418:, and the album itself to have matching art work. He said, "I wanted to create an overall corporate visual package for Spandau that was cutting edge and reflected their aspirations. It had to have style." For the cover art featured on the single for "The Freeze", he selected an image of a chariot from a reference book on Egyptian icons that he thought was symbolic of the album's title. Johnson pointed out that the classical motif that frames the chariot can also be seen on the walls of the set for the music video for the song. Shot in two rooms that are mostly bare, the video shows lead singer
488:, said, "Looking back, I’m not really surprised 'The Freeze' didn’t turn out to be as big a hit as 'To Cut a Long Story Short'. It doesn’t have a chorus, for one thing – my guitar acts as the chorus." At the same time, however, he notes, "'The Freeze' is such an arrogant song that it didn’t really need a chorus, and I like that about it. It’s from the same camp as 'To Cut a Long Story Short', of our certainty about ourselves at that time. It’s another of those songs you can only write when you’ve suddenly found a tribe of like-minded, disillusioned teenagers."
402:
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443:, however, was negative, asserting that Spandau Ballet "completely blow the favourable impression made with 'To Cut a Long Story Short' by thinking that superbly chunky dance stance drums are enough to compensate for a lack of imagination. Much as it sounds good loud, there's still an aftertaste of being somehow shortchanged." In a retrospective review for
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Most 45 rpm singles had another song on side two. Gary thought we might try a remix for the flipside. The track had strong up-tempo dance elements. We bounced influences and preferences around and Gary reflected on the
Jamaican dub reggae mixes: the pioneering sixties and seventies work of King Tubby
257:
had two additional mixes of the song geared toward dance clubs. The cover art used for both formats of the single also repeated its predecessor in having a simple black-and-white classical motif. This design, however, was also seen on the sets of the music video for the song. Reviews of "The Freeze"
278:
was unable to attend. To catch up with what he missed, he offered to pay for the recording of a demo of some of their songs, so on 31 August 1980 the band recorded "To Cut a Long Story Short", "The Freeze", "Confused" and "Reformation". Before they were signed they also recorded a demo of "To Cut a
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to play regularly on his show. As other DJs at the station also added that song to their playlists, the demand grew for its availability as a single to purchase, and the record labels competing to sign the band agreed that the chosen one would pay for however much studio time they had racked up to
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found this chart performance to be "a little worrying" when comparing it to how well "To Cut a Long Story Short" had done: "All those people who congratulated you the week before are waiting for the moment when they can revel in your failure." "The Freeze" got as high as number 14 in
Ireland and
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in one room with a young woman and the other band members in the other playing their instruments. Hadley described the video as "strange… A girl lay on a sofa in a cobweb shroud. It was around this time I started to wonder about the kind of people that came up with the concepts for our videos."
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clubbing credibility. In 1981 the pathfinding band were consolidating the new approach they had styled White
European Dance Music — led on 'The Freeze' by Gary Kemp's two-fingered synth arpeggios, plus enough percussive kick-drum snaps underpinned with bassline rhythms to fill dancefloors."
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Such was the positive response to the session from the listeners when it was broadcast that other Radio 1 shows started to play it, and quickly the session version of "To Cut A Long Story Short" was playlisted on the station. The listeners loved it and wanted to know when they could buy
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So simultaneously to finalizing our negotiations for our record deal, we… started to record our album and single at
Trident and then Jam Studios. Such was the clamour for the group's signature, the record companies agreed that whoever we chose would pick up the studio
774:, p. 125: He… asked us to do a four-song studio session for him that he could play during his show…. The resulting tracks were highly potent, and the ever-ebullient Peter Powell played them endlessly, although one more than any: "To Cut a Long Story Short".
29:
737:"We are London Weekend Television and we would like to make a documentary film about the band and the scene surrounding it and film your next performance"…. And the record companies were impressed.
