Knowledge (XXG)

The Gatekeepers (film)

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719:, spokesman of the Israeli Foreign Ministry, complained "that the justification for the Shin Bet’s activity in the territories does not appear in the film." While this is justifiable in a film addressed to Israeli audiences, who do not have to have the situation explained to them, international audiences "need more explanation of the background to understand how the three Shin Bet heads who appear in the film went into politics and how they are an inseparable part of a whole policy, some of which they criticize from within while agreeing completely with other aspects of it. None of them is a rebel who broke the rules and quit, or a subversive who tried to carry out a revolution. They see themselves as part of the establishment and as they see it, the purpose of their criticism is to improve it, not to smash it." 299:, he came to realize the decisive role that the Shin Bet had played behind the scenes for the past forty years. "The idea to do this movie came to me while I was working on my previous film, Sharon. From my discussions with the prime minister’s innermost circle of advisors, I learned how the critique of some of these Gatekeepers influenced Sharon’s decision to disengage from Gaza." The problem, according to Moreh, was getting the "Gatekeepers", or former heads of the Shin Bet, to agree to appear on camera and discuss their work and opinions. Given the secretive nature of the organization, none of them had ever done this before, and many of the topics he hoped to discuss with them were either classified or highly sensitive. 958:
noted what he called the "outrage gap": while a Jerusalem audience had "reacted viscerally to descriptions of the beating deaths of two Palestinian terrorists," it "seemed blasé about photos of suicide-bombing carnage." Troy argues, "Rabin’s assassin did not 'murder hope' – Hamas and Islamic Jihad did." Troy expressed pride that "these thoughtful, tough but human and sensitive heroes helped Israel navigate the agonizing questions the country faces in defending itself from toxic terrorists," but added that "I know of no Palestinian movies agonizing about similar dilemmas."
946:"never learns that Israel has repeatedly tried to do precisely what Moreh advocates" only to have its offers of land for peace rejected repeatedly. While Moreh wishes audiences to believe that Israeli withdrawal from the West Bank would bring peace, Israel's 2000 pullout from its Lebanese security zone and its 2005 removal of Gaza settlements led to increased "threats and terrorism from Iranian proxy Hezbollah in Lebanon and from Iranian client Hamas in Gaza." Moreh ignored the "hard realities" that "make the Shin Bet’s work so crucial and so heroic." 495: 345:, though the ensuing scandal ultimately led to his resignation. Over time, however, and with careful prodding, he agreed to discuss even that, and it now features as one of the film's seven segments. The Gatekeepers "gave me an unprecedented, intimate opportunity to enter the inner sanctum of the people who have steered Israel’s decision-making process for almost half a century," Moreh has said. 725:, Israel's ambassador to Germany, has said that he "used the screening of the film here as an opportunity to emphasize the strength of Israeli democracy ... and the doubts that policymakers in Israel must face before they order the killing of terrorists ... There are not many democracies where one can view such a discussion at all, particularly considering Israel’s security situation." 939:
acknowledge that Israel "instituted Palestinian municipal self-government and administration, introduced freedom of speech and association, and vastly modernized the Palestinian economy as well as Palestinian health, welfare and education, turning the West Bank and Gaza into the world’s fourth fastest growing economy in the 1970s and 1980s."
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coexist with the Palestinians as far back as the aftermath of the Six Day War of 1967" and that a "central theme of the documentary is the idea that Israel has incredible tactics, but lacks long-term strategy." Moreh is turning "The Gatekeepers" into a five-part series for Israeli television and a book.
