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281:. This was issued in two volumes in London from 1701 to 1705 with an appendix covering the time period from 1688 "by another hand" being issued in the latter year. A further appendix was issued in 1721 and a second edition in 1727. The work was not considered a success as Collier's additions were not of the same quality as the source text and it came out during the same period as the
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Collier devotes nearly 300 pages to decry what he perceived as profanity and moral degeneration in the stage productions of the era. This ranged from general attacks on the morality of
Restoration theatre to very specific indictments of playwrights of the day. Collier argued that a venue as
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allowed women to act on stage; some of the first actresses were of ill-repute. Collier's pamphlets sought to stem the spread of vice but turned out to be the sparks that kindled a controversial flame between like-minded
Puritans and Restoration dramatists.
241:. Many of the playwrights responded with equally vehement attacks, but some were so deeply affected, they withdrew from theatre permanently or substantially changed their approach to writing comedies, Congreve amongst them.
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Encyclopaedias: their history throughout the ages; a bibliographical guide with extensive historical notes to the general encyclopaedias issued throughout the world from 350 B.C. to the present day.
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drama began to emerge even while
Restoration drama was still flourishing. During Collier's time, Societies for the Reformation of Manners dedicated themselves to maintaining honour in playhouses.
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144:) In the years following the Revolution he wrote a series of tracts questioning the legitimacy of the new monarchs and the deprival of the Non-juror bishops. He was well known for his
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influential as the theatre—it was believed then that the theatre should be providing moral instruction—should not have content that is morally detrimental. These pamphlets began a
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476:"The proceedings against the three nonjuring clergymen, Mr. Collier, Mr. Cook, and Mr. Snatt, for publicly absolving Sir William Parkyns and Sir John Freind at Tyburn".
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lasted a while even after
Collier's pamphlets, a new and more restrained theatre began to develop due, in part, to Collier's critiques. Due to the strict morals of the
220:(1660), playwrights reacted against the Puritanical restrictions with much more decadent plays. The plays produced in the Restoration drew comparisons to the great
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by critics of the day. However, these plays were considered vulgar because they mocked and disrespected marriage, morals, and the clergy. Furthermore,
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208:(1642) theatres were closed and in 1647 a law was passed to punish anyone who participated in or viewed drama. After the war, and during the
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152:, 1717 was the first salvo in the usages debate. His Essays were popular in his own day but are now little read. Collier wrote
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Reasons for restoring some prayers and directions, as they stand in the communion-service of the first
English reform'd liturgy
273:. He freely admitted that the text was based on a number of earlier historians, but especially out of the eighth edition of
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A Complete
Collection of State Trials and Proceedings for High Treason and Other Crimes and Misdemeanors
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who had conspired to assassinate the King and Queen. In 1713 he was consecrated a non-juror bishop by
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Visible and
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353:"BETTER TO BE ALONE THAN IN ILL COMPANY"JEREMY COLLIER THE YOUNGER: LIFE AND WORKS, 1650–1726
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Collier was the primus of the nonjuring line and a strong supporter of the four usages. (see
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A supplement to The great historical, geographical, genealogical and poetical dictionary
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The great historical, geographical, genealogical and poetical dictionary
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The great historical, geographical, genealogical and poetical dictionary
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The great historical, geographical, genealogical and poetical dictionary
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The Great
Historical, Geographical, Genealogical and Poetical Dictionary
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72:; 23 September 1650 – 26 April 1726) was an English theatre critic,
458:. Vol. 1. New York: Oxford University Press. pp. 287–288.
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A Short View of the
Immorality and Profaneness of the English stage
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English theatre critic, non-juror bishop and theologian (1650–1726)
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Short View of the
Immorality and Profaneness of the English Stage
419:. Vol. 11. London: Smith, Elder & Co. pp. 341–347.
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Churchyard. The grave is lost but Collier is not listed on the
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who wrote in this genre as well. Collier also translated the
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Collier died on 26 April 1726 and was buried on 29 April in
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In the history of English drama, Collier is known for his
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96:, receiving the BA (1673) and MA (1676). A supporter of
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Aurelius, Marcus (1701). T. Gataker; J. Collier (eds.).
445:. Detroit: Macmillan Reference USA. pp. 2435–2440.
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Salmon, Eric (2004). "Collier, Jeremy (1650–1726)".
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469:The Age of the Baroque and Enlightenment 1600–1800
456:The Oxford Encyclopedia of Theatre and Performance
430:The Age of the Baroque and Enlightenment 1600–1800
356:. Doctoral Dissertation, University of Pittsburgh.
156:but was a high-church monarchist, unlike the many
269:Collier published an early encyclopedia in 1701,
582:Alumni of Gonville and Caius College, Cambridge
471:. Vol. 5. Detroit: Gale. pp. 394–397.
432:. Vol. 5. Detroit: Gale. pp. 431–435.
361:Collier, Jeremy (1996) . Yuji, Kaneko (ed.).
345:. Translated by Jeremy Collier. London: Sare.
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146:Ecclesiastical History of Great Britain
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463:Edward I. Bleiberg, ed. (2005).
424:Edward I. Bleiberg, ed. (2005).
416:Dictionary of National Biography
405:Sutton, Charles William (1887).
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374:. University of Delaware Press.
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465:"Important Events in Theater"
279:Grand Dictionnaire Historique
452:"Collier Jeremy (1650–1726)"
450:Dennis Kennedy, ed. (2003).
439:"Drama: Drama and Religion"
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124:and two Scottish bishops,
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547:British nonjuror bishops
484:(391, column 406). 1812.
443:Encyclopedia of Religion
426:"The Hanoverian Theater"
319:Collison, Robert Lewis.
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437:Westlake, E.J. (2005).
394:(subscription required)
370:Cornwall, R.D. (1993).
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350:Boster, Tania (2009).
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365:. London: Routledge.
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