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728:," Maibaum told the press in 1946. Due to the constant meddling by censors, critics later noted that film's script contained very little of "the flavor of the Prohibition era". When censor Eric Johnston finally approved the bowdlerized script, Paramount greenlit the project in October 1947. However, Maibaum claimed that Paramount delayed the film's production. "They used the script as a carrot to make Alan do several other films, each time promising that his next would be
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961:, as Wilson exited the screening room, a smiling Paramount publicity man approached Wilson and asked him how he had liked the picture. "Not very much, I'm afraid," replied Wilson, and he kept walking to the elevator. The Paramount publicity man appeared to be betrayed by Wilson's reply and seemed to say, "We've gone to the trouble of making a whole movie out of your friend's book and you don't even appreciate it!"
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996:, the film ranked 45th among popular movies in the U.S. and Canada in 1949. Maibaum claimed the film "did well financially although reviews were mixed. Critics differed as much as John Farrow and myself about Betty Field's Daisy. Some thought she was perfect, others that she was subtly wrong. Alan, for the most part, received surprisingly good personal notices. My own satisfaction stemmed from what
643:, and the two had become close friends. Maibaum presented the idea to Ladd and his wife, Sue. While they initially had reservations, Maibaum recalled, "they liked it; they were a bit hesitant, but I persuaded them." The role of Jay Gatsby intrigued Ladd since the character offered a departure from Ladd's typical action roles and allowed him a chance to demonstrate a broader acting range.
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Tom at his home. Tom refuses to reveal Gatsby's name, and Wilson leaves. Tom tries to call Gatsby in order to warn him that his life is danger, but Gatsby does not answer the telephone. While talking to Nick at his mansion's pool, Gatsby is shot by Wilson. Only Nick and Jordan attend Gatsby's funeral. The couple agree to marry and depart for the
369:(1946), in the role of Gatsby. Although Maibaum and Ladd were eager to make the film, Paramount executives hesitated as the novel had not yet attained widespread popularity. Despite studio objections, Maibaum and Ladd persisted, and by 1946, Paramount announced plans for the film. However, production obstacles arose when
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dismissed the film as "a limp, sentimental romance, involving a bootlegger and an old sweetheart, based on Scott
Fitzgerald's classic story, but lacking the novel's bite." Crowther lamented that "the period of the Nineteen Twenties is briefly and inadequately sketched with a jumble of gay Long Island
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We were agreed that the character... was a beautiful, glamorous, unstable girl. Farrow however placed more importance on the glamour and beauty than I did. Hollywood was full of beautiful girls. I wanted more, an actress who could handle what has been called 'the disharmonic chatter of the '20s', the
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We were informed the script was totally unacceptable... Specifically, it violated the Code then in effect because it dealt with adultery, unpunished manslaughter, glamorized a gangster, depicted excessive use of liquor, undermined the institutions of marriage and the home, lowered moral standards,
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Returning home, Daisy confesses to Tom, Nick and Jordan that she killed Myrtle. Tom, Daisy and Jordan plot to blame Gatsby for Myrtle's death, but Nick objects and leaves. Gatsby overhears this discussion while standing unseen on the veranda. Wilson suspects that Tom killed Myrtle, and he confronts
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is "a curiously tedious, flat, and unimaginative film, lacking both visual and thematic resonance." Dixon posits that the film's shortcomings primarily stem from
Elliott Nugent's uninspired direction, accentuated by an overly wordy and meandering screenplay. As a result, the film appears to lack a
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Filming went smoothly, although Ladd refused to remove his wedding ring and also initially refused to kiss Field. Ladd said that many of his fans were children and that he did not wish to play a character who kisses a married woman. Ladd's Gatsby does kiss Field's Daisy on screen in a scene in the
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Although
Maibaum and Ladd wanted to make the film, Paramount executives proved hesitant to make this second film adaptation as Fitzgerald's beloved novel had not yet attained widespread popularity. "This was in late 1946," Maibaum recalled. "Scott Fitzgerald had been dead since 1940. So it seemed,
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Most of the tragic implications and bitter ironies of Mr. Fitzgerald's work have gone by the boards in allowing for the generous exhibition of Mr. Ladd. Solemnly representing Gatsby, he gives us a long and lingering look at a patient and saturnine fellow who is plagued by a desperate love.... But
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kid, eh?" I got goose pimples because I remembered when Gatsby took Daisy to show her his mansion, he also showed her his wardrobe and said, "I've got a man in
England who buys me clothes. He sends over a selection of things at the beginning of each season, spring and fall." I said to myself, "My
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Breen insisted the screenplay be rewritten to avoid accurately evoking the libertine atmosphere of the Jazz Age. Breen further demanded that the screenplay include a voice of morality and a lengthy preamble which outright condemned Gatsby's behavior as immoral. Desperate to make the film, Maibaum
