472:, but all of their experiences around the world greatly impacted on and inspired their work, in particular in Spain, North Africa, and Japan. The group was constantly influenced by what they saw in the world around them and strove to display these images by utilizing the techniques of realism and naturalism; they had a passion to depict things as they actually are. This is one of the reasons that the group often chose to work outdoors. Working outdoors allowed them to produce paintings that were as true to nature as possible and it allowed them to paint realistic objects in their natural environment. They painted real people in real places. The production of naturalistic paintings was new to this time period, and thus their techniques were considered to be innovative. Similarly, the pieces often created a sense of movement, an accurate (or naturalistic) depiction of light and shade, and extremely realistic texture. This made them stand out in the art community.
517:
255:
301:
479:
555:
536:
574:
320:
282:
498:
107:
1723:
1703:
1714:
369:
The
Glasgow Boys consisted of several men, most of whom were trained in, or had strong ties to the city of Glasgow. These men were brought together by a passion for realism and naturalism and this showed through in the pieces they produced. Along with this passion for naturalism, they shared a marked
600:, where one room is dedicated to the group. The museum houses more than 60 of the Boys' pieces that were created between 1880 and 1900, arguably the time period in which their best, and most innovative, pieces were produced. More of their works can be found on display at the
266:
William
Buchanan was the first to use the name in the catalogue for a 1968 Glasgow Boys exhibition. This "invention" has been called an "ironic reference" to the equivalent men’s grouping. The term Glasgow Girls was emphasised by a major exhibition
261:
The name "Glasgow Girls" emerged much later. In the 1960s there was an attempt to give due attention to the work of the city’s women artists to balance the plentiful discussion of the
Glasgow Boys. It is thought that the then head of the
516:
370:
distaste for the
Edinburgh oriented Scottish art establishment, which they viewed as oppressive. Driven and motivated by these ideals they embraced change, created masterpieces, and became Scottish icons in the process.
768:
554:
300:
478:
1083:
994:
1782:
1757:
1983:
1586:
235:
Women were able to flourish in
Glasgow during a "period of enlightenment" that took place between 1885 and 1920, where women were actively pursuing art careers and the
1515:
232:. May Wilson and Eliza Bell, among others, continued the tradition of ceramic artistry into the 1940s and 1950s by hand painting various items with floral patterns.
2168:
164:. The name, Spook School, or Spooky or Ghoul School, was originally a "derisive epithet" given to their work which "distorted and conventionalized human... form."
2028:
1822:
535:
247:(founded 1882) which offered a place for women artists to meet and also had exhibition space. In addition, many art school students and staff were involved in
573:
1802:
925:
1832:
1827:
319:
1750:
1474:
1976:
1576:
281:
239:
had a significant period of "international visibility". This is sometimes attributed to the "influential" and "progressive" head of the art school,
76:
1422:
86:
at the end of the 19th century, resulting in an increase in distinctive contributions to the Art
Nouveau movement, particularly in the fields of
1914:
1787:
1164:
1159:
1114:
254:
1479:
497:
1743:
342:
Through the 1880s and 1890s, around the same time that the Spook School was gaining prominence, a collective which came to be known as the
1080:
1969:
1002:
1427:
1402:
909:
829:
753:
597:
2018:
1797:
1062:
693:
1081:
The
