72:. According to Caesar's own account, Gallic women harangued and insulted the Romans. In the foreground on the right, a Roman horseman attacked by dogs, strikes women who have fallen to the ground. Dead or wounded Gallic soldiers lie on the left, and a woman is suffocating her children. Behind her, a group of Gallic women on a chariot stands at the centre of the composition. An old mother hides her daughter in her arms; another shakes her golden sickle while shouting; a third, implacable in her anger and in her hatred, holds the child she has just slaughtered to save him from the victors. Behind them, women gesticulate on a cart drawn by an ox. On the right, the Romans continue their bloodthirsty and pitiless advance. In the background, fighting continues in the
22:
215:
191:
793:
105:
The painting was a new departure for Glaize who usually exhibited pieces dealing with mythological themes executed in a conventional and poetic manner. It was acquired by the state because of its patriotic qualities - Glaize had transformed a historic defeat into an act of bravery that appealed
79:
The painting is a work of rehabilitation. Classical authors mostly considered that the outstanding trait of Gallic women as that they showed great fighting spirit; they were thought of as wild and dishevelled, hence typically barbaric. In contrast, Julius Caesar, in his
86:
emphasised the submissiveness of the woman of
Gergovie, who had begged the Romans to spare them. Glaize’s work portrayed them as neither barbaric nor suppliant but bold and defiant. The theatrical postures and athletic bodies depicted recall the famous
160:
commented that Glaize had almost risen to the level of his subject; like others, he felt that the powerful subject and dramatic composition were let down by the poverty of colour, the facial expressions of the women, and some elements of the drawing.
882:
327:
194:
La réception critique des oeuvres à sujet gaulois au Salon, du Second Empire à la IIIe République. Brève histoire d’un chassé-croisé idéologique, entre nécessité de la conquête romaine et défense de la patrie
169:
In 2016 the painting underwent extensive conservation and restoration work while remaining on public view. A glass barrier was erected around it so that the public could watch the conservators working on it.
543:
1587:
1516:
2152:
353:
452:
2211:
1211:
587:
1535:
1492:
1736:
21:
2040:
1308:
142:
remarked on the energy, character and grand scale of the painting, but felt the composition was let down by Glaize’s lack of skill as a colourist.
2087:
1263:
1956:
1700:
1730:
1380:
1362:
1636:
1486:
1289:
1174:
89:
48:, from 1851. It is a very large oil on canvas work, with a height of 424 cm and a width of 651 cm. It was exhibited at the 1852
1950:
1742:
1624:
1386:
1008:
673:
1890:
1718:
1574:
1430:
1374:
2016:
1712:
1356:
1986:
1480:
580:
2221:
1061:
1048:
428:
379:
492:
467:
404:
277:
250:
1436:
1029:
806:
756:
516:
1773:
1748:
1314:
1224:
1935:
1962:
1914:
1706:
1326:
951:
844:
705:
699:
1661:
825:
82:
45:
29:
573:
2241:
2236:
1810:
1600:
1180:
1131:
869:
2226:
2139:
1642:
1510:
1461:
1023:
938:
743:
686:
148:
agreed, though it did praise the quality of light that was projected onto the figures, comparing it to the work of
2216:
2100:
1767:
1724:
1417:
1344:
1332:
857:
812:
660:
1162:
838:
2206:
1866:
1674:
1561:
1119:
977:
926:
730:
2231:
2181:
1941:
1754:
1449:
1368:
1168:
983:
964:
1847:
1504:
1467:
774:
762:
920:
544:"Trois œuvres restaurées au musée d'Orsay grâce au fonds de mécénat du Crédit Agricole d'Ile-de-France"
156:. Some however felt that rough cries and belligerent expressions of the women were excessively brutal.
1929:
1823:
1618:
1606:
1548:
1404:
1398:
1276:
1205:
1156:
1100:
1087:
1074:
1797:
1687:
1522:
1392:
1302:
1250:
1150:
1125:
1002:
717:
130:. The Musée Rolin retains Glaize’s smaller scale study for the work (69.3 cm x 97.7 cm).
