200:
arrives and is welcomed. Tom, in desperation, buys a suit of armor, puts it on and has himself delivered to the house as a present to Bessie. Dick finds out that Tom is inside the armor and makes life miserable for him, blowing cigar smoke through the visor and making love to Bessie. Tom, unable to stand this, tries to announce himself, but only succeeds in stumbling over and breaking a valuable vase. Bessie's pa has the 'armor' thrown out. Dick's conscience makes him tell Bessie that Tom was in the armor, and they started the rescue. They were horrified to learn that the old man has sold the armor to a junk dealer; and Dick and Bessie have an exciting chase before the junk man is rounded up, when it takes combined efforts of a policeman, locksmith, and plumber to release Tom from his iron suit."
35:
775:
738:
705:
188:
with each of them. Betty, Kate, Tootsie, Elizabeth, Clara, Jeanette, and Helen. According to the synopsis, the last vision he has is of all the old sweethearts of his waving good luck to him as he marries Mary. Though a review states that he awakes and is obliged to hurry to his wedding. Bowers believes the synopsis to be in error and that the film actually concluded with all the girls present at the wedding, rather than it being a "vision".
199:
with her father. Tom, naturally nervous, plays such a poor game that he and the old man quarrel and Tom is ordered from the house. Next day is Bessie's birthday. Tom brings a bouquet and a box of candy. But he is turned away from the house and has the gifts thrown at his head by Bessie's father. Dick
349:
who stated, " comedy, not by any means original, but with a sentimental touch, ... this excellent film has placed in visible form these visions of the past which often haunt the middle aged or the younger person who about to take some important step. The mechanical work is well done and the audience
238:
though none are specifically credited. The role of the cameraman was uncredited in 1910 productions. The cast credits of both films are unknown, but many 1910 Thanhouser productions are fragmentary. In late 1910, the
Thanhouser company released a list of the important personalities in their films.
148:
with her father, ends up quarreling with him and he is thrown out of the house. The next day, Tom attempts to bring flowers and candy for Bessie's birthday, but is dismissed by the angry father. Tom decides to dress up in a suit of armor and ends up breaking a vase when trying to announce himself.
187:
follows Jack
Redfern, a young bachelor, who is soon to be married. Jack receives a letter in feminine handwriting from an "old sweetheart" of his, stating how glad she is to hear of his approaching marriage. Jack goes through visions, remembering the various girls of his life and his interactions
318:
as half a reel in length. This is listed as an approximation of the relative expected lengths of the production, which could have been about 625 feet and 400 feet in length and still be a single reel. Very few advertisements for the films have been found, but the films likely had a wide national
139:
focuses on a young man, Jack
Redfern, who receives a letter from an old sweetheart of his. This prompts him to reminiscence about all the girls he has had affections for on the eve of his wedding. All the old sweethearts of his life then appear at his wedding to wish him well.
149:
The suit of armor is thrown out and Bessie and the other suitor chase down the junk dealer to free Tom from the suit of armor. Both films were released on
December 9, 1910 and were met with positive reviews by
306:
were released together on a single reel, approximately 1,000 feet in length, on
December 9, 1910. Both films are comedies, but Thanhouser advertisements refer to
58:
405:
Misspellings were common for films with titles of this length and nature. Some newspapers would also misspell the
Thanhouser company as "Tannhauser".
835:
825:
621:
559:
855:
830:
845:
525:
590:
461:
840:
755:
34:
310:
as a drama. The individual lengths of the reels are not known for certain, but the
Thanhouser Company Film Preservation lists
369:
860:
227:
333:
352:
276:
651:
820:
214:
850:
751:
345:
179:
157:
151:
272:
788:
268:
218:
while writing scripts for the
Thanhouser productions. The film directors are unknown, but it may have been
135:. Both films were originally released together on a single reel and are two distinct and separate subjects.
774:
737:
704:
235:
288:
685:
280:
815:
223:
629:
567:
360:
received minor praise from both publications for being a novel even if the story was impossible.
231:
132:
48:
681:
499:
435:
240:
718:
533:
244:
101:
598:
469:
356:
also gave it faint praise by stating that "The picture has some novelty and interest." For
264:
144:
concerns two suitors who are vying for the affections of Bessie. Tom, who plays a game of
219:
767:
730:
697:
248:
209:
809:
284:
260:
396:. This misspelling was not reflected in reviews and was corrected in film listings.
256:
252:
122:
327:
was advertised without its other half and with slightly different spellings in
125:
39:
Thanhouser advertisement for the film which misspelled the first film's title.
