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Claire stabs Adam and panics, fleeing into the forest with Finn. Adam soon follows them as his symptoms worsen, and he grows weak around lights. Claire escapes the forest, running to a nearby house for help. Colm is revealed to be the owner, and he sends Claire and Finn away at gunpoint, claiming that The Hallow took his daughter Cora as well. Adam enters The Hallow's nest and retrieves the real Finn from a fully transformed Cora. Claire fends off a group of The Hallow with a camera flash and reunites with Adam, who convinces her that he has the real Finn. They swap babies before Adam is fatally wounded by one of the creatures. The sun rises, forcing the creatures to retreat and destroying the changeling, proving that Adam was right.
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backseats. He finds Finn unharmed but the car covered in scratch marks. Unnerved, Adam and Finn return home on foot as night falls, and Claire tells them about Colm. Adam tells Claire to call the police and arms himself with a shotgun. The power goes out, and they find the house has been ransacked. They decide to flee to the car, whereupon they are attacked by the creatures the villagers have warned them about. Adam, Claire, and Finn drive away, but the creatures cause them to crash into a ravine, and they retreat back to the house.
458:. The effects were primarily practical. The creatures were a mix of practical effects and CGI. Although a fan of old-school "man in a rubber suit" effects, Hardy took advantage of modern technology to augment the look of the creatures. In order to make the creatures more unsettling, their limbs were extended using practical effects, as Hardy believed a full-CGI monster would not be scary. This allowed the filmmakers to use on-set lighting to heighten the creepiness. This was inspired in part by
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giving the narrative a more rational, scientific base than the traditional magic-based fable. Martijn van
Broekhuizen was the cinematographer. van Broekhuizen and Hardy had not worked together previously, but van Broekhuizen was aware of his work. After talking together on Skype, van Broekhuizen was impressed with Hardy's ability to clearly express his vision. van Broekhuizen credited his work on a Dutch film in which he shot complex nighttime scenes in a forest as the reason why he was hired for
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digital camera, and the lighting was designed to evoke a fairytale atmosphere. Hardy had wanted to shoot on film, but budget limitations prevented this. Hardy characterized the production as having both "good fear" and "bad fear": the good kind inspired them to perform to the best of their ability,
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and baby stealers". Later, Adam spots strange movement in the woods and Claire is puzzled by the fact that the windows of the house are all covered in iron bars. The next day Adam and Finn arrive in town to replace the broken window, when they are treated coldly by the villagers who repeat the legend
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Adam sets his broken leg and, upon Claire and Finn's return to the house, begins to suspect that the Finn that Claire rescued is actually a changeling. Claire refuses to believe this, and the couple fight as Claire notices Adam starting to mutate via the fungus injected into him through the stinger.
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On the drive back, Adam's car breaks down, and he discovers the fungus substance has entered the engine of his car. As he investigates the rest of the car, something pushes him into the boot and locks him in. Adam hears Finn crying as the car starts to shake, and he manages to break out through the
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While looking out of a keyhole, Adam is stabbed in the eye by a stinger from one of the creatures and realizes that light repels them. Claire and Finn flee into the attic while Adam goes to start the backup generator. The creatures attack Claire and Finn and nearly stab Claire in the eye too, but
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specializing in plant and fungal life, his wife Claire, and baby son Finn travel to a remote Irish village surrounded by a large forest. While exploring the forest with Finn, Adam stumbles upon an animal carcass with a strange fungal substance that has burst open the body. Adam takes a sample and
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Shooting took place in
Ireland for six weeks. Hardy wanted to keep the shooting "as real as possible". This involved shooting on location in forests and around lakes, including one scene where Hardy wore a wetsuit to shoot from inside a lake. Continuing this theme of realism, Hardy focused on
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That night, the window in Finn's room is broken while he is sleeping. While the couple suspects the culprit is Colm in an attempt to scare them away, the police arrive and suggest that a bird flew in. The officers inform them of the legend about the surrounding forest—that is inhabited by "The
429:". Although Hardy is a fan of vampires, werewolves, and zombies, he felt that there were already enough films based around those monsters, and he wanted to do something less overexposed. He decided on using Irish folktales as a base. As a fan of Mawle, Hardy wrote the lead role for him.
