Knowledge (XXG)

Les dragons de Villars

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hear this, and there follows a charming duet. Sylvain promises to be her friend and then leaves to seek the Camisards. Thibaut now appears, seeking his wife, whom he has seen going away with Belamy. Finding Rose, he imagines he has mistaken her for his wife, but she laughingly corrects him and he proceeds to search for Georgette. Belamy now comes and courts Thibaut's wife. But Rose, seeing them, resolves to free the path for the others. No sooner has Belamy tried to snatch a kiss from his companion than Rose pulls the rope of the hermit's bell until Georgette takes flight, while Thibaut rushes up at the sound of the bell. Belamy reassures him, intimating that the bell may have rung for Rose (though it never rings for maids) and accompanies him to the village. But he turns to look for the supposed hermit, and instead finds Rose, who does not see him. To his great surprise Sylvain leads the whole troop of refugees and presents Rose to them as their deliverer and vows to make her his wife. Rose leads them to the secret path, while Sylvain returns to the village, leaving Belamy triumphant at his discovery.
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whispers that she betrayed the refugees, who are, as he has heard, caught. Rose is too proud to defend herself, but when Georgette tries to console her, she silently produces a paper proving that the refugees have safely crossed the frontier; Sylvain is ashamed. Suddenly Belamy enters, beside himself with rage, for his prey has escaped and he has lost his rank together with the prize of 200 pistoles. He at once orders Sylvain to be shot, but Rose bravely defends her lover, threatening to reveal the dragoon's neglect of duty at the hermitage. When Belamy's superior appears to hear the news, his corporal is only able to stammer out that nothing in particular has happened, and so after all, Georgette is saved from discovery, and Rose becomes Sylvain's happy bride.
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but she tells anxiously, that all the women in the village must remain true to their husbands, for the hermit of St Gratien (though dead for two hundred years), is keeping watch, and at any case of infidelity will ring a little bell, which is heard far and wide. Belamy would like to try the experiment with Georgette, and asks her to accompany him to the hermitage instead of her husband. After having found the other women in the village, the soldiers, to Thibaut's annoyance, decide to stay and amuse themselves. But Sylvain rejoices, and after a sign from Rose resolves to warn the refugees in the evening.
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reproaches her, but Sylvain thanks her warmly, and though she mockingly repudiates his thanks, he discovers that she has taken the mules to divert Thibaut's attention from Sylvain's secret missions to bring food each day to the refugees. Sylvain carries food every day to the refugees, and Rose , despised and supposed to be wicked and malicious, protects him because he once intercepted a stone, which was meant for her head.
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pigeon-house. A detachment of dragoons arrive, and Belamy, their corporal, asks for food and wine at Thibaut's house. He learns that there is nothing to be had and also that all the women have fled, fearing the unprincipled soldiers of King Louis XIV who have been sent in pursuit of a group of Protestant fugitives – or
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Meanwhile Rose comes down the hill, neatly clad and glowing with joy. Georgette, disregarding Thibaut's reproofs, offers her the wedding-garland. The whole village is assembled to see the wedding, but Sylvain appears and when Rose radiantly greets him, he pushes her back fiercely, believing Thibaut's
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While the soldiers are eating, Belamy, who has found Georgette's bonnet, demands an explanation. Thibaut finds a pretext for going out, but Rose lets out to Belamy Georgette's hiding-place. The young wife cries for help and Rose runs in to fetch Thibaut. Belamy is delighted with the pretty Georgette,
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Rose and Sylvain meet near St Gratien. Rose tells him that all the paths are blocked by sentries, but promises to show the refugees a path that only she and her goats know. Sylvain, thanks her and tries to induce her to care more for her appearance, praising her pretty features. Rose is delighted to
