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The Happy End Problem

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1668: 402: 397: 392: 387: 382: 448:... is a fine summation of Frith's career to date: enigmatic beauty juxtaposed with near-minimalist tendencies; occasional passages of jagged but strangely appealing edges and unapologetic free play blending with cued compositional sections; and a confluence of cultural references that are unmistakable, even as they join together for a new, unified whole." 38: 451:
Writing for Paris Transatlantic, Massimo Ricci stated that "the music benefits enormously from the stunning performances of all the players involved," and, regarding the final track, remarked: "My soul undergoes a meltdown about 15 minutes into the track, when Wu Fei's delicate gu zheng figures
1404: 437:, François Couture wrote: "Whether you prefer the calm of 'Imitation' or the more disquieting overtones of 'The Happy End Problem,' both pieces fare very well without their choreographed component." 1556: 1308: 275:
albums he made. It comprises two suites composed in 2003 by Frith "for flute, bassoon, gu zheng, percussion, violin and electronics" and was recorded in 2003 and 2004.
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remind us of the frailty of purpose amidst the often overwhelming forces of life... one of the most touching sections of... an instant classic."
1707: 833: 1448: 1132: 688: 1472: 1139: 1221: 1125: 1019: 1296: 1242: 1228: 1199: 429:"Overall two highly accomplished and fascinating pieces of music, more perhaps for the classical enthusiast than the progger." 1324: 1153: 1107: 1100: 984: 1702: 921: 916: 868: 1348: 1185: 1093: 1005: 998: 225: 1697: 1572: 977: 295: 291: 37: 1524: 1480: 1420: 1065: 931: 654: 1492: 826: 1301: 1058: 991: 1652: 1641: 1368: 272: 745: 1596: 1440: 771: 597: 283:
The two suites on the album, "Imitation" and "The Happy End Problem" were composed by Frith for small
1692: 1619: 1536: 1516: 1192: 1072: 1040: 875: 585: 533: 494: 483: 176: 17: 719: 1671: 1601: 1392: 819: 617: 591: 85: 627: 1079: 207: 633: 1588: 1460: 1428: 1385: 953: 561: 336: 97: 1256: 1033: 1026: 623:"The Happy End Problem" recorded at Guerrilla Recordings, Oakland, California, February 2003 284: 1504: 1497: 1453: 1433: 948: 896: 567: 310: 133: 1361: 1577: 1529: 1485: 1397: 1167: 1012: 693: 573: 441: 374: 1686: 1549: 1274: 1160: 926: 911: 344: 340: 324: 265: 158: 1646: 1581: 1329: 1313: 970: 943: 936: 882: 579: 315: 288: 250: 125: 120: 1544: 1509: 1356: 1341: 1336: 1317: 92: 1564: 1465: 1146: 889: 842: 555: 542: 529: 522: 515: 508: 501: 490: 479: 472: 465: 332: 320: 268: 145: 138: 50: 1373: 903: 861: 854: 257: 800: 1235: 723: 434: 410: 299: 287:
of six and seven musicians. They were originally commissioned in 2003 by
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In "The Happy End Problem" Frith drew on elements from
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For the mathematical theorem of a similar name, see