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Nugent primarily filmed the entire production indoors on a studio lot, including the exterior shots, to circumvent potential delays often associated with location shooting—such as changing sunlight, rain, or intrusive tourists. Alan Ladd, who was at the pinnacle of his fame after returning from
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Now a wealthy millionaire, Gatsby yearns to reunite with Daisy. However, she is married to the far wealthier Tom
Buchanan. Despite her marriage, Daisy is discontented. She is aware of her husband's dalliance with Myrtle Wilson, who is married to George Wilson, the owner of a gas station. Daisy
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that "there is a way which seemeth right unto a man, but the end thereof are the ways of death." Having been forced to make these changes against his will, Maibaum felt such additions were "all wrong and very un-Fitzgerald-like. To moralize like that was something he never did; he was always
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The screenplay underwent multiple rewrites to appease the censors, including adding moralizing elements that deviated from
Fitzgerald's 1925 novel. Maibaum reluctantly made these changes in his determination to see the film produced. Disagreements next arose between the original director
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and almost jumped off. Throughout the shoot, Nugent proved to be indecisive which
Maibaum attributed to his mental health difficulties. In a June 1978 interview, Nugent spoke of his dissatisfaction with directing the film: "I felt very unhappy when I was making
877:, could not be taken on-location as he would invariably be "mobbed" in public appearances. As a result, Nugent limited filming to the controlled, yet artificial environment of a brightly lit Hollywood sound stage, compromising visual authenticity and realism.
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he celebrated was regarded as an aberration. But I saw a similarity between what was happening in 1946 to what had happened to the country in 1920 and, with Alan and Sue's help, kept badgering the studio until it agreed to let us prepare a script."
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I was in house and he took me up to the second floor, where he had a wardrobe about as long as this room. He opened it up and there must have been hundreds of suits, sport jackets, slacks and suits. He looked at me and said, "Not bad for an
954:, disliked the film. As Wilson had played a pivotal role in creating the F. Scott Fitzgerald revival in the 1940s, Paramount Pictures arranged a private screening of the film for Wilson in the hopes of earning his public endorsement.
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Maibaum and Ladd persisted until
Paramount executives relented and commissioned a screenplay. Paramount publicly announced its plans to make the film starring Ladd in March 1946, with the script to be written by Maibaum and
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somehow he does not present us with the picture of a strangely self-made man as the pitiful victim of the times and his own expansive greed.... Blame this mostly on a weak script, coupled with dull direction.
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The
Production Code Administration has strongly urged complete abandonment of the story because of its 'low moral tone.' 'The Johnston office', Maibaum says, 'seems to be afraid of starting a new jazz
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appears to appreciate Gatsby's advances. Together with Jordan Baker and Nick, they spend time in the city. Later, while Daisy is driving Gatsby's car, she accidentally strikes Myrtle in the street.
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replaced Farrow as director. Although enthusiastic about casting Betty Field as Daisy
Buchanan, Nugent had reservations about Alan Ladd as Jay Gatsby, although he kept these opinions from Maibaum.
401:, later starred as Daisy in the 1974 adaptation.) The film's release garnered mixed reviews, with some praising the performances while others criticized the film for its deviations from the novel.
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Censor Joseph Breen rejected the first draft of the screenplay by Richard Maibaum and Cyril Hume for having "a low moral tone." He criticized their screenplay for its violations of the
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gave final say to Maibaum. As a result, Farrow quit the film and told Maibaum: "I don't direct pictures under conditions like that. Find yourself another boy." Farrow's daughter,
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Maibaum and Hume appeased the censors by altering plot details and by adding a scene at the beginning of the script where Nick Carraway, now married to Jordan Baker, quotes from
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parties, old clothes, old songs and old cars. The baneful influence of prohibition and the disillusionment of post-World War I" were conspicuously absent despite the
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authentic sound of the feckless, disillusioned lost generation... What we needed was a fine actress who could make believable the obsessive love she evoked from him.
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701:. He specifically denounced their work for depicting adultery, excessive drinking, unpunished manslaughter, bootlegging, and other perceived moral transgressions.
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setting. Crowther felt that Ladd was too solemn as Gatsby and gave the impression of "a patient and saturnine fellow who is plagued by a desperate love".
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with Maibaum. Farrow and Maibaum soon disagreed over the casting of Daisy Buchanan. Maibaum recalled their intense disagreement in detail:
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Director Elliott Nugent suffered from mental illness during the shoot. According to Maibaum, Nugent had once gone up onto the roof of the
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complained that Field gave "such a restrained, delicate performance that you have to use some imagination to understand her weakness."
