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The Hitch-Hiker

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49: 422:, Myers kills a dog, while Bowen leaves his wedding ring for the police to find. Overnight, Collins and Bowen attempt to escape, but Collins injures his ankle, and the pair are recaptured. As the police investigation proceeds, investigators release false information to trick Myers, which seems to work. Later, when the car is damaged, Myers forces the group to continue on foot at gunpoint, and taunts them for missing opportunities to escape 631: 701:, arguably Lupino's best film and the only true noir directed by a woman, two utterly average middle-class American men are held at gunpoint and slowly psychologically broken by a serial killer. In addition to her critical but compassionate sensibility, Lupino had a great filmmaker's eye, using the starkly beautiful street scenes in 724:
Absolutely assured in her creation of the bleak, noir atmosphere – whether in the claustrophobic confines of the car, or lost in the arid expanses of the desert – Lupino never relaxes the tension for one moment. Yet her emotional sensitivity is also upfront: charting the changes in the menaced men's
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deputy and abandoned him in a desert (the deputy survived), and killed a traveling salesman, before attempting to flee to Mexico by taking two men on a hunting trip hostage and forcing them to drive him to Santa RosalĂ­a. There, Cook was identified and apprehended by local police without incident. As
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was filmed in the desert southwestern United States (territory similar to that of Baja California, where most of the story takes place), mostly in wilderness and small villages. Critics Bob Porfiero and Alain Silver, in a review and analysis of the film, praised Lupino's use of shooting locations.
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treaty with the United States, Mexican authorities "extradited" him back to the U.S. by physically pushing him over the border, where he was taken into custody by waiting American law enforcement. Cook was tried, convicted, and received the death penalty. On December 12, 1952, Cook was executed in
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Collins, Bowen, and Myers reach Santa RosalĂ­a and head to a bar, where Myers tries to conceal his identity and find an English speaker. Learning the regular ferry to Guaymas has burned, Myers pays a fishing boat to take him there instead. However, as he prepares to leave with Collins and Bowen, a
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relationship as they bicker about how to deal with their captor, stressing that only through friendship can they survive. Taut, tough, and entirely without macho-glorification, it's a gem, with first-class performances from its three protagonists, deftly characterised without resort to cliché.
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As a screenwriter and director, Lupino had an eye for the emotional truth hidden within the taboo or mundane, making a series of B-styled pictures which featured sympathetic, honest portrayals of such controversial subjects as unmarried mothers, bigamy, and rape ... in
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Lupino interviewed the two prospectors whom Billy Cook had held hostage, and got releases from them and from Cook as well, so that she could integrate parts of Cook's life into the script. To appease the censors at the
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said that "with nothing more than three able actors, a lot of rugged scenery and their own impressive talents as producers, authors and director, Collier Young and Ida Lupino have brewed a grim little chiller". The
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premiered in Boston on March 20, 1953, to little fanfare and immediately went into general release. The film was marketed with the tagline: "When was the last time you invited death into your car?"
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local resident recognizes Myers and alerts the authorities, who prepare to catch him at the pier. After a shootout and a scuffle, Myers is arrested and Collins and Bowen are freed unharmed.
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fails, and Myers berates Collins for breaking it, so Bowen must drive. Meanwhile, police investigators learn the three are together and deduce where Myers is planning to go. At a
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IDA LUPINO’S THE HITCH-HIKER (1953) FILM RESTORATION (1993 to 1997) on Vimeo (upload by Louis Antonelli, the person responsible for the restoration from 1993-1997)
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s desert locale, although not so graphically dark as a cityscape at night, isolates the protagonists in a milieu as uninviting and potentially deadly as any in
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returned to direct a very interesting and suspenseful film called The Hitch-Hiker (1953). In The Hitch-Hiker, the Alabama Hills are used to represent Mexico.
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In the early 1950s, a hitchhiker robs and kills motorists who offer him rides. A suspect, Emmett Myers (Talman), is publicized in newspaper headlines.
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The director made good use of the incredible scenery near Lone Pine, with the weirdly eroded, jumbled rocks of the Alabama Hills
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was the first American mainstream film noir directed by a woman. It was selected in 1998 for preservation in the United States
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called the film an "unrelenting but superficial study of abnormal psychology coupled with standard chase melodrama". Critic
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to make low-budget, issue-oriented movies. Lupino stepped in to finish the film and went on to direct her own projects.
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critic praised the performances and said the film was "directed with masculine strength by the amazing Miss Lupino".
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gave the film three and a half of four stars, saying Lupino made "good and exciting use" of the real-life incident.
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complimented the performances and Lupino's "brisk direction", but criticized the plot as excessively predictable.
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said that the film performed a public service by warning motorists about the dangers of picking up hitchhikers.