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in March 2013 that there had been much "internal debate between Israeli diplomats" over "the question of whether the film reinforces the anti-Israeli narrative in the West, or alternatively paints a more complex and positive picture of Israeli society and the internal arguments that take place within
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criticized the Shin Bet heads, for "parlay their perspective as intelligence heads into preaching and politics," and characterized Moreh's placement of Ayalon at the end of the movie as "film-making sleight-of-hand that makes his leftist views appear to be the sextet’s consensus position." Troy also
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that making the film "changed me a lot . It made me more desperate, more bleak. I saw from their eyes how our leaders really don’t want to solve this problem. They do not have the audacity, the temerity, the will, the courage that we need from a leader." He added, "I am not putting the blame only on
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one of the year's 10 best films. The film, noted Morgenstern, "brings together all the surviving directors of Shin Bet, Israel's internal security agency. What these tough and tough-minded men have to say about Israeli politicians, and the nation's current stance vis à vis its enemies, is stunning
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When the film was released, CNN reported that the former Shin Bet heads had made "stunning revelations" and that "all six argue – to varying degrees – that the Israeli occupation of Palestinian land is bad for the state of Israel." CNN noted that Avraham Shalom "says Israel lost touch with how to
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described the film as offering "a disturbing narrative" whose message is that "The occupation is immoral and, perhaps more important, ineffective. Israel should withdraw from the West Bank as it did from the Gaza Strip in 2005. And the prospect of a two-state solution to the Palestinian conflict
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Troy wrote that "the film showcases Israel’s democratic vitality while seeking to undermine it." Characterizing the interviewees as "blaming Israel and robbing Palestinians of their responsibility, culpability and dignity," Troy viewed their outspokenness as a product of a "voyeuristic Facebook
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accused the film's director of "intellectual dishonesty" and of ignoring "history and context," saying that while "the film tries to portray Israel’s antiterrorism policies as counterproductive and cruel, the interviews inadvertently tell a different story." They wrote that the film fails to
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that after interviewing the Shin Bet heads, he decided that Netanyahu "poses a great threat to the existence of the state of Israel." He said that he seeks "to change the point of view of young Israelis. To tell them a story of the Israeli-Palestinian conflict that has not been told before."
1885: 731:, Israel's ambassador in Washington, D.C., came out strongly against the film, deploring the way in which Avraham Shalom "kind of" likens "Israel to Nazi Germany." Oren said he had "been hearing about Jews leaving the screening asking why we should keep supporting Israel." 29: 2299: 1878: 2292: 1871: 713:, described it as "a powerful film that brings viewers into confrontation with the political-security dilemmas Israel faces" and that, while "not completely unequivocal", is "tendentious in its portrayal of Palestinian suffering." 2285: 2753: 1894: 2308: 1957: 341:
Though all the men agreed to participate, some were reluctant initially to discuss various incidents associated with their careers. Shalom, for instance, did not want to discuss his role in the
1014: 1654: 750:, the film holds a 94% positive ratings from 111 critics, with an average rating of 8.3/10. The site's consensus reads: "Strikingly stark, brutally honest, and rivetingly assembled, 478:
that brings historic photographs to life. An example of this is the computer-generated reenactment of the Bus 300 incident, based on photographs and eyewitness accounts. The film's
914:, wrote in a column that the film is "convenient for the Shin Bet," painting its chiefs as victims of the political leadership and going light on their own bending of the law." 962:
culture." Troy argued that "spooks should not speak," expressing doubt that "the past six CIA directors would dare so abuse their positions – and the American public’s trust."
1907: 665: 1558: 1521: 1487: 2783: 2763: 283: 584:, a film sales, co-productions, and distribution company, and has taught Media at Israel's Open University and at the Management College in Tel Aviv. 1120: 1013:
for Outstanding Producer of Documentary Theatrical Motion Pictures and for Best Documentary at the Satellite Awards. It was also nominated for
318:. Much to his surprise, Ayalon not only agreed to participate, he also helped Moreh contact the other surviving former heads of the Shin Bet: 2773: 997:
for Most Valuable Documentary of the Year in 2013 with Searching for Sugar Man. It was named one of the year's top five documentaries by the
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called the film the best documentary of 2012, deeming it "essential, eye-opening viewing if you think you understand the Middle East," while
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Though the film follows a loose chronological order, each of these segments also delves into topics such as the controversy surrounding
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offers essential perspective on a seemingly intractable war from some of the men who fought it." The film holds a 91/100 on
455:– consisting of reflections on the activities of the Shin Bet and their ethical and strategic impact on the State of Israel 522:, Dror Moreh, is an experienced cinematographer who served as director of photography on several feature films, including 2788: 1006: 1863: 1491: 986: 1711: 2277: 1462: 1018: 1010: 475: 710: 1947: 859: 816: 906:"one of the most intelligent, mature and self-disciplined documentaries that have been made here recently." But 600:
to justice and was forced to resign after ordering the summary execution of two terrorists. He was succeeded by
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the Israeli leaders. I think the Palestinian leaders suffer from the same horrible disease. I think that what
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called the film "proof of the highest order of Israeli democracy." Israel's deputy consul general in Toronto,
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said about how the Palestinians never miss an opportunity to miss an opportunity applies to both sides."
