Knowledge (XXG)

The Girl in the Café

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478:-ism has its place in this world but not on the BBC and not at the taxpayer's expense. It is deeply wrong that 30,000 children should die each day because of poverty. But it is equally wrong to suggest that eight men in a room, however deep their pockets or willing their hearts, can simply wave a magic wand and make it all go away. 813: 456:
No one among a first rate cast seemed sure if they were in a lightweight film with a heavyweight theme or a heavyweight film with lightly drawn characters. The tone was strangely solemn and the atmosphere cold, as though the film-makers had done a crash course in serious European cinema and decided
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The film may seem preachy and quixotic but actually celebrity finger-pointing seems to work. The film tries to humanize a vast, complex problem, not through the African victims but through pampered Western protagonists who lack the courage of their convictions. That approach is not consistent with
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and poverty in Africa, much to Lawrence's embarrassment and the anger of his employers. However, he realises that she is right and tries to help persuade the Chancellor and others at the summit to do something about the issues concerned.
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that the key to its success was stilted conversation... There will be those who will argue that the normal critical judgments ought not to apply when the cause is so worthy. But drama is no more exempt from protest than economics.
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On BBC One, the programme gained an audience of 5.5 million, a 29% share of the total television audience watching over its 90-minute duration, winning its timeslot. The opinions, however, were divided.
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campaign, for which writer Curtis was a prominent campaigner. As such, it was also shown in South Africa on the same day as its UK and US premieres. Curtis was better-known as a writer of
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had one unforgivable and entirely avoidable flaw: oversimplification. Presenting a complex issue in such a one-dimensional way is not only patronizing, it also devalues the message.
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that the message was devalued by an oversimplification of the problem. In her opinion the film's main weakness is the belief that the G8 leaders can simply end poverty.
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Though I am convinced by the need to take radical action against extreme poverty, I recognize that others are doubtful. But what I find so moving about
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There were also more positive reactions. Previewing the programme before transmission, Sarah Crompton was very enthusiastic when writing for
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does contain some of his trademark comedy elements, it is generally more serious in tone and attempts to highlight the issues of poverty and
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the structure of the film. It doesn't matter. The awkward romance is compelling, mostly because Mr. Nighy is so good.
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portraying Gina. Nighy and Macdonald had previously starred together in the 2003 BBC serial
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This article is about the British TV movie. For the blogger using the nickname, see
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in the United Kingdom on 25 June 2005. It was also shown in the United States on
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However, the film gained positive reviews too with Alessandre Stanley from
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Newcott, William R. (March 2006). ""Fifth Annual Movies for Grownups"".
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Primetime Emmy Award for Outstanding Made for Television Movie winners
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Outstanding Single-Camera Picture Editing for a Miniseries or a Movie
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Sarah Vine, herself the wife of a conservative politician, argued in
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Outstanding Directing for a Miniseries, Movie or a Dramatic Special
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Outstanding Writing for a Miniseries, Movie or a Dramatic Special
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Outstanding Writing for a Miniseries, Movie or a Dramatic Special
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AARP Movies for Grownups Award for Best TV Movie/Limited Series
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Simon Okin, Stuart Hilliker, Jamie McPhee, and Pat Boxhall
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Outstanding Supporting Actress in a Miniseries or a Movie
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Outstanding Supporting Actress in a Miniseries or a Movie
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Outstanding Casting for a Miniseries, Movie or a Special
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who, at the time, was also the casting director for the
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Primetime Emmy Award for Outstanding Television Movie
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Best Photography and Lighting – Fiction/Entertainment
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The production was conceived to tie-in both with the
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90 Minute or Longer Network or Syndicated Television
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Outstanding Art Direction for a Miniseries or Movie
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Index

The Girl in the Cafe
Celeste Wong

Richard Curtis
David Yates
Bill Nighy
Kelly Macdonald
Marit Velle Kile
Nicholas Hooper
Hilary Bevan Jones
Mark Day
BBC Wales
Tightrope Pictures
HBO Films
BBC One
made-for-television
David Yates
Richard Curtis
Hilary Bevan Jones
Tightrope Pictures
BBC One
HBO
Bill Nighy
Kelly Macdonald
State of Play
Fiona Weir
Harry Potter films
58th Primetime Emmy Awards
Outstanding Made for Television Movie
Outstanding Writing for a Miniseries, Movie or a Dramatic Special

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