94:
596:
127:
2126:
2010:
1860:
1648:
1630:
1498:
914:
895:
446:
139:
1612:
1320:
901:
149:
301:
1920:
1113:
932:
863:
768:
119:
1350:
153:
618:
157:
2113:
1199:
780:
711:
111:
2200:
1017:
996:
65:
49:
1455:
794:
Répétition du "Joueur de flûte" et de "La femme de Diomède" chez le prince Napoléon
107:
144:
883:
Arab Chiefs
Challenging each other to Single Combat under the Ramparts of a City
179:
1338:
1186:
2185:
565:
73:
61:
1144:
1035:
123:
2158:
115:
430:
L'Artiste journal de la littérature et des beaux-arts · Volume 8
69:
2062:
635:
607:
569:
122:, where it remained until 1982. It was then assigned to the
302:"Les femmes gauloises : Ă©pisode de l'invasion romaine"
251:"Les Femmes gauloises : Ă©pisode de l'invasion romaine"
328:"" Femmes de Gergovie ", La Guerre des Gaules, VII, 47"
216:"LES FEMMES GAULOISES, EPISODE DE L'INVASION ROMAINE"
138:
Commenting on the works exhibited at the 1852 Salon,
1588:
Summary
Execution under the Moorish Kings of Granada
2073:
2026:
1996:
1972:
1900:
1876:
1833:
1783:
646:
42:
Les Femmes
Gauloises: Ă©pisode de l'invasion romaine
1238:The Gallic Women: Episode from the Roman Invasion
384:. Paris: A. Le Chevalier et Cie. 1852. p. 26
37:The Gallic Women: Episode from the Roman Invasion
26:The Gallic Women: Episode from the Roman Invasion
1517:The Road in Front of Saint-Simeon Farm in Winter
581:
8:
517:"Le musée d'Orsay à l'heure de l'académisme"
472:. Paris: D. Giraud et J. Dagneau. p. 17
1737:Resting by a Stream at the Edge of the Wood
52:and purchased by the French state in 1853.
2153:Objet décoratif carré avec dieux tahitiens
2070:
2059:
1212:Reception of the Grand Condé at Versailles
643:
632:
604:
588:
574:
566:
451:: CS1 maint: location missing publisher (
276:Goncourt, Edmond; Goncourt, Jules (1852).
2041:The Return from Fishing: Hauling the Boat
1309:Berthe Morisot with a Bouquet of Violets
106:greatly to the newly-proclaimed emperor
20:
2088:Nature Unveiling Herself Before Science
1264:The Excommunication of Robert the Pious
282:. Paris: Michel Lévy Frères. p. 19
245:
243:
241:
239:
237:
207:
1957:Imperial Fritillaries in a Copper Vase
1701:Avenue of Poplars near Moret-sur-Loing
444:
60:The painting illustrates the siege of
1731:Regatta at Molesey near Hampton Court
1381:Portrait of Monsieur and Madame Manet
16:Painting by Auguste-Barthélemy Glaize
7:
1637:Portrait of the Painter Claude Monet
1487:A Cart on the Snowy Road at Honfleur
1290:The Quai Saint-Michel and Notre-Dame
1175:Self-Portrait with the Yellow Christ
497:. Paris: Typ. Panckoucke. p. 41
360:. Ministère de l’Éducation Nationale
334:. Ministère de l’Éducation Nationale
90:The Intervention of the Sabine Women
1719:Chemin de la Machine, Louveciennes
1575:The Luxembourg Station in Brussels
1375:Portrait of Marguerite de Conflans
523:. Crédit Agricole. 6 December 2022
14:
2017:Portrait of Robert de Montesquiou
1357:The Port of Boulogne by Moonlight
354:"Le courage de la femme gauloise"
118:, near the site of this historic
1951:Doctor Gachet's Garden in Auvers
1743:Rue de la Chaussée in Argenteuil
1062:Arab Horses Fighting in a Stable
1009:Café-Concert at Les Ambassadeurs
1030:Portraits at the Stock Exchange
180:Brief video comparing Glaize’s
2212:Paintings in the Musée d'Orsay
1987:Pasteur's portrait by Edelfelt
1749:View of the Canal Saint-Martin
1481:The Artist's Garden at Giverny
1315:Blonde Woman with Bare Breasts
1225:A Session of the Painting Jury
542:Biet, Pierre (17 March 2016).
