Knowledge (XXG)

The Harvest Shall Come

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213:(1914–18) farm workers manage to gain better wages. After the war, despite the promises of politicians, wages sink to just 30/- per week. Although Tom wants to leave for a better job, he cannot afford to move from the cottage. The film shows that in the interwar period standards of living in the country generally improved, but agricultural wages declined when imported corn depressed prices. Tom is laid off for a while and forced to dig ditches "on relief". His son decides to move to the town, where there are better opportunities. 206:
housing of all workers, but that there had been improvements since 1870. Tom is taught to work the plough, the harrow and other horse-drawn machinery, and learns skills such as milking and scything. At the age of 21 Tom gets a new job, which pays 14/- a week and comes with a run-down cottage, so he can afford to marry his sweetheart.
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in 1939 imports are restricted and as much land as possible must be brought under cultivation. Agricultural labor conditions improve again and wages rise to 60/- a week, although prices also rise. A radio announcer says that the government will look after farm workers. Tom's wife is skeptical,
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The opening titles appear over scenes of farm workers stacking hay. The film opens in 1900 when Tom Grimwood as a boy leaves his family cottage carrying his trunk to take a job on a farm for a weekly wage of 2/6 plus keep. The commentary notes that farm workers receive the lowest pay and worst
244:, which called it "the first genuine story film made with the documentary purpose and by documentary method." It praised Max Anderson as one of the best documentary makers to appear for many years and called John Slater "an outstanding interpreter of working class character." 582: 158:, using the story of a farm laborer to illustrate the importance of agriculture, and the importance of supporting workers in this occupation. The film, produced by 234:
said the film was "an excellent piece of work, notable for its effective and truthful presentation of the vital subject of life in this country on the land."
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of the films division of the Ministry of Information said in 1943 that the film was one of the best documentary films that had been produced.
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saying "They said all that in the last war". The film ends with scenes illustrating the importance of agriculture around the world.
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The film moves forward to a scene where the couple have three small children, but still have no sink in the cottage. In
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was entirely filmed on location, including the interior scenes. The film was mostly shot at Hill House Farm,
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has been called "a far-sighted educational treatment of a major social problem."
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is a 1942 British documentary film about agricultural work between 1900 and
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in Suffolk. Other scenes were filmed at Badley Hall and in
354: 377: 375: 329: 327: 139: 131: 121: 98: 84: 74: 66: 56: 46: 23: 189:, was sponsored by the Ministry of Information. 508:""The Harvest Shall Come." For Special Showing" 441:William Alwyn: A Research and Information Guide 8: 583:History of agriculture in the United Kingdom 29: 20: 410:Barsam, Richard Meran (1 January 1992). 366: 238:was named "Documentary of the Month" by 333: 323: 381: 7: 462:William Alwyn: The Art of Film Music 438:Dressler, John C. (16 August 2011). 38:as the farm laborer Tom Grimwood in 573:Documentary films about agriculture 413:Nonfiction Film: A Critical History 613:English-language documentary films 14: 568:Black-and-white documentary films 394:The Harvest Shall Come: Spectator 588:Films directed by Max Anderson 1: 598:British black-and-white films 593:Films scored by William Alwyn 309:, a 1942 Canadian documentary 603:1940s English-language films 416:. Indiana University Press. 