717:("The Frog Princess"), a landlord has three sons, the elder two smart and the youngest, Hans (Janek in the Polish text), a fool. One day, the elder two decide to leave home to learn a trade and find wives, and their foolish little brother wants to do so. The two elders and Hans go their separate ways in a crossroads, and Hans loses his way in the woods, without food, and the berries of the forest not enough to sate his hunger. Luckily for him, he finds a hut in the distance, where a little frog lives. Hans tells the little animal he wants to find work, and the frog agrees to hire him, his only job is to carry the frog on a satin pillow, and he shall have drink and food. One day, the youth sighs that his brothers are probably returning home with gifts for their mother, and he has none to show them. The little frog tells Hans to sleep and, in the next morning, to knock three times on the stable door with a wand; he will find a beautiful horse he can ride home, and a little box. Hans goes back home with the horse and gives the little box to his mother; inside, a beautiful dress of gold and diamond buttons. Hans's brothers question the legitimate origin of the dress. Some time later, the brothers go back to their masters and promise to return with their brides. Hans goes back to the little frog's hut and mopes that his brother have bride to introduce to his family, while he has the frog. The frog tells him not to worry, and to knock on the stable again. Hans does that and a carriage appears with a princess inside, who is the frog herself. The princess asks Hans to take her to his parents, but not let her put anything on her mouth during dinner. Hans and the princess go to his parents' house, and he fulfills the princess's request, despite some grievaance from his parents and brothers. Finally, the princess turns back into a frog and tells Hans he has a last challenge before he redeems her: Hans will have to face three nights of temptations, dance, music and women in the first; counts and nobles who wish to crown him king in the second; and executioners who wish to kill him in the third. Hans endures and braves each night, awakening in the fourth day in a large castle. The princess, fully redeemed, tells him the castle is theirs, and she is his wife.
735:, a king wishes to see his three sons married before they eventually ascend to the throne. So, the next day, the princes prepare to shoot three arrows at random, and to marry the girls that live wherever the arrows land. The first two find human wives, while the youngest's arrow falls in the margins of the lake. A frog, sat on it, agrees to return the prince's arrow, in exchange for becoming his wife. The prince questions the frog's decision, but she advises him to tell his family he married an Eastern lady who must be only seen by her beloved. Eventually, the king asks his sons to bring him carpet woven by his daughters-in-law. The little frog summons "seven lovely maidens" to help her weave the carpet. Next, the king asks for a cake to be baked by his daughters-in-law, and the little frog bakes a delicious cake for the king. Surprised by the frog's hidden talents, the prince asks her about them, and she reveals she is, in fact, a princess underneath the frog skin, a disguise created by her mother, the magical Queen of Light, to keep her safe from her enemies. The king then summons his sons and his daughters-in-law for a banquet at the palace. The little frog tells the prince to go first, and, when his father asks about her, it will begin to rain; when it lightens, he is to tell her she is adorning herself; and when it thunders, she is coming to the palace. It happens thus, and the prince introduces his bride to his father, and whispers in his ear about the frogskin. The king suggests his son burns the frogskin. The prince follows through with the suggestion and tells his bride about it. The princess cries bitter tears and, while he is asleep, turns into a duck and flies away. The prince wakes the next morning and begins a quest to find the kingdom of the Queen of Light. In his quest, he passes by the houses of three witches named Jandza, which spin on chicken legs. Each of the Jandzas tells him that the princess flies in their huts in duck form, and the prince must hide himself to get her back. He fails in the first two houses, due to her shapeshifting into other animals to escape, but gets her in the third. They reconcile and return to his father's kingdom.
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son's bedroom. She takes a peek inside and sees a beautiful maiden with the frogskin on her. Deciding to keep her human forever, the khan's wife mistakenly takes the frogskin and tosses it in the fire. The frog maiden vanishes soon after. The next morning, the third prince wakes up and, not seeing his wife, decides to leave home to look for her. He walks through the forest until he reaches "an iron road, a stone road", and follows the path, finally reaching an old woman's hut. The old woman welcomes him, and he tells her his issues. The woman then advises him to keep walking until he arrives at her middle sister's house, who may be able to help him. The prince goes to the next house, but the middle sister does not seem to be able to help him, so he sends him to her sister in a third hut. He reaches the third house, where the third old woman says the prince's wife will come in the next morning, so he should hide. The next morning, a swan flies in through the window and circumvents the hut. The prince comes out of hiding and wrestles with the swan to trap him in the house and not let it go. After a struggle, he manages to calm her down and takes her back with him to his kingdom, where they build an iron house for themselves. However, this draws the envy of his elder brother, who complains to
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by shooting three arrows at random, and to marry whoever they find on the spot the arrows land on. The youngest son, Ivan
Bogatyr, shoots his, and it takes him some time to find it again. He walks through a vast swamp and finds a large hut, with a large frog inside, holding his arrow. The frog presses Ivan to marry it, lest he will not leave the swamp. Ivan agrees, and it takes off the frog skin to become a beautiful maiden. Later, the king asks his daughters-in-law to weave him a fine linen shirt and a beautiful carpet with gold, silver and silk, and finally to bake him delicious bread. Ivan's frog wife summons the winds to help her in both sewing tasks. Lastly, the king invites his daughters-in-law to the palace, and the frog wife takes off the frog skin, leaves it at home and goes on a golden carriage. While she dances and impresses the court, Ivan goes back home and burns her frog skin. The maiden realizes her husband's folly and, saying her name is Vasilisa the Wise, tells him she will vanish to a distant kingdom and begs him to find her.
