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the only hope of empty men ". The "hollow men" fail to transform their motions into actions, conception to creation, desire to fulfillment. This awareness of the split between thought and action coupled with their awareness of "death's various kingdoms" and acute diagnosis of their hollowness, makes it hard for them to go forward and break through their spiritual sterility. Eliot invokes imagery from the
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287:– showing man in his inability to cross into Hell itself or to even beg redemption, unable to speak with God. He states that the hollow men " grope together and avoid speech, gathered on this beach of the tumid river ", and Dante states that at the Gates of Hell, people who did neither good nor evil in their lives have to gather quietly by a river where
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follows the otherworldly journey of the spiritually dead. These "hollow men" have the realisation, humility, and acknowledgement of their guilt and their status as broken, lost souls. Their shame is seen in lines like " eyes I dare not meet in dreams " calling themselves " sightless " and that that "
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cannot ferry them across. This is the punishment for those in Limbo according to Dante, people who " lived without infamy or praise " They did not put any good or evil into the world, making them out to be 'hollow' people who can only watch others move on into the afterlife. Eliot reprises this
606:(1957), takes its name from the second stanza of Part IV of the poem and extracts from the poem, including the passage in which the novel's title appears, have been printed in the front papers of some editions of the book including the 1957 first US edition.
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moment in his poem as the hollow men watch " those who have crossed with direct eyes, to death's other kingdom ". Eliot describes how they wish to be seen " not as lost/Violent souls, but only/As the hollow men/The stuffed men ".
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has had a profound effect on the Anglo-American cultural lexicon. An obituary for Eliot stated that the last four lines of the poem are "probably the most quoted lines of any 20th-century poet writing in
English."
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is irrelevant to it, it would today come to everyone's mind. Another is that he is not sure the world will end with either. People whose houses were bombed have told him they don't remember hearing anything."
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DVD release of the film includes a 17-minute special feature of Kurtz reciting the poem in its entirety. The poem's epigraph, "Mistah Kurtz – he dead", is a quotation from Conrad's
703:; the song is a paraphrase of Eliot's poem spoken over the music of "Ghost of the Heart" played backwards; "Ghost of the Heart" is the last song on the group's previous album
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When asked in 1958 if he would write these lines again, Eliot said he would not. According to Henry Hewes: "One reason is that while the association of the
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had the three poems: "Eyes that last I saw in tears", "The wind sprang up at four o'clock", and "This is the dead land." The third poem became Part III of
256:(5 November). Certain quotes from the poem such as "headpiece filled with straw" and "in our dry cellar" seem to be references to the Gunpowder Plot.
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paraphrased the poem on the song "Psycle Sluts" from his first (1977) single: "For you that's how the world could end/Not with a bang but a
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magazine: "Eyes I dare not meet in dreams", "Eyes that I last saw in tears", and "The eyes are not here". The first poem became Part II of
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616:(1985), references the last stanza of the poem, with a character quoting it when faced with the aftermath of a nuclear apocalypse.
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The two epigraphs to the poem, "Mistah Kurtz – he dead" and "A penny for the Old Guy", are allusions to Conrad's character and to
209:; but it is possible that this is one of Eliot's many constructed allusions. The title could also be theorised to originate from
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by
Stephen King, opens with a black screen, the last four lines of the poem are revealed one by one before the opening sequence.
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obituary in 1965 identified the final four as "probably the most quoted lines of any 20th-century poet writing in
English".
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quoted the final line of Eliot's poem, and paraphrased the three lines prior in the song "Nightman" from their 2010 album,
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in 1981, scored for soprano, tape, and lights. In 2019 Saariaho created a new version that was premiered in 2022.
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for baritone, male chorus and orchestra around 1939. It had only one performance, in 1950, under the conductor
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Eliot wrote that he produced the title "The Hollow Men" by combining the titles of the romance
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See, for instance, the work of one of Eliot's editors and major critics, Ronald
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Critical companion to T.S. Eliot : a literary reference to his life and work
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As the poem enters section five, there is a complete breakdown of language. The
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was a short-lived
British television sitcom produced by LWT for ITV in 1990.