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praised the film as "evidence of the level-headedness and clarity of some elements in Israeli society."
641: 570: 2047: 839: 503: 1839: 1791: 612:; the assassination of Rabin in 1995 shook the agency's reputation and led to Gillon's resignation. 2738: 2650: 2341: 2203: 2193: 782: 558:(a documentary about Prime Minister Ariel Sharon's implementation of the Gaza Disengagement Plan), 360: 311: 267: 2606: 2486: 2436: 2067: 2037: 1987: 1255: 926: 760: 735: 696: 620:, Shin Bet head from 2000 to 2005, was confronted with the Second Intifada. He was succeeded by 479: 429: 416: 702: 2778: 2506: 2321: 1829: 1522:"'Most Israelis Are Not Listening' 'Gatekeepers,' Oscar Nominee, Has Muted Reaction in Israel" 1126: 829: 803: 581: 460: 315: 28: 1230: 1177: 2680: 2406: 2233: 2223: 2027: 1997: 834: 468: 412: 384:– covering the emerging role of the Shin Bet from the Six-Day War and the occupation of the 575: 2660: 2630: 2546: 2183: 2163: 2123: 2097: 1590: 1074: 798: 777: 747: 511: 433: 224: 1584: 2243: 2057: 849: 844: 773: 673: 597: 593: 394: 342: 319: 288: 278:
Moreh has explained in interviews that he was inspired to make the film after watching
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in the presence of Errol Morris, and a week later (6 September 2012) at the
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diminishes daily, threatening the future of Israel as a Jewish democracy."
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The events described in the film are illustrated with archival footage and
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Despite this initial difficulty, Moreh contacted one of the "Gatekeepers",
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to the present. The film was nominated for Best Documentary Feature at the
1559:"In a flurry of telegrams, Israeli diplomats respond to 'The Gatekeepers'" 2213: 954: 649: 483: 252: 1823: 676:, a wider theatrical release in North America began on 1 February 2013. 672:. After a one-week release in December 2012 to make it eligible for the 262:
to recount the role that the group played in Israel's security from the
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hijacking of the 300 bus and summary execution of two of the terrorists
307: 616:, his successor, sought to increase security around Israel's leaders. 596:, who ran Shin Bet from 1980 to 1986, served on the team that brought 1816: 1099: 661: 248: 243:) is a 2012 internationally co-produced documentary film by director 1895:
Los Angeles Film Critics Association Award for Best Documentary Film
1005:. It won second place in the Best Non-Fiction Film category at the 1285:"How I persuaded six intelligence chiefs to pour out their hearts" 592:
The film consists of interviews with six former Shin Bet leaders.
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for Best Foreign Documentary Trailer, won Special Mention at the
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National Society of Film Critics Award for Best Non-Fiction Film
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Three years in production, the film was first released at the
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The director discussing the film at a directors' panel at the
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The film combines in-depth interviews, archival footage, and
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award for Best Documentary/Non-Fiction Film. It shared the
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It's All True: Based on an Unfinished Film by Orson Welles
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CNN reported in January 2013 that Israeli Prime Minister
562:(a documentary about an Israeli journalist in Iraq), and 338:, was still serving as head of the Shin Bet at the time. 2754:
Documentary films about the Israeli–Palestinian conflict
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Interview with Dror Moreh at the New York Film Festival
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In addition, charged Rothstein and Seid, the viewer of
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and was serving as a Minister without Portfolio in the
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based on 27 reviews, indicating "universal acclaim".
