392:, becomes smitten with Camilla and starts leading the applause. Similarly, after a command performance at the Viceroy's palace, the gentry withhold their favor until the Viceroy signals his approval and asks to meet the women of the company. He, too, is taken with Camilla, who makes him feel comfortable and lighthearted. When the Viceroy sends Camilla a splendid necklace, Felipe, her jealous suitor who has been accompanying the troupe on their travels, becomes enraged and tries to take it from her, causing a riotous backstage brawl, after which he runs off to join the army.
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she return the coach, when they are interrupted by word that there is a visitor. Camilla gets the jealous Ramón to let her go tell the
Viceroy, who she is expecting, that she belongs to Ramón now, but, instead, she is met by Felipe. He tells her that he has come to take her to live a simple life among the natives, whom he came to admire while being held as their captive, and she agrees, even though she will not be able to bring the coach.
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is so utterly charming. Visually the film (photographed by Claude Renoir) is breath-taking". Richardson also described the scene in which the comedians convert the courtyard of the inn into a theatre as "miraculous", writing: "It is an old man's vision smoothing away all difficulties of the wonder of artistic creation itself".
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Duke, the nobles threaten to strip the
Viceroy of his post, unless he transfers the coach over to the government and only lets it be used for official purposes. When he is about to agree, Camilla, who has been eavesdropping, enters and calls the Viceroy a little man, before quickly leaving with the coach.
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can best be appreciated as an illustrious filmmaker's elegant tribute to the theater. The 'comedy' does not consist of laugh-provoking gags or expertly timed slapstick, but is based instead on a clear-eyed vision of art's denial of 'normal' life. Instead of seeking the nonexistent 'psychology' of the
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was scathing about many elements of the film, criticizing its construction, narrative, presentation, dialogue, and acting (about which he said: "it ranges, with one exception, from the inadequate to the atrocious"), but he wrote that "the creative personality revealed by the film, for all its flaws,
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After watching a triumphant performance by Ramón in the bullring, Camilla tosses him her necklace, which emboldens him to visit her house that night and propose that they become a celebrity couple in order to enhance their earning power as performers. She is considering this, even though he insists
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The
Viceroy announces that he has decided to pay for the coach with his own money and give it to Camilla. This outrages the Marquise, along with the rest of the nobility, who are already smarting over the Viceroy's demands for money to finance a military campaign against an insurgency. Led by the
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The
Viceroy arrives, and Camilla leaves Felipe to tell him that she is leaving. When she learns the Viscount defied the nobles and expects the Bishop to approve their move to depose him, she feels guilty for playing a part in his downfall. Meanwhile, Felipe and Ramón find each other, and a sword
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was an international failure in all three language versions with both the critics and the public" at the time of its initial release, but that it is "Seen today by the international community of cinephiles as a truly 'beauteous' and 'ravishing' comic fantasy from Jean Renoir's late period".
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the finished film into French, and an
Italian dub was also made. The French dub of the film was the first to appear in theaters, but Renoir repeatedly stated that he preferred the undubbed English-language version of the film, and that was the only one to be restored in 2012.
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as 'the open sesame' of all Renoir's work. The two customary poles of his work—art and nature, acting and life—take shape in two facing mirrors, which reflect each other's images back and forth until it is impossible to tell where one ends and the other
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fight ensues. They accidentally burst in on
Camilla and the Viceroy, and, with everything now out in the open, Camilla tells all three men to go away. The Viceroy leaves, and Felipe and Ramón resume their duel outside, where they are arrested.
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367:, but he says he plans to use it to overawe the populace and flatter the local nobility, who enthusiastically look forward to taking turns parading in it. By coincidence, the coach arrives on the same ship that carries an Italian
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was filmed in
English. A simultaneous shoot in French was planned, but had to be abandoned due to financial problems. Renoir had his assistant director Marc Maurette direct the sessions to
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town has ordered a magnificent golden coach from Europe, intending to pay for it with public funds. There is speculation that he is going to give it to his mistress, the
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The next morning, the Bishop comes to the palace and announces that
Camilla has given the coach to the Church, and he plans to use it to transport the
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troupe composed of men, women, and children who perform as singers, actors, and acrobats. The troupe is led by Don
Antonio, who also portrays the
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characters, one must follow the flowing images as a mobile painting driven by
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Edward Febo Kelleng (or Fedo Keeling) as The Viscount (uncredited)
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Cecil Mathews as Baron Adolfo, the Marquise's father (uncredited)
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Giulio Tedeschi as Balthazar, the Viscount's barber (uncredited)
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George Higgins as Martinez, the Viceroy's confidential secretary
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on stage, and features Camilla, who plays the stock role of
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John Pasetti as The Captain of the Guard (uncredited)
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Louis Lumière / conversation avec Langlois et Renoir
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746:"Four Major Italo Pix Acquired For IFE Skeds"
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721:1001 Movies You Must See Before You Die 2012
474:Gisella Mathews as Marquise Ynez Altamirano
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576:In an essay included with the film's 2004
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724:. Octopus Publishing Group. p. 275.