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song, in which a young girl, forgetting her vows made to a young soldier, gives her hand to another suitor. She is interrupted by the sound of trumpets. Thibaut hurries in and tells the women to hide themselves at once, because soldiers are marching into the village. He conceals his own wife in the
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On the following morning the villagers talk of nothing but Sylvain's wedding with Rose and the hermit's bell ringing. Nobody knows who was the culprit; Thibaut, having learned that the soldiers had been commanded to saddle their horses in the midst of the dancing the night before, and that Belamy,
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was very successful. It was the debut of Juliette Borghèse, who was said "to have created an enthusiasm" as Rose Friquet. The opera, which had notched up 153 performances at the Théâtre Lyrique by 1863, was to become popular throughout Europe, as well as being staged in New Orleans (1859) and New
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Sylvain stammers out that they have gone astray in the mountains, but he is sure of their being found. While Thibaut expresses his fear that they have been stolen by the fugitives, Rose Friquet, an orphan-girl and poor goat-keeper, brings the mules, riding on the back of one of them. Thibaut
388:'s grotto near the hermitage, where they have orders to search for the Huguenot refugees. While Belamy is sleeping, Thibaut calls his servant Sylvain and scolds him because he has now repeatedly been absent over-long on his errands; finally he orders him to saddle the mules. 770: 417:
To keep Belamy away from Georgette, the squire has taken him to the wine-cellar, and the officer, now half-drunk, admits to having had a rendez-vous with Rose. When Thibaut has retired, Belamy again kisses Georgette – but the bell does not ring!
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Peasant women in the service of Thibaut, a rich country squire, are collecting fruit. Georgette, Thibaut's young wife, controls their work. She treats them to a favourite
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in 1868, it achieved 377 performances at that theatre by 1917. The work was given in London in French by a visiting French company in 1875 and in English as
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Belamy, disgusted, and after having had dinner and a sleep in Thibaut's own bed, decides to march on. The squire gladly offers to accompany the soldiers to
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brothers at the Théâtre-Lyrique. They also rejected it, as did their successor Pierre Pellegrin. Some years later, the authors met
435:(Rose Friquet), Hanna Clauss (Georgette), Franz Fehringer (Sylvain), Kurt Gester (Belamy), Willi Hofmann (Thibaut); conducted by 414:
sure of his prey, has come back, he believes that Rose has betrayed the Camisards in order to win the price set on their heads.
971: 936: 512: 976: 253: 921: 381:– hiding in the mountains; and that the 'Dragons de Villars' are said to be an especially wild and dissolute set. 102:, who found it too dark, even after having the composer play some of it to him. It was next offered to one of the 359:
The scene is laid in a French mountain-village near the frontier with Savoy towards the close of the war in the
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The Standard-Operaglass containing The Detailed Plots of One Hundred and Thirty Eight Celebrated Operas.
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The Virtuoso Conductors: The Central European Tradition from Wagner to Karajan
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in Brussels from 1942 to 1953. It was staged in 1986 in the composer's native
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Walsh 1981, p. 309 (and index for full names); Lockroy & Cormon 1856,
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in Paris on 19 September 1856. It is also known by the English title
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conducted it in Strasbourg in 1910. A production was mounted at the
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1961: Susanne Lafaye (Rose Friquet), Andrée Esposito (Georgette),