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One Man's Terrorist Is Another Man's Freedom Fighter
238: 566:(an animated short about the history of Caesarea). 208: 198: 190: 176: 166: 138: 120: 108: 100: 90: 60: 48: 38: 21: 1908:Hotel Terminus: The Life and Times of Klaus Barbie 636:in the presence of the Gatekeepers themselves. In 1741:"'The Gatekeepers': Speaking spooks' coup d'etat" 1256:"The Q&A: Dror Moreh Power is in their hands" 977:for Best Feature Documentary in 2013 and for the 1629:"25 Favorites From A Year When 10 Aren't Enough" 776:named it one of the top ten movies of the year. 1202: 1200: 1198: 1196: 1194: 797:was also named one of the year's best films by 550:(a documentary about an Israeli dance group), 530:, and on a number of documentaries, among them 2293: 1879: 8: 1705: 1703: 1488:"Six Israeli security chiefs stun the world" 989:of Audiovisual Programming in 2013, won the 292:. Having just completed a film about former 2300: 2286: 2278: 1886: 1872: 1864: 1848: 1552: 1550: 1548: 1546: 1544: 1542: 1515: 1513: 1511: 1509: 27: 18: 953:, history professor and Zionist activist 1121:"Oscars 2013: Complete list of nominees" 402:– about the peace process following the 1844:streaming via SBS On Demand (Australia) 1734: 1732: 1627:Scott, A. O. (December 14, 2012). 1043: 1003:National Society of Film Critics Awards 934:and Roberta Seid of the advocacy group 666:International Documentary Film Festival 640:, it was released on 31 August 2012 by 1679:Morgenstern, Joe (December 27, 2012). 1481: 1479: 453:The Old Man at the End of the Corridor 1712:"The dishonesty of 'The Gatekeepers'" 377:The film consists of seven segments: 334:. The sixth participant in the film, 7: 2477:The Life and Times of Hank Greenberg 1653:Dargis, Manohla (14 December 2012). 1053:""שומרי הסף": דוקומנטרי חשוב ומטלטל" 991:Los Angeles Film Critics Association 542:. His credits as a director include 306:, who had since been elected to the 1007:New York Film Critics Circle Awards 654:Toronto International Film Festival 482:were created by the French company 228: 1681:"Welcome Fruits of a Late Harvest" 14: 2784:Films about intelligence agencies 2764:Documentary films about terrorism 2497:Standing in the Shadows of Motown 1520:Rudoren, Jodi (25 January 2013). 1486:Burke, Samuel (28 January 2013). 981:for Best Documentary. It won the 2701:All the Beauty and the Bloodshed 2447:Fast, Cheap & Out of Control 2254:All the Beauty and the Bloodshed 791:and edifying in equal measure." 738:had "no plans" to see the film. 1762:"The Gatekeepers (2012) Awards" 987:Biarritz International Festival 546:(a 6-part documentary series), 2710:Menus-Plaisirs – Les Troisgros 2264:Menus-Plaisirs – Les Troisgros 1229:Horn, John (1 February 2013). 