525:: "Now, 15 years later, have another love scene but this one is compatible with the new freedom as the audience is introduced to the actors free of their swim suits. For Miss Kerr to engage in a love scene in Jones' movie was a departure from her former roles, and thus it caused a stir. In 'The Gypsy Moths' her explicit nude scene takes her a step further, even to the brink of being the most mature (almost said oldest) featured actress to disrobe for the cameras....of the two sequences, the earlier was far more successful. Two highly disciplined persons...abandon their stations for a brief fling, and their embrace on the beach says it all....It was brief and it told the story without any need for nudity or more explicit action. John Frankenheimer falls victim to the current trend. The nude scene isn't needed....The two actors have set the tone of the scene and have created the empathy between the two characters so that the audience can take the scene to its conclusion without assistance from the director. The nude scene is extraneous and slows up the rhythm of the film at that point. Proof that this excess footage is the revelation that when 'The Gypsy Moths' played Radio City Music Hall the nude love scene and portions of the topless go-go bar scene were deleted without any loss of value to the film. It had an 'M' rating in New York, but with the addition of the two scenes is playing with an 'R' rating, a real disservice to the film. Actually, the film is well-made and benefits from some very good performances....In addition to the acting of Lancaster and Miss Kerr, there is a wonderful performance by Gene Hackman who makes a supporting role the most complete character in the film....Scott Wilson's performance as the youngest member of the trio...is a compelling piece of work....And Frankenheimer gains a delightful performance from Sheree North, the busty but tarnished waitress-dancer. She matches Hackman's expansive acting stride for stride as the two move towards an assignation."
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Frankenheimer tries to inveigle us into caring about three only hinted-at love relationships. Most of the footage of these affairs must be on a cutting room floor, because as they stand, their brevity is ludicrous....When
Deborah Kerr, who plays opposite Lancaster, meets the three men she says, 'I think you are all subtle, but in a direct sort of way.' 'The Gypsy Moths' is about as stimulating as Miss Kerr's fuzzy remark."
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Mike eventually asks
Elizabeth to leave town with him, but she declines. During the next skydiving exhibition, Mike performs a spectacular "cape jump" stunt but fails to pull the ripcord, intentionally falling to his death. Although nobody wants to discuss it, they suspect that he committed suicide.
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The skydivers stay at the home of
Malcolm's uncle and aunt, John and Elizabeth Brandon. Mike becomes romantically involved with Elizabeth, and her husband overhears them having sex. Malcolm falls for local student Annie Burke, a boarder in the Brandon house, while Joe takes an interest in a topless
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and Jay
Gifford were responsible for the aerial photography, including photographing the jumps with a 35 mm camera mounted on their helmets, while they jumped with the stunt doubles, a team of a half dozen skydivers; Mike Milts, Garth Taggart, Russ Benefiel, Dave Thompson, Bill Ledbetter and
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Gene Siskel was mostly critical: "John
Frankenheimer...is once again to be credited with superb action photography....But when Frankenheimer's parachutists get down to earth, the film falls apart....in commercial films, the producers feel they must create a human side for the athlete. And so
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in April 1966. The plan was for
Douglas to play the lead and the partners immediately hired David Heilweil to write the screenplay. John Frankenheimer, who had been directing and co-producing films in partnership with Douglas and Lewis since 1962 through his own film production company,
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resulted in the film only being partially re-edited "so it could debut at family-friendly Radio City Music Hall, where it promptly bombed. Only in
Hollywood could dealing with clueless studio executives be more frightening than jumping out of an airplane into free fall."
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That night, Annie consoles
Malcolm, and they have sex. Before the team leaves for good, they have to bury Mike. To pay for the funeral, Malcolm does the same stunt that killed Mike. He leaves by train that night, without attending Mike's funeral.
423:, and took with him several of the properties that he had acquired and developed with Frankenheimer. In January 1967, Lewis and Frankenheimer announced that they had together signed a four-picture financing and distribution deal with
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had the semblance of an "action film," but "if this were a real action movie, I would be required to do little except look up at the sky and squint. Unfortunately, there isn't that much skydiving."
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After its initial showings, the film was lengthened to 110 minutes and the rating changed to M for mature audiences. This rating was an early version of the later PG. As soon as it appeared,
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was widely seen in
Australia, with a local skydiving fraternity quick to seize the opportunity to promote their sport, showing a 16 mm print at many club meetings.
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At the time, the sport of skydiving was in its infancy, yet the film featured an extreme variation of the sport, the use of "batwings", a precursor to modern
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After
Douglas and Lewis broke off their partnership in December 1966 (after eleven years of working together), Lewis formed his own film production company,
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ran in limited release in the U.S., with few theaters giving it extended showings. Frankenheimer was depressed and felt that a recent management change at
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and their effect on a Midwestern American town, focusing on the differences in values between the town folk and the hard-living skydivers.
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Kelly, Martin P. "Films: Victim of the Current Trend." Albany (NY) Times-Union, 7 December 1969, E1, E3.
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A skydiving team called the Gypsy Moths visits a small town in Kansas (Benton) to put on a show for the
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Siskel, Gene. "The Movies: 'Gypsy Moths'." Chicago Tribune, 18 November 1969, b5.