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and music magazine journalist David
Johnson did not see the song as an obvious choice to follow their top 5 hit but pointed out that "'The Freeze' was not chosen for singability but for its
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was ostensibly positive, writing that the song "glides along on one of those disco bass lines and again shows a certain amount of two-fingered prowess from the keyboards." Mike
Gardner of
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graphics student Graham Smith continued the work he began with the design for the "To Cut a Long Story Short" cover where he intended all of the singles from
Spandau Ballet's first album,
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dance remix. The B-side of the 7-inch single of "The Freeze" was also labeled "Version" to indicate that it was a dub track, while side two of the 12-inch was labeled "Special Mix".
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dating back to the sixties, and they used those recordings as inspiration for the remix of "To Cut a Long Story Short". One dub version of that song was put on the
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27th
November sees a reissue of the 12" single in its original die cut sleeve on 180g vinyl featuring the groundbreaking extended and dub mixes of the track
340:, and "The Freeze" was selected to be released on 12 January 1981 as the next single. Puzzled by the opening line, "Blue sing la lune, sing lagoon", former
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Spandau Ballet gained the attention of record labels eager to sign them through a television documentary that included footage from a concert attended by
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319:"The Freeze" includes "two-fingered synth arpeggios, plus enough percussive kick-drum snaps underpinned with bassline rhythms to fill dancefloors."
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There was no attempt to emulate the reggae forefathers, but we tipped our hat to their inspiration by subtitling the B side "Version".
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and simply subtitled "Version" in the way those producers labeled their dub releases and a different one was on the flip side of its
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The same classical motif used for the cover art can be seen on the walls, floor and ceiling of the music video set.
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included "The Freeze" on a list of
Spandau Ballet songs that were "utterly convincing white boy Funk".
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with their first hit, and eventually they got as high as number 28. In the July 2021 issue of
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887:"1981 ➤ Why naked heroes from antiquity stood in for Spandau on their first record sleeves"
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937:"40th Anniversary: To Cut A Long Story Short - Forty Years On by Richard Burgess"
910:"40th Anniversary: To Cut A Long Story Short - Forty Years On by Richard Burgess"
813:"40th Anniversary: Spandau Ballet Sign with Chrysalis Records – October 10, 1980"
786:"40th Anniversary: Spandau Ballet Sign with Chrysalis Records – October 10, 1980"
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dated 24 January 1981 and reached number 17 over the course of 8 weeks. Bassist
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While working on "To Cut a Long Story Short", the band's guitarist/songwriter
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962:"'To Cut A Long Story Short' 40th Anniversary Vinyl and Digital Release"
751:"40th Anniversary: Spandau Ballet and the Arista Demos – August 1980"
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record "To Cut a Long Story Short" and start on their first album.
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725:"40th Anniversary: Spandau Ballet at The Scala – May 13th, 1980"
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839:"To Cut a Long Story Short – full Official Chart History"
336:"To Cut a Long Story Short" became a number 5 hit on the
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484:magazine, Spandau Ballet's guitarist/saxophonist,
1851:Song recordings produced by Richard James Burgess
1235:"Spandau Ballet Chart History (Dance Club Songs)"
1309:: CS1 maint: others in cite AV media (notes) (
1188:The Irish Charts – Search Results – The Freeze"
1049:: CS1 maint: others in cite AV media (notes) (
1010:: CS1 maint: others in cite AV media (notes) (
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1211:(1st ed.). Spain: Fundación Autor-SGAE.
8:
712:. No. 28. 12 November 1983. p. 22.
1672:Chant No. 1 (I Don't Need This Pressure On)
431:At the time of its release, Ronnie Gurr of
1629:The Story: The Very Best of Spandau Ballet
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1460:
1452:
1261:"Making Spandau Ballet: Journeys To Glory"
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1148:"The Freeze – full Official Chart History"
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1123:"The Singles Collection - Spandau Ballet"
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546:Credits adapted from the liner notes for
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512:"The Freeze" ("Version" version ) — 4:20
258:were mixed. It reached number 17 on the
1107:. Vol. 28, no. 4. p. 12.
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274:executives, but the representative for
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34:
1411:True: The Autobiography of Martin Kemp
1392:I Know This Much: From Soho to Spandau
1324:"Spandau Ballet: Artist Chart History"
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889:. Shapersofthe80s.com. 24 January 2011
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1207:Fernando Salaverri (September 2005).