1178:"An Interview with Dror Moreh" 656:. It was also screened at the 428:– about negotiations with the 421:assassination of Yitzhak Rabin 1: 1784:"Winners & Nominees 2013" 1150:"Interview with the director" 1015:Best Documentary Feature Film 441:– about the assassination of 2774:Sony Pictures Classics films 1788:asiapacificscreenacademy.com 1331:"AVRAHAM SHALOM / 1980-1986" 711:Hadas Wittenberg Silberstein 426:Victory Is to See You Suffer 247:that tells the story of the 2744:2010s Hebrew-language films 1009:. It was nominated for the 251:internal security service, 239: 2805: 1441:"YUVAL DISKIN / 2005-2011" 1375:"CARMI GILLON / 1994-1996" 1019:Asia Pacific Screen Awards 979:Israeli Film Academy Award 898:Uri Klein, film critic of 476:computer-generated imagery 2769:Israeli independent films 2749:Israeli documentary films 2315: 1901: 1861: 1603:"The Gatekeepers Reviews" 1419:"AVI DICHTER / 2000-2005" 1353:"YAAKOV PERI / 1988-1995" 860:Christian Science Monitor 707:Israel's Foreign Ministry 684:Official Israeli response 660:. Its first screening in 624:, who served until 2011. 382:No Strategy, Just Tactics 26: 2587:Cave of Forgotten Dreams 2144:Cave of Forgotten Dreams 1397:"AMI AYALON / 1996-2000" 1075:"The Gatekeepers (2013)" 999:National Board of Review 2467:Buena Vista Social Club 2377:Berkeley in the Sixties 2018:Buena Vista Social Club 1686:The Wall Street Journal 1100:"Gatekeepers, the Film" 723:Yaakov Hadas-Handelsman 646:Telluride Film Festival 634:Jerusalem Film Festival 500:Telluride Film Festival 409:Our Own Flesh and Blood 386:Palestinian territories 157:Jerusalem Film Festival 2759:2012 documentary films 1032:The Law in These Parts 995:Cinema for Peace Award 870:The Hollywood Reporter 780:, film critic for the 658:New York Film Festival 515: 469:targeted assassination 467:, and the morality of 147:10 July 2012 130:Sony Pictures Classics 2641:O.J.: Made in America 2537:An Inconvenient Truth 2457:The Farm: Angola, USA 2088:An Inconvenient Truth 2008:The Farm: Angola, USA 1490:. CNN. Archived from 973:was nominated for an 688:Barak Ravid wrote in 642:Sony Picture Classics 540:Underdog: A War Movie 497: 391:Forget About Morality 286:-winning documentary 2567:The Beaches of Agnès 2118:The Beaches of Agnès 983:Golden Trailer Award 883:Jodi Rudoren of the 840:Entertainment Weekly 610:Prime Minister Rabin 580:, is the founder of 504:Michael Winterbottom 445:and other prominent 2789:2010s Belgian films 2194:I Am Not Your Negro 783:Wall Street Journal 560:Occupational Hazard 480:computer animations 361:The Times of Israel 268:85th Academy Awards 2607:The Act of Killing 2487:The Gleaners and I 2437:When We Were Kings 2357:The Thin Blue Line 2068:Born into Brothels 2038:The Gleaners and I 1988:When We Were Kings 1716:The Jerusalem Post 1633:The New York Times 1463:"Telluride review" 1310:"Mac Guff website" 1130:. January 10, 2013 951:The Jerusalem Post 927:The Jerusalem Post 919:The Jerusalem Post 878:The New York Times 761:The New York Times 746:On the aggregator 736:Benjamin Netanyahu 697:Mario Vargas Llosa 664:took place at the 516: 463:, the efficacy of 417:Jewish Underground 260:computer animation 114:Jérôme Chassagnard 33:Promotional poster 2726: 2725: 2720: 2719: 2507:To Be and to Have 2322:Stop Making Sense 2275: 2274: 1494:on April 25, 2013 1443:. The Gatekeepers 1421:. The Gatekeepers 1399:. The Gatekeepers 1377:. The Gatekeepers 1355:. The Gatekeepers 1283:Ginsburg, Mitch. 1235:Los Angeles Times 1127:Los Angeles Times 966:Honors and awards 830:Los Angeles Times 804:New York Magazine 571:Philippa Kowarsky 502:. 