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Beverly Weston discusses the line "Life is very long" at the beginning of
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The poem was first published as now known on 23 November 1925, in Eliot's
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459: in this section. Unsourced material may be challenged and removed.
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created a musical interpretation of the poem in form of a five-track
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Not With a Bang But a
Whimper: The Politics and Culture of Decline
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set the last section of the poem as her first music theatre piece
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four of the five sections of the poem were previously published:
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The song "Hollow Man" appears as the first track on the album
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669:(1944), a piece for trumpet and string orchestra by composer
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contains multiple references to "The Hollow Men" (as well as
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Scans of the 1925 publication of the poem, in a 1934 reprint
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Three Eliot poems appeared in the
January 1925 issue of his
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Divided into five parts, the poem is 98 lines long. Eliot's
898:, the editor, cited a letter dated 10 January 1935 to the
964:'T. S. Eliot at Seventy, and an Interview with Eliot' in
594:(2009), takes its title from the last part of the poem.
252:(a 'Guy') is burned each year in the United Kingdom on
178:. It was published two years before Eliot converted to
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913:"Gunpowder Plot | Definition, Summary, & Facts"
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1401:The Awefull Battle of the Pekes and the Pollicles
1199:"The Acacia Strain (Ft. Bruce LePage) – Nightman"
364:"Poème", published in the Winter 1924 edition of
859:"T.S. Eliot, the Poet, is Dead in London at 76"
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368:(with a French translation), became Part I of
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1216:An omnibus collection of T. S. Eliot's poetry
885:Inventions of the March Hare: Poems 1909–1917
637:(2005), which was influenced by Eliot's poem.
629:created a 19-minute multimedia piece for the
528:(1899), upon which the film is loosely based.
8:
1024:. New York, NY: Facts On File. p. 257.
1669:T. S. Eliot Prize (Truman State University)
307:, maybe the most quoted of Eliot's poetry:
158:" (1925) is a poem by the modernist writer
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299:and what appears to be a lyric change of "
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475:Learn how and when to remove this message
412:, I-III which was finally transformed to
845:. Basingstoke and London: Macmillan, 45.
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500:Eliot's poem was a strong influence on
1091:. Penguin Random House Children's UK.
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1115:Owls At Noon, Prelude: The Hollow Men
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1613:Canticle IV: The Journey of the Magi
1085:Lawrence, Louise (30 January 2013).
1045:Dargis, Manohla (14 November 2007).
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968:. Henry Hewes. 13 September 1958 in
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1549:Tradition and the Individual Talent
1394:Old Possum's Book of Practical Cats
1297:The Love Song of J. Alfred Prufrock
997:. Internet Archive. London, Faber.
581:The Dark Tower III: The Waste Lands
673:and one of his most popular works.
301:Here We Go Round the Mulberry Bush
205:with the poem "The Broken Men" by
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1174:"Study for Life | Kaija Saariaho"
810:. London: Faber & Faber, 128.
783:Gunpowder Plot in popular culture
18:The Hollow Men in popular culture
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1018:Murphy, Russell Elliott (2007).
991:Gallup, Donald Clifford (1969).
680:set the poem in a cantata (1948)
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444:needs additional citations for
32:The Hollow Men (disambiguation)
1134:Spector, Irwin (14 May 1969).
378:in the November 1924 issue of
325:Not with a bang but a whimper.
321:This is the way the world ends
317:This is the way the world ends
313:This is the way the world ends
141:Not with a bang but a whimper.
137:This is the way the world ends
133:This is the way the world ends
129:This is the way the world ends
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843:Selected Poems of T. S. Eliot
592:Not With a Bang But A Whimper
399:and the third became Part IV.
27:Modernist poem by T. S. Eliot
1113:"Chris Marker's short film:
510:(1979), in which antagonist
1597:Assassinio nella cattedrale
1563:A Choice of Kipling's Verse
1225:Text of the poem with notes
994:T. S. Eliot: a bibliography
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1719:Vivienne Haigh-Wood Eliot
1571:The Frontiers of Criticism
1535:Selected Essays, 1917–1932
1178:www.wisemusicclassical.com
841:Swarbrick, Andrew (1988).