603:, prince Yarmil and his brothers are to seek wives and bring to the king their presents in a year and a day. Yarmil and his brothers shoot arrow to decide their fates, Yarmil's falls into a mouse-hole. The prince enters the mouse hole, finds a splendid castle and an ugly toad he must bathe for a year and a day. When the date is through, he returns to his father with the toad's magnificent present: a casket with a small mirror inside. This repeats two more times: on the second year, Yarmil brings the princess's portrait and on the third year the princess herself. She reveals she was the toad, changed into amphibian form by an evil wizard, and that Yarmil helped her break this curse, on the condition that he must never reveal her cursed state to anyone, specially to his mother. He breaks this prohibition one night and she disappears. Yarmil, then, goes on a quest for her all the way to the glass mountain (tale type ATU 400, "The Quest for the Lost Wife").
675:, "ashes"). One day, the king organizes a bride selection test for his sons: they are to aim his bows and shoot arrows at random directions, and marry the woman that they will find with the arrow. Tuhkimo's arrow lands near a frog and he takes it as his bride. The king sets three tasks for his prospective daughters-in-law: to prepare the food and to sew garments. While prince Tuhkimo is asleep, his frog fiancée takes off her frog skin, becomes a human maiden and summons her eight sisters to her house: eight swans fly in through the window, take off their swanskins and become humans. Tuhkimo discovers his bride's transformation and burns the amphibian skin. The princess laments the fact, since her mother cursed her and her eight sisters, and in three nights time the curse would have been lifted. The princess then
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arrow is picked up by a frog. The king assigns his three prospective daughters-in-law various tasks, such as spinning cloth and baking bread. In every task, the frog far outperforms the two other lazy brides-to-be. In some versions, the frog uses magic to accomplish the tasks, and though the other brides attempt to emulate the frog, they cannot perform the magic. Still, the young prince is ashamed of his frog bride until she is magically transformed into a human princess.
260:, whom he impresses with his spirit, asking why she has not offered him hospitality. She tells him that Koschei is holding his bride captive and explains how to find the magic needle needed to rescue his bride. In another version, the prince's bride flies into Baba Yaga's hut as a bird. The prince catches her, she turns into a lizard, and he cannot hold on. Baba Yaga rebukes him and sends him to her sister, where he fails again. However, when he is sent to the
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and his wives are invited, Maria takes off her frog skin to appear as human. While she is in the tsar's ballroom, her husband hurries back home and burns the frog skin. When she comes home, she reveals the prince her cursed state would soon be over, says he needs to find Baba Yaga in a remote kingdom, and vanishes from sight in the form of a cuckoo. The tale continues as tale type ATU 313, "The
Magical Flight", like the Russian tale of
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youngest in a marsh. He follows footprints and enters a grass-hut where he meets a talking frog who tells him to prepare for their wedding, for, when she comes, the earth will tremble and the skies will thunder, but he has nothing to fear. The three princess convene back in with their father, who asks his sons for their wives first to bring the best bread they can bake, and the best shirts they can weave. The
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In the
Russian versions of the story, Prince Ivan and his two older brothers shoot arrows in different directions to find brides. The other brothers' arrows land in the houses of the daughters of an aristocrat and a wealthy merchant, respectively. Ivan's arrow lands in the mouth of a frog in a swamp,
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variant collected by M. Dragomanov, titled "Жена-жаба" ("The Frog Wife" or "The Frog Woman"), a king shoots three bullets to three different locations, the youngest son follows and finds a frog. He marries it and discovers it is a beautiful princess. After he burns the frog skin, she disappears, and
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In
Calvino's version, the princes use slings rather than bows and arrows. In the Greek version, the princes set out to find their brides one by one; the older two are already married by the time the youngest prince starts his quest. Another variation involves the sons chopping down trees and heading
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had the idea of animating this popular national fairy tale. Production took two years, and the premiere took place in
December, 1954. In 1996 this version of the tale was included in the film "Classic Fairy Tales From Around the World" on VHS. At present the film is included in the gold classics of
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The oldest attestation of the tale type in Russia is in a 1787 compilation of fairy tales, published by one Petr
Timofeev. In this tale, titled "Сказка девятая, о лягушке и богатыре" (English: "Tale nr. 9: About the frog and the bogatyr"), a widowed king has three sons, and urges them to find wives