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Scott 588:The interviewees 579: 528:Desperado Square 518:The director of 415:, including the 413:Jewish terrorism 316:Security Cabinet 242: 232: 230: 154: 152: 132: 125: 31: 19: 2804: 2803: 2799: 2798: 2797: 2795: 2794: 2793: 2729: 2728: 2727: 2722: 2721: 2716: 2708: 2698: 2688: 2678: 2668: 2661:Minding the Gap 2658: 2648: 2638: 2628: 2618: 2604: 2597:The Gatekeepers 2594: 2584: 2574: 2564: 2554: 2547:No End in Sight 2544: 2534: 2524: 2514: 2504: 2494: 2484: 2474: 2464: 2454: 2444: 2434: 2424: 2414: 2404: 2394: 2384: 2374: 2364: 2354: 2350:No Award (1987) 2349: 2339: 2329: 2319: 2311: 2306: 2276: 2271: 2261: 2251: 2241: 2231: 2221: 2211: 2201: 2191: 2181: 2171: 2164:Stories We Tell 2161: 2154:The Gatekeepers 2151: 2141: 2134:Last Train Home 2131: 2115: 2105: 2098:No End in Sight 2095: 2085: 2075: 2065: 2055: 2045: 2035: 2025: 2015: 2005: 1995: 1985: 1975: 1965: 1955: 1945: 1935: 1925: 1915: 1905: 1897: 1892: 1857: 1855:The Gatekeepers 1841:The Gatekeepers 1825:The Gatekeepers 1815: 1814: 1811: 1806: 1797: 1795: 1782: 1781: 1777: 1767: 1765: 1760: 1759: 1755: 1745: 1743: 1738: 1737: 1730: 1720: 1718: 1709: 1708: 1701: 1691: 1689: 1678: 1677: 1673: 1663: 1661: 1652: 1651: 1647: 1637: 1635: 1626: 1625: 1621: 1611: 1609: 1601: 1600: 1596: 1591:Rotten Tomatoes 1586:The Gatekeepers 1583: 1579: 1569: 1567: 1556: 1555: 1540: 1530: 1528: 1519: 1518: 1507: 1497: 1495: 1485: 1484: 1477: 1467: 1465: 1461: 1460: 1456: 1446: 1444: 1439: 1438: 1434: 1424: 1422: 1417: 1416: 1412: 1402: 1400: 1395: 1394: 1390: 1380: 1378: 1373: 1372: 1368: 1358: 1356: 1351: 1350: 1346: 1336: 1334: 1329: 1328: 1324: 1314: 1312: 1308: 1307: 1303: 1293: 1291: 1289:Times of Israel 1282: 1281: 1277: 1267: 1265: 1254: 1253: 1249: 1239: 1237: 1228: 1227: 1223: 1213: 1211: 1210:. 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2412: 2402: 2397:American Dream 2392: 2382: 2372: 2367:Roger & Me 2362: 2352: 2347: 2337: 2327: 2316: 2313: 2312: 2307: 2305: 2304: 2297: 2290: 2282: 2273: 2272: 2270: 2269: 2259: 2249: 2244:Summer of Soul 2239: 2229: 2219: 2209: 2199: 2189: 2179: 2169: 2159: 2149: 2139: 2129: 2113: 2103: 2093: 2083: 2073: 2063: 2058:The Fog of War 2053: 2043: 2033: 2023: 2013: 2003: 1993: 1983: 1973: 1963: 1953: 1943: 1938:American Dream 1933: 1923: 1918:Roger & Me 1913: 1902: 1899: 1898: 1893: 1891: 1890: 1883: 1876: 1868: 1862: 1859: 1858: 1852: 1846: 1845: 1837: 1832: 1821: 1810: 1809:External links 1807: 1805: 1804: 1775: 1753: 1728: 1699: 1671: 1659:New York Times 1645: 1619: 1594: 1577: 1557:Ravid, Barak. 1538: 1526:New York Times 1505: 1475: 1454: 1432: 1410: 1388: 1366: 1344: 1322: 1301: 1275: 1264:. 9 April 2013 1247: 1221: 1190: 1168: 1141: 1112: 1091: 1066: 1042: 1040: 1037: 1036: 1035: 1026: 1023: 967: 964: 944:The Gatekeeper 921: 916: 895: 890: 885:New York Times 880: 875: 850:New York Times 845:Manohla Dargis 786:, also called 774:Manohla Dargis 743: 740: 685: 682: 674:Academy Awards 629: 626: 598:Adolf Eichmann 594:Avraham Shalom 589: 586: 569:The producer, 548:To Be Mayumana 506:, Dror Moreh, 491: 490:The filmmakers 488: 457: 456: 450: 436: 423: 406: 397: 395:Bus 300 affair 388: 374: 371: 320:Avraham Shalom 294:Prime Minister 289:The Fog of War 275: 272: 240:Shomrei HaShaf 214: 213: 210: 206: 205: 204:(€1.3 million) 200: 