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821:"Movie Review: 'The Gypsy Moths; (1969); The Screen: Barnstorming parachutists."
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694:"The Los Angeles Times from Los Angeles, California on January 4, 1967 · 72"
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in her first film role. Kerr had worked previously with Lancaster in
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Rouillard, Jerry. "Will the REAL 'Gypsy Moths' Please Stand Up?,"
294:(1958). The film had the only nude love scene in her film career.
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719:"Daily News from New York, New York on September 1, 1967 · 102"
924:. Jefferson, North Carolina: McFarland & Company, 2010.
598:"Archival Resources in Wisconsin: Descriptive Finding Aids"
937:
John Frankenheimer: A Conversation with Charles Champlin
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and the film was to be co-produced by Hal Landers and
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John Frankenheimer: Interviews, Essays, and Profiles
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902:. Washington D.C.: Rowman & Littlefield, 2013.
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884:, October 21, 2013. Retrieved: July 18, 2015.
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913:Bushell, Sue J. "Some Damn Good Airplanes."
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1027:Skydivers demonstrating filming techniques
939:. Ashland, Oregon: Riverwood Press, 1995.
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416:, was to direct the film from the start.
954:magazine, November 1969, pp. 10–12.
450:replaced him after Law broke his wrist.
431:. The screenplay had been re-written by
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805:"Articles: 'The Gypsy Moths' (1969)."
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544:(1962). Despite this, he would call
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854:"Notes: 'The Gypsy Moths' (1969)."
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626:Variety 1966-06-08: Vol 243 Iss 3
446:was originally in the cast, but
1585:Films scored by Elmer Bernstein
548:one of his two favorite films.
16:1969 film by John Frankenheimer
1590:Films based on American novels
564:List of American films of 1969
467:decoding the "DGA" designation
414:John Frankenheimer Productions
163:John Frankenheimer Productions
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409:Douglas and Lewis Productions
399:, was originally acquired by
1580:1960s English-language films
1006:AFI Catalog of Feature Films
868:Champlin 1995, pp. 117–118.
382:John Napier as Dick Donford
167:Landers-Roberts Productions
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859:. Retrieved: May 20, 2022.
810:. Retrieved: May 20, 2022.
407:' film production company
1615:Metro-Goldwyn-Mayer films
1466:A Town Has Turned to Dust
922:Deborah Kerr: A Biography
602:digicoll.library.wisc.edu
397:The Gypsy Moths – A Fable
274:. The film also features
194:August 28, 1969
26:
1345:The Island of Dr. Moreau
1185:The Extraordinary Seaman
1125:The Manchurian Candidate
1013:Skydiving sequence from
541:The Manchurian Candidate
453:The aerial sequences in
421:Edward Lewis Productions
158:Edward Lewis Productions
1570:American aviation films
1476:For Whom the Bell Tolls
898:Armstrong, Stephen B.
776:Rouillard 1969, p. 33.
767:Armstrong 2013, p. 35.
1486:The Turn of the Screw
1386:Portrait in Celluloid
1295:The Holcroft Covenant
920:Capua, Michelangelo.
857:Turner Classic Movies
808:Turner Classic Movies
523:From Here to Eternity
393:James William Drought
285:From Here to Eternity
1630:1960s American films
1620:Skydiving in fiction
1605:Films shot in Kansas
1575:American drama films
1255:French Connection II
785:Bushell 1987, p. 41.
337:as Elizabeth Brandon
298:composed the score.
1600:Films set in Kansas
1416:The Thundering Wave
1245:99 and 44/100% Dead
1115:Birdman of Alcatraz
935:Champlin, Charles.
582:Capua 2010, p. 152.
494:Metro-Goldwyn-Mayer
425:Metro-Goldwyn-Mayer
241:is a 1969 American
180:Metro-Goldwyn-Mayer
1506:The Burning Season
1085:The Young Stranger
1069:John Frankenheimer
1067:Works directed by
994:TCM Movie Database
879:"The Gypsy Moths."
826:, August 29, 1969.
824:The New York Times
503:The New York Times
500:In his review for
251:John Frankenheimer
46:John Frankenheimer
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1446:Rumors of Evening
1436:The Violent Heart
1406:The Troublemakers
1235:Impossible Object
1225:The Iceman Cometh
1135:Seven Days in May
1095:The Young Savages
794:Rouillard, p. 10.
675:. 27 January 1967
647:. 27 January 1967
481:Jerry Rouillard.
349:as Malcolm Webson
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122:Philip H. Lathrop
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1536:Path to War
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1554:Categories
1377:Television
1305:52 Pick-Up
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570:References
388:Production
243:drama film
198:1969-08-28
147:Production
69:1964 novel
1315:Dead Bang
1175:The Fixer
1145:The Train
485:Reception
461:, with a
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149:companies
128:Edited by
1275:Prophecy
983:AllMovie
558:See also
373:as Pilot
314:dancer.
227:Language
136:Music by
96:Starring
62:Based on
1318:(1989)
1268:(1977)
1248:(1974)
1155:Seconds
1118:(1962)
1032:YouTube
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1003:at the
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535:Seconds
230:English
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1539:(2002)
1529:(1997)
1519:(1996)
1509:(1994)
1499:(1994)
1489:(1959)
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302:Plot
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