328:
174:
162:
331:
and another
Missouri theater. Selig would release a similarly titled work
659:
320:
591:"Volume 1: Narrative History - Chapter 3 - 1910: Film Production Begins"
462:"Volume 1: Narrative History - Chapter 3: 1910 Ten Nights in a Bar Room"
791:. Margaret Herrick Library, Academy of Motion Picture Arts and Sciences
721:. Eau Claire Leader (Eau Claire, Wisconsin). October 3, 1911. p. 5
128:
196:
145:
208:
The writer of the scenarios are unknown, but it was most likely
319:
release. One advertisement featuring both films was found in
226:. Cameramen employed by the company during this era included
652:"Thanhouser Company Film Preservation, Inc. Research Center"
560:"Volume 2: Filmography - Thanhouser Filmography - 1910"
195:: "Dick makes love to Bessie while Tom plays a game of
758:(Chillicothe, Missouri). December 19, 1912. p. 12
622:"Volume 2: Filmography -Thanhouser Filmography - 1910"
436:"Volume 2: Filmography - The Girls He Left Behind Him"
95:
87:
64:
54:
44:
23:
789:"Release flier for The Girl He Left Behind, 1912"
212:. He was an experienced newspaperman employed by
656:Thanhouser Films: An Encyclopedia and History
626:Thanhouser Films: An Encyclopedia and History
595:Thanhouser Films: An Encyclopedia and History
564:Thanhouser Films: An Encyclopedia and History
530:Thanhouser Films: An Encyclopedia and History
504:Thanhouser Films: An Encyclopedia and History
500:"Volume 2: Filmography - The Iron Clad Lover"
466:Thanhouser Films: An Encyclopedia and History
440:Thanhouser Films: An Encyclopedia and History
59:Motion Picture Distributing and Sales Company
8:
688:(Moberly, Missouri). May 12, 1911. p. 4
526:"Volume 3: Biographies - Lonergan, Lloyd F."
33:
20:
177:, the synopsis of both films survive in
429:
427:
425:
423:
421:
417:
381:
343:received praise from the reviewer from
553:
551:
493:
491:
489:
487:
314:as being three-quarters of a reel and
7:
350:follows the picture with interest."
183:from December 10, 1910. The plot of
14:
773:
756:Chillicothe Constitution-Tribune
736:
703:
836:American black-and-white films
370:List of American films of 1910
173:Though the films are presumed
1:
826:Silent American comedy films
390:The Girls He Left Behind Him
353:The New York Dramatic Mirror
341:The Girls He Left Behind Him
325:The Girls He Left Behind Him
312:The Girls He Left Behind Him
308:The Girls He Left Behind Him
300:The Girls He Left Behind Him
185:The Girls He Left Behind Him
137:The Girls He Left Behind Him
112:The Girls He Left Behind Him
24:The Girls He Left Behind Him
856:American comedy short films
831:American silent short films
394:The Girl He Left Behind Him
877:
846:Lost American comedy films
215:The New York Evening World
161:. Both films are presumed
73:December 9, 1910
32:
841:Thanhouser Company films
620:Q. David Bowers (1995).
589:Q. David Bowers (1995).
558:Q. David Bowers (1995).
524:Q. David Bowers (1995).
498:Q. David Bowers (1995).
460:Q. David Bowers (1995).
434:Q. David Bowers (1995).
346:The Moving Picture World
180:The Moving Picture World
158:New York Dramatic Mirror
152:The Moving Picture World
334:The Girl He Left Behind
658:. 2013. Archived from
121:are two 1910 American
686:Moberly Monitor-Index
295:Release and reception
861:1910s American films
236:Alfred H. Moses, Jr.
662:on January 20, 2015
632:on February 9, 2015
570:on February 9, 2015
536:on January 17, 2015
358:The Iron Clad Lover
316:The Iron Clad Lover
304:The Iron Clad Lover
289:Mrs. George Walters
224:Lucius J. Henderson
142:The Iron Clad Lover
118:The Iron Clad Lover
28:The Iron Clad Lover
752:"Majestic Theatre"
388:The film title is
239:The list includes
232:Carl Louis Gregory
133:Thanhouser Company
49:Thanhouser Company
18:1910 American film
821:1910 comedy films
682:"The Gem Theatre"
108:
107:
868:
801:
800:
798:
796:
785:
779:
778:
777:
771:
765:
763:
748:
742:
741:
740:
734:
728:
726:
715:
709:
708:
707:
701:
695:
693:
678:
672:
671:
669:
667:
648:
642:
641:
639:
637:
628:. Archived from
617:
611:
610:
608:
606:
601:on March 4, 2016