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964:. spandauballet.com. 30 October 2020
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704:"Spandau Over Europe: The Conquest"
455:Release and commercial performance
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1209:Sólo éxitos: año a año, 1959–2002
1097:Gardner, Mike (24 January 1981).
529:"The Freeze" (Special Mix) — 6:30
1622:Gold: The Best of Spandau Ballet
1076:Gurr, Ronnie (22 January 1981).
474:magazine paired the song on the
327:Problems playing this file? See
309:
1099:"Singles: Slippin' an' Slidin'"
468:number 16 in Spain. In the US,
1031:(12-inch Single liner notes).
1:
992:(7-inch Single liner notes).
16:1981 single by Spandau Ballet
1243:. Retrieved 26 August 2021.
459:"The Freeze" debuted on the
245:of "The Freeze" featured a
233:" is a song by the English
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1856:Songs written by Gary Kemp
1608:The Best of Spandau Ballet
1346:Post Punk Diary, 1980–1982
1086:. No. 56. p. 28.
492:Formats and track listings
410:Camberwell College of Arts
1861:Chrysalis Records singles
1647:To Cut a Long Story Short
1489:
1394:. London: Fourth Estate.
1369:To Cut a Long Story Short
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397:Cover art and music video
358:reminisced with producer
266:Background and recordings
193:To Cut a Long Story Short
186:
26:
935:Burgess, Richard James.
923:and Lee "Scratch" Perry.
908:Burgess, Richard James.
1344:Gimarc, George (1997).
1328:Official Charts Company
1152:Official Charts Company
843:Official Charts Company
601:Graham Smith – graphics
1784:Be Free with Your Love
1763:Through the Barricades
1686:She Loved Like Diamond
1594:The Singles Collection
1562:Through the Barricades
1415:Orion Publishing Group
1373:Sidgwick & Jackson
406:
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279:Long Story Short" for
1601:The Twelve Inch Mixes
1409:Kemp, Martin (2000).
1367:Hadley, Tony (2004).
596:Richard James Burgess
576:– guitar, synthesizer
564:– vocals, synthesizer
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360:Richard James Burgess
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173:Richard James Burgess
1846:Spandau Ballet songs
1439:Official music video
1039:. 1981. CHS 12 2486.
1756:Fight for Ourselves
1728:Only When You Leave
1390:Kemp, Gary (2009).
1305:cite AV media notes
1269:. Anthem Publishing
1192:Irish Singles Chart
1045:cite AV media notes
1006:cite AV media notes
939:. spandauballet.com
912:. spandauballet.com
815:. spandauballet.com
788:. spandauballet.com
753:. spandauballet.com
727:. spandauballet.com
526:"The Freeze" — 4:35
509:"The Freeze" — 3:30
379:Lee "Scratch" Perry
1586:Compilation albums
1350:St. Martin's Press
1078:"Reviews: Singles"
427:Critical reception
407:
373:done by producers
299:
182:singles chronology
66:"Version" version
1823:
1822:
1534:Journeys to Glory
1518:Ross William Wild
1447:, 22 January 1981
1424:978-0-75-283769-7
1401:978-0-00-732330-2
1382:978-0-283-07386-1
1359:978-0-312-16968-8
1299:. 1981. CHR 1331.
1297:Chrysalis Records
1291:(record sleeve).
1289:Journeys to Glory
1037:Chrysalis Records
1000:. 1981. CHS 2486.