1:
1625:Frédéric Bazille at his Easel
1387:Portrait of Stéphane Mallarmé
1049:Boabdil's Farewell to Granada
952:The Romans in their Decadence
845:Vue de toits (Effet de neige)
706:The Improvised Field Hospital
433:. Paris. 1852. pp. 188–9
403:Cadiot, Marie-Noemi (1852).
83:Commentarii de Bello Gallico
68:established Roman rule over
1936:Starry Night Over the RhĂ´ne
1811:The Resurrection of Lazarus
1601:Bal du moulin de la Galette
1181:Tahitian Women on the Beach
1132:A Studio at Les Batignolles
870:Portrait of Gustave Geffroy
2258:
1643:Portrait of William Sisley
1511:Resting Under a Lilac Bush
1462:Shepherdess with her Flock
1024:The Orchestra at the Opera
744:Ploughing in the Nivernais
409:. Paris: Dentu. p. 76
126:and put on display at the
2176:
2101:Woman Bitten by a Serpent
2069:
2058:
1725:The Forge at Marly-le-Roi
1345:Madame Manet at the Piano
1333:Flowers in a Crystal Vase
813:Three Women with Parasols
642:
631:
614:
603:
308:. Ministère de la Culture
222:. Ministère de la Culture
46:Auguste-Barthélemy Glaize
30:Auguste-Barthélemy Glaize
1163:The Schuffenecker Family
839:Les raboteurs de parquet
2222:Oil on canvas paintings
1867:What is Called Vagrancy
1493:Le DĂ©jeuner sur l'herbe
1327:Le DĂ©jeuner sur l'herbe
1120:The Corner of the Table
731:Pilgrims going to Mecca
550:. Connaissance des Arts
491:GrĂĽn, Alphonse (1852).
1942:Portrait of Dr. Gachet
1755:The Village of Voisins
1713:The Canal Saint-Martin
1418:Luxe, Calme et Volupté
1369:Portrait of Emile Zola
1363:Portrait of Clemenceau
1169:Self-Portrait in a Hat
858:The Hanged Man's House
548:connaisancedesarts.com
466:Énault, Louis (1852).