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The king (or an old peasant woman, in Lang's version) wants his three sons to marry. To accomplish this, he creates a test to help them find brides. The king tells each prince to shoot an arrow. According to the King's rules, each prince will find his bride where the arrow lands. The youngest son's
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and flies away with her swan sisters. Tuhkimo follows her and meets an old widow, who directs him to a lake, in three days journey. Tuhkimo finds the lake, and he waits. Nine swans come, take off their skins to become human women and bathe in the lake. Tuhkimo hides his bride's swanskin. She comes
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In another
Ukrainian variant, the Frog Princess is a maiden named Maria, daughter of the Sea Tsar and cursed into frog form. The tale begins much the same: the three arrows, the marriage between human prince and frog and the three tasks. When the human tsar announces a grand ball to which his sons
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khan's daughters-in-law fulfill his requests, and he does approve of their efforts, but lauds the youngest's bride's work. Finally, the frog comes to the wedding just as she promised, and marries the youngest prince. One night, the wife of the khan wakes up and sees a bright light coming from her
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that live between land and water realms, and are considered to be imbued with (often negative) magical properties in Slavic folklore. In some variants, the Frog
Princess is the daughter of Koschei, the Deathless, and Baba Yaga - sorcerous characters with immense magical power who appear in Slavic
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khan is old and tells his three sons to find wives by casting arrows at random; wherever the arrows land on, they shall marry the girl. The three princes shoot their arrows and follow them: the elder finds his next to a merchant's house; the middle brother next to a lesser rich merchant, and the
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In a variant from northern
Moldavia collected and published by Romanian author Elena Niculiță-Voronca, the bride selection contest replaces the feather and arrow for shooting bullets, and the frog bride commands the elements (the wind, the rain and the frost) to fulfill the three bridal tasks.
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Russian researcher
Varvara Dobrovolskaya stated that type SUS 402, "Frog Tsarevna", figures among some of the popular tales of enchanted spouses in the Russian tale corpus. In some Russian variants, as soon as the hero burns the skin of his wife, the Frog Tsarevna, she says she must depart to
256:. Her final test may be to dance at the king's banquet. The Frog Princess sheds her skin, and the prince then burns it, to her dismay. Had the prince been patient, the Frog Princess would have been freed but instead he loses her. He then sets out to find her again and meets with
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describes the frog heroine as "resourceful, enterprising, and accomplished", whose amphibian skin is burned by her husband, and she has to depart to regions unknown. The story, then, delves into the husband's efforts to find his wife, ending with a happy reunion for the couple.
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Dutch scholar Theo Meder supposed that the tale type originated in Europe, and the frog was the original form of the animal bride, although she can be a cat in Western Europe and a mouse in Northern Europe. According to researcher Carole G. Silver and
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Maxim Fomin sees "intricate meanings" in the objects the frog wife produces at her husband's request (a loaf of bread decorated with images of his father's realm; the carpet depicting the whole kingdom), which Fomin associated with "regal semantics".
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In some versions of the story, the Frog Princess' transformation is a reward for her good nature. In one version, she is transformed by witches for their amusement. In yet another version, she is revealed to have been an enchanted princess all along.
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storyteller. They identified the tale as belonging to the tale type ATU 402 (and a second part as ATU 400, "The Quest for the Lost Wife") and noted its resemblance to the Russian story, trying to trace its appearance in the teller's repertoire.
359:'s realm, prompting a quest for her (tale type ATU 400, "The Man on a Quest for the Lost Wife"). Jack Haney stated that the combination of types 402, "Animal Bride", and 400, "Quest for the Lost Wife", is a common combination in Russian tales.
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On the other hand, Barbara Fass Leavy draws attention to the role of the frog wife in female tasks, like cooking and weaving. It is her exceptional domestic skills that impress her father-in-law and ensure her husband inherits the kingdom.
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version of the fairy tale, the princes do not shoot arrows to choose their fiancées, they hit girls with apples. And indeed, there was such a custom among the Mongols living in the territory of present-day Azerbaijan in the 17th century.