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rated it C− and wrote, "Despite a number of supremely original sequences – one of which involves a car trunk, another a cavernous dwelling – they’re all carried out rather predictably, cinching any warranted tension within seconds." Fred Topel of
479:, a review aggregator, reports that 73% of 56 surveyed critics gave the film a positive review; the average rating is 6.2/10. The site's consensus reads: "Drenched in dark atmosphere and bolstered with some real emotion underneath all the chills,
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Adam dies from his wounds while Claire escapes to the house and cries with the real Finn over Adam's death. Later, a logging company start to cut down the forest, and the fungus substance is revealed to be on several logs being driven away.
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Adam is able to start the generator and ward the attackers off. The couple barricades the house and locks Finn in a cupboard. They discover the book that Colm gave Claire is filled with information about The Hallow, including their use of
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wrote, "As first films go, this one is visually energized, dynamically paced and discerning in its cine-literate references. It's also a kickass calling card for Hardy as he moves on to bigger projects." Michael
Roffman of
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335:. One of The Hallow manages to abduct Finn before his parents can stop it, and Adam breaks his leg, knocking himself unconscious. Claire pursues the creature and Finn into the forest and retrieves him safely from a pond.
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The film was written to segue from a relationship drama into more of a dark fairytale, and the pacing matched this transition. Hardy wanted to touch upon many different subgenres of horror, including
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and the bad kind caused them to be averse to taking risks. Hardy credited his confidence in the production as raising morale when they were performing long shoots in rural locations.
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462:. The baby seen in the film is a mix of animatronics and twins that were digitally shot in front of a blue screen. The effects were inspired in part by the 2001 version of
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suggests a wonderfully horrifying future for director Corin Hardy." It has a score of 65/100 on
Metacritic based on 12 reviews. Geoff Berkshire of
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The creatures were done by
British SFX artist John Nolan, whom Hardy sought out in an effort to find what he called the British equivalent to
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returns home with Finn while Claire has an encounter with a local called Colm
Donnelly who seems unhappy that the family has moved in.
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to get rolling, but once it reaches a bang-up final act, genre fans could walk out clamoring for a sequel." David Rooney of
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of The Hallow. Colm arrives at the house again, frightening Claire, and warns her to leave before giving her an old book.
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777:"Meet the 2015 Sundance Filmmakers #34: Corin Hardy Explores the Perils of Parenting in 'The Hallow'"
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rated it 4/5 stars and called for sequels to revisit the film's mythology, which he praised.
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749:"Cinematographer Martijn van Broekhuizen on Shooting Sundance Horror Drama, The Hallow"
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971:"[Sundance '15 Review] 'The Hallow' Is a Relentless Creature Feature!"
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690:"Sundance '15: Director Corin Hardy Talks the Dark Folklore of "THE HALLOW""
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629:"Sundance 2015 Interview: Corin Hardy on 'The Hallow' & 'The Crow'"
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804:""There is Good Fear and Bad Fear": The Hallow | Director Corin Hardy"
721:"Sundance 2015: Check out a creepy clip from horror film 'The Hallow'"
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395:. Inspirations for the film were Hardy's love for fairytales,
529:"Sundance 2015: Fight Back Against this Clip from The Hallow"
399:(with whom Hardy was close friends), and horror films like
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This article is about the 2015 film. For other uses, see
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887:"Sundance Film Review: 'The Hallow'"
885:Berkshire, Geoff (31 January 2015).
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688:Gingold, Michael (23 January 2015).
602:British Board of Film Classification
775:Narasaki, Rosie (27 January 2015).
747:Macaulay, Scott (2 February 2015).
1269:English-language independent films
943:"Sundance Film Review: The Hallow"
14:
913:Rooney, David (30 January 2015).
719:Collis, Clark (22 January 2015).