32:
1848:Sailboats and Estuary
1505:Regatta at Argenteuil
1431:French Campaign, 1814
775:Equality Before Death
110:. It was sent to the
24:
1930:The Church at Auvers
1891:The Wheel of Fortune
1619:Dance in the Country
1562:The Fiancée of Belus
1399:A Sprig of Asparagus
1157:Breton Peasant Women
927:The Painter's Studio
2182:Musée des Augustins
1523:Women in the Garden
1151:The Beautiful Angel
1126:Homage to Delacroix
1003:The Bellelli Family
674:In the Conservatory
521:creditagricole.info
306:pop.culture.gouv.fr
220:pop.culture.gouv.fr
95:Jacques-Louis David
44:) is a painting by
2242:Romantic paintings
2237:Paintings of women
2180:On display at the
2127:Virgin with a Lily
2011:Madame Charles Max
1707:The Canal du Loing
1631:Girls at the Piano
1437:The Siege of Paris
921:L'Origine du monde
915:A Burial at Ornans
896:The Poor Fisherman
826:The Birth of Venus
757:The Birth of Venus
700:The Family Reunion
140:Marie-Noemi Cadiot
134:Critical reception
33:
2227:History paintings
2194:
2193:
2172:
2171:
2168:
2167:
2054:
2053:
2050:
2049:
1824:Whistler's Mother
1662:The Snake Charmer
1613:Dance in the City
1075:Homage to CĂ©zanne
902:The Turtle Seller
807:The Lady in White
627:
626:
2249:
2217:French paintings
2149:
2136:
2123:
2110:
2097:
2084:
2071:
2060:
2037:
2007:
1983:
1947:
1926:
1921:Bedroom in Arles
1911:
1887:
1857:
1844:
1842:van Rysselberghe
1820:
1807:
1794:
1764:
1762:Toulouse-Lautrec
1697:
1684:
1671:
1658:
1597:
1584:
1571:
1558:
1545:
1532:
1477:
1446:
1427:
1414:
1299:
1286:
1273:
1260:
1247:
1234:
1221:
1196:
1141:
1114:Around the Piano
1110:
1097:
1084:
1071:
1058:
1045:
1014:
993:
974:
961:
948:
933:Le ruisseau noir
911:
892:
879:
864:The Card Players
854:
835:
822:
803:
790:
769:Dante and Virgil
753:
740:
727:
718:Bazille's Studio
696:
683:
670:
657:
644:
633:
605:
590:
583:
576:
567:
560:
559:
557:
555:
539:
533:
532:
530:
528:
513:
507:
506:
504:
502:
488:
482:
481:
479:
477:
469:Le Salon de 1852
463:
457:
456:
450:
442:
440:
438:
425:
419:
418:
416:
414:
400:
394:
393:
391:
389:
376:
370:
369:
367:
365:
358:reseau-canope.fr
350:
344:
343:
341:
339:
332:reseau-canope.fr
324:
318:
317:
315:
313:
298:
292:
291:
289:
287:
273:
267:
266:
264:
262:
247:
232:
231:
229:
227:
212:
182:The Gallic Women
158:fr:Alphonse GrĂĽn
120:battle of Alesia
2257:
2256:
2252:
2251:
2250:
2248:
2247:
2246:
2197:
2196:
2195:
2190:
2164:
2145:
2132:
2119:
2106:
2093:
2080:
2065:
2046:
2033:
2022:
2003:
1992:
1979:
1968:
1945:
1924:
1907:
1896:
1883:
1872:
1853:
1840:
1829:
1816:
1803:
1790:
1779:
1760:
1693:
1680:
1667:
1654:
1593:
1580:
1567:
1554:
1541:
1528:
1473:
1442:
1423:
1410:
1295:
1282:
1269:
1256:
1243:
1230:
1217:
1192:
1137:
1106:
1093:
1080:
1067:
1054:
1041:
1012:
989:
970:
957:
944:
939:The Wounded Man
907:
888:
875:
850:
831:
818:
799:
786:
749:
736:
723:
692:
679:
666:
653:
638:
623:
610:
599:
594:
564:
563:
553:
551:
541:
540:
536:
526:
524:
515:
514:
510:
500:
498:
490:
489:
485:
475:
473:
465:
464:
460:
443:
436:
434:
427:
426:
422:
412:
410:
402:
401:
397:
387:
385:
378:
377:
373:
363:
361:
352:
351:
347:
337:
335:
326:
325:
321:
311:
309:
300:
299:
295:
285:
283:
275:
274:
270:
260:
258:
257:. Musée d’Orsay
249:
248:
235:
225:
223:
214:
213:
209:
204:
184:with Picasso’s
176:
167:
136:
103:
58:
17:
12:
11:
5:
2255:
2253:
2245:
2244:
2239:
2234:
2229:
2224:
2219:
2214:
2209:
2207:1851 paintings
2199:
2198:
2192:
2191:
2189:
2188:
2177:
2174:
2173:
2170:
2169:
2166:
2165:
2163:
2162:
2143:
2130:
2117:
2114:The Mature Age
2104:
2091:
2077:
2075:
2067:
2066:
2063:
2056:
2055:
2052:
2051:
2048:
2047:
2045:
2044:
2030:
2028:
2024:
2023:
2021:
2020:
2000:
1998:
1994:
1993:
1991:
1990:
1976:
1974:
1970:
1969:
1967:
1966:
1904:
1902:
1898:
1897:
1895:
1894:
1880:
1878:
1874:
1873:
1871:
1870:
1851:
1837:
1835:
1831:
1830:
1828:
1827:
1814:
1801:
1787:
1785:
1781:
1780:
1778:
1777:
1758:
1691:
1678:
1665:
1652:
1591:
1578:
1565:
1552:
1539:
1536:The Apparition
1526:
1471:
1440:
1421:
1408:
1293:
1280:
1267:
1254:
1241:
1228:
1215:
1200:The Cock Fight
1190:
1135:
1104:
1091:
1078:
1065:
1052:
1039:
987:
968:
955:
942:
905:
886:
873:
848:
829:
816:
797:
784:
747:
734:
721:
712:The Pink Dress
690:
681:Bastien-Lepage
677:
664:
650:
648:
640:
639:
636:
629:
628:
625:
624:
622:
621:
615:
612:
611:
608:
601:
600:
595:
593:
592:
585:
578:
570:
562:
561:
534:
508:
483:
458:
420:
395:
381:L'Illustration
371:
345:
319:
293:
268:
255:musee-orsay.fr
233:
206:
205:
203:
200:
199:
198:
192:Hélène Jagot:
189:
175:
174:External links
172:
166:
163:
135:
132:
102:
99:
57:
54:
15:
13:
10:
9:
6:
4:
3:
2:
2254:
2243:
2240:
2238:
2235:
2233:
2232:War paintings
2230:
2228:
2225:
2223:
2220:
2218:
2215:
2213:
2210:
2208:
2205:
2204:
2202:
2187:
2183:
2179:
2178:
2175:
2161:
2160:
2155:
2154:
2148:
2144:
2142:
2141:
2135:
2131:
2129:
2128:
2122:
2118:
2116:
2115:
2109:
2105:
2103:
2102:
2096:
2092:
2090:
2089:
2083:
2079:
2078:
2076:
2072:
2068:
2061:
2057:
2043:
2042:
2036:
2032:
2031:
2029:
2025:
2019:
2018:
2013:
2012:
2006:
2002:
2001:
1999:
1995:
1989:
1988:
1982:
1978:
1977:
1975:
1971:
1965:
1964:
1963:Self-portrait
1959:
1958:
1953:
1952:
1946:(2nd version)
1944:
1943:
1938:
1937:
1932:
1931:
1925:(3rd version)
1923:
1922:
1917:
1916:
1910:
1906:
1905:
1903:
1899:
1893:
1892:
1886:
1882:
1881:
1879:
1875:
1869:
1868:
1863:
1862:
1856:
1852:
1850:
1849:
1843:
1839:
1838:
1836:
1832:
1826:
1825:
1819:
1815:
1813:
1812:
1806:
1802:
1800:
1799:
1793:
1789:
1788:
1786:
1782:
1776:
1775:
1770:
1769:
1763:
1759:
1757:
1756:
1751:
1750:
1745:
1744:
1739:
1738:
1733:
1732:
1727:
1726:
1721:
1720:
1715:
1714:
1709:
1708:
1703:
1702:
1696:
1692:
1690:
1689:
1683:
1679:
1677:
1676:
1670:
1666:
1664:
1663:
1657:
1653:
1651:
1650:
1645:
1644:
1639:
1638:
1633:
1632:
1627:
1626:
1621:
1620:
1615:
1614:
1609:
1608:
1603:
1602:
1596:
1592:
1590:
1589:
1583:
1579:
1577:
1576:
1570:
1566:
1564:
1563:
1557:
1553:
1551:
1550:
1544:
1540:
1538:
1537:
1531:
1527:
1525:
1524:
1519:
1518:
1513:
1512:
1507:
1506:
1501:
1500:
1495:
1494:
1489:
1488:
1483:
1482:
1476:
1472:
1470:
1469:
1464:
1463:
1458:
1457:
1452:
1451:
1445:
1441:
1439:
1438:
1433:
1432:
1426:
1422:
1420:
1419:
1413:
1409:
1407:
1406:
1401:
1400:
1395:
1394:
1389:
1388:
1383:
1382:
1377:
1376:
1371:
1370:
1365:
1364:
1359:
1358:
1353:
1352:
1347:
1346:
1341:
1340:
1335:
1334:
1329:
1328:
1323:
1322:
1317:
1316:
1311:
1310:
1305:
1304:
1298:
1294:
1292:
1291:
1285:
1281:
1279:
1278:
1272:
1268:
1266:
1265:
1259:
1255:
1253:
1252:
1246:
1242:
1240:
1239:
1233:
1229:
1227:
1226:
1220:
1216:
1214:
1213:
1208:
1207:
1202:
1201:
1195:
1191:
1189:
1188:
1183:
1182:
1177:
1176:
1171:
1170:
1165:
1164:
1159:
1158:
1153:
1152:
1147:
1146:
1140:
1136:
1134:
1133:
1128:
1127:
1122:
1121:
1116:
1115:
1109:
1108:Fantin-Latour
1105:
1103:
1102:
1096:
1092:
1090:
1089:
1083:
1079:
1077:
1076:
1070:
1066:
1064:
1063:
1057:
1053:
1051:
1050:
1044:
1040:
1038:
1037:
1032:
1031:
1026:
1025:
1020:
1019:
1018:Les Choristes
1011:
1010:
1005:
1004:
999:
998:
992:
988:
986:
985:
980:
979:
978:The Laundress
973:
969:
967:
966:
960:
956:
954:
953:
947:
943:
941:
940:
935:
934:
929:
928:
923:
922:
917:
916:
910:
906:
904:
903:
898:
897:
891:
887:
885:
884:
878:
874:
872:
871:
866:
865:
860:
859:
853:
849:
847:
846:
841:
840:
834:
830:
828:
827:
821:
817:
815:
814:
809:
808:
802:
798:
796:
795:
789:
785:
783:
782:
777:
776:
771:
770:
765:
764:
759:
758:
752:
748:
746:
745:
739:
735:
733:
732:
726:
722:
720:
719:
714:
713:
708:
707:
702:
701:
695:
691:
689:
688:
682:
678:
676:
675:
669:
665:
663:
662:
656:
652:
651:
649:
645:
641:
634:
630:
620:
617:
616:
613:
606:
602:
598:
597:Musée d'Orsay
591:
586:
584:
579:
577:
572:
571:
568:
549:
545:
538:
535:
522:
518:
512:
509:
496:
495:
494:Salon de 1852
487:
484:
471:
470:
462:
459:
454:
448:
432:
431:
424:
421:
408:
407:
406:Salon de 1852
399:
396:
383:
382:
375:
372:
359:
355:
349:
346:
333:
329:
323:
320:
307:
303:
297:
294:
281:
280:
279:Salon de 1852
272:
269:
256:
252:
246:
244:
242:
240:
238:
234:
221:
217:
211:
208:
201:
197:
196:
190:
188:
187:
183:
178:
177:
173:
171:
164:
162:
159:
155:
151:
147:
146:
141:
133:
131:
129:
128:Musée d'Orsay
125:
121:
117:
113:
109:
100:
98:
96:
92:
91:
85:
84:
77:
75:
71:
67:
66:Julius Caesar
63:
55:
53:
51:
47:
43:
39:
38:
31:
27:
23:
19:
2157:
2151:
2146:
2138:
2133:
2125:
2120:
2112:
2107:
2099:
2094:
2086:
2081:
2039:
2034:
2015:
2009:
2004:
1985:
1980:
1961:
1955:
1949:
1940:
1934:
1928:
1919:
1915:L'Arlésienne
1913:
1908:
1889:
1884:
1865:
1859:
1854:
1846:
1841:
1822:
1817:
1809:
1804:
1796:
1791:
1772:
1766:
1761:
1753:
1747:
1741:
1735:
1729:
1723:
1717:
1711:
1705:
1699:
1694:
1686:
1681:
1675:The Talisman
1673:
1668:
1660:
1655:
1647:
1641:
1635:
1629:
1623:
1617:
1611:
1605:
1599:
1594:
1586:
1581:
1573:
1568:
1560:
1555:
1547:
1542:
1534:
1529:
1521:
1515:
1509:
1503:
1497:
1491:
1485:
1479:
1474:
1468:The Winnower
1466:
1460:
1456:The Gleaners
1454:
1448:
1443:
1435:
1429:
1424:
1416:
1411:
1405:The Waitress
1403:
1397:
1391:
1385:
1379:
1373:
1367:
1361:
1355:
1349:
1343:
1337:
1331:
1325:
1319:
1313:
1307:
1301:
1296:
1288:
1283:
1275:
1270:
1262:
1257:
1249:
1244:
1237:
1236:
1231:
1223:
1218:
1210:
1204:
1198:
1193:
1185:
1179:
1173:
1167:
1161:
1155:
1149:
1143:
1138:
1130:
1124:
1118:
1112:
1107:
1099:
1094:
1086:
1081:
1073:
1068:
1060:
1055:
1047:
1042:
1034:
1028:
1022:
1016:
1007:
1001:
995:
990:
984:The Republic
982:
976:
971:
963:
958:
950:
945:
937:
931:
925:
919:
913:
908:
900:
894:
890:de Chavannes
889:
881:
876:
868:
862:
856:
851:
843:
837:
832:
824:
819:
811:
805:
800:
792:
787:
779:
773:
767:
761:
755:
750:
742:
737:
729:
724:
716:
710:
704:
698:
693:
685:
680:
672:
667:
659:
654:
619:Gare d'Orsay
552:. Retrieved
547:
537:
525:. Retrieved
520:
511:
499:. Retrieved
493:
486:
474:. Retrieved
468:
461:
435:. Retrieved
429:
423:
411:. Retrieved
405:
398:
386:. Retrieved
380:
374:
362:. Retrieved
357:
348:
336:. Retrieved
331:
322:
310:. Retrieved
305:
296:
284:. Retrieved
278:
271:
259:. Retrieved
254:
224:. Retrieved
219:
210:
193:
185:
181:
168:
143:
137:
108:Napoleon III
104:
88:
81:
78:
59:
41:
36:
35:
34:
25:
18:
2121:Delaplanche
1885:Burne-Jones
1774:La Toilette
1607:The Bathers
1450:The Angelus
1393:The Reading
1303:The Balcony
965:The Harvest
833:Caillebotte
801:Bracquemond
781:Les Oréades
554:25 December
527:25 December
501:25 December
476:25 December
437:25 December
413:25 December
388:25 December
364:25 December
338:25 December
312:23 December
286:25 December
261:23 December
226:23 December
165:Restoration
112:Musée Rolin
76:mountains.