1634: 1611: 1288: 1266: 1213: 1177: 1117: 1050: 962: 193: 144: 132: 119: 103: 91: 80: 72: 57: 44: 30: 425:summed up the album with the following comment: 246:The Happy End Problem (Music for Dance Volume 5) 1413:Live in Trondheim, Berlin & Limoges, Vol. 2 298:. Both suites premiered at the Stadttheater in 616:"Imitation" recorded at Guerrilla Recordings, 379: 827: 8: 1608: 1452:(with Lesli Dalaba, Eric Glick Rieman and 1263: 1047: 834: 820: 812: 354: 36: 27: 1592:(with Nicolas Humbert and Marc Parisotto) 713: 711: 558:– guitar, bass guitar, laptop instruments 682: 680: 645: 1250:All Is Always Now – Live at The Stone 360: 7: 746:"Frith, Fred: The Happy End Problem" 1449:Dalaba Frith Glick Rieman Kihlstedt 381: 25:2006 studio album by Fred Frith 1473:50th Birthday Celebration Volume 5 687:Kelman, John (26 September 2008). 626:Engineered, mixed and mastered by 271:, and is the fifth of a series of 14: 1667: 1666: 400: 395: 390: 385: 380: 1229:Stone, Brick, Glass, Wood, Wire 1408:(with François-Michel Pesenti) 1: 1708:Albums produced by Fred Frith 1325:Live in Prague and Washington 1101:Field Days (The Amanda Loops) 770:Ricci, Massimo (April 2007). 296:The Pretty Ugly Dance Company 922:French Frith Kaiser Thompson 339:was a student of Frith's at 1094:Nowhere, Sideshow, Thin Air 323:elements and played on the 226:Nowhere, Sideshow, Thin Air 1724: 1573:Angels on the Edge of Time 1484:(with Carla Kihlstedt and 15: 1662: 1481:The Compass, Log and Lead 932:Fred Frith Guitar Quartet 849: 655:"Fred Frith compositions" 541:"The Happy End Problem" ( 368: 365: 319:. "Imitation" focused on 238: 201: 189: 152: 35: 1493:Duo (Victoriaville) 2005 1372:(with Bob Ostertag and 1297:With Friends Like These 1059:The Technology of Tears 992:Cheap at Half the Price 720:"The Happy End Problem" 689:"The Happy End Problem" 588:– electronics, clarinet 294:for two dances for her 1653:Step Across the Border 1642:Fred Frith discography 1133:Step Across the Border 84:Guerrilla Recordings, 1620:Friends & Enemies 1597:Laying Demons to Rest 1441:2 Gentlemen in Verona 1087:The Happy End Problem 801:The Happy End Problem 446:The Happy End Problem 217:The Happy End Problem 168:The Happy End Problem 31:The Happy End Problem 1580:, Gianni Gebbia and 1560:(with ARTE Quartett) 1537:The Art of Memory II 1517:The Stone: Issue Two 1193:Freedom in Fragments 1140:Middle of the Moment 1073:The Previous Evening 1041:Guitar Solos / Fifty 356:Professional ratings 177:The Stone: Issue Two 18:Happy ending problem 1703:Fred Records albums 1602:Susana Santos Silva 1520:(with Chris Cutler) 1444:(with Chris Cutler) 1416:(with Chris Cutler) 1393:Live Improvisations 1352:(with Henry Kaiser) 1126:The Top of His Head 776:Paris Transatlantic 718:Couture, François. 659:Fred Frith homepage 618:Oakland, California 357: 331:. At the time, the 86:Oakland, California 1349:Who Needs Enemies? 750:Sea of Tranquility 564:(1-9) – shakuhachi 423:Sea of Tranquility 355: 1698:Fred Frith albums 1680: 1679: 1630: 1629: 1623:with Henry Kaiser 1589:Cut Up the Border 1525:The Sugar Factory 1461:What Leave Behind 1429:Traffic Continues 1421:The Art of Memory 1386:Ferdinand Richard 1284: 1283: 1209: 1208: 744:Barnes, Richard. 611:Sound and artwork 419: 418: 327:'s perception of 242: 241: 234: 233: 197:series chronology 185: 184: 98:Experimental rock 1715: 1670: 1669: 1609: 1568:(with John Zorn) 1540:(with John Zorn) 1476:(with John Zorn) 1424:(with John Zorn) 1309:Voice of America 1264: 1154:Rivers and Tides 1048: 1034:Clearing Customs 1027:To Sail, to Sail 836: 829: 822: 813: 787: 786: 784: 782: 767: 761: 760: 758: 756: 741: 735: 734: 732: 730: 715: 706: 705: 703: 701: 684: 675: 674: 672: 670: 665:on 12 March 2011 661:. 