355:. When Nathan demands to know the reason, Prussian Count Ledrantz (despite having himself sought a war loan from the Rothschilds) explains it was discarded on a "technicality", because Nathan is a Jew. Nathan learns that the quarter of the loan not awarded to Barings will fall to Ledrantz, Metternich and Talleyrand, who stand to make enormous profits. Nathan outmanoeuvres them financially, bringing them to the brink of ruin and dishonour; they capitulate and surrender to him the entire loan. However, this has somewhat embittered him. Where once he accepted Julie's choice, he now tells the non-Jewish Fitzroy to stay away from her.
363:. Nathan's brothers, fearful of their positions, want to support the restored French Emperor. However, Nathan refuses to do so. With Ledrantz and others once again desperately in need of financial support, he extracts a treaty from them granting Jews rights, freedoms and dignity long denied them. He also tells Fitzroy that he can once again see Julie. With Napoleon seemingly invincible, Nathan determines to risk all in support of the allies. Just before he is bankrupted, he receives word that Wellington has won the
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289:, an exorbitant sum, but accepts a bribe of 5,000 in exchange for assessing them 2,000 in taxes. Mayer's satisfaction is short-lived, however; a courier bringing him 10,000 guldens is intercepted and the money confiscated by the taxmen. Mayer tells his sons that he tries to be as honest as possible, but the authorities will not let him; he admonishes his children to acquire money, for "money is power" and can protect their people.
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Nathan
Rothschild (born 1777) would have been only three years old in 1780, when the film begins. The relationship between Captain Fitzroy and Julie Rothschild is fictional; Nathan Rothschild had no daughter named Julie. The Captain Fitzroy who did become his son-in-law (albeit after Nathan died in
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After the war is won, Wellington is disappointed to find that Nathan
Rothschild has not even been invited to a party in the duke's honour. He insists on going to see Nathan. His aide, Captain Fitzroy, knows the address, as he and Nathan's daughter Julie are in love. While there, Wellington tells
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did not die until 1812, during the later stages of the
Napoleonic Wars he is portrayed as not having lived to see. Only two of his five sons were actually present at his death bed; the rest were already established in other European countries.
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The movie had positive reviews from various
American journals; although the film made no reference to then-current events in Germany, some critics noticed similarities to the Nazi regime's treatment of German Jews—such as the columnist of
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in Paris. That way, they can avoid having to send gold back and forth when the need arises, for in war they are in danger of being robbed by the enemy and in peace by their own countrymen. Instead, they can draw on each other's banks.
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Anti-Jewish riots break out all over
Germany, instigated by Ledrantz. Nathan returns to Frankfurt and, under pressure from his own people, agrees to submit to Ledrantz. However, before he can, he receives word that
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The film was the biggest hit of the year for
Twentieth Century Pictures, which had only been formed in June 1933. It was one of United Artists' most popular films of the year. It was nominated for the
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Nathan that the victorious powers are going to make a very large loan to France to help it recover from the war. The winning underwriter will become the most powerful and prestigious bank in Europe.
579:. Arliss was given the dual role of Amschel Rothschild and one of Rothschild's sons, Nathan Mayer, who settled in England. Zanuck faced behind-the-scenes opposition from Jewish concerns such as the
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571:'s rise to power in Germany in 1933. The story was suggested to him by George Arliss (also non-Jewish) who had made successful film appearances as Jewish characters like
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English language online article by Eric A. Goldman, 'Hollywood's Most
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1836) was born in 1807, therefore a child at the time of
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The
Prussian Count Ledrantz, Nathan Mayer's antagonist, was a purely fictional character written into the story by Nunally Johnson.
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Later, as Mayer is lying on his deathbed, he instructs his five sons to start banks in different countries across Europe:
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Douglas W. Churchill, 'The Year in
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The movie was produced by Zanuck (who was not Jewish), as an attack on Nazism and anti-semitism following
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While nearly all of the film is in black and white, its final sequence was one of the first shot in the
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The film takes several creative liberties with Rothschild family history.
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from the play by George Hembert Westley, and chronicles the rise of the
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The 1935 Film Daily Year Book of Motion Pictures, 17th Annual Edition
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Cohn, Lawrence (October 15, 1990). "All Time Film Rental Champs".
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Nathan's bid is the best, but is rejected primarily in favor of
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Cultural depictions of Arthur Wellesley, 1st Duke of Wellington
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Cultural depictions of Robert Jenkinson, Earl of Liverpool
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This article is about a film. For the banking family, see
674:(1940) without the permission of the copyright holders.
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D. W. (Nov 25, 1934). "TAKING A LOOK AT THE RECORD".
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were used in the German antisemitic propaganda film
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958:is available for free viewing and download at the
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880:Documentary: a history of the non-fiction film
16:1934 film by Alfred L. Werker, Sidney Lanfield
1539:Cultural depictions of Klemens von Metternich
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650:was voted the second best picture of 1934 in
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1564:English-language biographical drama films
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883:. Oxford University Press. p. 142.
1559:English-language historical drama films
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551:as Man at Stock Exchange (uncredited)
220:$ 1 million (U.S. and Canada rentals)
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636:, which helped make it acceptable.
