483:, Keith Phipps awarded the episode a “B+,” explaining that it “entered slow motion at a certain point, but while I don’t think the slowness always worked I appreciated the commitment to staying close to the characters as they experienced the shock and its aftershocks.” He added “there was an extra degree of care put into the images this week and an unnerving immediacy to some of the newsbreaking scenes, which echoed my generation’s experience with 9/11, whether it tried to or not.” Luke de Smet, at
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be knocked off your feet, to really have it penetrate into your life in such a gigantic way.” Weiner further explained that “I called it ‘The Grown Ups,’ because to me, it's a lot of people realizing that they're orphaned, or that their father is gone, or that it's time to be an adult.” Weiner emphasized the importance of depicting the murder of
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on
November 24, explaining “hen Oswald is shot, there is a kind of nihilism that takes over because the system does not work....Everything breaks down, and I wanted this to be the thing that says to Betty ‘that’s it. That’s enough. It’s time to move on.’” Addressing her character Betty’s response to
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Series creator
Matthew Weiner explained that “since the show started, all people have ever wanted to talk to me about was the Kennedy assassination. I really wanted to do the story differently. I wanted to show how it impacted our characters. But I also wanted to show what it would be like to really
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learns that
Kennedy has died from his wounds, and both she and her housekeeper Carla burst into tears on the couch. Duck, who had been watching the coverage but had unplugged the television shortly before Peggy's arrival, turns the news back on after the two have had sex to discover that Kennedy has
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Margaret
Sterling complains to her mother, Mona, about her stepmother, Jane, giving her marital advice and an expensive gift in attempts to win her over. Margaret calls Roger and tells him again she doesn't want Jane at her wedding. He and Mona tell Margaret to stop threatening to cancel the wedding
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Don returns home and tells Betty not to let the children watch the news. He tries to reassure them. The next day, it remains unclear whether
Margaret's wedding will still be held. Despondent over the assassination and Pete being passed over, he and Trudy decide not to attend. Don convinces Betty to
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Don leaves the next morning for work without saying a word to Betty. In the office, he finds Peggy reworking the advertising campaign strategy for AquaNet (which would have featured two couples in a convertible and likely invoked memories of the assassination). Peggy invites Don to watch
Kennedy's
470:'s vulture.com was negative, too. Hill claimed that the episode “felt rushed and overstuffed…with too many quick-cut scenes of characters watching television, and a few important moments (like Henry’s proposal and Betty’s confrontation with Don) given far too little screen time.”
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killed live on television. Distraught, Betty leaves the house to meet Henry, who proposes that they get married. When Betty returns home, she informs Don that she no longer loves him, telling him that when he kissed her at the wedding, she didn't feel anything.
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Roger tells the guests to sit wherever they like and help themselves, since there are no waiters, and is then forced to find a replacement wedding cake when the baker does not appear. Many of the guests, including his wife Jane,
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has an argument with Lane about his refusal to hire a new art director since
Salvatore Romano's firing. At lunch, Duck calls Peggy at the office and invites her to a hotel room for an afternoon tryst.
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will be made Head of
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and to calm down. When Jane arrives home, Roger reprimands her for upsetting
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1159:The Beautiful Girls
1021:A Night to Remember
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389:Single White Female
385:Reversal of Fortune
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903:Ladies Room
858:Joan Harris
843:Peggy Olson
481:The AV Club
357:Bert Cooper
318:Peggy Olson
198:Laura Regan
189:Carla Gallo
184:Olive Healy
174:Peyton List
147:Alison Brie
54:Directed by
1392:Categories
1214:Tea Leaves
1014:Maidenform
868:Lane Pryce
838:Don Draper
830:Characters
752:2018-04-20
727:2018-04-20
698:2018-04-20
674:2018-04-20
649:2018-04-20
624:2018-04-20
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567:2018-04-20
538:References
490:In a 2014
421:Bruce Pike
379:Production
334:News that
329:Don Draper
306:Lane Pryce
120:Mark Moses
115:Lane Pryce
96:47 minutes
85:2009-11-01
64:Written by
49:Episode 12
1311:The Crash
1228:Signal 30
973:The Wheel
595:0040-781X
518:Accolades
476:The Onion
434:Reception
1377:Category
1322:Season 7
1295:Season 6
1198:Season 5
1094:Season 4
1046:Season 3
1000:Flight 1
984:Season 2
887:Season 1
878:Episodes
526:See also
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496:Season 7
249:season 3
247:Mad Men
221:Previous
41:Episode
1345:Related
1062:The Fog
931:Babylon
821:Mad Men
669:TV Club
643:Vulture
510:Ratings
274:Mad Men
271:series
230: →
219:←
83: (
36:episode
33:Mad Men
619:NJ.com
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359:, and
340:Dallas
952:Shoot
782:" at
772:" at
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344:Betty
312:that
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591:ISSN
587:Time
387:and
301:Plot
228:Next
774:AMC
562:AMC
361:Ken
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545:^
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