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Retrieved 663:the original 658: 648: 628:Myles Boisen 600:(10) – cello 594:(10) – flute 580:Theresa Wong 576:– percussion 528:"Hanabira" ( 461:"Imitation" 450: 445: 444:commented: " 439: 432: 422: 420: 314: 308: 282: 251:studio album 245: 244: 243: 224: 216: 215: 206: 194: 175: 167: 166: 157: 46:Studio album 22: 1693:2006 albums 1545:Still Urban 1510:Janet Feder 1357:Nous Autres 1342:Lol Coxhill 1337:French Gigs 1318:Phil Minton 1214:Live albums 700:24 November 632:Artwork by 1687:Categories 1565:Late Works 1466:Toychestra 1147:Eye to Ear 1108:Propaganda 1080:Accidental 985:Speechless 954:Naked City 890:Cosa Brava 843:Fred Frith 640:References 556:Fred Frith 514:"Kasumi" ( 500:"Shi--o" ( 333:shakuhachi 279:Background 269:Fred Frith 266:improvisor 208:Accidental 148:chronology 146:Fred Frith 139:Fred Frith 51:Fred Frith 1374:John Zorn 904:Henry Now 862:Art Bears 855:Henry Cow 772:"Reviews" 634:Tom Kurth 550:Personnel 545:) – 21:00 415:favorable 351:Reception 285:ensembles 258:guitarist 1672:Category 1257:Woodwork 1236:Impur II 1186:Pacifica 1006:Clearing 999:Quartets 949:Material 869:Massacre 755:24 April 729:29 March 724:AllMusic 570:– violin 536:) – 3:48 525:) – 1:12 521:"Sumi" ( 518:) – 2:15 511:) – 3:52 507:"Beni" ( 504:) – 1:33 497:) – 3:05 486:) – 2:33 475:) – 5:37 471:"Kira" ( 468:) – 6:18 464:"Ukon" ( 435:AllMusic 411:AllMusic 335:player, 321:Oriental 300:Freiburg 262:composer 134:Producer 73:Recorded 58:Released 48: by 1635:Related 1381:Dropera 978:Gravity 806:Discogs 781:28 July 669:6 March 534:Scanlon 495:Scanlon 489:"Tan" ( 484:Scanlon 478:"Kio" ( 343:in the 304:Germany 255:English 230:(2009) 221:(2006) 212:(2002) 181:(2007) 172:(2006) 163:(2006) 63: ( 1600:(with 1576:(with 1548:(with 1528:(with 1508:(with 1496:(with 1464:(with 1432:(with 1396:(with 1384:(with 1360:(with 1340:(with 1328:(with 1312:(with 1300:(with 1066:Allies 1013:Prints 604:Wu Fei 369:Rating 366:Source 104:Length 81:Studio 1275:Impur 543:Frith 530:Frith 523:Frith 516:Frith 509:Frith 502:Frith 491:Frith 480:Frith 473:Frith 466:Frith 329:Japan 249:is a 159:Impur 121:Label 93:Genre 1316:and 783:2022 757:2007 731:2012 702:2015 671:2007 264:and 128:(UK) 126:Fred 65:2006 61:2006 804:at 253:by 1689:: 774:. 748:. 722:. 710:^ 691:. 679:^ 657:. 532:, 493:, 482:, 302:, 260:, 113:13 109:51 1604:) 1584:) 1552:) 1532:) 1512:) 1500:) 1488:) 1468:) 1456:) 1436:) 1400:) 1388:) 1376:) 1364:) 1344:) 1332:) 1320:) 1304:) 835:e 828:t 821:v 808:. 785:. 759:. 733:. 704:. 673:. 111:: 67:) 20:.

Index

Happy ending problem

Studio album
Fred Frith
Oakland, California
Genre
Experimental rock
Label
Fred
Producer
Fred Frith
Fred Frith
Impur
The Stone: Issue Two
Accidental
Nowhere, Sideshow, Thin Air
studio album
English
guitarist
composer
improvisor
Fred Frith
Music for Dance
ensembles
choreographer
Amanda Miller
The Pretty Ugly Dance Company
Freiburg
Germany
Igor Stravinsky

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