477:) has argued for the totemic character of the frog princess. Propp, for instance, described her dance at the court as some sort of "ritual dance": she waves her arms and forests and lakes appear, and flocks of birds fly about.
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Georgios A. Megas noted two distinctive introductory episodes: the shooting of arrows appears in Greek, Slavic, Turkish, Finnish, Arabic and Indian variants, while following the feathers is a Western European occurrence.
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who turns into a princess at night. The Frog Princess, named Vasilisa the Wise, is a beautiful, intelligent, friendly, skilled young woman, who was forced to spend three years in a frog's skin for disobeying
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Analysing Armenian variants of the tale type where the frog appears as the bride, Armenian scholarship suggests that the frog bride is a totemic figure, and represents a magical disguise of
785:) and a "woman-wood" (violin); next, for a stick singing songs and a stick telling tales. The prince is helped by his wife, who gives him the means to enter the lower world (tale type
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Angelopoulou, Anna; Broskou, Aigle. "ΕΠΕΞΕΡΓΑΣΙΑ ΠΑΡΑΜΥΘΙΑΚΩΝ ΤΥΠΩΝ ΚΑΙ ΠΑΡΑΛΛΑΓΩΝ AT 300-499". Tome B: AT 400-499. Athens, Greece: ΚΕΝΤΡΟ ΝΕΟΕΛΛΗΝΙΚΩΝ ΕΡΕΥΝΩΝ Ε.Ι.Ε. 1999. p. 540.
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Professor Anna Angelopoulos noted that the animal wife in the Eastern Mediterranean is a turtle, which is the same animal of Greek variants. In the same vein, Greek scholar
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Silver, Carole G. "Animal Brides and Grooms: Marriage of Person to Animal Motif B600, and Animal Paramour, Motif B610". In: Jane Garry and Hasan El-Shamy (eds.).
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out of the water and cannot find her swanskin. Tuhkimo appears to her and she tells him he must come to her father's palace and identify her among her sisters.
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khan. The khan the summons his youngest son and sends him on quests for some of his grandfather's belongings in the lower world: first, for a "music-wood" (
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and fish maidens, local forms of the animal bride include a frog in Burma, Russia, Austria and Italy; a dog in India and in North America; a mouse in
1804:Книга путешествия. (Извлечения из сочинения турецкого путешественника ХVII века). Вып. 3. Земли Закавказья и сопредельных областей Малой Азии и Ирана
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folklore in adversarial position. This familial connection, then, seems to reinforce the magical, supernatural origin of the Frog Princess.
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as ATU 402, "The Animal Bride". According to Andreas John, this tale type is considered to be a "male-centered" narrative. However, in
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1227:"The Forbidden Love in Nature. Analysis of the "Animal Wife" Folktale in Terms of Content Level, Structural Level, and Semantic Level"
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Dauenhauer, Nora Marks and Dauenhauer, Richard L. "Tracking “Yuwaan Gagéets”: A Russian Fairy Tale in Tlingit Oral Tradition". In:
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Kovalchuk Lidia Petrovna (2015). "Comparative research of blends frog-woman and toad-woman in Russian and English folktales". In:
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stated that the frog and the toad are linked to female attributes, like magic and wisdom. In addition, according to ethnologist
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Barag, Lev. "Сравнительный указатель сюжетов. Восточнославянская сказка". Leningrad: НАУКА, 1979. pp. 46 (source), 128 (entry).
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https://cyberleninka.ru/article/n/comparative-research-of-blends-frog-woman-and-toad-woman-in-russian-and-english-folktales
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1973:
664:("The Male Cinderella and his bride, the frog"). In this tale, a king has three sons, the youngest named Tuhkimo (a male
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is loosely based on the theme of the original Frog Princess story, interwoven with the narrator's personal experiences.
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Hayrapetyan, Thamar (2020). "Combinaisons archétypales dans les épopées orales et les contes merveilleux arméniens".
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also associated these human-animal marriages to totem ancestry, and cited the Russian tale as one example of such.
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1534:Гура, Александр Викторович. "Символика животных в славянской народной традиции" . М: Индрик, 1997. pp. 380-382.
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Taking inspiration from the Russian story, Vasilisa appears to assist Hellboy against Koschei in the 2007
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variants, the Frog Maiden assumes more of a protagonistic role along with her intended. Likewise, scholar
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Barag, Lev. "Сравнительный указатель сюжетов. Восточнославянская сказка". Leningrad: НАУКА, 1979. p. 128.
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Barag, Lev. "Сравнительный указатель сюжетов. Восточнославянская сказка". Leningrad: НАУКА, 1979. p. 128.