196: 195: 192: 188: 187: 178: 174: 173: 170: 167: 164: 163: 161: 160: 144: 142: 139: 136: 135: 122: 121:Distributed by 118: 117: 110: 106: 105: 102: 98: 97: 92: 91:Cinematography 88: 87: 85:Avraham Shalom 62: 58: 57: 52:Estelle Fialon 50: 46: 45: 40: 36: 35: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 2801: 2790: 2787: 2785: 2782: 2780: 2777: 2775: 2772: 2770: 2767: 2765: 2762: 2760: 2757: 2755: 2752: 2750: 2747: 2745: 2742: 2740: 2737: 2736: 2734: 2711: 2707: 2703: 2702: 2697: 2693: 2692: 2687: 2683: 2682: 2677: 2673: 2672: 2667: 2663: 2662: 2657: 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2089: 2084: 2080: 2079: 2074: 2070: 2069: 2064: 2060: 2059: 2054: 2050: 2049: 2048:The Cockettes 2044: 2040: 2039: 2034: 2030: 2029: 2024: 2020: 2019: 2014: 2010: 2009: 2004: 2000: 1999: 1994: 1990: 1989: 1984: 1980: 1979: 1974: 1970: 1969: 1964: 1960: 1959: 1954: 1950: 1949: 1948:Black Harvest 1944: 1940: 1939: 1934: 1930: 1929: 1924: 1920: 1919: 1914: 1910: 1909: 1904: 1903: 1900: 1896: 1889: 1884: 1882: 1877: 1875: 1870: 1869: 1866: 1860: 1856: 1850: 1843: 1842: 1838: 1836: 1833: 1831: 1827: 1826: 1822: 1818: 1813: 1812: 1808: 1794:on 2013-12-20 1793: 1789: 1785: 1779: 1776: 1763: 1757: 1754: 1742: 1735: 1733: 1729: 1717: 1713: 1706: 1704: 1700: 1688: 1687: 1682: 1675: 1672: 1660: 1656: 1649: 1646: 1634: 1630: 1623: 1620: 1608: 1604: 1598: 1595: 1592: 1588: 1587: 1581: 1578: 1566: 1565: 1560: 1553: 1551: 1549: 1547: 1545: 1543: 1539: 1527: 1523: 1516: 1514: 1512: 1510: 1506: 1493: 1489: 1482: 1480: 1476: 1464: 1458: 1455: 1442: 1436: 1433: 1420: 1414: 1411: 1398: 1392: 1389: 1376: 1370: 1367: 1354: 1348: 1345: 1332: 1326: 1323: 1311: 1305: 1302: 1290: 1286: 1279: 1276: 1263: 1262: 1261:The Economist 1257: 1251: 1248: 1236: 1232: 1225: 1222: 1209: 1203: 1201: 1199: 1197: 1195: 1191: 1179: 1176:Wool, Danny. 1172: 1169: 1157: 1156: 1151: 1145: 1142: 1129: 1128: 1122: 1116: 1113: 1101: 1095: 1092: 1080: 1076: 1070: 1067: 1054: 1047: 1044: 1038: 1034: 1033: 1029: 1028: 1024: 1022: 1020: 1016: 1012: 1008: 1004: 1000: 996: 992: 988: 984: 980: 976: 975:Academy Award 972: 965: 963: 959: 956: 952: 947: 945: 940: 937: 933: 932:Roz Rothstein 929: 928: 920: 917: 915: 913: 909: 905: 901: 894: 891: 889: 886: 879: 876: 874: 872: 871: 866: 865:Todd McCarthy 862: 861: 856: 852: 851: 846: 842: 841: 836: 832: 831: 826: 825:Kenneth Turan 822: 818: 814: 810: 806: 805: 800: 796: 792: 789: 785: 784: 779: 775: 771: 767: 763: 762: 757: 753: 749: 741: 739: 737: 732: 730: 726: 724: 720: 718: 714: 712: 708: 704: 700: 698: 693: 692: 683: 681: 677: 675: 671: 667: 663: 659: 655: 651: 647: 643: 639: 638:North America 635: 627: 625: 623: 619: 615: 611: 607: 603: 599: 595: 587: 585: 583: 577: 572: 567: 565: 561: 557: 553: 549: 545: 541: 537: 533: 529: 525: 521: 513: 509: 505: 501: 496: 489: 487: 485: 481: 477: 472: 470: 466: 462: 454: 451: 448: 444: 440: 437: 435: 431: 427: 424: 422: 418: 414: 410: 407: 405: 401: 398: 396: 392: 389: 387: 383: 380: 379: 378: 372: 370: 368: 363: 362: 356: 353: 352: 351:The Economist 346: 344: 339: 337: 333: 329: 325: 321: 317: 313: 309: 305: 300: 298: 295: 291: 290: 285: 284:Academy Award 281: 273: 271: 269: 265: 261: 256: 254: 250: 246: 241: 235: 226: 222: 