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Unlike other minimalist works in which, compared to serial music, "a certain level of articulational subtlety is eschewed in favor of an overall psycho-acoustic effect," in Gaburo's piece "the focus is even more intense, and the attention to dynamic shaping given to the lines … is here transferred to
53:: "Gently changing balances between the voices would result in very subtle glissandi of the harmonics of the spectrum being heard." The piece creates a "(sonic) universe in this (linguistic) 'grain of sand'".
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whose goal is "to sing in tune to such an extent that … this would consist of phase-coherent waves of sound." This, however, proves impossible, as singers must breathe,
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Kenneth Gaburo: Five Works For Voices, Instruments, and
Electronics". New World Records 80585-2. Produced for CD by David Dunn.
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64:(1970), for various media, bears a similar subtitle: "The Flow of (i)2".
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Rosen, Jerome, and Keith Moore. 2001. "Gaburo, Kenneth (Louis)".
35:sung by three singers for twenty-three minutes" on
16:Piece of music composed in 1974 by Kenneth Gaburo
100:The New Grove Dictionary of Music and Musicians
45:occurs between nearly in tune pitches, and the
60:An earlier work from Gaburo's Lingua series,
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24:is a piece of music for three voices by
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110:. London: Macmillan Publishers.
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102:, second edition, edited by
31:The piece consists of "one
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137:Vocal musical compositions
127:Minimalistic compositions
86:. 2002. Liner notes for
28:, composed in 1974.
57:the micro-level".
47:frequency spectrum
132:1974 compositions
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21:The Flow of (u)
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26:Kenneth Gaburo
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104:Stanley Sadie
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108:John Tyrrell
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121:Categories
62:Lingua IV
51:harmonics
68:Sources
43:beating
106:and
33:note
49:or
123::
76:^
38:u
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