1668:
402:
397:
392:
387:
382:
448:... is a fine summation of Frith's career to date: enigmatic beauty juxtaposed with near-minimalist tendencies; occasional passages of jagged but strangely appealing edges and unapologetic free play blending with cued compositional sections; and a confluence of cultural references that are unmistakable, even as they join together for a new, unified whole."
38:
451:
Writing for Paris
Transatlantic, Massimo Ricci stated that "the music benefits enormously from the stunning performances of all the players involved," and, regarding the final track, remarked: "My soul undergoes a meltdown about 15 minutes into the track, when Wu Fei's delicate gu zheng figures
1404:
437:, François Couture wrote: "Whether you prefer the calm of 'Imitation' or the more disquieting overtones of 'The Happy End Problem,' both pieces fare very well without their choreographed component."
1556:
1308:
275:
albums he made. It comprises two suites composed in 2003 by Frith "for flute, bassoon, gu zheng, percussion, violin and electronics" and was recorded in 2003 and 2004.
1412:
1249:
452:
remind us of the frailty of purpose amidst the often overwhelming forces of life... one of the most touching sections of... an instant classic."
1707:
833:
1448:
1132:
688:
1472:
1139:
1221:
1125:
1019:
1296:
1242:
1228:
1199:
429:"Overall two highly accomplished and fascinating pieces of music, more perhaps for the classical enthusiast than the progger."
1324:
1153:
1107:
1100:
984:
1702:
921:
916:
868:
1348:
1185:
1093:
1005:
998:
225:
1697:
1572:
977:
295:
291:
37:
1524:
1480:
1420:
1065:
931:
654:
1492:
826:
1301:
1058:
991:
1652:
1641:
1368:
272:
745:
1596:
1440:
771:
597:
283:
The two suites on the album, "Imitation" and "The Happy End
Problem" were composed by Frith for small
1692:
1619:
1536:
1516:
1192:
1072:
1040:
875:
585:
533:
494:
483:
176:
17:
719:
1671:
1601:
1392:
819:
617:
591:
85:
627:
1079:
207:
633:
1588:
1460:
1428:
1385:
953:
561:
336:
97:
1256:
1033:
1026:
623:"The Happy End Problem" recorded at Guerrilla Recordings, Oakland, California, February 2003
284:
1504:
1497:
1453:
1433:
948:
896:
567:
310:
133:
1361:
1577:
1529:
1485:
1397:
1167:
1012:
693:
573:
441:
374:
1686:
1549:
1274:
1160:
926:
911:
344:
340:
324:
265:
158:
1646:
1581:
1329:
1313:
970:
943:
936:
882:
579:
315:
288:
250:
125:
120:
1544:
1509:
1356:
1341:
1336:
1317:
92:
1564:
1465:
1146:
889:
842:
555:
542:
529:
522:
515:
508:
501:
490:
479:
472:
465:
332:
320:
268:
145:
138:
50:
1373:
903:
861:
854:
257:
800:
1235:
723:
434:
410:
299:
287:
of six and seven musicians. They were originally commissioned in 2003 by
261:
1380:
805:
303:
254:
662:
603:
306:, "The Happy End Problem" in May 2003 and "Imitation" in April 2004.
328:
45:
815:
811:
309:
In "The Happy End
Problem" Frith drew on elements from
347:, and he constructed "Imitation" around her playing.
16:
For the mathematical theorem of a similar name, see
1634:
1611:
1288:
1266:
1213:
1177:
1117:
1050:
962:
193:
144:
132:
119:
103:
91:
80:
72:
57:
44:
30:
425:summed up the album with the following comment:
246:The Happy End Problem (Music for Dance Volume 5)
1413:Live in Trondheim, Berlin & Limoges, Vol. 2
298:. Both suites premiered at the Stadttheater in
616:"Imitation" recorded at Guerrilla Recordings,
379:
827:
8:
1608:
1452:(with Lesli Dalaba, Eric Glick Rieman and
1263:
1047:
834:
820:
812:
354:
36:
27:
1592:(with Nicolas Humbert and Marc Parisotto)
713:
711:
558:– guitar, bass guitar, laptop instruments
682:
680:
645:
1250:All Is Always Now – Live at The Stone
360:
7:
746:"Frith, Fred: The Happy End Problem"
1449:Dalaba Frith Glick Rieman Kihlstedt
381:
25:2006 studio album by Fred Frith
1473:50th Birthday Celebration Volume 5
687:Kelman, John (26 September 2008).
