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247:"went over…like a lead balloon." Nevertheless, Lipton championed the film following its release and said that it was "decidedly worth seeing", commenting that its "variations on the theme of the interesting and different in a super technological society are interesting, and often beautiful." Film theorist
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Blondino is a naĂŻve young man who wanders the streets dressed in medieval attire and pushing a wheelbarrow. He has series of adventures, all the while being pursued by a cop. These stories are mixed with sequences showing
Blondino's dreams. Blondino eventually dies after falling from a tightrope but
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was sent to
Australia, it was censored by the customs department. A scene of Blondino stroking a rhinoceros horn required review by the chief censor, who took issue with a separate scene in which a girl uses profane language.
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camera for $ 3,500 as a replacement. The protagonist and his climactic tightrope scene were inspired by tightrope walker
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530:(October 1968). "Report on the Fourth International Experimental Film Exposition at Knokke-le-Zoute".
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that Nelson "tosses off more good visual ideas in 45 minutes than many filmmakers do in a lifetime".
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Radical Light: Alternative Film and Video in the San
Francisco Bay Area, 1945–2000
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Whitehall, Richard (November 17, 1967). "Underground films grow in importance".
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219:. Later that year, it screened at the Brussels Experimental Film Festival. When
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203:. The total production budget was roughly $ 20,000, a large cost for an
550:(March 31, 1972). "The Screen: Two Rare Gestures of Showmanship".
510:(July 26, 1968). "Two films offer hypnotic assault on senses".
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The film premiered April 13, 1967 at the Cedar Alley Cinema in
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Cantrill, Arthur (April 1970). "Right Back to the
Billabong".
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over the course of 6–8 sessions in 1966. Filming began with a
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Nelson, Robert (1970). "Robert Nelson on Robert Nelson".
570:(June 5, 1978). "Robert Nelson's Sentimental Journey".
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Anker, Steve; Geritz, Kathy; Seid, Steve, eds. (2010).
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stars
William's brother Chuck Wiley as Blondino, with
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659:American avant-garde and experimental films
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231:' Essential Cinema Repertory collection.
654:1960s avant-garde and experimental films
490:(April 28, 1967). "Whee! 8mm Is Fun!".
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161:is revived in the film's conclusion.
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470:(March 7, 1969). "At the Flick".
179:as the cop. The film was shot in
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346:University of California Press
255:his favorite piece by Nelson.
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395:. April 16, 1967. p. 20.
679:1960s English-language films
318:(2002). "fade in fade out".
674:Films shot in San Francisco
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267:as highlights of the 1967
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227:The film is now part of
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669:Censorship in Australia
447:Anthology Film Archives
229:Anthology Film Archives
513:Los Angeles Free Press
409:Los Angeles Free Press
392:San Francisco Examiner
592:The Los Angeles Times
684:1960s American films
588:"The Great Blondino"
324:Film Arts Foundation
259:identified Nelson's
201:Richmond, California
140:is a 1967 American
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618:The Great Blondino
553:The New York Times
443:"Essential Cinema"
285:The New York Times
265:The Great Blondino
253:The Great Blondino
245:The Great Blondino
221:The Great Blondino
170:The Great Blondino
137:The Great Blondino
24:The Great Blondino
18:1967 American film
573:The Village Voice
425:Canyon Cinemanews
355:978-0-520-24911-0
295:The Village Voice
261:The Grateful Dead
185:Bell & Howell
142:experimental film
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62:Chuck Wiley
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649:1967 films
643:Categories
302:References
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165:Production
105:42 minutes
89:1967-04-13
598:April 30,
235:Reception
177:Lew Welch
174:Beat poet
189:Arriflex
129:$ 20,000
118:Language
59:Starring
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211:Release
121:English
110:Country
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126:Budget
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