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that Field performed "the difficult feat of making a strong impact" as Gatsby's "vague, shilly-shallying sweetheart." Boyd Martin of
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1946:
869:. I thought I shouldn't be doing it and Alan Ladd shouldn't be playing in it. Ladd wasn't quite up to it, but he got away with it."
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condemning Gatsby's actions as wicked: "There is a way which seemeth right unto a man, but the end thereof are the ways of death."
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Despite rewrites by Maibaum and Hume, the censors still refused to greenlight the film. After Breen's retirement, his successor
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estate. He persuades Daisy's friend Jordan Baker to arrange a private meeting with Daisy at Nick's bungalow in exchange for his
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732:", wrote the producer. "Finally after two long years of this he rebelled and threatened to go on suspension. That did it."
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Jay Gatsby is introduced after killing two rival gangsters in a street shootout. Gatsby hosts wild parties at his lavish
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1988:"Pat O'Brien to Star In 'The Big Angle': Crime Drama Was Written by Author of 'Bombardier' — 'Gatsby' to Be Remade"
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of sainted memory to all screenwriters said to me: 'You've personally started an F. Scott Fitzgerald revival'."
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except in the hearts of a few devotees, were his out-of-print novels. His reputation was at its lowest ebb. The
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1608:"Nugent Replaces Farrow On Movie: Named by Paramount to Direct 'The Great Gatsby,' Remake of Fitzgerald Novel"
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that Macdonald Carey acquitted himself well as Nick Carraway, Gatsby's only friend. Likewise, Boyd Martin of
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Critics expressed conflicted opinions about Betty Field's performance as Daisy. Critic Lew Sheaffer wrote in
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opined that Field was "convincing in showing the shallowness of Daisy's character", whereas Wanda Hale of
1636:"The Screen In Review: 'The Great Gatsby,' Based on Novel of F. Scott Fitzgerald, Opens at the Paramount"
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final film. Despite these issues, Maibaum observed that Ladd seemed perfect for the role of Gatsby:
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Jordan Baker, and the happily married couple visit the grave of their deceased acquaintance
359:. Producer Richard Maibaum became intent on making a new film adaptation, and he envisioned
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2152:"Notes About Pictures and People: New York to Get Another Film Unit — Ticket Tax Cut Asked"
447:. Daisy begged Gatsby to marry her, but Gatsby insisted they wait until he made a fortune.
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as George Wilson. Two decades later, the studio still held the film rights to the novel.
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1848:"'Great Gatsby' Employs Two Generations of Farrows: 'Gatsby' Employs Farrow Family"
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paid $ 45,000 (equivalent to $ 774,474 in 2023) to purchase the film rights to
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still held the rights to Fitzgerald's novel, having previously made the now-lost
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2120:"Careless People of F. Scott Fitzgerald's Great Gatsby Have a Modern Equivalent"
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as Jay Gatsby. He had previously collaborated with Ladd on the 1946 film
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1722:
American Literature on Stage and Screen: 525 Works and Their Adaptations
705:
capitulated to Breen's demands, although he later regretted doing so.
410:
856:", a poor Oklahoma migrant, made him ideal for the role of Jay Gatsby.
1857:(Sunday ed.). Los Angeles, California. pp. 14, 38–39, 41–42
1933:
Backstory: Interviews with Screenwriters of Hollywood's Golden Age
1799:(Saturday ed.). Adelaide, Australia. March 9, 1946. p. 9
843:
573:
2037:"'Great Gatsby' Expertly Catches Restless Spirit of the Jazz Age"
393:. This conflict led to Farrow's departure and his replacement by
1997:(Tuesday ed.). New York City. February 26, 1946. p. 31
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853:
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1873:"Alan Ladd, as 'Great Gatsby,' Finds That Money is a False God"
931:(right) panned the film as a mediocre romance in his review in
950:, who had known Fitzgerald since their days as classmates at
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presented impure love as attractive and beautiful, etc, etc.
333:, the plot follows the exploits of enigmatic millionaire and
2021:(Sunday ed.). New York City. July 17, 1949. p. 188
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disagreed over the casting of Daisy Buchanan. Farrow wanted
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who attempts to win back the affections of his former lover
2070:(Wednesday ed.). New York. January 4, 1950. p. 59
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A flashback occurs to 1928 during the tumultuous period of
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indirect. It was the price I paid to get the film done."
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opined that Carey gave a quiet and reserved performance.
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and Maibaum over the role of Daisy, with Farrow favoring
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rejected the screenplay due to its perceived immorality.
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Paramount Pictures originally hired Australian émigré
602:'s critically acclaimed yet commercially unsuccessful
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In 1948, a middle-aged Nick Carraway is married to ex-
779:(right). Unable to agree, Farrow quit the production.