Glasgow Girls & artworks by Jessie M King from the Permanent Collection of the Gracefield Arts Centre in Dumfries, Scotland
2183:
2178:
1439:
1397:
1392:
617:
609:
362:, prosaic scenes from in and around Glasgow. Their colourful depictions attempted to capture the many facets of the character of
243:, who established an environment in which women could flourish, both as students and as teachers. Women benefited from the new
2008:
1858:
1792:
1571:
244:
2074:
1878:
1372:
1195:
2127:
2079:
2048:
1945:
1459:
1205:
659:
469:
310:
177:
31:
2023:
1449:
1342:
1154:
2158:
1596:
1434:
1412:
1139:
122:
1444:
1992:
1807:
1766:
1241:
1107:
225:
933:
1673:
1622:
1561:
1417:
414:
129:
1904:
1717:
1520:
1362:
1246:
1149:
438:
374:
229:
213:
145:
430:
2148:
1894:
1530:
1236:
1226:
402:
426:
160:. The Four, otherwise known as the Spook School, ultimately made a significant impact on the definition of
2173:
2013:
1642:
1617:
1591:
1581:
1469:
1387:
1382:
1231:
1169:
583:
526:
398:
394:
390:
378:
217:
2163:
2101:
2038:
1868:
1812:
1726:
1632:
1525:
1494:
1210:
1100:
629:
454:
381:(1855–1923), and the group used to meet at Macgregor's studio. The second wave was represented in
263:
236:
1652:
30:
This article is about the art movement known as the (Glasgow School) Spook School. For other uses, see
2153:
2111:
2096:
2086:
2058:
2043:
1919:
1817:
1601:
1499:
1377:
1327:
1275:
1270:
1200:
545:
465:
458:
446:
197:
1848:
1545:
1540:
1535:
1489:
1367:
1265:
955:
The
Glasgow Boys: An Exhibition of Work by the Group of Artists who Flourished in Glasgow 1880-1900
649:
634:
488:
434:
382:
248:
221:
1873:
1853:
1337:
1280:
1190:
976:
613:
601:
355:
209:
193:
114:
Among the most prominent definers of the
Glasgow School collective were The Four. They were the
1024:
2053:
2033:
1058:
905:
825:
781:
749:
689:
664:
507:
386:
291:
181:
133:
1566:
1464:
1454:
872:
373:
There were three distinct waves of
Glasgow Boys. The leading figures of the first wave were
106:
51:
in the 1870s, and flourished from the 1890s to around 1910. Representative groups included
1924:
1707:
1357:
1087:
644:
605:
442:
422:
329:
272:
205:
137:
91:
718:
2091:
1909:
1637:
1627:
1352:
1255:
564:
185:
141:
2142:
2106:
1950:
1735:
1668:
1306:
1185:
967:
Lynne Walker (1993). "Review of "Glasgow Girls": Women in Art and Design 1880-1920".
351:
173:
83:
1961:
140:. Together, The Four defined the Glasgow Style's fusion of influences including the
1347:
1296:
1123:
654:
406:
343:
189:
119:
87:
847:
Andrew Gibbbon Williams, 'Engendering respect', The Times (features), 18 Sep 1990
1863:
1678:
1407:
1332:
1311:
1144:
639:
450:
418:
410:
251:. "Students took turns between classes stitching up banners" for the movement.
240:
201:
161:
68:
17:
876:
1484:
1301:
1251:
864:
153:
1688:
1683:
795:
464:
Their main influences were that of Japanese print, French Realism including
347:
149:
126:
43:
was a circle of influential artists and designers that began to coalesce in
172:
The Glasgow Girls is the name now used for a group of female designers and
865:"Glasgow Girls (act. 1880–1920) - Oxford Dictionary of National Biography"
1899:
363:
115:
95:
48:
980:
44:
157:
1647:
1068:
The Glasgow Boys and Girls: Painting in Scotland Book of Postcards
359:
253:
228:, Marion Henderson Wilson, the silversmith Agnes Banks Harvey and
105:
596:
A large collection of work from the Glasgow Boys is held in the
1965:
1739:
1096:
1092:
900:
Burkhauser, Jude, ed. (1993). "The 'New Woman' in the Arts".
71:
movement, they were responsible for creating the distinctive
820:
Burkhauser, Jude (1993). "Restored to a Place of Honour".
27:
Art movement part of Art Nouveau in Glasgow, Scotland
2120:
2067:
2001:
1938:
1887:
1841:
1775:
1661:
1610:
1554:
1508:
1320:
1289:
1219:
1178:
1132:
904:. Edinburgh: Canongate Press, Plc. pp. 43–54.
824:. Edinburgh: Canongate Press, Plc. pp. 19–26.