626:Engineered, mixed and mastered by
271:, and is the fifth of a series of
14:
1667:
1666:
400:
395:
390:
385:
380:
1229:Stone, Brick, Glass, Wood, Wire
1408:(with François-Michel Pesenti)
1:
1708:Albums produced by Fred Frith
1325:Live in Prague and Washington
1101:Field Days (The Amanda Loops)
770:Ricci, Massimo (April 2007).
296:The Pretty Ugly Dance Company
922:French Frith Kaiser Thompson
339:was a student of Frith's at
1094:Nowhere, Sideshow, Thin Air
323:elements and played on the
226:Nowhere, Sideshow, Thin Air
1724:
1573:Angels on the Edge of Time
1484:(with Carla Kihlstedt and
15:
1662:
1481:The Compass, Log and Lead
932:Fred Frith Guitar Quartet
849:
655:"Fred Frith compositions"
541:"The Happy End Problem" (
368:
365:
319:. "Imitation" focused on
238:
201:
189:
152:
35:
1493:Duo (Victoriaville) 2005
1372:(with Bob Ostertag and
1297:With Friends Like These
1059:The Technology of Tears
992:Cheap at Half the Price
720:"The Happy End Problem"
689:"The Happy End Problem"
588:– electronics, clarinet
294:for two dances for her
1653:Step Across the Border
1642:Fred Frith discography
1133:Step Across the Border
84:Guerrilla Recordings,
1620:Friends & Enemies
1597:Laying Demons to Rest
1441:2 Gentlemen in Verona
1087:The Happy End Problem
801:The Happy End Problem
446:The Happy End Problem
217:The Happy End Problem
168:The Happy End Problem
31:The Happy End Problem
1580:, Gianni Gebbia and
1560:(with ARTE Quartett)
1537:The Art of Memory II
1517:The Stone: Issue Two
1193:Freedom in Fragments
1140:Middle of the Moment
1073:The Previous Evening
1041:Guitar Solos / Fifty
356:Professional ratings
177:The Stone: Issue Two
18:Happy ending problem
1703:Fred Records albums
1602:Susana Santos Silva
1520:(with Chris Cutler)
1444:(with Chris Cutler)
1416:(with Chris Cutler)
1393:Live Improvisations
1352:(with Henry Kaiser)
1126:The Top of His Head
776:Paris Transatlantic
718:Couture, François.
659:Fred Frith homepage
618:Oakland, California
357:
331:. At the time, the
86:Oakland, California
1349:Who Needs Enemies?
750:Sea of Tranquility
564:(1-9) – shakuhachi
423:Sea of Tranquility
355:
1698:Fred Frith albums
1680:
1679:
1630:
1629:
1623:with Henry Kaiser
1589:Cut Up the Border
1525:The Sugar Factory
1461:What Leave Behind
1429:Traffic Continues
1421:The Art of Memory
1386:Ferdinand Richard
1284:
1283:
1209:
1208:
744:Barnes, Richard.
611:Sound and artwork
419:
418:
327:'s perception of
242:
241:
234:
233:
197:series chronology
185:
184:
98:Experimental rock
1715:
1670:
1669:
1609:
1568:(with John Zorn)
1540:(with John Zorn)
1476:(with John Zorn)
1424:(with John Zorn)
1309:Voice of America
1264:
1154:Rivers and Tides
1048:
1034:Clearing Customs
1027:To Sail, to Sail
836:
829:
822:
813:
787:
786:
784:
782:
767:
761:
760:
758:
756:
741:
735:
734:
732:
730:
715:
706:
705:
703:
701:
684:
675:
674:
672:
670:
665:on 12 March 2011
661:. Archived from
650:
598:Heather Vorwerck
433:In a review for
405:
404:
403:
399:
398:
394:
393:
389:
388:
384:
383:
358:
313:'s 1910 ballet,
203:
202:
154:
153:
115:
114:
110:
68:
66:
40:
28:
1723:
1722:
1718:
1717:
1716:
1714:
1713:
1712:
1683:
1682:
1681:
1676:
1658:
1626:
1607:
1557:The Big Picture
1505:Ironic Universe
1498:Anthony Braxton
1454:Carla Kihlstedt
1434:Ensemble Modern
1280:
1262:
1205:
1173:
1113:
1051:Music for Dance
1046:
958:
897:Fred Frith Trio
845:
840:
796:
791:
790:
780:
778:
769:
768:
764:
754:
752:
743:
742:
738:
728:
726:
717:
716:
709:
699:
697:
686:
685:
678:
668:
666:
652:
651:
647:
642:
620:, February 2004
613:
606:(10) – gu zheng
586:Patrice Scanlon
568:Carla Kihlstedt
552:
458:
440:John Kelman of
401:
396:
391:
386:
353:
311:Igor Stravinsky
281:
273:Music for Dance
229:
220:
211:
195:Music for Dance
180:
171:
162:
112:
108:
107:
64:
62:
53:
26:
21:
12:
11:
5:
1721:
1719:
1711:
1710:
1705:
1700:
1695:
1685:
1684:
1678:
1677:
1675:
1674:
1663:
1660:
1659:
1657:
1656:
1649:
1644:
1638:
1636:
1632:
1631:
1628:
1627:
1625:
1624:
1615:
1613:
1606:
1605:
1593:
1585:
1578:Lindsay Cooper
1569:
1561:
1553:
1541:
1533:
1530:Evelyn Glennie
1521:
1513:
1501:
1489:
1486:Stevie Wishart
1477:
1469:
1457:
1445:
1437:
1425:
1417:
1409:
1405:Helter Skelter
1401:
1398:Tim Hodgkinson
1389:
1377:
1369:Attention Span
1365:
1353:
1345:
1333:
1321:
1305:
1292:
1290:
1289:Collaborations
1286:
1285:
1282:
1281:
1279:
1278:
1270:
1268:
1261:
1260:
1253:
1246:
1239:
1232:
1225:
1217:
1215:
1211:
1210:
1207:
1206:
1204:
1203:
1196:
1189:
1181:
1179:
1175:
1174:
1172:
1171:
1168:Eye to Ear III
1164:
1157:
1150:
1143:
1136:
1129:
1121:
1119:
1118:Music for Film
1115:
1114:
1112:
1111:
1104:
1097:
1090:
1083:
1076:
1069:
1062:
1054:
1052:
1045:
1044:
1037:
1030:
1023:
1016:
1009:
1002:
995:
988:
981:
974:
966:
964:
960:
959:
957:
956:
951:
946:
940:
939:
934:
929:
924:
919:
917:Duck and Cover
914:
908:
907:
900:
893:
886:
879:
872:
865:
858:
850:
847:
846:
841:
839:
838:
831:
824:
816:
810:
809:
795:
794:External links
792:
789:
788:
762:
736:
707:
694:All About Jazz
676:
644:
643:
641:
638:
637:
636:
630:
624:
621:
612:
609:
608:
607:
601:
595:
589:
583:
577:
574:William Winant
571:
565:
559:
551:
548:
547:
546:
539:
538:
537:
526:
519:
512:
505:
498:
487:
476:
469:
457:
454:
442:All About Jazz
431:
430:
421:A reviewer at
417:
416:
413:
407:
406:
377:
375:All About Jazz
371:
370:
367:
363:
362:
352:
349:
316:Firebird Suite
280:
277:
240:
239:
236:
235:
232:
231:
222:
213:
199:
198:
191:
190:
187:
186:
183:
182:
173:
164:
150:
149:
142:
141:
136:
130:
129:
123:
117:
116:
105:
101:
100:
95:
89:
88:
82:
78:
77:
74:
70:
69:
59:
55:
54:
49:
42:
41:
33:
32:
24:
13:
10:
9:
6:
4:
3:
2:
1720:
1709:
1706:
1704:
1701:
1699:
1696:
1694:
1691:
1690:
1688:
1673:
1665:
1664:
1661:
1655:
1654:
1650:
1648:
1645:
1643:
1640:
1639:
1637:
1633:
1622:
1621:
1617:
1616:
1614:
1610:
1603:
1599:
1598:
1594:
1591:
1590:
1586:
1583:
1579:
1575:
1574:
1570:
1567:
1566:
1562:
1559:
1558:
1554:
1551:
1550:ARTE Quartett
1547:
1546:
1542:
1539:
1538:
1534:
1531:
1527:
1526:
1522:
1519:
1518:
1514:
1511:
1507:
1506:
1502:
1499:
1495:
1494:
1490:
1487:
1483:
1482:
1478:
1475:
1474:
1470:
1467:
1463:
1462:
1458:
1455:
1451:
1450:
1446:
1443:
1442:
1438:
1435:
1431:
1430:
1426:
1423:
1422:
1418:
1415:
1414:
1410:
1407:
1406:
1402:
1399:
1395:
1394:
1390:
1387:
1383:
1382:
1378:
1375:
1371:
1370:
1366:
1363:
1359:
1358:
1354:
1351:
1350:
1346:
1343:
1339:
1338:
1334:
1331:
1327:
1326:
1322:
1319:
1315:
1311:
1310:
1306:
1303:
1299:
1298:
1294:
1293:
1291:
1287:
1277:
1276:
1272:
1271:
1269:
1267:Composer only
1265:
1259:
1258:
1254:
1252:
1251:
1247:
1245:
1244:
1240:
1238:
1237:
1233:
1231:
1230:
1226:
1224:
1223:
1222:Live in Japan
1219:
1218:
1216:
1212:
1202:
1201:
1197:
1195:
1194:
1190:
1188:
1187:
1183:
1182:
1180:
1178:Composer only
1176:
1170:
1169:
1165:
1163:
1162:
1161:Eye to Ear II
1158:
1156:
1155:
1151:
1149:
1148:
1144:
1142:
1141:
1137:
1135:
1134:
1130:
1128:
1127:
1123:
1122:
1120:
1116:
1110:
1109:
1105:
1103:
1102:
1098:
1096:
1095:
1091:
1089:
1088:
1084:
1082:
1081:
1077:
1075:
1074:
1070:
1068:
1067:
1063:
1061:
1060:
1056:
1055:
1053:
1049:
1043:
1042:
1038:
1036:
1035:
1031:
1029:
1028:
1024:
1022:
1021:
1020:Eleventh Hour
1017:
1015:
1014:
1010:
1008:
1007:
1003:
1001:
1000:
996:
994:
993:
989:
987:
986:
982:
980:
979:
975:
973:
972:
968:
967:
965:
963:Studio albums
961:
955:
952:
950:
947:
945:
942:
941:
938:
935:
933:
930:
928:
927:Death Ambient
925:
923:
920:
918:
915:
913:
912:The Orckestra
910:
909:
906:
905:
901:
899:
898:
894:
892:
891:
887:
885:
884:
880:
878:
877:
876:Skeleton Crew
873:
871:
870:
866:
864:
863:
859:
857:
856:
852:
851:
848:
844:
837:
832:
830:
825:
823:
818:
817:
814:
807:
803:
802:
798:
797:
793:
777:
773:
766:
763:
751:
747:
740:
737:
725:
721:
714:
712:
708:
696:
695:
690:
683:
681:
677:
664:
660:
656:
653:Frith, Fred.
649:
646:
639:
635:
631:
629:
625:
622:
619:
615:
614:
610:
605:
602:
599:
596:
593:
592:Sheela Bringi
590:
587:
584:
582:(1-9) – cello
581:
578:
575:
572:
569:
566:
563:
562:Kikutsubo Day
560:
557:
554:
553:
549:
544:
540:
535:
531:
527:
524:
520:
517:
513:
510:
506:
503:
499:
496:
492:
488:
485:
481:
477:
474:
470:
467:
463:
462:
460:
459:
456:Track listing
455:
453:
449:
447:
443:
438:
436:
428:
427:
426:
424:
414:
412:
409:
408:
378:
376:
373:
372:
364:
361:Review scores
359:
350:
348:
346:
345:United States
342:
341:Mills College
338:
337:Kikutsubo Day
334:
330:
326:
325:Western world
322:
318:
317:
312:
307:
305:
301:
297:
293:
292:Amanda Miller
290:
289:choreographer
286:
278:
276:
274:
270:
267:
263:
259:
256:
252:
248:
247:
237:
228:
227:
223:
219:
218:
214:
210:
209:
205:
204:
200:
196:
192:
188:
179:
178:
174:
170:
169:
165:
161:
160:
156:
155:
151:
147:
143:
140:
137:
135:
131:
127:
124:
122:
118:
106:
102:
99:
96:
94:
90:
87:
83:
79:
76:2003 and 2004
75:
71:
60:
56:
52:
47:
43:
39:
34:
29:
23:
19:
1651:
1647:Fred Records
1618:
1612:Compilations
1595:
1587:
1582:Lars Hollmer
1571:
1563:
1555:
1543:
1535:
1523:
1515:
1503:
1491:
1479:
1471:
1459:
1447:
1439:
1427:
1419:
1411:
1403:
1391:
1379:
1367:
1362:René Lussier
1355:
1347:
1335:
1330:Chris Cutler
1323:
1314:Bob Ostertag