355:The Harvest Shall Come: EAFA 195:Imperial Chemical Industries 494:. University of East Anglia 629: 306:The Battle of the Harvests 578:British documentary films 492:East Anglian Film Archive 444:. Routledge. p. 21. 28: 488:"The Harvest Shall Come" 241:Documentary News Letter 563:1942 documentary films 538:The Harvest Shall Come 516:: 11. 3 September 1942 282:Richard George: Farmer 250:The Harvest Shall Come 236:The Harvest Shall Come 191:The Harvest Shall Come 175:The Harvest Shall Come 151:The Harvest Shall Come 40:The Harvest Shall Come 24:The Harvest Shall Come 459:Johnson, Ian (2005). 279:Ernest Borrow: Squire 216:With the outbreak of 166:, was well received. 608:1940s British films 472:978-1-84383-159-4 465:. Boydell Press. 451:978-1-136-66003-0 147: 146: 18:1942 British film 620: 525: 523: 521: 503: 501: 499: 483: 481: 479: 455: 434: 432: 430: 397: 391: 385: 379: 370: 364: 358: 352: 337: 331: 246:Sir Arthur Elton 162:and directed by 114: 112: 33: 21: 628: 627: 623: 622: 621: 619: 618: 617: 548: 547: 533: 528: 519: 517: 506: 497: 495: 486: 477: 475: 473: 458: 452: 437: 428: 426: 424: 409: 400: 392: 388: 380: 373: 365: 361: 353: 340: 332: 325: 316: 301: 258: 227: 203: 172: 124: 117: 110: 108: 101: 94: 89: 87: 42: 19: 12: 11: 5: 626: 624: 616: 615: 610: 605: 600: 595: 590: 585: 580: 575: 570: 565: 560: 550: 549: 546: 545: 532: 531:External links 529: 527: 526: 504: 484: 471: 456: 450: 435: 422: 406: 399: 398: 386: 384:, p. 194. 371: 359: 338: 322: 315: 312: 311: 310: 300: 297: 296: 295: 292:Bruce Belfrage 289: 286:Edmund Willard 283: 280: 277: 271: 265: 264:: Tom Grimwood 257: 254: 226: 223: 202: 199: 179:Needham Market 171: 168: 145: 144: 141: 137: 136: 135:United Kingdom 133: 129: 128: 125: 122: 119: 118: 116: 115: 104: 102: 99: 96: 95: 92: 90: 85: 82: 81: 76: 72: 71: 68: 67:Cinematography 64: 63: 58: 54: 53: 48: 44: 43: 34: 26: 25: 17: 13: 10: 9: 6: 4: 3: 2: 625: 614: 611: 609: 606: 604: 601: 599: 596: 594: 591: 589: 586: 584: 581: 579: 576: 574: 571: 569: 566: 564: 561: 559: 556: 555: 553: 544: 540: 539: 535: 534: 530: 515: 514: 513:The Spectator 509: 505: 493: 489: 485: 474: 468: 464: 463: 457: 453: 447: 443: 442: 436: 425: 423:0-253-20706-1 419: 415: 414: 408: 407: 405: 404: 395: 390: 387: 383: 378: 376: 372: 369:, p. 21. 368: 367:Dressler 2011 363: 360: 356: 351: 349: 347: 345: 343: 339: 336:, p. 57. 335: 330: 328: 324: 321: 320: 313: 308: 307: 303: 302: 298: 294:: Commentator 293: 290: 288:: Commentator 287: 284: 281: 278: 275: 272: 269: 268:Eileen Beldon 266: 263: 260: 259: 255: 253: 251: 247: 243: 242: 237: 233: 232: 231:The Spectator 224: 222: 219: 214: 212: 207: 200: 198: 196: 193:was made for 192: 188: 187:William Alwyn 184: 180: 176: 169: 167: 165: 161: 157: 153: 152: 142: 138: 134: 130: 126: 120: 106: 105: 103: 97: 93:Realist Films 91: 83: 80: 79:William Alwyn 77: 73: 69: 65: 62: 59: 55: 52: 49: 45: 41: 37: 32: 27: 22: 16: 537: 518:. Retrieved 511: 496:. Retrieved 491: 476:. Retrieved 461: 440: 427:. Retrieved 412: 402: 401: 389: 362: 334:Johnson 2005 318: 317: 304: 274:Victor Woolf 249: 239: 235: 229: 228: 218:World War II 215: 208: 204: 190: 174: 173: 164:Max Anderson 160:Basil Wright 156:World War II 150: 149: 148: 123:Running time 100:Release date 70:A.E. Jeakins 61:Basil Wright 51:Max Anderson 39: 15: 382:Barsam 1992 262:John Slater 211:World War I 57:Produced by 47:Directed by 36:John Slater 558:1942 films 552:Categories 520:6 February 498:6 February 478:6 February 429:6 February 314:References 170:Production 127:33 minutes 86:Production 319:Citations 225:Reception 183:Willisham 299:See also 201:Synopsis 140:Language 75:Music by 403:Sources 143:English 132:Country 109: ( 88:company 469:  448:  420:  276:: Bill 270:: Lil 543:IMDb 522:2014 500:2014 480:2014 467:ISBN 446:ISBN 431:2014 418:ISBN 256:Cast 111:1942 107:1942 541:at 554:: 510:. 490:. 374:^ 341:^ 326:^ 524:. 502:. 482:. 454:. 433:. 396:. 357:. 113:)

Index


John Slater
Max Anderson
Basil Wright
William Alwyn
World War II
Basil Wright
Max Anderson
Needham Market
Willisham
William Alwyn
Imperial Chemical Industries
World War I
World War II
The Spectator
Documentary News Letter
Sir Arthur Elton
John Slater
Eileen Beldon
Victor Woolf
Edmund Willard
Bruce Belfrage
The Battle of the Harvests


Johnson 2005



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