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also discover a bundle of Shen Teh's clothing under Shui Ta's desk, which makes them even more suspicious. During the process of her trial, the gods appear in the robes of the judges, and Shui Ta says that he will make a confession if the room is cleared except for the judges. When the townspeople have gone, Shui Ta reveals herself to the gods, who are confronted by the dilemma that their seemingly arbitrary divine behavior has caused: they have created impossible circumstances for those who wish to live "good" lives, yet they refuse to intervene directly to protect their followers from the vulnerability that this "goodness" engenders.
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194:. Soon the gods arrive and ask Wong to find them shelter for the night. They are tired, having travelled far and wide in search of good people who still live according to the principles that they, the gods, have handed down. Instead they have found only greed, evil, dishonesty, and selfishness. The same turns out to be true in Szechwan: no one will take them in, no one has the time or means to care for others – no one except the poor young prostitute Shen Teh, whose pure inherent
159:" (which seemed so simple and obvious in the title of the play) is rendered unstable by application to both genders, as Shen Teh realizes she must operate under the guise of both in order to live a good life. It has been argued that Brecht's use of the literary device of the split character in this play is a representation of the antagonism between individual-being and species-being that underlies bourgeois societies.
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143:), as she struggles to lead a life that is "good" according to the terms of the morality taught by the gods, and to which her fellow citizens of Szechwan (Sichuan) pay no regard, without allowing herself to be abused and trodden upon by those who would accept and, more often than not, abuse her goodness. Her neighbors and friends prove so brutal in the filling of their bellies that Shen Teh is forced to invent an
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services for longer periods until at last her true personality seems to be consumed by her cousin's severity. Where Shen Teh is soft, compassionate, and vulnerable, Shui Ta is unemotional and pragmatic, even vicious; it seems that only Shui Ta is made to survive in the world in which they live. In what seems no time at all, he has built her humble shop into a full-scale tobacco factory with many employees.
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shop which they intend as both gift and test: will Shen Teh be able to maintain her goodness with these newfound means, however slight they may be? If she succeeds, the gods' confidence in humanity would be restored. Though at first Shen Teh seems to live up to the gods' expectations, her generosity
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Eventually one of the employees hears Shen Teh crying, but when he enters only Shui Ta is present. The employee demands to know what he has done with Shen Teh, and when he cannot prove where she is, he is taken to court on the charge of having hidden or possibly murdered his cousin. The townspeople
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which attracts crime and police supervision. In a sense, Shen Teh quickly fails the test, as she is forced to introduce the invented cousin Shui Ta as overseer and protector of her interests. Shen Teh dons a costume of male clothing, a mask, and a forceful voice to take on the role of Shui Ta. Shui
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At first, Shui Ta only appears when Shen Teh is in a particularly desperate situation, but as the action of the play develops, Shen Teh becomes unable to keep up with the demands made on her and is overwhelmed by the promises she makes to others. Therefore, she is compelled to call on her cousin's
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folks — we see a cardboard box and all we see is a cardboard box. But the ingenuity and adaptation that people who live in that environment see in a cardboard box is really exciting to me. Our stage may at first glance look like disorderly junk, but it has a curated sense of necessity."
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Brecht seems to have become aware that
Sichuan was actually a province over the course of several drafts (appended in Willet 1994) and the version eventually published by Suhrkamp has "The capital of Sezuan" (though there are no details that suggest the action might take place in
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Shen Teh also meets an unemployed male pilot, Yang Sun, with whom she quickly falls in love after preventing him from hanging himself. However, Yang Sun doesn't return Shen Teh's feelings but simply uses her for money and Shen Teh quickly falls pregnant with his child.
