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Aldrich added that Lee J Cobb "was one of the sore points on that film. He had an old, long standing relationship with Harry Cohn; Cobb and I did not get along. He's a very strong willed actor - a wonderful actor but... That could have been a wonderful picture. It just ran out of guts in the middle."
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Aldrich called the movie "the first pro-labor picture; in it I am trying to emphasize another particular aspect of our times - the tragedy of the small businessman, caught between the ever expanding large corporations and the pressures of organized labor. The small businessman has often, in order to
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Aldrich says "it was shaping up as a pretty good picture" when
Columbia "suddenly realized they had no intention of making that sort of document; they wanted to make 'boy meets girl in a dress factory'. I was pretty stubborn, and Harry Cohn, head of Columbia, was pretty stubborn, and they wanted to
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Despite the firing
Aldrich admired Cohn. "I think he ran a marvellous studio... I think he did it as well as anybody could do it... He wasn't in the money business he was in the movie business." Aldrich says he had a chance to do other work for Cohn before the latter died but didn't go and "always
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Aldrich says he had become interested in the Lee J. Cobb character, the man "squeezed out by both big business and excessive labor demands and gangsterism... also fettered by being Jewish, of which he was proud but also sub consciously angry since it interfered with his complete freedom due to the
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Walter's partner, Fred Kenner, sympathizes with the union's goals. After he tells Walter to sever his ties with the hoodlum enforcers, Kenner is killed when the freight elevator he enters, which was just 'fixed' by one of the hoods disguised as a repairman, plunges 12 stories to the bottom of the
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According to
Sherman, "Aldrich and the producer were not getting along" and "neither one of them were getting along with Harry Cohn". Cohn asked Sherman to do "one or two scenes and I couldn't turn him down." Sherman says Cohn then asked him to finish the picture. "I didn't know what the hell was
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Aldrich says he never saw the final film but was told "about half or two thirds of it is mine". He may have seen it later because he said
Sherman made it "very quiet and very mild; it became a love story, also about a father who wanted give his business to his son, all that bullshit."
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457:. Aldrich says he had to use Matthews along with other Columbia contract players such as Gia Scala, Robert Loggia, and Valerie French. "The presence of four newcomers can seriously overburden the director," said Aldrich. "But such were the terms of the agreement with Columbia."
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Aldrich said
Kleiner's script was "terribly tough, controversial". He said it was about how mostly Jewish manufacturers hired the mostly Italian mafia to help them with labor. Aldrich said "it was a marvellous conflict - racial, social, religious."
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Aldrich said Cobb "didn't want to be a rough father. He didn't want to have people dislike him. And it was necessary for him to be a tough, miserable son of a bitch, not a good guy. So everyday someone or other would want me to soften the script."
495:"That was a strange experience," said Aldrich. "I don't remember another occasion of a guy getting fired for wanting to shoot the picture he'd been assigned. Usually, if you're fired, it's for wanting to change the script."
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article, "Gangsters in the Dress
Business" by Lester Velie, about the efforts of organized crime to infiltrate the garment industry. Harry Kleiner was assigned to write and produce. It was to be called
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On 3 December it was reported that
Aldrich had "come to an impasse after several weeks of filming" and would be replaced as director by Vincent Sherman, who had made a number of films for Columbia.
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Tulio Renata is an organizer trying to bring the union into the factory; he also later gets murdered by
Ravidge's men, and his wife Theresa Renata endures threats against herself and their child.
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BASSLER TO FILM WESTERN FOR U.A.: Independent
Production Will Star McCrea and Stevens-- Am-Par to Begin Work Steiger to Go Abroad Of Local Origin By THOMAS M. PRYOR New York Times 3 Dec 1956: 39.
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ALDRICH TO MAKE 2 COLUMBIA FILMS: Independent
Producer Will Direct Story of Racketeers in Garment District Sagan Novel to Be Film Of Local Origin By OSCAR GODBOUT New York Times 11 July 1956: 19.
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AUDREY HEPBURN WEIGHS FILM ROLE: Actress Is Uncommitted on Offer to Star in 'Diary of Anne Frank' for Fox Gene Kelly Takes Over Of Local Origin By THOMAS M. PRYOR New York Times 1 May 1957: 41.
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GRIFFITH ENLISTS FOR MOVIE HITCH: 'No Time for Sergeants' Star to Repeat Stage Role in Warner Brothers Film Of Local Origin By THOMAS M. PRYOR New York Times 13 Oct 1956: 14.
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veteran who joins his father Walter's garment company, Roxton Fashions. The company has been paying protection money to gangsters led by Artie Ravidge to keep the
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gangsters, Walter is killed and Ravidge attempts to take over the factory. Theresa Renata takes copies of Mitchell's records to the police, who arrest Ravidge.
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change the focus, the force, the direction of the picture. I wouldn't do it and Cohn fired me." He said Cohn "became frightened how tough it was."
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said the film would pay tribute to the efforts of unions to fight crime, and be shot in part on location in the garment district in New York.
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GARMENT CENTER' PLANNED AS FILM: Gangster Efforts to Invade New York Industry to Be Dramatized by Columbia New York Times 17 Nov 1955: 44.
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Filming began on 12 October 1956 with location shooting in New York. Columbia rented and fitted out its own garment centre for filming.
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NOTED ON THE LOCAL SCREEN SCENE: THE CIRCUS COMES TO AN ITALIAN TOWN IN A NEW IMPORT By A.H. WEILER. New York Times 15 July 1956: 69.
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Drama: Duff Developing Quick Video-to-Feature Deal; 'Don Quixote' Proposed Schallert, Edwin. Los Angeles Times 19 July 1956: A13.