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likewise proved reluctant to approve the film. "The
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1882:(Friday ed.). Louisville, Kentucky. p. 36
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2046:(Thursday ed.). Brooklyn, New York. p. 4
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2010:
1986:
1966:. Chicago. August 2012. p. 29. Archived from
1930:
1871:
1846:
1695:
1634:
1606:
1577:
1501:
1305:
820:. Tiring of their impasse, studio production head
2415:"A Little Party Never Killed Nobody (All We Got)"
1677:(4). Salisbury, Maryland: 287–294. Archived from
1588:(Sunday ed.). New York City. pp. 65, 67
1558:
1069:cohesive vision, both visually and thematically.
2404:The Great Gatsby: Music from Baz Luhrmann's Film
2087:Fitzgerald's The Great Gatsby: A Reader's Guide
969:
680:
1706:(Thursday ed.). New York City. p. 38
1645:(Thursday ed.). New York City. p. 20
946:Fitzgerald's close friend and literary critic
923:Fitzgerald's close friend and literary critic
2510:
2230:
664:soon ran afoul of the censors, in particular
8:
2849:Films about prohibition in the United States
2161:(Sunday ed.). New York City. p. X5
1927:"Richard Maibaum: A Pretense of Seriousness"
1617:(Friday ed.). New York City. p. 26
775:(left) for the role, while Maibaum favored
443:. Gatsby and Daisy had been in love during
307:, the latter of whom later returned in the
275:, from a screenplay by Richard Maibaum and
2517:
2503:
2495:
2288:
2237:
2223:
2215:
1807:– via National Library of Australia.
1697:"Smooth Cast Joins Ladd in 'Great Gatsby'"
1335:
1257:
363:, with whom he previously collaborated on
29:
20:
2834:Films with screenplays by Richard Maibaum
1465:
582:attempted to make the film in the 1940s,
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1371:
1290:
1489:
1477:
1444:
1432:
1323:
1278:
1242:
1209:
1194:
1177:
1140:
1120:
1105:
1095:
1081:released a new print of the 1949 film.
590:had not yet attained cultural salience.
2083:Tredell, Nicolas (February 28, 2007).
1912:from the original on November 19, 2021
1605:Brady, Thomas F. (February 13, 1948).
1534:
1383:
1136:
927:(left) disliked the film. Film critic
1817:"TNR Film Classics: The Great Gatsby"
1576:Brady, Thomas F. (October 13, 1946).
1420:
1395:
1352:
1132:
828:, later played Daisy Buchanan in the
724:seems to be afraid of starting a new
660:. However, the mere idea of remaking
7:
2844:Films with screenplays by Cyril Hume
1546:
16:1949 film directed by Elliott Nugent
2824:Films scored by Robert Emmett Dolan
2133:from the original on March 25, 2017
1761:"Five Things You Didn't Know About
1743:from the original on March 10, 2021
344:with the aid of her second cousin
14:
2819:Films directed by Elliott Nugent
2129:. Surry Hills, New South Wales.
1829:from the original on May 5, 2019
1777:from the original on May 7, 2013
913:
904:
753:
744:
426:Prohibition in the United States
311:. It is based on the 1925 novel
2799:Films based on The Great Gatsby
2117:Verghis, Sharon (May 3, 2013).
2034:Sheaffer, Lew (July 14, 1949).
2814:American black-and-white films
2755:The Skipper Surprised His Wife
1939:University of California Press
1870:Martin, Boyd (July 29, 1949).
848:Richard Maibaum believed that
699:Motion Picture Production Code
666:Production Code Administration
625:Paramount writer and producer
371:Production Code Administration
1:
2854:Films set in New York (state)
2809:American romantic drama films
2739:Mr. Belvedere Goes to College
2112:– via Internet Archive.
2078:– via Internet Archive.
1951:– via Internet Archive.
1925:McGalligan, Pat, ed. (1986).
1725:. Jefferson, North Carolina:
1694:Hale, Wanda (July 14, 1949).
1044:Critic Lew Sheaffer wrote in
891:God, he is the Great Gatsby!"
2859:1940s English-language films
1791:"Just a Line From Hollywood"
1663:"The Three Film Versions of
832:. With production imminent,
2054:– via Newspapers.com.
1890:– via Newspapers.com.
1865:– via Newspapers.com.
1719:Hischak, Thomas S. (2012).
1714:– via Newspapers.com.
2880:
1060:According to film scholar
610:in November 1926 starring
606:. The studio produced the
2829:Films shot in Los Angeles
2804:1949 romantic drama films
2533:
1751:– via Google Books.