239:, the narrator throws the responsibility of finding a solution to the play's problem onto the shoulders of the audience. It is for the spectator to figure out how a good person can possibly come to a good end in a world that, in essence, is
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that pervades the play," Jain set the story in a "Fictional Pan-Asian Narnia" incorporating multiple components from many Asian cultures — for example, one review took stock that "Shui Ta (played by Bi Jean Ngo) speaks a combination of
494:, lack of accountability, and, of course, prompting the audience questioning the characters' authority and legitimacy as 'gods'. It's an interesting and poignant reverse in a play that has too often been riddled with
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cannot allow her to turn away anyone in need. Shen Teh was going to see a customer, but decides to help out instead; however, confusion follows, leaving Wong fleeing from the illustrious Ones and leaving his water
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In 2016, Ernie Nolan directed the play at the Cor
Theater in Chicago. The role of Shen Te/Shui Ta was played by a male actor (Will Von Vogt) and the setting was a contemporary Chicago ghetto.
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possibilities of this problem, and on the assumption that the spectator will be moved to see that the current structure of society must be changed in order to resolve the problem.
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528:," Jain and set designer Steven Dufala used actual trash from an industrial recycling center to create the entire set. In addition to helping them achieve their goal of a
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notes of the latter portrayal that, "t's played up for laughs while also serving as a multifaceted, pointed criticism of white tourists in Asia, western indifference and
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Ta arrives at the shop, coldly explains that his cousin has gone out of town on a short trip, curtly turns out the hangers-on, and quickly restores order to the shop.
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and is interpreted in
English by those around him," though stage-mounted digital signs provide the script in English throughout, essentially serving as both
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The play opens with Wong, a water seller, explaining to the audience that he is on the city outskirts awaiting the foretold appearance of several important
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76:. The play was begun in 1938 but not completed until 1941, while the author was in exile in the United States. It was first performed in 1943 at the
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92:'s composition of the songs from 1947 to 1948, also authorized by Brecht, is the better-known version. The play is an example of Brecht's "
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Shen Teh is rewarded for her hospitality, as the gods take it as a sure sign of goodness. They give her money and she buys a humble
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692:(and defends it in the forward to the 1999 printing); other translators have used the names Szechuan or Szechwan.
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contrast in viewpoints between the
Western audience and the reality that exists in many developing Asian nations
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An
Introduction to the Social and Political Philosophy of Bertolt Brecht: Revolution and Aesthetics
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Brecht, Bertolt, and Eric
Bentley. The Good Woman of Setzuan. New York: Grove Press, 1965. Print.
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155:), who becomes a cold and stern protector of Shen Teh's interests. The theme of qualitative "
632:(1997). See Willett and Manheim (1994), Bentley (2007), Hofmann (1990), and Harrower (2008).
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Kellie
Mecleary notes that this portrayal of the Three Gods also serves to represent "the
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1077:"'The Good Person of Setzuan': Local director Justin Jain talks Wilma Theater production"
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in 1975, 1976, and 1978. The company also took the production on tour in Europe in 1976.
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1209:. By Bertolt Brecht. Bertolt Brecht: Plays, Poetry, Prose. London: Methuen. 1–111.
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809:"Tour: Great Jones Repertory Company European Tour (1976)". Accessed June 12, 2018.
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954:"The Wilma Theater Presents Radical New Production of THE GOOD PERSON OF SETZUAN"
717:. Cambridge Companions to Literature Ser. Cambridge: Cambridge University Press.
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Orientalist and frankly racist portrayals of Asian characters by non-Asian actors
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in social and economic terms. Shen Teh's altruism conflicts with Shui Ta's
985:"REVERSING ORIENTALIST TROPES The Wilma Theater presents Bertolt Brecht's
319:, directed by Cliff Baker. This version was subsequently licensed through
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Composer/lyricist
Michael Rice created a full-length musical version with
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1048:"Wilma Theater spoofs Asian cultural ignorance with a wall of trash"
875:"Chicago Theater Review: The Good Person of Szechwan (Cor Theatre)"
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448:(at different points) for the audience — while the Three Gods are
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directed another Indian adaptation by
Amitabha Srivastava of the
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is evident in the play's definition of contemporary morality and
1183:. By Bertolt Brecht. Methuen Modern Plays ser. London: Methuen.