597:. Archived from
586:
580:
579:
577:
575:
566:. Archived from
555:
546:
545:
543:
541:
532:. Archived from
521:
515:
514:
512:
510:
495:
482:
481:
479:
477:
472:on April 2, 2015
468:. Archived from
457:
451:
450:
448:
446:
431:
406:
403:
397:
386:
273:George Middleton
245:Justus D. Barnes
131:produced by the
80:
78:
37:
27:
21:
876:
875:
871:
870:
869:
867:
866:
865:
851:1910 lost films
806:
805:
804:
794:
792:
787:
786:
782:
772:
761:
759:
750:
749:
745:
735:
724:
722:
717:
716:
712:
702:
691:
689:
680:
679:
675:
665:
663:
650:
649:
645:
635:
633:
619:
618:
614:
604:
602:
588:
587:
583:
573:
571:
557:
556:
549:
539:
537:
523:
522:
518:
508:
506:
497:
496:
485:
475:
473:
459:
458:
454:
444:
442:
433:
432:
419:
415:
410:
409:
404:
400:
387:
383:
378:
366:
297:
265:Martin J. Faust
206:
193:Iron Clad Lover
171:
100:
83:
76:
74:
67:
40:
25:
19:
12:
11:
5:
874:
872:
864:
863:
858:
853:
848:
843:
838:
833:
828:
823:
818:
808:
807:
803:
802:
780:
768:Newspapers.com
743:
731:Newspapers.com
710:
698:Newspapers.com
673:
643:
612:
581:
547:
516:
483:
452:
416:
414:
411:
408:
407:
398:
380:
379:
377:
374:
373:
372:
365:
362:
296:
293:
269:Thomas Fortune
249:Frank H. Crane
210:Lloyd Lonergan
205:
202:
170:
167:
106:
105:
97:
93:
92:
89:
85:
84:
82:
81:
70:
68:
65:
62:
61:
56:
55:Distributed by
52:
51:
46:
42:
41:
38:
30:
29:
17:
13:
10:
9:
6:
4:
3:
2:
873:
862:
859:
857:
854:
852:
849:
847:
844:
842:
839:
837:
834:
832:
829:
827:
824:
822:
819:
817:
814:
813:
811:
790:
784:
781:
776:
769:
757:
753:
747:
744:
739:
732:
720:
719:"The Orpheum"
714:
711:
706:
699:
687:
683:
677:
674:
661:
657:
653:
647:
644:
631:
627:
623:
616:
613:
600:
596:
592:
585:
582:
569:
565:
561:
554:
552:
548:
535:
531:
527:
520:
517:
505:
501:
494:
492:
490:
488:
484:
471:
467:
463:
456:
453:
441:
437:
430:
428:
426:
424:
422:
418:
412:
402:
399:
395:
391:
385:
382:
375:
371:
368:
367:
363:
361:
359:
355:
354:
348:
347:
342:
338:
336:
335:
330:
326:
322:
317:
313:
309:
305:
301:
294:
292:
290:
286:
285:Anna Rosemond
282:
281:John W. Noble
278:
274:
270:
266:
262:
261:Violet Heming
258:
254:
250:
246:
242:
237:
233:
229:
225:
221:
217:
216:
211:
203:
201:
198:
194:
189:
186:
182:
181:
176:
168:
166:
164:
160:
159:
154:
153:
147:
143:
138:
134:
130:
127:
124:
120:
119:
114:
113:
103:
98:
94:
91:United States
90:
86:
72:
71:
69:
63:
60:
57:
53:
50:
47:
43:
36:
31:
22:
16:
793:. Retrieved
783:
766:– via
760:. Retrieved
746:
729:– via
723:. Retrieved
713:
696:– via
690:. Retrieved
676:
664:. Retrieved
660:the original
655:
646:
636:February 24,
634:. Retrieved
630:the original
625:
615:
603:. Retrieved
599:the original
594:
584:
574:February 12,
572:. Retrieved
568:the original
563:
538:. Retrieved
534:the original
529:
519:
507:. Retrieved
503:
474:. Retrieved
470:the original
465:
455:
443:. Retrieved
439:
401:
393:
389:
384:
357:
351:
344:
340:
339:
332:
324:
315:
311:
307:
303:
299:
298:
220:Barry O'Neil
213:
207:
192:
190:
184:
178:
172:
156:
150:
141:
136:
117:
116:
111:
110:
109:
104:inter-titles
66:Release date
15:
666:January 20,
605:January 14,
540:January 17,
277:Grace Moore
257:Marie Eline
253:Irene Crane
228:Blair Smith
99:Silent film
45:Produced by
816:1910 films
810:Categories
413:References
204:Production
77:1910-12-09
337:in 1912.
329:Wisconsin
241:G.W. Abbe
96:Languages
795:March 7,
762:March 7,
725:March 7,
692:March 7,
509:March 7,
476:March 7,
445:March 7,
364:See also
321:Missouri
191:For the
155:and the
129:comedies
222:and/or
102:English
88:Country
75: (
754:. The
392:, not
323:, but
234:, and
123:silent
376:Notes
197:chess
146:chess
126:short
797:2015
764:2015
727:2015
694:2015
668:2015
638:2015
607:2015
576:2015
542:2015
511:2015
478:2015
447:2015
302:and
175:lost
169:Plot
163:lost
115:and
26:and
812::
684:.
654:.
624:.
593:.
562:.
550:^
528:.
502:.
486:^
464:.
438:.
420:^
291:.
287:,
283:,
279:,
275:,
271:,
267:,
263:,
259:,
255:,
251:,
247:,
243:,
230:,
165:.
799:.
770:.
733:.
700:.
670:.
640:.
609:.
578:.
544:.
513:.
480:.
449:.
79:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.