201:t 1194:v 648:( 378:. 327:. 193:( 173:) 72:) 66:( 61:) 57:( 43:.

Index

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Comic opera
Modest Mussorgsky

Ilia Repin
Russian
The Fair at Sorochyntsi
Petrograd
Russian
Sorochyntsi
Modest Mussorgsky
St. Petersburg
libretto
Nikolai Gogol
short story of the same name
Evenings on a Farm near Dikanka
Vissarion Shebalin

Nikolay Gogol
Khovanshchina
Mlada
Night on Bald Mountain
scenario
scenario
Konstantin Saradzhev
César Cui

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