64:, at which
56:Description
2201:Categories
2140:Rhinocéros
2134:Jacquemart
2064:Sculptures
1688:The Circus
1549:The Cradle
1499:The Magpie
1425:Meissonier
1251:The Source
1101:The Enigma
997:L'Absinthe
877:Chassériau
751:Bouguereau
668:Bartholomé
202:References
28:(1851) by
2095:Clésinger
1649:The Swing
1339:The Fifer
1321:Bullfight
1277:The Truth
1206:Jerusalem
1187:Vairumati
1088:The Dream
1056:Delacroix
1043:Dehodencq
788:Boulanger
687:Haymaking
637:Paintings
447:cite book
145:L'Artiste
40:(French:
2186:Toulouse
1981:Edelfelt
1909:van Gogh
1861:The Bath
1818:Whistler
1798:Solitude
1792:Harrison
1784:American
1669:SĂ©rusier
1656:Rousseau
1582:Regnault
1271:Lefebvre
1082:Detaille
959:Daubigny
763:La Danse
609:Building
195:gauloise
186:Guernica
150:Le Sueur
74:Auvergne
62:Gergovie
2150::
2147:Gauguin
2137::
2124::
2111::
2108:Claudel
2098::
2085::
2082:Barrias
2038::
2035:Sorolla
2027:Spanish
2008::
2005:Boldini
1997:Italian
1984::
1973:Finnish
1912::
1888::
1877:British
1858::
1855:Stevens
1845::
1834:Belgian
1821::
1808::
1795::
1765::
1698::
1685::
1672::
1659::
1598::
1585::
1572::
1569:Ottmann
1559::
1546::
1543:Morisot
1533::
1478::
1447::
1428::
1415::
1412:Matisse
1351:Olympia
1300::
1287::
1274::
1261::
1258:Laurens
1248::
1235::
1222::
1197::
1145:Arearea
1142::
1139:Gauguin
1111::
1098::
1085::
1072::
1059::
1046::
1036:The Tub
994::
975::
972:Daumier
962::
949::
946:Couture
912::
909:Courbet
893::
880::
855::
852:CĂ©zanne
836::
823::
820:Cabanel
804::
791::
754::
741::
738:Bonheur
728::
697::
694:Bazille
684::
671::
661:Remorse
658::
154:Poussin
101:History
2074:French
1805:Tanner
1768:Le Lit
1695:Sisley
1682:Seurat
1595:Renoir
1530:Moreau
1444:Millet
1245:Ingres
1232:Glaize
1219:Gervex
1194:GĂ©rĂ´me
1013:(1885)
655:Baader
647:French
124:Louvre
2159:Oviri
1901:Dutch
1556:Motte
1475:Monet
1297:Manet
1069:Denis
991:Degas
725:Belly
116:Autun
50:Salon
1284:Luce
1095:Doré
556:2022
529:2022
503:2022
478:2022
453:link
439:2022
415:2022
390:2022
366:2022
340:2022
314:2022
288:2022
263:2022
228:2022
152:and
70:Gaul
2184:in
114:in
93:by
2203::
2156:–
2014:–
1960:–
1954:–
1948:–
1939:–
1933:–
1927:–
1918:–
1864:–
1771:–
1752:–
1746:–
1740:–
1734:–
1728:–
1722:–
1716:–
1710:–
1704:–
1646:–
1640:–
1634:–
1628:–
1622:–
1616:–
1610:–
1604:–
1520:–
1514:–
1508:–
1502:–
1496:–
1490:–
1484:–
1465:–
1459:–
1453:–
1434:–
1402:–
1396:–
1390:–
1384:–
1378:–
1372:–
1366:–
1360:–
1354:–
1348:–
1342:–
1336:–
1330:–
1324:–
1318:–
1312:–
1306:–
1209:–
1203:–
1184:–
1178:–
1172:–
1166:–
1160:–
1154:–
1148:–
1129:–
1123:–
1117:–
1033:–
1027:–
1021:–
1015:–
1006:–
1000:–
981:–
936:–
930:–
924:–
918:–
899:–
867:–
861:–
842:–
810:–
778:–
772:–
766:–
760:–
715:–
709:–
703:–
546:.
519:.
449:}}
445:{{
356:.
330:.
304:.
253:.
236:^
218:.
97:.
589:e
582:t
575:v
558:.
531:.
505:.
480:.
455:)
441:.
417:.
392:.
368:.
342:.
316:.
290:.
265:.
230:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