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The piece was first offered to the director of the Opéra-Comique,
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Histoire de l'opéra comique: La seconde salle Favart 1860–1887.
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Histoire de l'opéra comique: La seconde salle Favart 1840–1860.
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in Paris on 3 June 1935. The opera was in the repertory of the
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Cent ans de mise en scène lyrique en France (env. 1830–1930)
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Second Empire Opera: The Théâtre Lyrique Paris 1851–1870
934: 579:, Les Archives du spectacle. Retrieved 29 June 2021 765:Maillart, AimĂ©; Lockroy; Cormon, Eugène (1856). 480:"Maillart, AimĂ©" in Sadie 1992, vol. 3, p. 156. 698:Cohen, H. Robert; Gigou, Marie-Odile (1986). 8: 992:Opera world premieres at the Théâtre Lyrique 135:conducted the work in Budapest in 1888, and 77:, updated by the librettists to the time of 866:Un demi-siècle d'OpĂ©ra-Comique (1900–1950). 823:Soubies, Albert; Malherbe, Charles (1893). 747:Mitchell, Donald; Andrew Nicholson (2002). 605: 603: 911:International Music Score Library Project 166: 163:Juliette Borghèse as Rose Friquet (1856) 941: 827:Paris: Librairie Marpon et Flammarion. 804:Paris: Librairie Marpon et Flammarion. 523: 521: 476: 474: 461: 631:Synopsis adapted from: Annesley 1904, 7: 718:. New Haven: Yale University Press. 751:. Oxford: Oxford University Press. 691:. L'Almanacco di Gherardo Casaglia 769:, vocal score. Paris: C. Joubert. 25: 782:The New Grove Dictionary of Opera 169:Roles, voice types, premiere cast 944: 736:, libretto. Paris: Michel LĂ©vy. 732:Lockroy; Cormon, Eugène (1856). 184:Premiere cast, 19 September 1856 151:by the Théâtre Lyrique du Midi. 141:Théâtre de la Porte Saint-Martin 493:; Soubies & Malherbe 1892, 668:London: Sampson Low, Marston. 567:Cohen & Gigou 1986, p. 75. 549:Mitchell and Nicholson, p. 139 1: 967:Compositions by AimĂ© Maillart 489:Soubies & Malherbe 1893, 123:York (1868). Revived at the 853:. New York: Riverrun Press. 194:Conductor: Adolphe Deloffre 644:LP listing with cast list: 27:Opera by Lous-AimĂ© Maillart 1008: 679:Casaglia, Gherardo (2005). 664:Annesley, Charles (1904). 192:OpĂ©ra-Comique, 5 June 1868 81:. It was premiered by the 917:Overture (animated score) 343: 864:Wolff, StĂ©phane (1953). 714:Holden, Raymond (2005). 577:"Les Dragons de Villars" 47:The Dragoons of Villars 972:French-language operas 906:Les dragons de Villars 895:Les dragons de Villars 767:Les dragons de Villars 734:Les dragons de Villars 683:Les dragons de Villars 591:Les dragons de Villars 164: 120:Les dragons de Villars 42:Les dragons de Villars 37: 18:The Hermit's Bell 785:. London: Macmillan. 346:dragoons and peasants 262:labourer with Thibaut 162: 35: 930:Yan Pascal Tortelier 868:Paris: AndrĂ© Bonne. 749:The Mahler Companion 900:Boosey & Hawkes 596:Boosey & Hawkes 513:(27 September 1856) 433:Maria Madlen Madsen 239:Rose Friquet, 171: 145:OpĂ©ra de la Monnaie 137:Wilhelm Furtwängler 114:Performance history 689:19 September 1856" 527:Wolff 1953, p. 64. 468:Walsh 1981, p. 76. 431:1948 (in German): 167: 165: 38: 859:978-0-7145-3659-0 798:Malherbe, Charles 796:Soubies, Albert; 791:978-1-56159-228-9 779:, editor (1992). 758:978-0-19-924965-7 725:978-0-30-009326-1 351: 350: 249:Juliette Borghèse 210:Adolphe Girardot 88:The Hermit's Bell 71:La Petite Fadette 53:in three acts by 16:(Redirected from 999: 949: 948: 940: 926:BBC Philharmonic 918: 909:: Scores at the 833:Internet Archive 810:Internet Archive 762: 729: 694: 688: 652: 642: 636: 629: 623: 616: 610: 607: 598: 586: 580: 574: 568: 565: 559: 556: 550: 547: 541: 534: 528: 525: 516: 504: 498: 487: 481: 478: 469: 466: 444:AndrĂ© Mallabrera 361:CĂ©vennes in 1704 234:Caroline Girard 188:Adolphe Deloffre 172: 170: 118:The premiere of 21: 1007: 1006: 1002: 1001: 1000: 998: 997: 996: 977:OpĂ©ras comiques 957: 956: 955: 943: 935: 916: 890: 759: 746: 726: 713: 692: 686: 656: 655: 643: 639: 630: 626: 617: 613: 608: 601: 588:Maillart 1856; 587: 583: 575: 571: 566: 562: 557: 553: 548: 544: 540:, 15 April 1879 535: 531: 526: 519: 505: 501: 488: 484: 479: 472: 467: 463: 453: 428: 411: 402: 370: 356: 230:Caroline Girard 193: 185: 181: 168: 157: 116: 96: 83:Théâtre Lyrique 28: 23: 22: 15: 12: 11: 5: 1005: 1003: 995: 994: 989: 984: 979: 974: 969: 959: 958: 954: 953: 933: 932: 