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reinterpreted the play with well-known activist and performer
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production, the source of the material also provides a stark
96:", a dramatic form intended to be staged with the methods of
419:'s 1997 adaptation. As a means to critique and subvert the "
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Episode five of the eighth season of the television series
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The
Theatre of Bertolt Brecht: A Study from Eight Aspects.
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The Theatre of Bertolt Brecht: A Study from Eight Aspects.
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The Theatre of Bertolt Brecht: A Study from Eight Aspects.
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544:. Jain describes this by saying that, "o us Westerners —
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The Good Person of Sichuan: The National Theatre Version
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quickly turns her small shop into a messy, overcrowded
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The first English-language performance in Britain, as
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346:theatre in London from May 8 – June 28, 2008, with
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332:, "The Two Faces of Norm", was based on the play.
821:"34th Vikram Sarabhai International Art Festival"
147:to protect herself: a male cousin named Shui Ta (
436:, Wang the water-seller (Jungwoong Kim) speaks
180:economic systems determine a society's morality
135:The play follows a young prostitute, Shen Teh (
407:In 2024, Justin Jain directed the play at the
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389:, and Aparna Singh as lead actors. In 2009,
350:as Shen Te/Shui Ta and a score and songs by
116:Originally, Brecht planned to call the play
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432:, announcements and signs are written in
262:in Bertolt Brecht's Indian adaptation of
1105:"If a House Is on Fire and I Cry 'Fire'"
928:"DRAMATURGY: THE GOOD PERSON OF SETZUAN"
600:. The play first appeared in English as
1597:The Trial of Joan of Arc at Rouen, 1431
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1037:
1035:
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365:directed an adaptation of this play as
1787:The Modern Theatre Is the Epic Theatre
1374:Rise and Fall of the City of Mahagonny
1165:. By Bertolt Brecht. London: Methuen.
1144:. By Bertolt Brecht. London: Penguin.
1140:Bentley, Eric, trans. & ed. 2007.
807:La MaMa Archives Digital Collections.
791:La MaMa Archives Digital Collections.
775:La MaMa Archives Digital Collections.
759:La MaMa Archives Digital Collections.
705:Third rev. ed. London: Methuen, 1977.
666:Third rev. ed. London: Methuen, 1977.
645:Third rev. ed. London: Methuen, 1977.
1325:Downfall of the Egotist Johann Fatzer
1103:Marowitz, Charles (January 2, 1972).
1013:ZOE WRITES THEATRE (April 10, 2024).
48:, first translated less literally as
7:
1015:"REVIEW: THE GOOD PERSON OF SETZUAN"
564:among Brecht's major plays in 1972.
463:" archetype tourists, complete with
926:Mecleary, Kellie (March 28, 2024).
877:. Stage and Cinema. August 15, 2016
829:. December 24, 2009. Archived from
338:created a new translation entitled
1450:Fear and Misery of the Third Reich
596:series edited by John Willett and
231:At the end, following a hasty and
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1360:The Baden-Baden Lesson on Consent
1046:Crimmins, Peter (April 2, 2024).
983:Reinckens, Mina (April 9, 2024).
797:(1978)"'. Accessed June 13, 2018.
715:The Cambridge Companion to Brecht
306:La MaMa Experimental Theatre Club
1809:
1808:
1513:The Resistible Rise of Arturo Ui
1443:The Horatians and the Curiatians
781:(1976)". Accessed June 13, 2018.
765:(1975)". Accessed June 13, 2018.
594:Brecht's Plays, Poetry and Prose
1793:A Short Organum for the Theatre
1541:Schweyk in the Second World War
1485:Mother Courage and Her Children
315:which premiered in 1985 at the
1075:Declan, Liz (March 26, 2024).
952:Cristi, A.A. (March 6, 2024).
369:in early the early 1970s with
132:) is pronounced the same way.
1:
1576:Die Verurteilung des Lukullus
1527:The Visions of Simone Machard
1436:Round Heads and Pointed Heads
404:'s 1997 adaptation was used.
