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The Farnsworth Invention

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is worried the audience might change the channel. That's not entirely a bad thing. As fans of Sorkin's TV shows know well, the internal psyche of Sorkin is a very stimulating place in which to dwell for a couple of hours. His characters are uncommonly articulate and witty—albeit without much differentiation. He has mastered all the dramatic rules so well, he can titillate you by deconstructing and then reassembling them. And in this case he certainly knows how to make a dry scientific quest into a provocative piece of theater."
1035: 334:, evidence in defense of two sides of an argument and colorful examples to support the main thesis .... And yet you’re likely to leave “The Farnsworth Invention” feeling that you have just watched an animated Knowledge entry, fleshed out with the sort of anecdotal scenes that figure in “re-enactments” on E! channel documentaries and true-crime shows. 415:
called it "slick yet deeply conflicted" and "restless" and added, "this is one of those Boomer-friendly, media-savvy, self-aware pieces of effective theater that feel like they owe a lot to TV writing and our celebrity-obsessed culture . . . this is a jumpy piece of writing. It feels like the writer
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There were many lawsuits, appeals and counter-suits that covered years. Farnsworth won some of them and lost some of them. The final result—certainly in the context of the play I'd written—was a loss. Farnsworth died, as Sarnoff says at the end, "drunk, broke and in obscurity" and whether or not it
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The play is not historically accurate and is an intentional alteration of the story. It shows Farnsworth as being defeated legally by Sarnoff, and then spending his life in obscurity. In reality, Farnsworth won the lawsuit, later received a $ 1 million payment from RCA for the purchase of his TV
406:, Hedy Weiss described it as "a firecracker of a play in a fittingly snap, crackle and pop production under the direction of Des McAnuff, the drama has among its many virtues the ability to make you think at the same time that it breaks your heart." 146:, where he began experimenting with electricity. In 1920, when Farnsworth was 14, he showed his high school chemistry teacher a design he had made for an electronic television only to become involved in an all-or-nothing battle with 348:
awarded it 2½ out of 4 stars and stated, "Sorkin's take on the Farnsworth/Sarnoff standoff would be better suited to a screen, either big or small. Even now, while crackling with crisp dialogue,
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was the result of corporate espionage or theft was the subject of the play. That's a long of way of saying I conflated many lawsuits into one.
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The show certainly deserves high marks for all those traits that exacting schoolteachers hold dear: conciseness, legibility, correct use of
569: 1020: 864: 384:, Linda Winer called it "vintage Sorkin and crackling prime-time theater . . . breezy and shrewd, smart-alecky and idealistic." 474: 1074: 1039: 233: 914: 856: 158:'s first communications mogul." Schlamme described the movie as "a classic American tale driven by the conflict between a 169:
Following its initial press release, New Line did not disclose any additional information about the film. As a result,
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patents, and went on to have an illustrious career in technological research. There is a statue of Farnsworth in
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In 2005 it was announced that Sorkin was adapting the screenplay for the stage and the play would debut in the
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described it as "disappointing and ho-hum" and "seldom deeply involving . . . Scenes play out like brief
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The Boy Who Invented Television: A Story of Inspiration, Persistence and Quiet Passion
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immigrant over the ownership of the most influential invention of the 20th Century."
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production directed by Louise Fischer officially opened on July 13, 2011, at the
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project . . . never fully moves beyond its stream of over-explained factoids."
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The Last Lone Inventor: A Tale of Genius, Deceit & the Birth of Television
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Brantley, Ben. "A Farm Boy and a Mogul, and How They Changed the World,"
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from February 20 - March 25, 2007 as "a page-to-stage production" with
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Aaron Sorkin's Farnsworth Invention to Open on Broadway in November
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Sorkin, Aaron. "Questions for me?" Message Board on Sorkin's
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often has the air of a clumsy stage adaptation of, say,
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See the official trailer for "The Farnsworth Invention"
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on November 14, 2007, but this was delayed due to the
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penned 45 minutes of music to underscore the drama.
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Schwartz (2003-05-13). 1080:Plays set in the United States 234:2007 Broadway stagehand strike 1: 857:Studio 60 on the Sunset Strip 601:. Nydailynews.com. 2007-12-04 297:question where Sorkin wrote: 1070:Plays based on actual events 568:Barnes, Clive (2007-12-04). 425:Paul Schatzkin (2023-04-8). 228:It was scheduled to open on 16:Play written by Aaron Sorkin 700:Jones, Chris (2007-12-06). 122:The release read in part: " 79:adapted from an unproduced 1101: 966:The Trial of the Chicago 7 741:Internet Broadway Database 500:. Farnsworthonbroadway.com 240:on December 3, 2007, with 1031: 819: 361:Joe Dziemianowicz of the 211:) playing Farnsworth and 150:, the young president of 26: 1013:The Farnsworth Invention 759:The Farnsworth Invention 350:The Farnsworth Invention 124:The Farnsworth Invention 113:The Farnsworth Invention 68:The Farnsworth Invention 37:with an audience at the 35:The Farnsworth Invention 33:Aaron Sorkin discussing 22:The Farnsworth Invention 775:Big Dream, Small Screen 498:"Official Show Website" 197:. It was staged at the 130:, a boy genius born in 997:Hidden in This Picture 907:The American President 824:Awards and nominations 521:. Theatre World Awards 487:Article, June 21, 2007 336: 306: 1075:Plays by Aaron Sorkin 1021:To Kill a Mockingbird 681:The Chicago Sun-Times 443:. Harper Paperbacks. 258:for his performance. 138:, who later moved to 950:Written and directed 915:Charlie Wilson's War 708:. Chicagotribune.com 236:. It opened at the 768:Farnsworth Archives 597:New York Daily News 409:Chris Jones of the 364:New York Daily News 277:Historical accuracy 256:Theatre World Award 126:tells the story of 119:was set to direct. 107:On April 29, 2004, 41:on November 8, 2007 1085:Plays set in Idaho 974:Being the Ricardos 923:The Social Network 477:2007-06-26 at the 316:The New York Times 309:Critical reception 199:La Jolla Playhouse 1047: 1046: 984: 983: 833:Television series 558:December 4, 2007. 450:978-0-06-093559-7 403:Chicago Sun-Times 238:Music Box Theatre 218:Gods and Generals 64: 63: 57:Original language 39:Music Box Theatre 1092: 1037: 1036: 880: 805: 798: 791: 782: 764: 763: 761:official website 717: 716: 714: 713: 697: 691: 690: 688: 687: 672: 666: 665: 663: 662: 646: 640: 639: 637: 636: 627:. 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Index


Music Box Theatre
Aaron Sorkin
stage play
Aaron Sorkin
screenplay
Philo Farnsworth
television
David Sarnoff
RCA
New Line Cinema
Thomas Schlamme
Philo Farnsworth
Beaver
Utah
Rigby
Idaho
David Sarnoff
RCA
America
Mormon
Russian
websites
IMDb
Abbey Theatre
Dublin
Ireland
La Jolla Playhouse
Jimmi Simpson
Zodiac

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