562:, where he noted that the tale was common throughout Europe. Georgios A. Megas included a Greek variant,
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that has multiple versions with various origins. It is classified as type 402, the animal bride, in the
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1835:. Translated from A. J. Glinski by Maude Ashurst Biggs. New York: John Lane Company. 1920. pp. 1-15.
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The Magic Egg and Other Tales from Ukraine, Edited and with an Introduction by Natalie O. Kononenko
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Fomin, Maxim (2010). "The Land Acquisition Motif in the Irish and Russian Folklore Traditions".
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Johns, Andreas (16 January 2010). "The Image of Koshchei Bessmertnyi in East Slavic Folklore".
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PLOT No. 425A OF COMPARATIVE INDEX OF PLOTS (“CUPID AND PSYCHE”) IN RUSSIAN FOLK-TALE TRADITION
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A Hungarian variant of the tale was adapted into an episode of the Hungarian television series
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1294:. 1ste druk. Ton Dekker & Jurjen van der Kooi & Theo Meder. Kritak: Sun. 1997. p. 93.
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The Complete Folktales of A. N. Afanas'ev, Volume II: Black Art and the Neo-Ancestral Impulse
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Radenkovic, Ljubinko. "Митолошки елементи у словенским народним представама о жаби" . In:
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Van Aladdin tot Zwaan kleef aan. Lexicon van sprookjes: ontstaan, ontwikkeling, variaties
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882:, where it was depicted in a country setting. The episode features the voice talents of
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1504:. Theory and history of literature v. 5. University of Minnesota Press, 1984. p. 143.
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Aberglauben aus Masuren, mit einem Anhange, enthaltend: Masurische Sagen und Mährchen
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923:, a 2007 fantasy novel by Juliet Marillier, expands the princess and the frog theme.
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Researchers Nora Marks Dauenhauer and Richard L. Dauenhauer found a variant titled
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1697:Русские сказки в ранних записях и публикациях». Л.: Наука, 1971. pp. 203-213.
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Contes populaires de la Norvège, de la Finlande & de la Bourgogne, etc.
1759:. II Osa. Helsingissä: Suomalaisen Kirjallisuuden Seura. 1871. pp. 118–127.
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In his work about animal symbolism in Slavic culture, Russian philologist
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Ciubotaru, Silvia. "Elena Niculiţă-Voronca şi basmele fantastice" . In:
220:"The Frog Princess" can be compared to the similar European fairy tale "
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Animal Brides: folktales of Aarne–Thompson type 402 and related stories
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833:, is based on this plot. It was the first large-budget feature in the
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1801:Челеби Э. (1983). "Описание крепости Шеки/О жизни племени ит-тиль".
1103:. Englewood, Colorado: Libraries Unlimited, Inc. pp. 122–131.
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Baba Yaga: The Ambiguous Mother and Witch of the Russian Folktale
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and translated into English by translator Maude Ashurst Biggs as
387:; the frog, the toad and the monkey in Iberian Peninsula, and in
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tale is classified - and gives its name - to tale type SUS 402, "
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Myths and Folk-tales of the Russians, Western Slavs, and Magyars
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In Search of the Swan Maiden: A Narrative on Folklore and Gender
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in the direction pointed by them in order to find their brides.
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1131:. Englewood, Colorado: Libraries Unlimited, Inc. pp. xxi.
861:, a 1977 Soviet animated film is also based on this fairy tale.
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1009:, p 224, University of Chicago Press, Chicago and London, 1970
1656:, p 49, University of Chicago Press, Chicago and London, 1970
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The Bold Knight, the Apples of Youth, and the Water of Life
1557:. Београд: Балканолошки институт САНУ, 2012. pp. 379-397.
1790:. Vol. 1. Баку: Изд-во АзГНИИ. 1930. pp. 30–33.
1897:. Boston: Little, Brown, and Company. 1919. pp. 137-158.
1712:. Boston: Little, Brown, and Company. 1890. pp. 331–355.
1307:. A Handbook. Armonk / London: M.E. Sharpe, 2005. p. 94.
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Out of the Everywhere: New Tales for Canada, Jan Andrews
1884:. New York: Maude, Dodd and Company. 1911. pp. 247-260.
1595:. Chicago: University of Chicago Press. 1970. p. 224.
787:
ATU 465, "Man persecuted because of his beautiful wife
1075:. Oxford: Oxford University Press. pp. 125–142.
335:
304:
1738:. Santa Barbara, California: ABC-CLIO. pp. 179-181.
244:
Ivan-Tsarevitch finds the frog in the swamp. Art by
2517:
2478:
2228:
2188:
2090:
2044:
2001:
466:and magical beings connected to rain and humidity.