294:Great Jones Repertory Company
243:good. The play relies on the
1499:Mr Puntila and His Man Matti
1401:Saint Joan of the Stockyards
897:"THE GOOD PERSON OF SETZUAN"
540:, from which Jain's parents
104:set in the Chinese "city of
1840:Compositions by Paul Dessau
1506:The Good Person of Szechwan
1353:The Flight Across the Ocean
1203:The Good Person of Szechwan
630:The Good Person of Szechwan
608:and has been translated as
586:The Good Person of Szechwan
562:The Good Person of Szechwan
264:The Good Person of Szechwan
32:The Good Person of Szechwan
1871:
1772:Separation of the elements
1548:The Caucasian Chalk Circle
1408:The Exception and the Rule
987:The Good Person of Setzuan
795:Good Woman of Setzuan, The
779:Good Woman of Setzuan, The
763:Good Woman of Setzuan, The
610:The Good Person of Sichuan
317:Arkansas Repertory Theatre
46:Der gute Mensch von Sezuan
1806:
1657:What Keeps Mankind Alive?
1297:Mysteries of a Barbershop
1163:The Good Soul of Szechuan
1142:The Good Woman of Setzuan
735:Squiers, Anthony (2014).
618:The Good Soul of Szechuan
340:The Good Soul of Szechuan
298:The Good Woman of Setzuan
276:The Good Woman of Setzuan
152:
140:
18:The Good Woman of Setzuan
1636:Reminiscence of Marie A.
604:(1948; revised 1961) by
379:National School of Drama
361:Indian theatre director
178:. The play implies that
68:, in collaboration with
1835:Plays by Bertolt Brecht
1562:The Days of the Commune
1304:In the Jungle of Cities
616:, and more recently as
602:The Good Man of Setzuan
51:The Good Man of Setzuan
1716:Non-Aristotelian drama
1471:How Much Is Your Iron?
1457:Señora Carrar's Rifles
568:References & notes
421:cultural appropriation
342:, which opened at the
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164:historical materialism
124:), meaning "love as a
94:non-Aristotelian drama
45:
27:Play by Bertold Brecht
1780:Messingkauf Dialogues
1583:Report from Herrnburg
1492:The Trial of Lucullus
1429:The Seven Deadly Sins
1205:. Trans. Willett. In
1082:Philadelphia Gay News
739:. Amsterdam: Rodopi.
701:Willett, John. 1967.
363:Ajitesh Bandyopadhyay
258:
162:Brecht's interest in
78:Zürich Schauspielhaus
1534:The Duchess of Malfi
1346:The Threepenny Opera
1207:Collected Plays: Six
628:adapted the play as
515:on family's country
512:American imperialism
397:as Shen Te/Shui Ta.
86:Huldreich Georg Früh
1290:Driving Out a Devil
993:Broad Street Review
526:Filipino trash slum
524:Taking place in a "
488:Broad Street Review
484:Californian accents
278:, was given at the
1855:Sichuan in fiction
1850:Plays set in China
1618:Trumpets and Drums
1276:Drums in the Night
1109:The New York Times
826:The Times of India
373:playing the lead.
358:and drug-dealing.
296:in productions of
284:Reading, Berkshire
272:
1822:
1821:
1728:Defamiliarization
1671:Einheitsfrontlied
1520:Hangmen Also Die!
1332:The Elephant Calf
958:broadwayworld.com
855:. August 15, 2016
584:is translated as
580:The title of the
442:closed captioning
235:(though literal)
70:Margarete Steffin
16:(Redirected from
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1812:
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1664:Solidaritätslied
1339:Little Mahagonny
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1177:Hofmann, Michael
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280:Progress Theatre
260:Mallika Sarabhai
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118:The Product Love
100:. The play is a
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1752:Historicization
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1464:Life of Galileo
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1179:, trans. 1990.
1161:, trans. 2008.