1307:
1302:Henry Kaiser
1295:
1273:
1255:
1248:
1243:Storytelling
1241:
1234:
1227:
1220:
1200:Back to Life
1198:
1191:
1184:
1166:
1159:
1152:
1145:
1138:
1131:
1124:
1106:
1099:
1092:
1086:
1085:
1078:
1071:
1064:
1057:
1039:
1032:
1025:
1018:
1011:
1004:
997:
990:
983:
976:
971:Guitar Solos
969:
944:Aksak Maboul
937:Maybe Monday
902:
895:
888:
883:Keep the Dog
881:
874:
867:
860:
853:
799:
779:. Retrieved
775:
765:
753:. Retrieved
749:
739:
727:. Retrieved
698:. Retrieved
692:
667:. Retrieved
663:the original
658:
648:
628:Myles Boisen
600:(10) – cello
594:(10) – flute
580:Theresa Wong
576:– percussion
528:"Hanabira" (
461:"Imitation"
450:
445:
444:commented: "
439:
432:
422:
420:
314:
308:
282:
251:studio album
245:
244:
243:
224:
216:
215:
206:
194:
175:
167:
166:
157:
46:Studio album
22:
1693:2006 albums
1545:Still Urban
1510:Janet Feder
1357:Nous Autres
1342:Lol Coxhill
1337:French Gigs
1318:Phil Minton
1214:Live albums
700:24 November
632:Artwork by
1687:Categories
1565:Late Works
1466:Toychestra
1147:Eye to Ear
1108:Propaganda
1080:Accidental
985:Speechless
954:Naked City
890:Cosa Brava
843:Fred Frith
640:References
556:Fred Frith
514:"Kasumi" (
500:"Shi--o" (
333:shakuhachi
279:Background
269:Fred Frith
266:improvisor
208:Accidental
148:chronology
146:Fred Frith
139:Fred Frith
51:Fred Frith
1374:John Zorn
904:Henry Now
862:Art Bears
855:Henry Cow
772:"Reviews"
634:Tom Kurth
550:Personnel
545:) – 21:00
415:favorable
351:Reception
285:ensembles
258:guitarist
1672:Category
1257:Woodwork
1236:Impur II
1186:Pacifica
1006:Clearing
999:Quartets
949:Material
869:Massacre
755:24 April
729:29 March
724:AllMusic
570:– violin
536:) – 3:48
525:) – 1:12
521:"Sumi" (
518:) – 2:15
511:) – 3:52
507:"Beni" (
504:) – 1:33
497:) – 3:05
486:) – 2:33
475:) – 5:37
471:"Kira" (
468:) – 6:18
464:"Ukon" (
435:AllMusic
411:AllMusic
335:player,
321:Oriental
300:Freiburg
262:composer
134:Producer
73:Recorded
58:Released
48: by
1635:Related
1381:Dropera
978:Gravity
806:Discogs
781:28 July
669:6 March
534:Scanlon
495:Scanlon
489:"Tan" (
484:Scanlon
478:"Kio" (
343:in the
304:Germany
255:English
230:(2009)
221:(2006)
212:(2002)
181:(2007)
172:(2006)
163:(2006)
63: (
1600:(with
1576:(with
1548:(with
1528:(with
1508:(with
1496:(with
1464:(with
1432:(with
1396:(with
1384:(with
1360:(with
1340:(with
1328:(with
1312:(with
1300:(with
1066:Allies
1013:Prints
604:Wu Fei
369:Rating
366:Source
104:Length
81:Studio
1275:Impur
543:Frith
530:Frith
523:Frith
516:Frith
509:Frith
502:Frith
491:Frith
480:Frith
473:Frith
466:Frith
329:Japan
249:is a
159:Impur
121:Label
93:Genre
1316:and
783:2022
757:2007
731:2012
702:2015
671:2007
264:and
128:(UK)
126:Fred
65:2006
61:2006
804:at
253:by
1689::
774:.
748:.
722:.
710:^
691:.
679:^
657:.
532:,
493:,
482:,
302:,
260:,
113:13
109:51
1604:)
1584:)
1552:)
1532:)
1512:)
1500:)
1488:)
1468:)
1456:)
1436:)
1400:)
1388:)
1376:)
1364:)
1344:)
1332:)
1320:)
1304:)
835:e
828:t
821:v
808:.
785:.
759:.
733:.
704:.
673:.
111::
67:)
20:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.