1671:Literature-Film Quarterly
862:Hollywood Roosevelt Hotel
816:, but Maibaum pushed for
789:, the husband of actress
321:. Set during the raucous
28:
2839:Paramount Pictures films
2386:Gatsby: An American Myth
1900:"Gatsby, 35 Years Later"
1046:The Brooklyn Daily Eagle
1026:The Brooklyn Daily Eagle
1727:McFarland & Company
1038:The New York Daily News
941:
618:as Daisy Buchanan, and
389:and Maibaum preferring
205:July 13, 1949
2675:The Cat and the Canary
2061:"Top Grossers of 1949"
1659:Dixon, Wheeler Winston
1559:Music Box Theatre 2012
1064:, the 1949 version of
974:
893:
857:
810:
763:The original director
685:
591:
397:. (Farrow's daughter,
2683:Nothing but the Truth
2555:Whistling in the Dark
2420:"Young and Beautiful"
1579:"Alarum in Hollywood"
1062:Wheeler Winston Dixon
1056:Retrospective reviews
957:According to witness
883:
847:
805:
608:first film adaptation
577:
2864:1940s American films
2715:My Favorite Brunette
2149:(October 26, 1947).
2093:Continuum Publishing
1957:"Music Box Calendar"
1941:. pp. 266–289.
1667:: A Vision Deferred"
965:Contemporary reviews
952:Princeton University
942:Fitzgerald's friends
830:1974 film adaptation
35:Original film poster
2563:Three Cornered Moon
2246:F. Scott Fitzgerald
1879:The Courier-Journal
1825:. Washington, D.C.
1773:. Toronto, Canada.
1703:New York Daily News
1681:on October 13, 2013
1338:, pp. 281–282.
1050:The Courier-Journal
1032:The Courier-Journal
600:F. Scott Fitzgerald
584:F. Scott Fitzgerald
559:as Cop (uncredited)
319:F. Scott Fitzgerald
260:is a 1949 American
167:Robert Emmett Dolan
83:F. Scott Fitzgerald
2525:Films directed by
2199:TCM Movie Database
2158:The New York Times
2043:The Brooklyn Eagle
2018:The New York Times
1994:The New York Times
1905:The New York Times
1898:(April 24, 1960).
1815:(April 13, 1974).
1813:Kauffmann, Stanley
1729:. pp. 85–86.
1642:The New York Times
1614:The New York Times
1585:The New York Times
1503:The New York Times
1435:, pp. 39, 42.
1355:, pp. 65, 67.
1326:, pp. 39, 41.
1307:The New York Times
1281:, pp. 14, 38.
1079:Universal Pictures
1005:The New York Times
983:The New York Times
933:The New York Times
858:
852:'s origins as an "
791:Maureen O'Sullivan
596:Paramount Pictures
592:
353:Paramount Pictures
271:, and produced by
262:historical romance
192:Paramount Pictures
182:Paramount Pictures
157:Ellsworth Hoagland
2781:
2780:
2763:My Outlaw Brother
2595:Strictly Dynamite
2492:
2491:
2475:The Great Phatsby
2435:
2434:
2102:978-0-8264-9010-0
2012:"Review in Brief"
1964:Music Box Theatre
1908:. New York City.
1854:Los Angeles Times
1845:(July 15, 1973).
1736:978-0-7864-6842-3
1633:(July 14, 1949).
1143:, pp. 85–86.
1123:, pp. 93–96.
959:Stanley Kauffmann
547:as Mavromichaelis
434:Long Island Sound
279:. The film stars
253:
252:
2871:
2747:The Great Gatsby
2723:Welcome Stranger
2699:The Crystal Ball
2659:Professor Beware
2651:Give Me a Sailor
2635:Wives Never Know
2579:She Loves Me Not
2519:
2512:
2505:
2496:
2378:The Great Gatsby
2370:The Great Gatsby
2351:The Great Gatsby
2343:The Great Gatsby
2324:The Great Gatsby
2316:The Great Gatsby
2308:The Great Gatsby
2300:The Great Gatsby
2289:
2251:The Great Gatsby
2239:
2232:
2225:
2216:
2205:The Great Gatsby
2194:The Great Gatsby
2183:The Great Gatsby
2170:
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2154:
2142:
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2090:
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2039:
2030:
2028:
2026:
2014:
2006:
2004:
2002:
1990:
1982:
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1978:
1973:on June 16, 2012
1972:
1961:
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1936:
1921:
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1843:Maibaum, Richard
1838:
1836:
1834:
1822:The New Republic
1808:
1806:
1804:
1786:
1784:
1782:
1763:The Great Gatsby
1752:
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1665:The Great Gatsby
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1631:Crowther, Bosley
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1103:
1066:The Great Gatsby
1010:
998:Charles Brackett
986:
917:
908:
757:
748:
693:
662:The Great Gatsby
521:Elisha Cook, Jr.