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for his company and to be distributed through Columbia. He arrived in New York with Kleiner in July to start scouting locations.
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was to be the first. Aldrich says he mostly agreed to do the film so Columbia would finance the second movie he wanted to make,
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SCREENING THE LOCAL MOTION PICTURE SCENE: DINNER AT A SPANISH MONASTERY By A.H. WEILER. New York Times 21 Oct 1956: 131.
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Heflin to Costar With Glenn Ford; Bill Joyce Given Buildup by MGM Scheuer, Philip K. Los Angeles Times 6 Nov 1956: 25.
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Alan Mitchell comes to sympathize with the plight of the workers. When he finally convinces his father to fire the
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going on," said Sherman. "I re-shot, I would say, about seventy percent of the picture in about ten days time."
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signed a two-picture deal with Columbia to make films through his own company, The Associates and Aldrich, and
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Interview with Robert Aldrich Greenberg, Joel. Sight and Sound; London Vol. 38, Iss. 1, (Winter 1968): 8.
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Eventually the film was made for Columbia directly, but Aldrich planned to follow it with
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stay alive, compromise with graft and blackmail.... should be an unusually frank film."
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In November 1955 Columbia announced they had purchased the rights to a
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The lead roles were given to Lee J. Cobb, who had been in
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762:. University Press of Mississippi. p.
480:survival of some brands of anti-Semitism."
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539:Whatever Happened to Robert Aldrich?
1260:English-language crime drama films
807:. University Press of Mississippi.
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1220:Films directed by Vincent Sherman
1225:Films directed by Robert Aldrich
1245:Films produced by Harry Kleiner
671:. No. 119. pp. 28–64.
537:Alain Silver and James Ursini,
1215:Films about the labor movement
1200:American black-and-white films
520:List of American films of 1957
1:
1230:Films scored by Leith Stevens
278:Alan Mitchell is a returning
1250:1950s English-language films
16:1957 film by Vincent Sherman
926:The Man Who Talked Too Much
663:Swires, Steve (June 1987).
228:260,086 admissions (France)
1276:
1235:Films set in New York City
1195:American crime drama films
803:Robert Aldrich: Interviews
904:
754:Davis, Ronald L. (2005).
33:Theatrical release poster
26:
1114:The Young Philadelphians
799:Aldrich, Robert (2004).
468:Firing of Robert Aldrich
454:The 7th Voyage of Sinbad
175:April 25, 1957
1205:Columbia Pictures films
541:, Limelight, 1995 p 249
1190:1957 crime drama films
1138:The Second Time Around
1034:Adventures of Don Juan
910:The Return of Doctor X
950:All Through the Night
407:. Executive producer
1255:1950s American films
1130:A Fever in the Blood
1058:The Damned Don't Cry
183: (United States)
934:Flight from Destiny
918:Saturday's Children
553:at Box Office Story
440:Until Proven Guilty
429:Until Proven Guilty
239:is a 1957 American
1098:The Garment Jungle
1090:Affair in Trinidad
1010:Janie Gets Married
958:Across the Pacific
896:Films directed by
854:The Garment Jungle
847:TCM Movie Database
842:The Garment Jungle
831:The Garment Jungle
820:The Garment Jungle
758:Just making movies
564:The Garment Jungle
312:as Walter Mitchell
236:The Garment Jungle
22:The Garment Jungle
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1074:Goodbye, My Fancy
448:On the Waterfront
384:as Tulio's mother
376:Robert Ellenstein
324:as Theresa Renata
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162:Columbia Pictures
152:Columbia Pictures
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978:Old Acquaintance
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348:as George Kovan
342:as Tulio Renata
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246:directed by
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192:Running time
168:Release date
117:William Lyon
986:In Our Time
963:John Huston
942:Underground
612:Aldrich p 8
394:Development
366:as Mr. Paul
364:Wesley Addy
310:Lee J. Cobb
252:Lee J. Cobb
220:$ 1,050,000
81:Lee J. Cobb
69:Produced by
39:Directed by
1185:1957 films
1179:Categories
1122:Ice Palace
526:References
409:Jerry Wald
389:Production
280:Korean War
244:crime film
225:Box office
196:88 minutes
179:1957-04-25
144:Production
1210:Film noir
1146:Cervantes
1082:Lone Star
322:Gia Scala
290:shaft.
260:Gia Scala
241:film noir
113:Edited by
89:Gia Scala
1050:Backfire
836:AllMovie
514:See also
209:Language
123:Music by
77:Starring
59:Based on
965:, 1942)
861:YouTube
845:at the
669:Starlog
354:as Tony
212:English
201:Country
177: (
146:company
1165:(1980)
1157:(1977)
1149:(1967)
1141:(1961)
1133:(1961)
1125:(1960)
1117:(1959)
1109:(1958)
1101:(1957)
1093:(1952)
1085:(1952)
1077:(1951)
1069:(1950)
1061:(1950)
1053:(1950)
1045:(1949)
1037:(1948)
1029:(1947)
1021:(1947)
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997:(1944)
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981:(1943)
973:(1943)
961:(with
953:(1941)
945:(1941)
937:(1941)
929:(1940)
921:(1940)
913:(1939)
770:
217:Budget
1162:Bogie
793:Notes
360:as Ox
286:out.
284:union
825:IMDb
768:ISBN
569:IMDb
304:Cast
274:Plot
266:and
859:on
834:at
823:at
567:at
1181::
766:.
764:99
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637:^
617:^
603:^
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270:.
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258:,
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571:.
181:)
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