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mischievous, cheerful, wooden
Buratino in both appearance and behavior. Another challenge was the need for the character to be very small, no taller than 50 cm when seated on Papa Carlo's knee. The actress's actual height was 1 m 65 cm, and the mask added 10 cm, making a total of 1 m 75 cm. The extra 125 cm could be discounted, as on screen, a person's height is perceived in relation to the surrounding objects. To maintain this illusion, all props were created oversized: stairs, stools, tables, and even the cauldron over the hearth.
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mask, or rather, an entire head made of papier-mΓ’chΓ©, was placed on the actress. However, to maintain visibility, holes were made on the mask's cheeks, covered with gauze. Every effort was made to conceal any human features. The woman was encased in a plywood suit, transforming her into a "log." Tights painted to resemble wood were worn on her arms and legs, and black velvet joints were affixed to her knees and elbows. Enormous shoes and cardboard gloves were fitted onto her hands and feet.
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419:ΠΠΎΠ»ΠΎΡΠΎΠΉ ΠΊΠ»ΡΡΠΈΠΊ. cinema.mosfilm.ru. ΠΠΎΡΡΠΈΠ»ΡΠΌ. ΠΠ°ΡΠ° ΠΎΠ±ΡΠ°ΡΠ΅Π½ΠΈΡ: 20 ΡΠ½Π²Π°ΡΡ 2021. ΠΡΡ
ΠΈΠ²ΠΈΡΠΎΠ²Π°Π½ΠΎ 28 ΡΠ½Π²Π°ΡΡ 2021 Π³ΠΎΠ΄Π°. Β«ΠΠΎΠ»ΠΎΡΠΎΠΉ ΠΊΠ»ΡΡΠΈΠΊΒ» Π½Π° ΡΠ°ΠΉΡΠ΅ Β«ΠΠ½ΡΠΈΠΊΠ»ΠΎΠΏΠ΅Π΄ΠΈΡ ΠΎΡΠ΅ΡΠ΅ΡΡΠ²Π΅Π½Π½ΠΎΠ³ΠΎ ΠΊΠΈΠ½ΠΎΒ» ΠΠ΅ΡΠ½Ρ ΠΈΠ· ΠΊΠΈΠ½ΠΎΡΠΈΠ»ΡΠΌΠ° Β«ΠΠΎΠ»ΠΎΡΠΎΠΉ ΠΊΠ»ΡΡΠΈΠΊΒ» Β«ΠΠ°Π»ΡΠΊΠΎ-Π΄Π°Π»ΡΠΊΠΎ Π·Π° ΠΌΠΎΡΠ΅ΠΌβ¦Β» ΠΡΡ
ΠΈΠ²Π½Π°Ρ ΠΊΠΎΠΏΠΈΡ ΠΎΡ 4 ΠΈΡΠ»Ρ 2013 Π½Π° Wayback Machine ΡΠ»ΡΡΠ°ΡΡ ΠΎΠ½Π»Π°ΠΉΠ½. SovMusic.ru.
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In a fairy tale, Carlo the charmer carves a wooden puppet out of a log. Buratino embarks on amazing adventures, defeating all his enemies. The original play's plot lines differ from "The Golden Key", or "The
Adventures of Buratino", the movie's ending is filmed according to the play. Buratino and his
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Initially, it seemed physically impossible to move in this attire. Olga struggled to see through the mask's slits, frequently bumping into objects. The wooden corset's edges cut painfully, and the long shoes hindered her movement. Overcoming these challenges was crucial to convincingly embodying the
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The
Mosfilm logo is present at the very beginning; Pinocchio's voice timbre has changed. In the original version, Olga Obraztsova's voice was recorded clean, but in the new version, Georgy Vitsin's voice was processed with acceleration; In Papa Carlo's name, the characters now put the accent on the
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In scenes featuring puppet characters, including
Buratino himself, a combination of classical frame-by-frame three-dimensional animation and the method of perspective matching was used. The former was applied primarily when Buratino interacted with Shushara, Tortila, Alice, and Basilio, with all of
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In the book "The Golden Key. Notes of
Buratino," Olga Shaganova-Obraztsova said that she did not portray a doll but became one herself. The audience did not realize that it was a living person. To achieve this, several measures were taken. First and foremost, the proportions had to be altered. A
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During the initial test shots, Shaganova-Obraztsova barely recognized herself as she moved like a small doll while the objects appeared normal in size. Another complication emerged when
Buratino had to interact with living characters like Papa Carlo and Karabas-Barabas, who were meant to appear
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them portrayed as puppets. The latter method was used in scenes with
Karabas-Barabas, Papa Carlo, and other human characters, where the actors playing them stood much closer to the camera to match the scale. Additionally, in several scenes, Buratino was represented by a marionette puppet.
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friends open the cherished door with the golden key, reach the magic book, and, on the airship descended from its pages, join Soviet polar explorers in a journey to the country where "all children study in schools, and old people live gloriously."
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first syllable; A new text was written for the last verse of the final song; Some lines, which in the original version were direct quotes from the book, were changed.
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Twenty years later, in 1959, the movie was re-dubbed. Under the direction of conductor Algis Ε½iuraitis, a new music track was made.
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larger. Optical alignment techniques were employed to address this issue, thanks to director
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400:ΠΠ΅Π½Ρ ΡΠΎΡΡΠΈΠΉΡΠΊΠΎΠ³ΠΎ ΠΊΠΈΠ½ΠΎ β ΠΊΡΠ°ΡΠΊΠ°Ρ ΠΈΡΡΠΎΡΠΈΡΠ΅ΡΠΊΠ°Ρ ΡΠΏΡΠ°Π²ΠΊΠ° ΠΈ ΠΏΠΎΠ·Π΄ΡΠ°Π²Π»Π΅Π½ΠΈΡ Ρ ΠΏΡΠ°Π·Π΄Π½ΠΈΠΊΠΎΠΌ
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This article related to a Soviet film of the 1930s is a
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356:ΠΠ»Π΅ΠΊΡΠ°Π½Π΄Ρ ΠΡΡΡΠΊΠΎ β ΠΌΠ°ΡΡΠ΅Ρ ΡΠΊΠ°Π·ΠΎΡΠ½ΠΎΠ³ΠΎ ΠΆΠ°Π½ΡΠ°
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263:as Malvina (voice) (as T. Adelgeym)
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187:. It is based on the story of
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279:Konstantin Nikiforov
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269:as Pierrot (voice)
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367:19 Π°ΠΏΡΠ΅Π»Ρ
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189:Pinocchio
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219:Starring
163:Language
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