402:The March 1925 edition of
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1743:Charlotte Champe Stearns
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900:Times Literary Supplement
725:Finnish musical producer
531:The trailer for the film
176:Vivienne Haigh-Wood Eliot
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1751:William Greenleaf Eliot
887:(Harcourt, 1997) pp.395
736:American metalcore band
633:in New York City titled
1686:Portrait of T. S. Eliot
1605:Murder in the Cathedral
1589:Murder in the Cathedral
1542:Hamlet and His Problems
1489:Murder in the Cathedral
1415:Growltiger's Last Stand
1318:Whispers of Immortality
917:Encyclopedia Britannica
762:The 1992 TV miniseries
416:Parts I, II, and IV in
340:Publication information
1510:The Confidential Clerk
1160:"John Cooper Clarke –"
1139:Lawrence Journal World
804:Eliot, T. S. (1927) .
665:Eliot's poem inspired
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1810:Poetry by T. S. Eliot
766:, based on the novel
1784:William Butler Yeats
1408:Gus: The Theatre Cat
1230:22 July 2009 at the
1088:Children Of The Dust
1068:(US edition) (2008)
699:(1983) by the group
650:wrote a work called
631:Museum of Modern Art
614:Children of the Dust
551:August: Osage County
537:(2006), directed by
502:Francis Ford Coppola
453:improve this article
425:Influence in culture
172:religious conversion
168:Treaty of Versailles
30:For other uses, see
1779:Jean Jules Verdenal
1517:The Elder Statesman
1360:Journey of the Magi
671:Vincent Persichetti
578:, most prominently
376:Doris's Dream Songs
1503:The Cocktail Party
1496:The Family Reunion
1422:The Naming of Cats
1304:Portrait of a Lady
1136:"On Stage at K.U."
1052:The New York Times
863:The New York Times
684:John Cooper Clarke
588:Theodore Dalrymple
1815:World War I poems
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1664:T. S. Eliot Prize
1475:Sweeney Agonistes
1367:A Song for Simeon
1098:978-1-4464-3078-1
1047:"Southland Tales"
1004:978-0-571-08928-4
945:www.gutenberg.org
941:"Dante's Inferno"
896:Christopher Ricks
738:The Acacia Strain
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525:Heart of Darkness
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1695:(1984 play,
1581:Adaptations
1386:Later poems
1353:Ariel Poems
1289:Early poems
1273:T. S. Eliot
1183:18 December
1144:10 December
869:10 December
701:Daniel Amos
598:Nevil Shute
543:voice-overs
514:(played by
211:Shakespeare
180:Anglicanism
164:World War I
160:T. S. Eliot
52:T. S. Eliot
1805:1925 poems
1799:Categories
1774:Ezra Pound
1764:Emily Hale
1698:1994 film)
1645:Publishing
1436:East Coker
789:References
749:Television
621:Multimedia
612:'s novel,
600:'s novel,
559:Literature
408:published
242:Guy Fawkes
1634:2019 film
1629:1998 film
1607:(TV play)
1325:Gerontion
769:The Stand
764:The Stand
590:'s book,
235:epigraphs
97:Publisher
1745:(mother)
1737:(father)
1482:The Rock
1311:Preludes
1228:Archived
1121:MOMA.org
950:20 March
922:20 March
777:See also
742:Wormwood
706:¡Alarma!
584:(1991)).
465:May 2017
405:The Dial
380:Chapbook
366:Commerce
87:Language
1678:Related
1600:(opera)
1123:. 2005.
972:p. 705.
276:Inferno
273:of the
266:Inferno
91:English
82:England
79:Country
71:Written
1707:People
1591:(film)
1566:(1941)
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709:(1981)
572:series
333:H-bomb
305:stanza
289:Charon
271:cantos
1527:Prose
1467:Plays
970:Grant
688:Wimpy
642:Music
352:and "
281:Limbo
221:Kurtz
123:Quote
115:Lines
1619:Cats
1185:2023
1146:2013
1093:ISBN
1070:ISBN
1026:ISBN
999:ISBN
952:2021
924:2021
889:ISBN
871:2013
495:Film
285:Hell
110:1925
74:1925
1218:at
567:'s
455:by
227:'s
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