118:
104:
94:
83:
75:
70:
46:
1736:Encyclopedia of Russian and Slavic Myth and Legend
798:A literary treatment of the tale was published as
1525:. London: The C. W. Daniel Company, 1925. p. 252.
1554:Заједничко у словенском фолклору: зборник радова
1401:Leavy, Barbara Fass (1994). "The Animal Bride".
1384:. Norton Critical Edition. Norton, 1999. p. 31.
1305:Archetypes and Motifs in Folklore and Literature
1262:. University Press of Mississippi. p. 548.
552:included another Italian variant from Piedmont,
538:included an Italian variant of the tale, titled
2350:Go I Know Not Whither and Fetch I Know Not What
2336:Tsarevitch Ivan, the Firebird and the Gray Wolf
879:Happily Ever After: Fairy Tales for Every Child
720:In another Polish tale, collected by collector
1073:Oxford Myths and Legends: Ukrainian Folk-tales
2166:
1974:
1320:. University of Chicago Press, 1967. p. 258.
8:
1949:The Wise Princess (The Blue Rose Fairy Book)
1774:Paris: E. Dentu, Éditeur. 1862. pp. 180–193.
1434:
1432:
1430:
1057:. Kyiv: Dnipro Publishers. pp. 104–115.
425:) appear in the Greek oikotype of type 402.
205:a collection which included folk tales from
837:to use fantasy elements, as opposed to the
601:The Mouse-Hole, and the Underground Kingdom
2173:
2159:
2151:
1981:
1967:
1959:
1860:"Samples of the Genres of Ostyak Folklore"
1821:. Danzig: Th. Bertling, 1867. pp. 158-162.
1101:The Magic Egg and Other Tales from Ukraine
813:A translation of the story by illustrator
662:Le Cendrillon et sa fiancée, la grenouille
52:
2399:Emelya the Simpleton/At the Pike's Behest
1787:Фольклор Азербайджана и прилегающих стран
1382:The Classic Fairy Tales: Texts, Criticism
1242:
656:: "The Frog Bride"), and translated into
1723:Малорусские народные предания и рассказы
1231:Folklore: Electronic Journal of Folklore
648:collected a Finnish tale with the title
417:) and water-related entities (gorgonas,
1668:Anuarul Muzeului Etnografic al Moldovei
1636:Italo Calvino, Italian Folktales p 718
1620:Italo Calvino, Italian Folktales p 438
1363:. New York: Peter Lang. 2010 . p. 153.
998:
747:, heard during Nora's childhood from a
2501:The Tale of the Fisherman and the Fish
2273:Sister Alenushka and Brother Ivanushka
43:
469:Likewise, Russian scholarship (e.g.,
7:
1122:
1120:
1094:
1092:
1066:
1064:
1048:
1046:
1290:Meder, Theo. "Dier als bruid". In:
917:("Martin and the Cursed Princess").
819:The Frog Princess (A Russian Story)
409:noted that similar aquatic beings (
150:. Another tale of this type is the
2434:The Sea Tsar and Vasilisa the Wise
2364:The Firebird and Princess Vasilisa
1188:. 2017. Vol. 18. № 3 (67). p. 139.
876:The Frog Princess was featured in
800:The Wise Princess (A Russian Tale)
755:In a tale collected from a Surgut
623:The Sea Tsar and Vasilisa the Wise
513:, the frog and the toad represent
25:
2392:Storm-Bogatyr, Ivan the Cow's Son
1920:"Wildwood Dancing (Wildwood, #1)"
1757:Suomen kansan satuja ja tarinoita
915:Marci és az elátkozott királylány
829:, a 1939 Soviet film directed by
316:'Princess-Frog'", of the
2649:Stories within Italian Folktales
2644:Female characters in fairy tales
2329:The Feather of Finist the Falcon
1031:
954:
2508:The Tale of the Golden Cockerel
1721:Драгоманов, М (M. Dragomanov)."
1405:. NYU Press. pp. 196–244.
841:style long favored politically.
2259:Vasilisa the Priest's Daughter
1502:Theory and history of folklore
433:The tale is classified in the
264:sister, he catches her and no
1:
2315:The Twelve Dancing Princesses
2301:The Princess Who Never Smiled
1807:. Москва: Наука. p. 159.
1582:(дата обращения: 17.11.2021).
1523:Siberian And Other Folk Tales
1244:10.7592/FEJF2007.36.kobayashi
1212:10.17161/folklorica.v5i1.3647
817:was published with the title
554:The Prince Who Married a Frog
1864:Acta Ethnographica Hungarica
1734:Dixon-Kennedy, Mike (1998).
