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314:) double dutch with each other, never outlasting their welcome." He is, however, more favorable in viewing the second half and cites the "bombastic" final movement as "the high point of the record". He concludes by writing: "It might be second-rate Shellac, but second-rate Shellac is just fine."
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The cover of the album contains 779 names—one for each copy of the album. At the bottom of the cover is a blank space for anyone not named on the cover to write their name. Each person who received the album got a copy with their name circled on the cover; this was done for
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gave the album a mixed review, citing its overtly experimental nature. "Rather than proper tracks or songs," he writes, "the record seems to have ten "movements," as each piece flows steadily into the next. Oscillator tweakings mixed with
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is divided into ten total movements. Versions have floated around on file-sharing communities which have divided the album into five movements, and into two sides (vinyl sides A and B—Shellac are notorious vinyl purists, and
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was never released commercially. There is speculation that this was because
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transmissions and overseas correspondence give way to brief guitar/bass/drum bursts. Skronking noise here, guitar twists there, and familiar band interplay every now and again Ă la "QRJ" (off
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in 1997 to their friends only. The album was originally used as music for a performance by
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