660:Sandwell, Ian (5 November 2014).
1244:Films based on Celtic mythology
1239:2010s supernatural horror films
969:Topel, Fred (27 January 2015).
915:"'The Hallow': Sundance Review"
832:"The Hallow (The Woods) (2015)"
627:Topel, Fred (27 January 2015).
527:Moore, Debi (23 January 2015).
442:. Shooting took place with an
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1264:English-language horror films
1254:2010s English-language films
1249:2015 directorial debut films
1053:Empire Award for Best Horror
295:2015 Sundance Film Festival
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489:wrote, "It takes time for
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1234:British body horror films
1194:British independent films
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662:"Corin Hardy, The Hallow"
305:Adam Hitchens, a British
190:25 January 2015
42:Theatrical release poster
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1224:Irish independent films
126:Martijn Van Broekhuizen
18:Hallow (disambiguation)
1229:2015 independent films
920:The Hollywood Reporter
566:British Film Institute
496:The Hollywood Reporter
205:10 July 2015
163:Occupant Entertainment
1209:Films shot in Ireland
417:. It was pitched as "
314:Hallow", a breed of "
213: (United Kingdom)
1204:Films set in Ireland
1199:Films set in forests
1097:Let the Right One In
948:Consequence of Sound
726:Entertainment Weekly
503:Consequence of Sound
297:on 25 January 2015.
1259:2010s British films
573:on 2 September 2017
561:"The Hallow (2015)"
265:(originally titled
1214:Irish horror films
1121:The Woman in Black
465:Planet of the Apes
365:Michael McElhatton
361:as Claire Hitchens
287:Michael McElhatton
269:) is a 2015 Irish
109:Michael McElhatton
1219:Folk horror films
1189:2015 horror films
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812:. 25 January 2015
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859:"The Hallow"
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667:Screen Daily
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605:. 7 May 2015
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571:the original
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273:directed by
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222:Running time
134:Nick Emerson
99:Joseph Mawle
22:
1065:The Descent
634:CraveOnline
389:body horror
383:Development
333:changelings
275:Corin Hardy
271:horror film
75:Produced by
64:Corin Hardy
52:Corin Hardy
48:Directed by
1184:2015 films
1178:Categories
1145:The Hallow
1012:The Hallow
1001:The Hallow
870:3 December
864:Metacritic
595:THE HALLOW
515:References
491:The Hallow
481:The Hallow
456:Rob Bottin
444:Arri Alexa
440:The Hallow
420:Straw Dogs
378:Production
262:The Hallow
226:97 minutes
209:2015-07-10
194:2015-01-25
148:Production
58:Written by
31:The Hallow
25:2015 film
1153:The Witch
1113:Kill List
1089:Eden Lake
809:Filmmaker
782:Indiewire
754:Filmmaker
472:Reception
414:The Thing
267:The Woods
231:Countries
150:companies
131:Edited by
982:26 March
954:26 March
926:26 March
898:26 March
843:11 March
816:26 March
788:26 March
760:26 March
732:26 March
701:26 March
695:Fangoria
673:26 March
640:26 March
577:29 April
540:26 March
320:banshees
251:Language
200:Sundance
139:Music by
92:Starring
1161:Get Out
892:Variety
486:Variety
433:Filming
316:fairies
254:English
240:Ireland
207: (
192: (
1164:(2018)
1156:(2017)
1148:(2016)
1140:(2015)
1132:(2014)
1124:(2013)
1116:(2012)
1108:(2011)
1100:(2010)
1092:(2009)
1084:(2008)
1076:(2007)
1073:Hostel
1068:(2006)
609:6 July
423:meets
411:, and
289:, and
198: (
597:(15)"
460:Alien
408:Alien
1006:IMDb
984:2015
956:2015
928:2015
900:2015
872:2015
845:2016
818:2015
790:2015
762:2015
734:2015
703:2015
675:2015
642:2015
611:2015
579:2018
542:2015
391:and
347:Cast
301:Plot
1015:at
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454:or
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