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incorporates interview footage shot in 24p mini-dv video with still images, 3D animation, archival footage, and staged scenes where young actresses play the roles of collective members. The aesthetic of the film has been described as "radical collage," evoking both the original magazine as well as
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magazine "was in every hip loft and living space I stayed at," heard the film was in post-production, she tracked down
Braderman in her studio, watched the rough-cut for 10 minutes, and said, "all of your music needs were just resolved."
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is a semi-autobiographical documentary, following
Braderman's first-person account of her arrival in New York City in 1971 and her introduction to the arts culture of
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Braderman began work on the documentary in 2006, travelling across the U.S., as well as to Spain and Italy, to interview twenty-eight former members of the
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of vagueness, saying the film produces "general statements about how hard it is for women to succeed in a man’s world."
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198:. This narrative becomes a framing device for the bulk of the film, which consists of intimate interviews with former
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and exploring feminism in the art world during the height of the
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Playing it Queer: Popular Music, Identity and Queer World-making
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Playing it Queer: Popular Music, Identity and Queer World-making
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is a feature-length, documentary film written and directed by
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The former collective members featured in the film include
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460:"Women's Work: Ed Halter on The Heritics"
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581:"The Heretics: June Millington"
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134:Running time
111:Release date
22:The HERETICS
279:Amy Sillman
55:Narrated by
47:Produced by
27:Directed by
789:2009 films
783:Categories
758:Metacritic
369:References
339:, accused
216:Production
138:91 minutes
122:2009-10-09
37:Written by
303:Reception
247:Emma Amos
73:Edited by
774:AllMovie
347:See also
320:said in
239:Heresies
187:Synopsis
151:Language
90:Music by
154:English
143:Country
120: (
706:18 May
680:1 June
654:18 May
607:18 May
586:18 May
549:18 May
523:18 May
495:18 May
469:18 May
441:"Home"
422:18 May
396:18 May
645:(PDF)
514:(PDF)
736:IMDb
708:2018
682:2018
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.