1476:Revue des Études Arméniennes
1225:Kobayashi, Fumihiko (2007).
1071:Oparenko, Christina (1996).
962:Children's literature portal
90:ATU 402 ("The Animal Bride")
2654:Fiction about shapeshifting
2604:Russian folklore characters
2526:The Little Humpbacked Horse
2448:Dawn, Midnight and Twilight
1576:Russian Linguistic Bulletin
1330:Angelopoulos, Anna (2005).
336:
305:
2690:
2664:Slavic folklore characters
2061:The Frog Prince, Continued
1336:Estudos de Literatura Oral
1127:Suwyn, Barbara J. (1997).
1099:Suwyn, Barbara J. (1997).
1053:Zheleznova, Irina (1985).
909:("Hungarian Folk Tales") (
616:the prince must seek her.
479:Charles Fillingham Coxwell
435:Aarne-Thompson-Uther Index
268:can break her free again.
198:collected variants in his
36:
29:
2659:Witchcraft in fairy tales
2420:The Language of the Birds
2034:The Princess and the Frog
1895:Tales of folk and fairies
1180:Dobrovolskaya, Varvara. "
976:The Princess and the Frog
325:
294:
51:
32:The Frog Princess (novel)
2561:The Tale About Baba-Yaga
1882:The Blue Rose Fairy Book
1858:CSEPREGI, Márta (1997).
1488:10.2143/REA.39.0.3288979
1316:Pino Saavedra, Yolando.
886:as Frog Princess Lylah,
804:The Blue Rose Fairy Book
763:) source with the title
429:Role of the animal bride
37:Not to be confused with
30:For the 2002 novel, see
2494:The Tale of Tsar Saltan
2233:Narodnye russkie skazki
2138:Tiana's Bayou Adventure
1578:, (3 (3)), 14-15. URL:
1258:Haney, Jack V. (2015).
870:Hellboy: Darkness Calls
395:areas in the Americas.
363:Species of animal bride
201:Narodnye russkie skazki
2674:Works about princesses
2252:Vasilisa the Beautiful
2237:collected by Afanasyev
2129:A Taste of the Heights
1332:"La fille de Thalassa"
858:Vasilisa the Beautiful
826:Vasilisa the Beautiful
595:variant translated by
248:
2619:Ukrainian fairy tales
1848:, 13/1 (1998): 58-91.
1784:"Царевич и лягушка".
1725:". 1876. pp. 313-317.
1606:The Violet Fairy Book
1055:Ukrainian Fairy Tales
844:In 1953 the director
545:The Violet Fairy Book
370:Yolando Pino-Saavedra
243:
163:variants include the
2629:Fictional princesses
2371:The Wise Little Girl
2322:The Magic Swan Geese
2245:Koschei the Immortal
1441:Studia Celto-Slavica
846:Mikhail Tsekhanovsky
722:Antoni Józef Gliński
715:Die Froschprinzessin
504:Ljubinko Radenkovich
320:Folktale Catalogue (
148:Aarne–Thompson index
2614:Italian fairy tales
2609:Russian fairy tales
2575:The Girl as Soldier
2568:The Wonderful Birch
2385:The Gigantic Turnip
2287:Vasilii the Unlucky
2215:Alexander Afanasyev
2182:Russian fairy tales
1755:Salmelainen, Eero.
1654:Folktales of Greece
1652:Georgias A. Megas,
1593:Folktales of Greece
1591:Megas, Geōrgios A.
1186:Traditional culture
1007:Folktales of Greece
1005:Georgias A. Megas,
677:changes into a swan
650:Sammakko morsiamena
568:Folktales of Greece
475:Yeleazar Meletinsky
393:Portuguese-speaking
196:Alexander Afanasyev
192:Vasilisa Premudraya
113:Alexander Afanasyev
109:Russian Fairy Tales
2533:The Scarlet Flower
2487:Ruslan and Ludmila
2378:The Armless Maiden
2357:The Golden Slipper
2308:The Wicked Sisters
2210:Folklore of Russia
1832:Polish Fairy Tales
1768:Beauvois, Eugéne.
1706:Curtin, Jeremiah.
1318:Folktales of Chile
913:), with the title
902:as King Big Daddy.
564:The Enchanted Lake
306:Tsarevna-lyagushka
249:
188:Василиса Премудрая
180:Tsarevna Lyagushka
130:The Three Feathers
2634:Fictional princes
2591:
2590:
2280:The Frog Princess
2220:Alexander Pushkin
2148:
2147:
2099:The Frog Princess
1954:Project Gutenberg
1938:The Frog Princess
1908:Baba Yaga in Film
1893:Pyle, Katherine.