1587:Royal Scottish Society of Painters in Watercolour
926:"ExploreArt - Search Results - The Glasgow Girls"
686:Glasgow Girls: women in art and design, 1880-1920
902:Glasgow Girls: Women in Art and Design 1880-1920
822:Glasgow Girls: Women in Art and Design 1880-1920
746:Glasgow Girls: Women in Art and Design 1880-1920
269:Glasgow Girls: Women in Art and Design 1880-1920
748:. Edinburgh: Canongate Press. pp. 55–104.
744:Burkhauser, Jude (1993). "The Glasgow Style".
1977:
1751:
1108:
8:
409:(1860–1922). The third wave of artists were
1984:
1970:
1962:
1758:
1744:
1736:
1713:
1115:
1101:
1093:
523:Edward Grey, 1st Viscount Grey of Fallodon
132:(MacDonald's husband), MacDonald's sister
1475:St Mungo Museum of Religious Life and Art
859:
857:
855:
853:
184:, both of whom were members of The Four,
1577:Royal Glasgow Institute of the Fine Arts
796:"Series 35, Antiques Roadshow - BBC One"
358:painting. Their subject matter featured
77:Modern Style (British Art Nouveau style)
1423:Scottish National Gallery of Modern Art
957:, Volume 2, Scottish Arts Council, 1968
843:
841:
676:
474:
277:
2169:Scottish artist groups and collectives
1915:Highland and Island Emigration Society
1480:Stirling Smith Art Gallery and Museum
1070:: The National Galleries of Scotland.
999:Explore Art at Gracefield Arts Centre
895:
893:
7:
785:, BBC Television, 19 September 2023.
152:, which found favour throughout the
708:Rezelman, Cogger. The Glasgow Boys.
346:was interpreting and expanding the
1768:Scotland in the nineteenth century
1428:Scottish National Portrait Gallery
1403:Kelvingrove Art Gallery and Museum
1025:"New Glasgow Boys gallery to open"
771:, Mary Selwood, accessed July 2010
598:Kelvingrove Art Gallery and Museum
25:
1994:Scotland in the twentieth century
1722:
1721:
1712:
1701:
1440:Paisley Museum and Art Galleries
1398:Inverness Museum and Art Gallery
1393:Hunterian Museum and Art Gallery
618:Hunterian Museum and Art Gallery
610:Paisley Museum and Art Galleries
572:
553:
534:
515:
496:
477:
318:
299:
280:
1572:Glasgow Society of Lady Artists
245:Glasgow Society of Lady Artists
1879:Visit of George IV to Scotland
684:Burkhauser, Jude, ed. (2001).
1:
2128:History of the United Kingdom
2080:Scottish Covenant Association
1946:History of the United Kingdom
1516:Duncan of Jordanstone College
660:Margaret Macdonald Mackintosh
470:James Abbott McNeill Whistler
311:Margaret Macdonald Mackintosh
32:Spook School (disambiguation)
1450:Perth Museum and Art Gallery
1343:Centre for Contemporary Arts
67:. Part of the international
1597:Society of Scottish Artists
1435:National Museum of Scotland
1413:National Galleries Scotland
592:Collections and exhibitions
2200:
561:Portrait of a Girl at Dusk
485:James Guthrie At His Easel
226:De Courcy Lewthwaite Dewar
29:
1697:
1674:Art of the United Kingdom
1623:Edinburgh Festival Fringe
1562:Edinburgh Ladies Art Club
1418:Scottish National Gallery
723:Charles Rennie Mackintosh
130:Charles Rennie Mackintosh
1718:List of Scottish artists
1521:Edinburgh College of Art
1363:Dundee Contemporary Arts
769:Glasgow Girls On Display
688:. Edinburgh: Canongate.
439:Alexander Ignatius Roche
230:Christian Jane Fergusson
146:Arts and Crafts Movement
2184:20th century in Glasgow
2179:19th century in Glasgow
1874:Great Disruption (1843)
1057:. John Murray, London.