517:as George Wilson
511:as Myrtle Wilson
419:Book of Proverbs
314:The Great Gatsby
257:The Great Gatsby
212:
210:
77:The Great Gatsby
33:
24:The Great Gatsby
21:
2879:
2878:
2874:
2873:
2872:
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2869:
2868:
2784:
2783:
2782:
2777:
2691:The Male Animal
2619:College Scandal
2529:
2523:
2493:
2488:
2431:
2425:"Over the Love"
2391:
2362:Theatre / stage
2357:
2330:
2280:
2254:
2243:
2210:Rotten Tomatoes
2178:
2173:
2164:
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2009:
2000:
1998:
1985:
1976:
1974:
1970:
1959:
1955:
1949:
1937:. Los Angeles:
1924:
1915:
1913:
1896:Mizener, Arthur
1894:
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1759:(May 5, 2013).
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1402:
1394:
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1382:
1378:
1370:
1359:
1351:
1342:
1336:McGalligan 1986
1334:
1330:
1322:
1315:
1304:
1300:
1289:
1285:
1277:
1264:
1258:McGalligan 1986
1256:
1249:
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1208:
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1193:
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1147:
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1115:
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1097:
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1013:Bosley Crowther
1008:
988:
985:, July 14, 1949
979:Bosley Crowther
976:
967:
944:
939:
938:
937:
936:
929:Bosley Crowther
920:
919:
918:
910:
909:
898:
842:
783:
782:
781:
780:
769:Richard Maibaum
760:
759:
758:
750:
749:
738:
722:Johnston office
695:
690:Richard Maibaum
687:
678:
627:Richard Maibaum
614:as Jay Gatsby,
580:Richard Maibaum
572:
567:
562:
523:as Klipspringer
515:Howard Da Silva
509:Shelley Winters
505:as Tom Buchanan
499:as Jordan Baker
488:Macdonald Carey
465:
407:
305:Howard Da Silva
301:Shelley Winters
299:, and features
289:Macdonald Carey
273:Richard Maibaum
222:
215:
208:
206:
199:
184:
177:
175:
138:
134:Howard Da Silva
129:Shelley Winters
114:Macdonald Carey
92:Richard Maibaum
80:
67:
58:Richard Maibaum
36:
17:
12:
11:
5:
2877:
2875:
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2719:
2711:
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2695:
2687:
2679:
2671:
2663:
2655:
2647:
2643:It's All Yours
2639:
2631:
2623:
2615:
2607:
2599:
2591:
2583:
2575:
2571:If I Were Free
2567:
2559:
2551:
2543:
2539:The Mouthpiece
2534:
2531:
2530:
2527:Elliott Nugent
2524:
2522:
2521:
2514:
2507:
2499:
2490:
2489:
2487:
2486:
2478:
2471:
2464:
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2457:Edith Cummings
2454:
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2276:Daisy Buchanan
2273:
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2201:
2190:
2177:
2176:External links
2174:
2172:
2171:
2143:
2126:The Australian
2114:
2101:
2080:
2056:
2031:
2007:
1983:
1953:
1947:
1922:
1892:
1867:
1839:
1809:
1787:
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1627:
1602:
1572:
1570:
1567:
1564:
1563:
1551:
1539:
1524:
1509:
1507:, p. 188.
1494:
1482:
1470:
1466:Kauffmann 1974
1449:
1437:
1425:
1400:
1388:
1376:
1357:
1340:
1328:
1313:
1298:
1283:
1262:
1260:, p. 280.
1247:
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911:
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902:
901:
900:
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897:
894:
841:
838:
834:Elliott Nugent
822:Henry Ginsberg
812:Farrow wanted
793:and father of
762:
761:
752:
751:
743:
742:
741:
740:
739:
737:
734:
710:Proverbs 14:12
679:
677:
674:
620:William Powell
578:When producer
571:
568:
566:
563:
561:
560:
554:
548:
542:
536:
530:
529:as Myron Lupus
524:
518:
512:
506:
503:Barry Sullivan
500:
494:
485:
483:Daisy Buchanan
476:
466:
464:
461:
406:
403:
395:Elliott Nugent
351:In the 1940s,
342:Daisy Buchanan
297:Barry Sullivan
269:Elliott Nugent
251:
250:
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243:
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235:
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189:Distributed by
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150:
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143:Cinematography
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124:Barry Sullivan
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45:Elliott Nugent
42:
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34:
26:
25:
15:
13:
10:
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4:
3:
2:
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2667:Never Say Die
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2613:
2612:
2611:Love in Bloom
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2462:Francis Cugat
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2271:Nick Carraway
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2147:Weiler, A. H.