1880:Baring, Maurice.
1671:18/2018. p. 158.
1563:978-86-7179-074-1
1453:10.54586/HXAR3954
1412:978-0-8147-5068-1
1369:978-0-8204-6769-6
1274:Project MUSE
1269:978-1-4968-0278-1
1038:The Frog-Tzarevna
1036:Works related to
1018:D. L. Ashliman, "
942:The Frog Princess
938:The Divine Comedy
894:as Prince Bobby,
890:as Prince Gavin,
765:The Frog Princess
733:The Frog Princess
559:Italian Folktales
515:liminal creatures
493:Aleksandr V. Gura
458:A totemic figure?
400:Georgios A. Megas
334:
315:
303:
184:Vasilisa the Wise
156:Doll i' the Grass
140:The Frog Princess
137:
136:
79:The Frog Princess
59:The Frog Tsarevna
47:The Frog Princess
18:The Frog Tsarevna
16:(Redirected from
2681:
2479:Tales by Pushkin
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2115:Once Upon a Time
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921:Wildwood Dancing
730:
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639:Eero Salmelainen
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389:Spanish-speaking
378:
350:
340:). According to
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329:
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161:Eastern European
63:Viktor Vasnetsov
56:
44:
21:
2689:
2688:
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2682:
2680:
2679:
2678:
2624:Fictional frogs
2594:
2593:
2592:
2587:
2540:The Snow Maiden
2513:
2474:
2427:The Maiden Tsar
2413:The Lute Player
2236:
2230:
2224:
2184:
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2149:
2144:
2086:
2053:The Frog Prince
2040:
2026:Prince Charming
2018:The Frog Prince
2010:The Frog Prince
1997:
1991:The Frog Prince
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982:Vasilisa (name)
970:The Frog Prince
960:
955:
953:
950:
940:'s 1997 single
930:
907:Magyar népmesék
892:Wallace Langham
795:
741:
724:
713:with the title
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597:Jeremiah Curtin
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295:Царевна-лягушка
283:
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266:transformations
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222:The Frog Prince
176:Царевна Лягушка
66:
42:
39:The Frog Prince
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2294:The White Duck
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1906:James Graham,
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1846:Oral Tradition
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2189:Key articles
2141:(attraction)
2136:
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2102:(fairy tale)
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246:Ivan Bilibin
235:
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138:
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105:Published in
58:
2669:ATU 400-459
2582:Green-Vanka
2554:King Kojata
2462:Sivko-Burko
1482:: 471–591.
1447:: 251–279.
1237:: 141–152.
884:Jasmine Guy
806:(1911), by
793:Adaptations
725: [
711:Max Toeppen
690:Azerbaijani
642: [
536:Andrew Lang
507: [
496: [
482: [
443:Maria Tatar
439:East Slavic
403: [
373: [
345: [
318:East Slavic
182:) and also
2598:Categories
2122:Greenbacks
2081:Kiss Later
2068:Flycatcher
1610:"The Frog"
1500:Propp, V.
1200:Folklorica
1138:1563084252
1110:1563084252
1082:0192741683
993:References
896:Mary Gross
866:comic book
684:Azerbaijan
666:Cinderella
415:sea urchin
213:alongside
144:fairy tale
27:Fairy tale
2469:Donotknow
2441:The Norka
2406:The Fiend
2107:Superfrog
1993:" by the
1677:1583-6819
839:realistic
613:Ukrainian
385:Sri Lanka
342:Lev Barag
331:romanized
300:romanized
281:Tale type
258:Baba Yaga
152:Norwegian
71:Folk tale
2455:Verlioka
2229:Tales in
2083:" (song)
2070:(comics)
1461:54545201
987:Puddocky
948:See also
540:The Frog
531:Variants
464:mermaids
423:neraidas
276:Analysis
228:Synopsis
170:Tsarevna
125:Puddocky
87:grouping
2091:Related
1943:YouTube
1184:". In:
928:Culture
749:Tlingit
707:Masuria
688:In the
670:Finnish
668:; from
654:English
637:author
635:Finnish
630:Finland
607:Ukraine
357:Koschei
333::
322:Russian
314:
302::
291:Russian
254:Koschei
217:tales.
215:Russian
211:Belarus
207:Ukraine
119:Related
2204:Bylina
2197:Skazka
2110:(game)
2074:Conrad
2056:(play)
2037:(2009)
2029:(2001)
2021:(1986)
2013:(1971)
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697:Poland
658:French
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419:nymphs
95:Region
65:, 1918
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1457:S2CID
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933:Music
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473:and
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312:lit.
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