567:(date unknown; d. 1908)
457:(1863–1946) and
403:James Whitelaw Hamilton
102:The Four (Spook School)
82:Glasgow experienced an
1643:Merchant City Festival
1618:Edinburgh Art Festival
1592:Scottish Artists Union
1582:Royal Scottish Academy
1470:Royal Scottish Academy
1388:House for an Art Lover
1383:Gracefield Arts Centre
1086:15 August 2016 at the
877:10.1093/ref:odnb/73660
584:William York Macgregor
405:(1860–1932) and
379:William York Macgregor
258:
218:Dorothy Carleton Smyth
111:
1869:Catholic emancipation
1727:Category:Scottish art
1633:Glasgow International
1526:Glasgow School of Art
1373:Gallery of Modern Art
630:Glasgow School of Art
264:Scottish Arts Council
257:
237:Glasgow School of Art
156:world of continental
110:Glasgow School of Art
109:
2112:Scottish Renaissance
2097:Highland Land League
2087:The Edinburgh School
1920:Highland Land League
1611:Festivals and events
1602:Visual Arts Scotland
1531:Gray's School of Art
1509:Schools and colleges
1500:Transmission Gallery
1378:Glasgow Print Studio
1328:Aberdeen Art Gallery
1276:Scottish Renaissance
546:Edward Arthur Walton
466:Jules Bastien-Lepage
459:John Quinton Pringle
447:Thomas Corsan Morton
198:Jessie Wylie Newbery
1859:Evangelical revival
1849:Highland Clearances
1708:Scotland portal
1546:Stirling Art School
1541:Leith School of Art
1536:Hospitalfield House
1490:Talbot Rice Gallery
1368:Fruitmarket Gallery
1266:Scottish Colourists
1053:Billcliffe, Roger.
969:Woman's Art Journal
650:George Henry Walton
635:Scottish Colourists
529:, c. 1924 – c. 1930
449:(1859–1928),
435:David Young Cameron
425:(1864–1937),
389:(1848–1919),
222:Eleanor Allen Moore
55:(also known as the
2159:Post-Impressionism
1854:Lowland Clearances
1653:Royal National Mòd
1338:Burrell Collection
1281:New Scottish Group
1165:Nineteenth century
1160:Eighteenth century
995:"The Glasgow Boys"
614:Walker Art Gallery
602:Burrell Collection
356:Post-Impressionist
307:Opera of the Winds
259:
210:Norah Neilson Gray
194:Helen Paxton Brown
123:Margaret MacDonald
112:
2136:
2135:
1959:
1958:
1733:
1732:
1031:. 20 October 2011
782:Antiques Roadshow
665:Frances MacDonald
508:Thomas Millie Dow
387:Thomas Millie Dow
292:Frances MacDonald
182:Frances MacDonald
168:The Glasgow Girls
16:(Redirected from
2191:
2121:Related articles
1995:
1986:
1979:
1972:
1963:
1939:Related articles
1769:
1760:
1753:
1746:
1737:
1725:
1724:
1716:
1715:
1706:
1705:
1704:
1662:Related articles
1567:Glasgow Art Club
1465:Riverside Museum
1455:Pier Arts Centre
1271:Edinburgh School
1126:
1117:
1110:
1103:
1094:
1055:The Glasgow Boys
1041:
1040:
1038:
1036:
1021:
1015:
1014:
1012:
1010:
1001:. Archived from
991:
985:
984:
964:
958:
952:
946:
945:
943:
941:
936:on 24 April 2018
932:. Archived from
930:Exploreart.co.uk
922:
916:
915:
897:
888:
887:
885:
883:
861:
848:
845:
836:
835:
817:
811:
810:
808:
806:
792:
786:
778:
772:
766:
760:
759:
741:
735:
734:
732:
730:
715:
709:
706:
700:
699:
681:
576:
557:
538:
519:
500:
481:
377:(1854–1932) and
338:The Glasgow Boys
322:
303:
284:
249:women's suffrage
21:
18:The Glasgow Boys
2199:
2198:
2194:
2193:
2192:
2190:
2189:
2188:
2139:
2138:
2137:
2132:
2116:
2063:
1997:
1993:
1990:
1960:
1955:
1934:
1925:Kailyard school
1905:Arts and Crafts
1883:
1837:
1771:
1767:
1764:
1734:
1729:
1702:
1700:
1693:
1657:
1606:
1550:
1504:
1460:Queen's Gallery
1445:People's Palace
1358:Dovecot Studios
1316:
1285:
1247:Arts and Crafts
1242:Pre-Raphaelites
1215:
1174:
1128:
1124:
1121:
1088:Wayback Machine
1077:
1050:
1045:
1044:
1034:
1032:
1023:
1022:
1018:
1008:
1006:
1005:on 2 April 2019
993:
992:
988:
966:
965:
961:
953:
949:
939:
937:
924:
923:
919:
912:
899:
898:
891:
881:
879:
863:
862:
851:
846:
839:
832:
819:
818:
814:
804:
802:
794:
793:
789:
779:
775:
767:
763:
756:
743:
742:
738:
728:
726:
717:
716:
712:
707:
703:
696:
683:
682:
678:
673:
645:Arthur Melville
626:
606:Broughton House
594:
587:
577:
568:
558:
549:
539:
530:
520:
511:
501:
492:
489:Joseph Crawhall
482:
443:Arthur Melville
423:Harrington Mann
415:William Kennedy
383:Joseph Crawhall
340:
333:
330:Bessie MacNicol
323:
314:
304:
295:
285:
273:Jude Burkhauser
206:Bessie MacNicol
170:
138:Herbert MacNair
104:
92:interior design
35:
28:
23:
22:
15:
12:
11:
5:
2197:
2195:
2187:
2186:
2181:
2176:
2171:
2166:
2161:
2156:
2151:
2149:Glasgow School
2141:
2140:
2134:
2133:
2131:
2130:
2124:
2122:
2118:
2117:
2115:
2114:
2109:
2104:
2099:
2094:
2092:Glasgow school
2089:
2084:
2083:
2082:
2071:
2069:
2065:
2064:
2062:
2061:
2056:
2051:
2046:
2041:
2036:
2031:
2026:
2021:
2016:
2011:
2005:
2003:
1999:
1998:
1991:
1989:
1988:
1981:
1974:
1966:
1957:
1956:
1954:
1953:
1948:
1942:
1940:
1936:
1935:
1933:
1932:
1930:Glasgow School
1927:
1922:
1917:
1912:
1910:Celtic Revival
1907:
1902:
1897:
1891:
1889:
1885:
1884:
1882:
1881:
1876:
1871:
1866:
1861:
1856:
1851:
1845:
1843:
1839:
1838:
1836:
1835:
1830:
1825:
1820:
1815:
1810:
1805:
1800:
1795:
1790:
1785:
1779:
1777:
1773:
1772:
1765:
1763:
1762:
1755:
1748:
1740:
1731:
1730:
1698:
1695:
1694:
1692:
1691:
1686:
1681:
1676:
1671:
1665:
1663:
1659:
1658:
1656:
1655:
1650:
1645:
1640:
1638:Leith Festival
1635:
1630:
1628:Edinburgh Mela
1625:
1620:
1614:
1612:
1608:
1607:
1605:
1604:
1599:
1594:
1589:
1584:
1579:
1574:
1569:
1564:
1558:
1556:
1552:
1551:
1549:
1548:
1543:
1538:
1533:
1528:
1523:
1518:
1512:
1510:
1506:
1505:
1503:
1502:
1497:
1492:
1487:
1482:
1477:
1472:
1467:
1462:
1457:
1452:
1447:
1442:
1437:
1432:
1431:
1430:
1425:
1420:
1410:
1405:
1400:
1395:
1390:
1385:
1380:
1375:
1370:
1365:
1360:
1355:
1353:Dick Institute
1350:
1345:
1340:
1335:
1330:
1324:
1322:
1318:
1317:
1315:
1314:
1309:
1304:
1299:
1293:
1291:
1287:
1286:
1284:
1283:
1278:
1273:
1268:
1263:
1261:Glasgow School
1258:
1256:Celtic Revival
1249:
1244:
1239:
1234:
1229:
1223:
1221:
1217:
1216:
1214:
1213:
1208:
1203:
1198:
1193:
1188:
1182:
1180:
1176:
1175:
1173:
1172:
1167:
1162:
1157:
1152:
1147:
1142:
1136:
1134:
1130:
1129:
1122:
1120:
1119:
1112:
1105:
1097:
1091:
1090:
1076:
1075:External links
1073:
1072:
1071:
1065:
1049:
1046:
1043:
1042:
1016:
986:
959:
947:
917:
911:978-0963698506
910:
889:
849:
837:
831:978-0963698506
830:
812:
787:
773:
761:
755:978-0963698506
754:
736:
710:
701:
694:
675:
674:
672:
669:
668:
667:
662:
657:
652:
647:
642:
637:
632:
625:
622:
593:
590:
589:
588:
578:
571:
569:
565:Alexander Mann
559:
552:
550:
540:
533:
531:
521:
514:
512:
502:
495:
493:
483:
476:
375:James Paterson
339:
336:
335:
334:
326:The Goose Girl
324:
317:
315:
305:
298:
296:
286:
279:
214:Stansmore Dean
186:Jessie M. King
169:
166:
142:Celtic Revival
103:
100:
41:Glasgow School
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
2196:
2185:
2182:
2180:
2177:
2175:
2174:Victorian era
2172:
2170:
2167:
2165:
2162:
2160:
2157:
2155:
2152:
2150:
2147:
2146:
2144:
2129:
2126:
2125:
2123:
2119:
2113:
2110:
2108:
2107:Red Clydeside
2105:
2103:
2100:
2098:
2095:
2093:
2090:
2088:
2085:
2081:
2078:
2077:
2076:
2073:
2072:
2070:
2066:
2060:
2057:
2055:
2052:
2050:
2047:
2045:
2042:
2040:
2037:
2035:
2032:
2030:
2027:
2025:
2022:
2020:
2017:
2015:
2012:
2010:
2007:
2006:
2004:
2000:
1996:
1987:
1982:
1980:
1975:
1973:
1968:
1967:
1964:
1952:
1951:Victorian era
1949:
1947:
1944:
1943:
1941:
1937:
1931:
1928:
1926:
1923:
1921:
1918:
1916:
1913:
1911:
1908:
1906:
1903:
1901:
1898:
1896:
1893:
1892:
1890:
1886:
1880:
1877:
1875:
1872:
1870:
1867:
1865:
1862:
1860:
1857:
1855:
1852:
1850:
1847:
1846:
1844:
1840:
1834:
1831:
1829:
1826:
1824:
1821:
1819:
1816:
1814:
1811:
1809:
1806:
1804:
1801:
1799:
1796:
1794:
1791:
1789:
1786:
1784:
1781:
1780:
1778:
1774:
1770:
1761:
1756:
1754:
1749:
1747:
1742:
1741:
1738:
1728:
1720:
1719:
1710:
1709:
1696:
1690:
1687:
1685:
1682:
1680:
1677:
1675:
1672:
1670:
1669:Art of Europe
1667:
1666:
1664:
1660:
1654:
1651:
1649:
1646:
1644:
1641:
1639:
1636:
1634:
1631:
1629:
1626:
1624:
1621:
1619:
1616:
1615:
1613:
1609:
1603:
1600:
1598:
1595:
1593:
1590:
1588:
1585:
1583:
1580:
1578:
1575:
1573:
1570:
1568:
1565:
1563:
1560:
1559:
1557:
1555:Organisations
1553:
1547:
1544:
1542:
1539:
1537:
1534:
1532:
1529:
1527:
1524:
1522:
1519:
1517:
1514:
1513:
1511:
1507:
1501:
1498:
1496:
1493:
1491:
1488:
1486:
1483:
1481:
1478:
1476:
1473:
1471:
1468:
1466:
1463:
1461:
1458:
1456:
1453:
1451:
1448:
1446:
1443:
1441:
1438:
1436:
1433:
1429:
1426:
1424:
1421:
1419:
1416:
1415:
1414:
1411:
1409:
1406:
1404:
1401:
1399:
1396:
1394:
1391:
1389:
1386:
1384:
1381:
1379:
1376:
1374:
1371:
1369:
1366:
1364:
1361:
1359:
1356:
1354:
1351:
1349:
1346:
1344:
1341:
1339:
1336:
1334:
1331:
1329:
1326:
1325:
1323:
1319:
1313:
1310:
1308:
1305:
1303:
1300:
1298:
1295:
1294:
1292:
1288:
1282:
1279:
1277:
1274:
1272:
1269:
1267:
1264:
1262:
1259:
1257:
1253:
1250:
1248:
1245:
1243:
1240:
1238:
1235:
1233:
1232:Enlightenment
1230:
1228:
1225:
1224:
1222:
1218:
1212:
1209:
1207:
1204:
1202:
1199:
1197:
1194:
1192:
1189:
1187:
1186:Celtic brooch
1184:
1183:
1181:
1177:
1171:
1168:
1166:
1163:
1161:
1158:
1156:
1153:
1151:
1148:
1146:
1143:
1141:
1138:
1137:
1135:
1131:
1127:
1118:
1113:
1111:
1106:
1104:
1099:
1098:
1095:
1089:
1085:
1082:
1079:
1078:
1074:
1069:
1066:
1064:
1063:9780719560330
1060:
1056:
1052:
1051:
1047:
1030:
1026:
1020:
1017:
1004:
1000:
996:
990:
987:
982:
978:
974:
970:
963:
960:
956:
951:
948:
935:
931:
927:
921:
918:
913:
907:
903:
896:
894:
890:
878:
874:
870:
869:Oxforddnb.com
866:
860:
858:
856:
854:
850:
844:
842:
838:
833:
827:
823:
816:
813:
801:
797:
791:
788:
784:
783:
777:
774:
770:
765:
762:
757:
751:
747:
740:
737:
725:. CRM Society
724:
720:
714:
711:
705:
702:
697:
695:9781841951515
691:
687:
680:
677:
670:
666:
663:
661:
658:
656:
653:
651:
648:
646:
643:
641:
638:
636:
633:
631:
628:
627:
623:
621:
619:
615:
611:
607:
603:
599:
591:
585:
581:
575:
570:
566:
562:
556:
551:
547:
543:
537:
532:
528:
527:James Guthrie
524:
518:
513:
509:
505:
499:
494:
490:
486:
480:
475:
473:
471:
467:
462:
461:(1864–1925).
460:
456:
453:(1859–1904),
452:
448:
445:(1855–1904),
444:
441:(1861–1923),
440:
437:(1865–1945),
436:
433:(1872–1923),
432:
431:William Wells
429:(1862–1933),
428:
424:
421:(1856–1941),
420:
417:(1859–1918),
416:
413:(1865–1936),
412:
408:
404:
401:(1864–1933),
400:
397:(1858–1943),
396:
393:(1859–1930),
392:
391:James Guthrie
388:
385:(1861–1913),
384:
380:
376:
371:
367:
365:
361:
357:
353:
352:Impressionist
349:
345:
337:
331:
327:
321:
316:
312:
308:
302:
297:
293:
289:
283:
278:
276:
274:
271:organised by
270:
265:
256:
252:
250:
246:
242:
238:
233:
231:
227:
223:
219:
215:
211:
207:
203:
199:
195:
191:
187:
183:
179:
175:
167:
165:
163:
159:
155:
151:
147:
143:
139:
135:
131:
128:
124:
121:
117:
108:
101:
99:
97:
93:
89:
85:
84:economic boom
80:
78:
74:
73:Glasgow Style
70:
66:
62:
61:Glasgow Girls
58:
54:
50:
46:
42:
37:
33:
19:
2164:Scottish art
2102:Independence
2009:Architecture
1929:
1783:Architecture
1711:
1699:
1348:Dean Gallery
1260:
1155:Early modern
1125:Scottish art
1067:
1054:
1048:Bibliography
1033:. Retrieved
1028:
1019:
1007:. Retrieved
1003:the original
998:
989:
972:
968:
962:
954:
950:
938:. Retrieved
934:the original
929:
920:
901:
880:. Retrieved
868:
821:
815:
803:. Retrieved
799:
790:
780:
776:
764:
745:
739:
727:. Retrieved
722:
713:
704:
685:
679:
655:Hannah Frank
595:
579:
560:
541:
522:
503:
484:
463:
455:George Pirie
407:E. A. Walton
399:E. A. Hornel
395:George Henry
372:
368:
344:Glasgow Boys
341:
325:
306:
287:
268:
260:
234:
190:Annie French
171:
125:, acclaimed
120:glass artist
113:
88:architecture
81:
72:
65:Glasgow Boys
64:
60:
57:Spook School
56:
52:
40:
38:
36:
2154:Art Nouveau
1895:Romanticism
1864:Radical War
1679:English art
1408:The McManus
1333:An Lanntair
1237:Romanticism
1227:Renaissance
1206:Portraiture
1201:Photography
1145:Insular art
1140:Prehistoric
640:Ann Macbeth
451:James Nairn
427:Stuart Park
419:John Lavery
411:David Gauld
241:Fra Newbery
202:Ann Macbeth
162:Art Nouveau
69:Art Nouveau
2143:Categories
2075:Devolution
2049:Literature
2019:Demography
1823:Literature
1793:Demography
1485:Summerhall
1252:Celtic art
729:15 January
719:"The Four"
671:References
580:Near Dover
176:including
154:modern art
2068:Movements
2029:Education
1888:Movements
1803:Education
1689:Welsh art
1684:Irish art
1321:Galleries
1307:Edinburgh
1220:Movements
1211:Sculpture
1196:Landscape
1191:Genre art
1029:Bbc.co.uk
975:(2): 60.
288:A Paradox
275:in 1990.
150:Japonisme
127:architect
2059:Religion
2039:Language
2034:Identity
1900:Tartanry
1833:Religion
1813:Language
1808:Identity
1297:Aberdeen
1290:By place
1150:Medieval
1084:Archived
1035:24 April
940:23 April
882:24 April
871:. 2004.
805:23 April
624:See also
616:and the
364:Scotland
178:Margaret
96:painting
63:and the
53:The Four
49:Scotland
2024:Economy
1798:Economy
1495:Tramway
1312:Glasgow
1009:2 April
981:1358454
542:Bluette
525:by Sir
491:, 1885.
174:artists
134:Frances
116:painter
59:), the
45:Glasgow
2002:Topics
1842:Events
1776:Topics
1302:Dundee
1170:Modern
1061:
979:
908:
828:
752:
692:
586:, 1921
548:, 1891
510:, 1886
504:Spring
468:, and
332:, 1898
313:, 1903
294:, 1905
158:Europe
148:, and
144:, the
2054:Music
1828:Music
1179:Forms
977:JSTOR
360:rural
348:canon
75:(see
1254:and
1133:Eras
1059:ISBN
1037:2018
1011:2019
942:2018
906:ISBN
884:2018
826:ISBN
807:2018
750:ISBN
731:2020
690:ISBN
354:and
180:and
136:and
118:and
94:and
39:The
2044:Law
2014:Art
1818:Law
1788:Art
1648:Mòd
873:doi
800:BBC
582:by
563:by
544:by
506:by
487:by
350:of
328:by
309:by
290:by
79:).
2145::
1027:.
997:.
973:14
971:.
928:.
892:^
867:.
852:^
840:^
798:.
721:.
620:.
612:,
608:,
604:,
366:.
224:,
220:,
216:,
212:,
208:,
204:,
200:,
196:,
192:,
188:,
98:.
90:,
47:,
1985:e
1978:t
1971:v
1759:e
1752:t
1745:v
1116:e
1109:t
1102:v
1039:.
1013:.
983:.
944:.
914:.
886:.
875::
834:.
809:.
758:.
733:.
698:.
34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