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718:Schneider, Steven Jay (1 October 2012).
548:. It was the first Italian film shot in
514:Riccardo Rioli as Ramón, the bullfighter
1362:English-language adventure comedy films
1317:Films based on works by Prosper Mérimée
847:, April - June 1954, Vol.23 No.4, p198.
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329:, Renzo Avanzo, and Giulio Macchi from
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784:. Grandes biographies. Flammarion.
341:The Coach of the Blessed Sacrament
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1221:The Little Theatre of Jean Renoir
1197:The Doctor's Horrible Experiment
592:In a 1954 review of the film in
704:. 17 September 1952. p. 7.
1342:English-language Italian films
1266:Aline Charigot Renoir (mother)
1261:Pierre-Auguste Renoir (father)
336:Le Carrosse du Saint-Sacrement
315:. The story, about an Italian
88:Le Carrosse du Saint-Sacrement
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1337:English-language French films
1327:Films set in the 18th century
1322:Films directed by Jean Renoir
295:) is a 1952 film directed by
18:Golden coach (disambiguation)
1357:1950s English-language films
1312:1950s adventure comedy films
841:. The Golden Coach, review.
754:. August 26, 1953. p. 7
427:The Troupe of Italian Actors
1347:French films based on plays
1307:1950s French-language films
1070:The Crime of Monsieur Lange
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1142:The Diary of a Chambermaid
210:27 February 1953
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1251:Catherine Hessling (wife)
1030:Boudu Saved from Drowning
580:DVD release, film critic
544:, with cinematography by
443:Nada Fiorelli as Isabella
359:of a remote 18th-century
199:3 December 1952
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1271:Pierre Renoir (brother)
1022:Night at the Crossroads
609:reportedly referred to
1157:The Woman on the Beach
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311:, Riccardo Rioli, and
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1110:The Rules of the Game
979:The Little Match Girl
955:The Whirlpool of Fate
621:According to Sarris:
536:The film was shot at
454:The Spanish Courtiers
1213:The Elusive Corporal
904:Criterion Collection
578:Criterion Collection
480:as The Chief Justice
16:For other uses, see
1205:Picnic on the Grass
1038:Chotard and Company
1256:Alain Renoir (son)
1150:Partie de campagne
1086:La Grande Illusion
1062:Life Belongs to Us
889:TCM Movie Database
815:"The Golden Coach"
370:commedia dell'arte
318:commedia dell'arte
40:French film poster
1352:1952 comedy films
1332:Films set in Peru
1289:
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1281:Marguerite Renoir
1189:Elena and Her Men
1126:This Land Is Mine
813:(2 August 2004).
731:978-1-84403-733-9
607:François Truffaut
555:A French-Italian
511:as Felipe Aguirre
292:La carrozza d'oro
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822:. Retrieved
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115:Anna Magnani
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70:Renzo Avanzo
1118:Swamp Water
998:Sound films
940:Jean Renoir
782:Jean Renoir
631:Éric Rohmer
550:Technicolor
471:as The Duke
416:fourth wall
390:bullfighter
299:. It stars
297:Jean Renoir
100:Produced by
62:Jean Renoir
50:Jean Renoir
46:Directed by
1302:1952 films
1296:Categories
1014:La Chienne
684:References
532:Production
503:The Others
434:as Camilla
321:troupe in
214:1953-02-27
203:1952-12-03
23:1952 film
1165:The River
971:Marquitta
758:March 14,
572:Reception
538:Cinecittà
448:Harlequin
446:Dante as
383:Columbina
379:Pantalone
264:$ 500,000
236:Countries
152:Edited by
1152:" (1946)
878:AllMovie
780:(2012).
617:Analysis
365:Marquise
361:Peruvian
253:Language
171:Music by
108:Starring
84:Based on
1232:Related
987:Le Bled
902:at the
887:at the
824:29 July
751:Variety
702:Variety
638:begins.
357:Viceroy
287:Italian
256:English
231:103 min
212: (
201: (
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1192:(1956)
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958:(1925)
788:
728:
277:French
261:Budget
242:France
643:Notes
245:Italy
1054:Toni
963:Nana
867:IMDb
826:2020
786:ISBN
760:2024
726:ISBN
542:Rome
422:Cast
355:The
351:Plot
323:Peru
876:at
865:at
565:dub
540:in
377:of
92:by
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800:^
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710:^
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660:^
598:,
559:,
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