1159:Harrower, David
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1135:Further reading
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475:", sunglasses,
469:Hawaiian shirts
383:Deepak Dobriyal
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237:deus ex machina
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130:Die wahre Liebe
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58:written by the
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833:on May 9, 2012
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300:with music by
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122:Die Ware Liebe
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66:Bertolt Brecht
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381:in 1996 with
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321:Samuel French
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290:Andrei Serban
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1798:Street scene
1785:
1778:
1744:
1737:
1708:
1704:Epic theatre
1695:Theories and
1650:Pirate Jenny
1643:Alabama Song
1628:Poems, songs
1616:
1609:
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1394:The Decision
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1120:. Retrieved
1108:
1098:
1086:. Retrieved
1080:
1070:
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1051:
1022:. Retrieved
1018:
1008:
996:. Retrieved
992:
986:
961:. Retrieved
957:
947:
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931:
904:. Retrieved
900:
891:
879:. Retrieved
869:
857:. Retrieved
847:
837:December 31,
835:. Retrieved
831:the original
824:
815:
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771:
762:
755:
736:
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702:
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689:
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629:
626:Tony Kushner
617:
609:
606:Eric Bentley
601:
593:
590:John Willett
585:
576:
561:
556:
523:
487:
417:Tony Kushner
413:Philadelphia
406:
402:Tony Kushner
399:
367:Bhalo Manush
366:
360:
339:
334:
327:
325:
313:Eric Bentley
310:
297:
288:
275:
273:
266:directed by
263:
240:
230:
226:
222:
218:
205:
189:
186:Plot summary
176:exploitation
161:
134:
129:
121:
117:
115:
98:epic theatre
50:
49:
31:
30:
29:
1678:Kinderhymne
1422:Kuhle Wampe
1381:Der Jasager
546:First World
538:Philippines
519:Philippines
481:exaggerated
477:fanny packs
391:Arvind Gaur
375:Arvind Gaur
352:David Sawer
268:Arvind Gaur
251:Productions
245:dialectical
90:Paul Dessau
82:Switzerland
74:Ruth Berlau
1845:1943 plays
1829:Categories
1710:Lehrstücke
1697:techniques
1685:Die Lösung
1590:Coriolanus
1415:The Mother
620:(2008) by
612:(1990) by
542:immigrated
530:zero-waste
446:subtitling
426:Vietnamese
387:Manu Rishi
172:capitalist
1762:Not / But
1569:The Tutor
1367:Happy End
1311:Edward II
1283:A Wedding
1117:0362-4331
1088:April 22,
1060:April 22,
1024:April 22,
998:April 22,
963:April 22,
937:April 22,
906:April 22,
553:Reception
500:Dramaturg
473:bro tanks
467:, "loud"
465:whiteface
434:Cantonese
344:Young Vic
286:in 1953.
213:poorhouse
174:ethos of
145:alter ego
126:commodity
88:. Today,
63:dramatist
38:‹See Tfd›
1815:Category
1611:Don Juan
1604:Turandot
1555:Antigone
1259:Dramatic
653:, 50–51.
454:American
203:behind.
168:altruism
157:goodness
1122:July 2,
690:Sezuan'
686:Chengdu
560:listed
508:effects
504:actions
430:English
208:tobacco
196:charity
149:Chinese
137:Chinese
106:Sichuan
102:parable
54:) is a
1746:Gestus
1478:Dansen
1213:
1187:
1169:
1148:
1115:
743:
725:, 121.
721:
709:
670:
649:
517:, the
486:. The
479:, and
458:surfer
438:Korean
356:heroin
329:Cheers
233:ironic
151::
139::
112:Themes
60:German
42:German
1739:Fabel
1261:works
674:, 51.
471:and "
450:white
153:隋达/崔达
141:沈黛/沈德
1269:Baal
1211:ISBN
1197:and
1185:ISBN
1167:ISBN
1146:ISBN
1124:2020
1113:ISSN
1090:2024
1062:2024
1055:.org
1053:WHYY
1026:2024
1000:2024
965:2024
939:2024
908:2024
883:2016
861:2016
839:2009
741:ISBN
719:ISBN
707:ISBN
668:ISBN
647:ISBN
582:play
506:and
444:and
428:and
192:gods
72:and
56:play
588:by
521:."
510:of
498:."
461:bro
456:, "
411:in
304:at
282:in
241:not
108:".
80:in
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120:(
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20:)
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