2144:
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2020:
2019:
2013:
2008:
1996:
1995:
1989:
1984:
1969:
1965:
1958:
1954:
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1948:0-520-05666-3
1944:
1940:
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1757:Howell, Peter
1754:
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1600:
1587:
1586:
1580:
1574:
1573:
1568:
1561:, p. 29.
1560:
1555:
1552:
1549:, p. 38.
1548:
1543:
1540:
1537:, p. 36.
1536:
1531:
1529:
1525:
1521:
1520:Sheaffer 1949
1516:
1514:
1510:
1506:
1504:
1498:
1495:
1491:
1486:
1483:
1479:
1474:
1471:
1467:
1462:
1460:
1458:
1456:
1454:
1450:
1447:, p. 42.
1446:
1441:
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1434:
1429:
1426:
1422:
1417:
1415:
1413:
1411:
1409:
1407:
1405:
1401:
1398:, p. 26.
1397:
1392:
1389:
1386:, p. X5.
1385:
1380:
1377:
1374:, p. 20.
1373:
1372:Crowther 1949
1368:
1366:
1364:
1362:
1358:
1354:
1349:
1347:
1345:
1341:
1337:
1332:
1329:
1325:
1320:
1318:
1314:
1311:, p. 31.
1310:
1308:
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1299:
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1287:
1284:
1280:
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1273:
1271:
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1254:
1252:
1248:
1245:, p. 14.
1244:
1239:
1237:
1235:
1233:
1231:
1229:
1227:
1225:
1223:
1221:
1219:
1215:
1212:, p. 38.
1211:
1206:
1204:
1200:
1197:, p. 41.
1196:
1191:
1189:
1187:
1183:
1180:, p. 39.
1179:
1174:
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1154:
1152:
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1138:
1134:
1129:
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1117:
1114:
1111:, p. 59.
1110:
1108:
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1001:
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994:
990:According to
987:
984:
980:
973:
964:
962:
960:
955:
953:
949:
948:Edmund Wilson
934:
930:
926:
925:Edmund Wilson
916:
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895:
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839:
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819:
815:
809:
804:
802:
801:
800:The Big Clock
796:
792:
788:
778:
774:
770:
767:and producer
766:
756:
747:
735:
733:
731:
727:
723:
719:
718:Eric Johnston
714:
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659:
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623:
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613:
612:Warner Baxter
609:
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589:
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581:
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569:
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558:
555:
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549:
546:
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539:Walter Greaza
537:
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531:
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498:
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492:Nick Carraway
489:
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331:New York City
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147:John F. Seitz
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51:Screenplay by
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2771:Just for You
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2731:My Girl Tisa
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2603:Enter Madame
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2452:Ginevra King
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2163:. Retrieved
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2137:November 10,
2135:. Retrieved
2124:
2108:November 13,
2106:. Retrieved
2086:
2072:. Retrieved
2065:
2048:. Retrieved
2041:
2023:. Retrieved
2016:
1999:. Retrieved
1992:
1975:. Retrieved
1968:the original
1963:
1932:
1916:November 10,
1914:. Retrieved
1903:
1884:. Retrieved
1877:
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1852:
1833:November 10,
1831:. Retrieved
1820:
1803:November 10,
1801:. Retrieved
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1768:
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1721:
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1701:
1683:. Retrieved
1679:the original
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1647:. Retrieved
1640:
1619:. Retrieved
1612:
1597:
1590:. Retrieved
1583:
1554:
1542:
1522:, p. 4.
1502:
1497:
1490:Verghis 2013
1485:
1478:Mizener 1960
1473:
1445:Maibaum 1973
1440:
1433:Maibaum 1973
1428:
1391:
1379:
1331:
1324:Maibaum 1973
1306:
1301:
1296:, p. 9.