64:George Hembert Westley (playwright)
1474:Films directed by Alfred L. Werker
1464:Drama films based on actual events
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1454:American biographical drama films
1241:The Adventures of Sherlock Holmes
745:List of early color feature films
324:asks Salomon to raise 15 million
1544:Films set in the Austrian Empire
1524:Cultural depictions of George IV
1514:Twentieth Century Pictures films
801:magazine. Accessed 23 July 2021.
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634:National Council of Jewish Women
344:twice that amount to smash him.
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361:Napoleon has escaped from exile
1444:American black-and-white films
1429:1930s biographical drama films
659:The Barretts of Wimpole Street
641:Academy Award for Best Picture
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1469:American films based on plays
1459:Films scored by Alfred Newman
617:, released in February 1934.
304:in Vienna, Nathan in London,
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1434:1930s historical drama films
855:. The Film Daily. p. 59
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151:Twentieth Century Pictures
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696:Frankfurt was a Free City
40:Theatrical release poster
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1499:Films partially in color
607:process, along with the
545:as Official (uncredited)
1137:The House of Rothschild
955:The House of Rothschild
944:The House of Rothschild
933:The House of Rothschild
912:The House of Rothschild
849:Alicoate, Jack (1935).
816:, December 30, 1934: X5
666:The House of Rothschild
648:The House of Rothschild
605:three-strip Technicolor
228:The House of Rothschild
176:April 7, 1934
29:The House of Rothschild
1257:Moon Over Her Shoulder
1225:It Could Happen to You
1121:It's Great to Be Alive
1113:Advice to the Lovelorn
1057:The Last of the Duanes
1033:Chasing Through Europe
877:Barnouw, Erik (1993).
614:The Cat and the Fiddle
581:Anti-Defamation League
526:British Prime Minister
1273:A-Haunting We Will Go
1233:News Is Made at Night
265:of European bankers.
1554:1930s American films
1519:United Artists films
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1249:The Reluctant Dragon
737:United States portal
446:as Hannah Rothschild
431:as Gudula Rothschild
336:asks for 50 million
257:. It was adapted by
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1401:The Young Don't Cry
1369:Three Hours to Kill
1345:Walk East on Beacon
1313:Pirates of Monterey
1265:The Mad Martindales
1185:We Have Our Moments
1065:Annabelle's Affairs
678:Historical accuracy
646:In a close contest
539:as Man (uncredited)
503:as Prussian Officer
398:as Julie Rothschild
231:is a 1934 American
1321:He Walked by Night
1305:Repeat Performance
1049:Double Cross Roads
995:Films directed by
813:The New York Times
684:Amschel Rothschild
556:Napoleon Bonaparte
549:Murdock MacQuarrie
478:Amschel Rothschild
469:Solomon Rothschild
415:Duke of Wellington
365:Battle of Waterloo
342:Duke of Wellington
320:. Austrian Prince
281:warns his parents
114:J. Peverell Marley
1504:Rothschild family
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1489:Films set in 1780
1439:1930s color films
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1385:Canyon Crossroads
1281:Whispering Ghosts
1089:The Gay Caballero
1017:The Sunset Legion
1009:The Pioneer Scout
890:978-0-19-507898-5
770:. p. M-164.
700:Holy Roman Empire
577:Benjamin Disraeli
554:Louis Shapiro as
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558:(uncredited)
507:Lumsden Hare
483:Noel Madison
474:Ivan Simpson
450:Alan Mowbray
420:Arthur Byron
402:Robert Young
357:
353:Barings Bank
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241:directed by
227:
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192:Running time
169:Release date
127:Allen McNeil
1377:At Gunpoint
1289:My Pal Wolf
1097:Rackety Rax
864:Archive.org
799:The Forward
723:Film portal
585:Hays Office
501:Oscar Apfel
465:Paul Harvey
273:In 1780 in
74:Produced by
46:Directed by
1424:1934 films
1418:Categories
1081:Heartbreak
1041:Blue Skies
1025:Kit Carson
859:2022-07-23
751:References
653:Film Daily
563:Background
461:as Rowerth
334:Talleyrand
322:Metternich
277:youngster
239:drama film
236:historical
217:Box office
196:88 minutes
180:1934-04-07
143:Production
61:Written by
1201:Kidnapped
1193:City Girl
836:101193306
776:0042-2738
621:Reception
593:Messenger
275:Frankfurt
120:Edited by
832:ProQuest
709:See also
611:musical
330:Napoleon
233:pre-Code
209:Language
132:Music by
92:Starring
1209:Gateway
767:Variety
698:in the
573:Shylock
524:as the
509:as the
439:Herries
413:as the
326:florins
302:Salomon
294:Amschel
212:English
201:Country
178: (
145:company
56:(asst.)
1404:(1957)
1396:(1956)
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569:Hitler
424:Baring
338:francs
287:gulden
1297:Shock
310:James
283:Mayer
938:IMDb
917:IMDb
898:2014
885:ISBN
772:ISSN
629:Time
589:The
575:and
371:Cast
306:Carl
269:Plot
253:and
947:at
936:at
915:at
609:MGM
494:as
485:as
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