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THE HITCH-HIKER RESTORATION INTRODUCTION WITH ROBERT CLARKE (1997) on Vimeo (uploaded by Louis Antonelli)
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In January 2014, a restored 35mm print was premiered by the Film Noir Foundation at Noir City 12 at the
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essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the
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The film has been widely praised in the years since its release, and holds a 93% approval rating on
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was her first hard-paced, fast-moving picture after four "women's" films about social issues.
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for Filmakers Inc., the production company founded by Lupino and her husband
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Collins and Bowen comply, hoping they will be identified and stopped at the
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Foster, Gwendolyn Audrey "The Narcissistic Sociopathology of Gender:
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went into production on June 24, 1952, and wrapped in late July. The
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who, posing as a hitchhiker, murdered a family of five, kidnapped a
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as being "culturally, historically or aesthetically significant."
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and the gorgeous, ever-present loneliness of empty highways in
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Critic John Krewson lauded the work of Ida Lupino, and wrote,
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Film Noir: An Encyclopedic Reference to the American Style
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List of films in the public domain in the United States
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The film was written by Lupino and her former husband
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Lupino was a noted actress who began directing when
1613: 1594: 1527: 1314:. Film review, 2008. Last accessed: April 23, 2008. 241: 233: 223: 184: 176: 151: 141: 131: 121: 95: 87: 68: 58: 41: 830:Screening American Independent Film - Google Books 634:Frank Lovejoy, William Talman and Edmond O'Brien 424:even if it would mean the other would be killed 1064:Morfin, Charles Michael (September 29, 2014). 1504: 964:(1953): There's Death in his upraised Thumb!" 311:, the film follows two friends who are taken 8: 1103:, pp. 9–13. Praeger, Westport, Connecticut. 953: 951: 1752:United States National Film Registry films 1511: 1497: 1489: 741:in Hollywood. Mary Ann Anderson author of 364:, they pick up Myers, who pulls a gun and 47: 38: 988: 986: 984: 879:"Complete National Film Registry Listing" 1469:) is available for free download at the 1192:"Intense Suspense in 'The Hitch-Hikers'" 629: 368:. Myers forces the pair to drive him to 1161:"New Thriller By Ida Lupino At Stanton" 797: 504:was based on the 1950 killing spree of 1131:Ladwig, Samantha (September 9, 2017). 752:were filmed in claustrophobic cities, 564:. Location shooting took place in the 1067:Location Filming in the Alabama Hills 842:"The 100 Best Film Noirs of All Time" 803: 801: 510:Riverside County Sheriff's Department 7: 926: 924: 576:. Working titles for the film were " 376:, where he plans to escape a police 733:in San Francisco. On April 6, 2014 1772:English-language crime drama films 1702:Crime films based on actual events 25: 1100:Women Directors & Their Films 1190:Cameron, Kate (April 30, 1953). 933:"The Hitch-Hiker at the Holiday" 1223:"'Hitch-hiker' Warns Motorists" 1159:Martin, Mildred (May 4, 1953). 472:Clark Howat as Government Agent 457:JosĂ© Torvay as Captain Alvarado 30:For similarly-named films, see 1687:American black-and-white films 931:A.H. Weiler (April 30, 1953), 809:"The Hitch-Hiker: Detail View" 481:Rodney Bell as William Johnson 1: 1732:Films scored by Leith Stevens 1221:Bower, Helen (May 30, 1953). 743:The Making of The Hitch-Hiker 591:got sick and couldn't finish 380:by taking a ferry across the 319:during an automobile trip to 1727:Films directed by Ida Lupino 1707:1950s English-language films 1420:AFI Catalog of Feature Films 1011:AFI Catalog of Feature Films 711:to set her characters apart. 513:Mexico then lacked a formal 494:Ida Lupino (left) directing 463:as Himself (Radio Announcer) 1326:, and Elizabeth Ward, eds. 397:Mexico–United States border 287:co-written and directed by 32:Hitchhiker (disambiguation) 18:The Hitch-Hiker (1953 film) 1788: 1762:American independent films 1692:American crime drama films 29: 1165:The Philadelphia Inquirer 1033:Bureau of Land Management 811:. American Film Institute 640:The Philadelphia Inquirer 593:the film he was directing 53:Theatrical release poster 46: 1560:Hard, Fast and Beautiful 745:appeared at this event. 520:San Quentin State Prison 204:March 21, 1953 193:March 20, 1953 1742:Films about hitchhiking 1722:Films about automobiles 1584:The Trouble with Angels 737:was shown again at the 689:, based on 43 reviews. 554:director of photography 405:Mexican law enforcement 201: (Premiere: Boston) 27:1953 film by Ida Lupino 1767:1953 independent films 1717:Films about kidnapping 1682:1953 crime drama films 1401:, A&C Black, 2010 1399:National Film Registry 1387:National Film Registry 727: 713: 674:The Detroit Free Press 635: 534:, based on a story by 498: 414:The next morning, the 390:Baja California desert 331:National Film Registry 269: 1383:Wheeler Winston Dixon 968:Turner Classic Movies 722: 694: 633: 538:which was adapted by 493: 264: 1757:1950s American films 1697:American road movies 1310:May 3, 2008, at the 574:Big Pine, California 469:as Inspector General 362:Calexico, California 303:. Based on the 1950 1737:Films set in Mexico 1305:Time Out Film Guide 1097:Hurd, Mary (2007). 883:Library of Congress 720:wrote of the film, 717:Time Out Film Guide 654:New York Daily News 618:The film is in the 544:Hollywood blacklist 518:the gas chamber at 407:to catch him using 374:Baja California Sur 277:is a 1953 American 1747:RKO Pictures films 1454:TCM Movie Database 1362:Film International 1227:Detroit Free Press 1072:Arcadia Publishing 938:The New York Times 848:. 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Index

The Hitch-Hiker (1953 film)
Hitchhiker (disambiguation)

Ida Lupino
Collier Young
Edmond O'Brien
Frank Lovejoy
William Talman
Nicholas Musuraca
Douglas Stewart
Leith Stevens
RKO Radio Pictures
independent
film noir
thriller
Ida Lupino
Edmond O'Brien
William Talman
Frank Lovejoy
killing spree
Billy Cook
hostage
hitchhiker
Mexico
National Film Registry
California
San Felipe
Baja California
Mexico
Calexico, California

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