998:Chrysalis Records
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124:(12-inch version)
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50:Journeys to Glory
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1569:Heart Like a Sky
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1104:Record Mirror
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621:Chart (1981)
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503:7-inch single
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477:
476:Disco Top 100
473:
472:
466:
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454:
452:
450:
449:Dave Thompson
446:
442:
441:
440:Record Mirror
436:
435:
426:
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403:
396:
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387:7-inch single
384:
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306:
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243:7-inch single
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153:Songwriter(s)
149:
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132:
128:
108:
104:
98:
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92:
90:
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82:
78:
74:
70:
64:"The Freeze"
63:
60:
55:
52:
51:
42:
38:
30:
25:
20:
1841:1981 singles
1791:Empty Spaces
1661:Muscle Bound
1653:
1627:
1620:
1613:
1606:
1599:
1592:
1574:
1567:
1560:
1553:
1546:
1539:
1532:
1509:Steve Norman
1444:
1410:
1391:
1368:
1348:. New York:
1345:
1338:Bibliography
1319:
1288:
1283:
1271:. Retrieved
1264:
1239:
1208:
1174:, p. 57
1167:
1155:. Retrieved
1142:
1130:. Retrieved
1113:
1102:
1092:
1081:
1071:
1066:, p. 84
1059:
1028:
989:
973:
966:. Retrieved
956:
948:
941:. Retrieved
930:
921:
914:. Retrieved
903:
891:. Retrieved
858:
846:. Retrieved
833:
824:
817:. Retrieved
806:
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790:. Retrieved
779:
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755:. Retrieved
744:
736:
729:. Retrieved
718:
707:
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604:
586:Steve Norman
547:
545:
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519:
502:
486:Steve Norman
479:
469:
458:
438:
432:
430:
413:
408:
353:
348:New Romantic
341:
335:
305:"The Freeze"
285:Peter Powell
269:
230:
228:
211:Muscle Bound
201:
48:
22:"The Freeze"
1815:Discography
1693:Instinction
1514:Tony Hadley
1504:Martin Kemp
1494:John Keeble
1266:Classic Pop
1257:Earls, John
1064:Hadley 2004
863:Gimarc 1997
580:Martin Kemp
568:John Keeble
562:Tony Hadley
481:Classic Pop
465:Martin Kemp
420:Tony Hadley
281:BBC Radio 1
167:Producer(s)
143:Reformation
1836:1980 songs
1830:Categories
1654:The Freeze
1413:. London:
1371:. London:
1295:. London:
1083:Smash Hits
1029:The Freeze
990:The Freeze
709:Number One
690:References
656:UK Singles
598:– producer
434:Smash Hits
375:King Tubby
362:about the
329:media help
253:, and the
231:The Freeze
202:The Freeze
1798:Once More
1576:Once More
1499:Gary Kemp
1240:Billboard
1172:Kemp 2000
1157:22 August
848:12 August
772:Kemp 2009
677:Billboard
631:Ireland (
626:position
574:Gary Kemp
542:Personnel
471:Billboard
356:Gary Kemp
159:Gary Kemp
139:Chrysalis
97:Eurodisco
1700:Lifeline
1273:2 August
1132:1 August
1127:AllMusic
968:1 August
943:2 August
916:2 August
893:9 August
819:7 August
792:7 August
757:6 August
731:6 August
588:– guitar
445:AllMusic
235:new wave
80:Recorded
72:Released
1639:Singles
1541:Diamond
643:Spain (
570:– drums
391:12-inch
385:of its
371:remixes
272:A&R
249:on its
247:dub mix
219:(1981)
206:(1981)
197:(1980)
1555:Parade
1421:
1398:
1379:
1356:
1215:
826:bills.
614:Charts
605:
582:– bass
533:
383:B-side
364:reggae
251:B-side
106:Length
59:B-side
37:Single
645:AFYVE
237:band
213:" / "
131:Label
122:4:35
89:Genre
1721:Gold
1714:True
1665:Glow
1548:True
1419:ISBN
1396:ISBN
1377:ISBN
1354:ISBN
1311:link
1275:2021
1213:ISBN
1159:2021
1134:2021
1051:link
1012:link
970:2021
945:2021
918:2021
895:2021
850:2021
821:2021
794:2021
759:2021
733:2021
633:IRMA
624:Peak
377:and
369:and
367:dubs
215:Glow
83:1980
1777:Raw
1663:"/"
1330:.
1194:.
799:it.
683:28
670:US
665:17
660:OCC
650:16
638:14
283:DJ
39:by
1832::
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1307:}}
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113::
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