1291:
1286:
1279:Maibaum 1973
1243:Maibaum 1973
1210:Maibaum 1973
1195:Maibaum 1973
1178:Maibaum 1973
1141:Hischak 2012
1128:
1121:Tredell 2007
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875:World War II
871:
866:
859:
814:Gene Tierney
811:
806:
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784:
773:Gene Tierney
729:
715:
707:
703:
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686:
681:
670:Joseph Breen
661:
654:
645:
638:
624:
593:
551:Jack Lambert
453:
449:
423:
408:
387:Gene Tierney
379:
375:Joseph Breen
364:
357:1926 version
350:
312:
309:1974 version
267:directed by
256:
255:
254:
221:Running time
198:Release date
75:
18:
2547:Life Begins
2447:Max Gerlach
2410:"Bang Bang"
2285:Adaptations
2165:October 31,
2074:October 31,
2050:October 31,
2025:October 31,
2001:October 31,
1977:October 31,
1886:October 31,
1861:October 31,
1781:November 3,
1747:November 3,
1710:October 31,
1685:October 11,
1649:October 31,
1621:October 31,
1592:October 31,
1569:Works cited
1535:Martin 1949
1384:Weiler 1947
1137:Howell 2013
1073:Restoration
873:service in
818:Betty Field
787:John Farrow
777:Betty Field
765:John Farrow
692:, July 1973
616:Lois Wilson
570:Development
541:as Kinsella
535:as Dan Cody
497:Ruth Hussey
479:Betty Field
445:World War I
391:Betty Field
383:John Farrow
327:Long Island
293:Ruth Hussey
285:Betty Field
249:$ 2 million
119:Ruth Hussey
109:Betty Field
89:Produced by
41:Directed by
2794:1949 films
2788:Categories
2707:Up in Arms
2335:Television
2266:Jay Gatsby
2259:Characters
2091:. London:
1421:Dixon 2003
1396:Brady 1948
1353:Brady 1946
1133:Dixon 2003
1085:References
1011:review by
826:Mia Farrow
795:Mia Farrow
726:jazz cycle
676:Screenplay
658:Cyril Hume
604:1925 novel
588:1925 novel
565:Production
545:Tito Vuolo
533:Henry Hull
474:Jay Gatsby
438:Duesenberg
430:Bootlegger
415:Jay Gatsby
399:Mia Farrow
338:Jay Gatsby
335:bootlegger
277:Cyril Hume
265:drama film
246:Box office
225:91 minutes
209:1949-07-13
174:Production
63:Cyril Hume
2587:Two Alone
2380:(musical)
1547:Hale 1949
1090:Citations
1077:In 2012,
896:Reception
850:Alan Ladd
635:Alan Ladd
594:In 1926,
527:Ed Begley
470:Alan Ladd
361:Alan Ladd
281:Alan Ladd
153:Edited by
104:Alan Ladd
2627:Splendor
2131:Archived
1910:Archived
1827:Archived
1796:The Mail
1775:Archived
1770:The Star
1741:Archived
1661:(2003).
1292:The Mail
1018:Jazz Age
649:Jazz Age
631:Oklahoma
557:Ray Teal
441:roadster
323:Jazz Age
238:Language
163:Music by
97:Starring
72:Based on
2484:(novel)
2372:(opera)
2197:at the
2067:Variety
1599:cycle.'
1107:Variety
993:Variety
840:Filming
736:Casting
553:as Reba
457:Midwest
411:flapper
241:English
230:Country
207: (
176:company
2774:(1952)
2766:(1951)
2758:(1950)
2750:(1949)
2742:(1949)
2734:(1948)
2726:(1947)
2718:(1947)
2710:(1944)
2702:(1943)
2694:(1942)
2686:(1941)
2678:(1939)
2670:(1939)
2662:(1938)
2654:(1938)
2646:(1937)
2638:(1936)
2630:(1935)
2622:(1935)
2614:(1935)
2606:(1935)
2598:(1934)
2590:(1934)
2582:(1934)
2574:(1933)
2566:(1933)
2558:(1933)
2550:(1932)
2542:(1932)
2354:(2000)
2346:(1958)
2327:(2013)
2319:(1974)
2311:(1949)
2303:(1926)
2099:
1945:
1733:
867:Gatsby
730:Gatsby
640:O.S.S.
633:actor
366:O.S.S.
295:, and
2440:Other
2396:Music
1971:(PDF)
1960:(PDF)
1009:'
668:head
373:head
329:near
2482:Nick
2292:Film
2188:IMDb
2167:2023
2139:2023
2110:2023
2097:ISBN
2076:2023
2052:2023
2027:2023
2003:2023
1979:2023
1943:ISBN
1918:2023
1888:2023
1863:2023
1835:2023
1805:2023
1783:2023
1749:2023
1731:ISBN
1712:2023
1687:2013
1651:2023
1623:2023
1594:2023
1505:1949
1309:1946
1294:1946
1109:1950
888:Okie
854:Okie
463:Cast
405:Plot
303:and
2248:'s
2208:at
2186:at
586:'s
490:as
481:as
472:as
325:on
317:by
81:by
2790::
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1673:.
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1527:^
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1148:^
1139:;
1135:;
1098:^
981:,
672:.
459:.
428:.
348:.
291:,
287:,
283:,
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2169:.
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2029:.
2005:.
1981:.
1920:.
1837:.
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1765:"
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977:—
935:.
688:—
211:)
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