221: 211: 207: 202:$ 1.5 million 201: 197: 193: 189: 179: 175: 171: 165: 158: 146: 145: 143: 137: 131: 123: 119: 116:Régis Baillet 111: 107: 103: 99: 96: 93: 89: 86: 82: 78: 74: 70: 66: 63: 59: 51: 47: 44: 41: 37: 30: 25: 20: 2709: 2699: 2689: 2679: 2669: 2659: 2651:Faces Places 2649: 2639: 2629: 2619: 2611: 2605: 2596: 2595: 2585: 2575: 2565: 2555: 2545: 2535: 2525: 2515: 2505: 2495: 2485: 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Walla 912:Haaretz 900:Haaretz 893:Haaretz 847:of the 827:of the 819:of the 772:critic 764:critic 691:Haaretz 644:at the 628:Release 536:Asesino 465:torture 308:Knesset 249:Israeli 236::  186:Germany 184:Belgium 149: ( 2712:(2023) 2704:(2022) 2694:(2021) 2684:(2020) 2674:(2019) 2664:(2018) 2654:(2017) 2644:(2016) 2634:(2015) 2624:(2014) 2614:(2013) 2600:(2012) 2590:(2011) 2580:(2010) 2570:(2009) 2560:(2008) 2550:(2007) 2540:(2006) 2530:(2005) 2520:(2004) 2510:(2003) 2500:(2002) 2490:(2001) 2480:(2000) 2470:(1999) 2460:(1998) 2450:(1997) 2440:(1996) 2430:(1995) 2420:(1994) 2410:(1993) 2400:(1992) 2390:(1991) 2380:(1990) 2370:(1989) 2360:(1988) 2345:(1986) 2335:(1985) 2325:(1984) 2267:(2023) 2257:(2022) 2247:(2021) 2237:(2020) 2227:(2019) 2217:(2018) 2207:(2017) 2197:(2016) 2187:(2015) 2177:(2014) 2167:(2013) 2157:(2012) 2147:(2011) 2137:(2010) 2127:(2009) 2111:(2008) 2101:(2007) 2091:(2006) 2081:(2005) 2071:(2004) 2061:(2003) 2051:(2002) 2041:(2001) 2031:(2000) 2021:(1999) 2011:(1998) 2001:(1997) 1991:(1996) 1981:(1995) 1971:(1994) 1961:(1993) 1951:(1992) 1941:(1991) 1931:(1990) 1921:(1989) 1911:(1988) 1764:. IMDb 863:, and 662:Europe 556:Sharon 538:, and 330:, and 225:Hebrew 199:Budget 194:Hebrew 182:France 180:Israel 155: ( 133:(U.S.) 112:Ab Ovo 2427:Crumb 2332:Shoah 1978:Crumb 770:Times 695:it." 578:] 447:Hamas 2691:Flee 2681:Time 2234:Time 1830:IMDb 1770:2013 1748:2013 1723:2013 1694:2012 1666:2012 1640:2012 1614:2016 1572:2013 1533:2013 1500:2013 1470:2012 1449:2013 1427:2013 1405:2013 1383:2013 1361:2013 1339:2013 1317:2012 1296:2013 1270:2013 1242:2013 1216:2013 1185:2012 1163:2012 1136:2013 1125:The 1107:2012 1086:2013 1061:2013 526:and 2631:Amy 2184:Amy 1828:at 1589:at 867:of 857:of 837:of 813:NPR 811:of 801:of 705:of 668:in 648:in 282:’s 2735:: 2610:/ 2121:/ 1786:. 1731:^ 1714:. 1702:^ 1683:. 1657:. 1631:. 1605:. 1561:. 1541:^ 1524:. 1508:^ 1478:^ 1287:. 1258:. 1233:. 1193:^ 1152:. 1123:. 1077:. 1021:. 930:, 873:. 853:, 843:, 833:, 823:, 815:, 807:, 576:de 534:, 510:, 486:. 471:. 326:, 322:, 270:. 231:, 227:: 2301:e 2294:t 2287:v 1887:e 1880:t 1873:v 1801:. 1772:. 1750:. 1725:. 1696:. 1668:. 1642:. 1616:. 1574:. 1535:. 1502:. 1472:. 1451:. 1429:. 1407:. 1385:. 1363:. 1341:. 1319:. 1298:. 1272:. 1244:. 1218:. 1187:. 1165:. 1138:. 1109:. 1088:. 1063:. 514:. 223:( 159:) 153:)

Index


Dror Moreh
Ami Ayalon
Avi Dichter
Yuval Diskin
Carmi Gillon
Yaakov Peri
Avraham Shalom
Avner Shahaf
Sony Pictures Classics
Jerusalem Film Festival
Hebrew
romanized
Dror Moreh
Israeli
Shin Bet
computer animation
Six-Day War
85th Academy Awards
Errol Morris
Academy Award
The Fog of War
Prime Minister
Ariel Sharon
Ami Ayalon
Knesset
Labor Party
Security Cabinet
Avraham Shalom
Yaakov Peri

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