913: 902: 889: 888:External links 886: 885: 884: 862: 844: 821: 794: 777:Sadie, Stanley 774: 763: 757: 744: 730: 724: 711: 696: 677: 654: 653: 637: 624: 611: 599: 581: 569: 560: 558:Holden, p. 328 551: 542: 538:The Daily News 529: 517: 499: 482: 470: 460: 459: 452: 449: 448: 447: 440: 427: 424: 410: 407: 401: 398: 369: 366: 355: 352: 349: 348: 341: 340: 337: 334: 331: 327: 326: 323: 320: 317: 311: 310: 307: 304: 299: 295: 294: 293:Auguste BarrĂ© 291: 288: 283: 276: 275: 270: 267: 264: 257: 256: 251: 246: 243: 241:a poor peasant 236: 235: 232: 227: 222: 215: 214: 211: 208: 203: 196: 195: 190: 182: 176: 156: 153: 115: 112: 95: 92: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 1004: 993: 990: 988: 985: 983: 980: 978: 975: 973: 970: 968: 965: 964: 962: 952: 947: 942: 938: 931: 928:conducted by 927: 923: 919: 914: 912: 908: 907: 903: 901: 897: 896: 892: 891: 887: 883: 879: 875: 871: 867: 863: 860: 856: 852: 848: 845: 842: 838: 834: 830: 826: 822: 819: 815: 811: 807: 803: 799: 795: 792: 788: 784: 783: 778: 775: 772: 768: 764: 760: 754: 750: 745: 743: 739: 735: 731: 727: 721: 717: 712: 709: 708:9780918728692 705: 702:. Pendragon. 701: 697: 690: 684: 678: 675: 671: 667: 663: 662: 661: 660: 651: 647: 641: 638: 634: 628: 625: 621: 615: 612: 609:Casaglia 2005 606: 604: 600: 597: 593: 592: 585: 582: 578: 573: 570: 564: 561: 555: 552: 546: 543: 539: 533: 530: 524: 522: 518: 514: 510: 509: 508:The Spectator 503: 500: 496: 492: 486: 483: 477: 475: 471: 465: 462: 458: 457: 450: 445: 441: 438: 437:Kurt Schröder 434: 430: 429: 425: 423: 419: 415: 408: 406: 399: 397: 393: 389: 387: 382: 380: 375: 367: 365: 364: 362: 353: 347: 342: 338: 335: 332: 329: 328: 324: 321: 318: 316: 313: 312: 308: 305: 303: 300: 297: 296: 292: 289: 287: 284: 282: 278: 277: 274: 271: 268: 265: 263: 259: 258: 255: 252: 250: 247: 244: 242: 238: 237: 233: 231: 228: 226: 223: 221: 217: 216: 212: 209: 207: 204: 202: 201:a rich farmer 198: 197: 191: 189: 183: 180: 177: 174: 173: 161: 154: 152: 150: 146: 142: 138: 134: 133:Gustav Mahler 130: 126: 125:OpĂ©ra-Comique 121: 113: 111: 109: 108:LĂ©on Carvalho 105: 101: 93: 91: 90: 89: 84: 80: 76: 72: 68: 67:Eugène Cormon 64: 60: 56: 55:AimĂ© Maillart 52: 51:opĂ©ra-comique 48: 44: 43: 36:AimĂ© Maillart 34: 30: 19: 905: 894: 865: 850: 847:Walsh, T. J. 841:Google Books 824: 818:Google Books 801: 780: 766: 748: 742:Google Books 733: 715: 699: 693:(in Italian) 682: 674:Google Books 665: 658: 657: 640: 627: 614: 590: 584: 572: 563: 554: 545: 537: 532: 506: 502: 485: 464: 455: 454: 420: 416: 412: 403: 394: 390: 383: 371: 358: 357: 345: 280: 261: 240: 219: 200: 129:The Dragoons 128: 119: 117: 100:Émile Perrin 97: 87: 86: 70: 46: 41: 40: 39: 29: 987:1856 operas 773:at Commons. 495:pp. 282–283 491:pp. 139–142 330:Lieutenant 306:Henry Adam 273:Paul LhĂ©rie 254:Galli-MariĂ© 218:Georgette, 186:Conductor: 149:Montpellier 75:George Sand 961:Categories 451:References 426:Recordings 386:St Gratien 179:Voice type 94:Background 536:"Drama", 379:Camisards 374:Provençal 322:Quinchez 298:Herdsman 260:Sylvain, 213:Ponchard 199:Thibaut, 131:in 1879. 79:Louis XIV 882:78755097 874:44733987 849:(1981). 800:(1892). 650:24758985 354:Synopsis 344:Chorus: 333: â€“ 325:Michaud 319: â€“ 309:Bernard 290:Grillon 286:baritone 281:sergeant 279:Belamy, 245:soprano 220:his wife 59:libretto 49:) is an 922:YouTube 878:2174128 831:at the 808:at the 659:Sources 339:Eugène 336:Garcin 315:Dragoon 225:soprano 104:Seveste 63:Lockroy 982:Operas 937:Portal 872:  857:  789:  755:  722:  706:  687:  648:  269:Scott 266:tenor 951:Opera 633:p. 62 456:Notes 409:Act 3 400:Act 2 368:Act 1 206:tenor 175:Role 155:Roles 57:to a 870:OCLC 855:ISBN 837:Copy 829:Copy 814:Copy 806:Copy 787:ISBN 771:Copy 753:ISBN 738:View 720:ISBN 704:ISBN 670:View 646:OCLC 620:p. 2 302:bass 65:and 920:on 839:at 816:at 740:at 672:at 594:at 73:by 61:by 963:: 924:, 898:, 880:, 876:, 835:. 812:. 602:^ 520:^ 511:, 473:^ 939:: 861:. 843:. 820:. 793:. 761:. 728:. 710:. 695:. 685:, 681:" 676:. 635:. 622:. 515:. 497:. 439:. 363:. 45:( 20:)

Index

The Hermit's Bell

opéra-comique
Aimé Maillart
libretto
Lockroy
Eugène Cormon
George Sand
Louis XIV
Théâtre Lyrique
Émile Perrin
Seveste
LĂ©on Carvalho
Opéra-Comique
Gustav Mahler
Wilhelm Furtwängler
Théâtre de la Porte Saint-Martin
Opéra de la Monnaie
Montpellier

Voice type
Adolphe Deloffre
tenor
soprano
Caroline Girard
Juliette Borghèse
Galli-Marié
Paul Lhérie
baritone
bass

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