355:, the film was engaging in its editing of footage taken from varying sources, but Ebiri also shared an initial bafflement toward the film and the meaning of its chosen imagery until he conversed with Egyptian critic Joseph Fahim; Fahim shared to Ebiri that with the film's informed use of images from Middle Eastern cinema, Godard was attempting to deconstruct the Western narrative given to Arab societies and the Western influence on how cinema's history is recorded. Fahim added that "The images introduced by Godard in here are unknown to most Western critics who waxed poetic about the film."
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290:. Although it did not win the official prize, the jury awarded it the first "Special Palme d'Or" in the festival's history. According to Godard, the film is intended to be shown on TV screens with speakers at a distance, in small spaces rather than in regular cinemas. It was shown in this way during its first run at the Théâtre Vidy-Lausanne in November 2018.
345:, and stated that the film centers around one theme: "the inadequate depiction of what he calls 'the Arab world' and, in particular, the dearth of iconic movie images from the Middle East—which he presents as a failure of the cinema itself, as well as of the world at large." For
206:, in December 2016 Wild Bunch co-chief Vincent Maraval stated that Godard had been shooting the film for almost two years "in various Arab countries, including Tunisia" and that it is an examination of the modern Arabic world. Godard told
372:"As with his previous idiosyncratic, often inscrutable late works, this will be seen only by a highly select audience of dedicated Godardians, and genuinely liked by just a fraction of those; one can essentially name them."
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240:(and sometimes using some of the exact same film quotes), the film examines the history of cinema and its inability to recognise the atrocities of the 20th and 21st centuries (specifically the
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is composed of a series of films, paintings and pieces of music tied together with narration and additional original footage by Godard and
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Cannes 18: The Image Book review - Jean-Luc Godard's latest is a magic lantern show gone wrong |London
Evening Standard
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is typically confounding - and ultimately rewarding - late-period Godard." It also holds a 76/100 on
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gave high praise to the film, seeing it as "a sort of epilogue or sequel" to Godard's earlier work
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431:"New Jean-Luc Godard, Omar Sy films on 2017 Wild Bunch slate"
599:"'Shoplifters' Wins Palme d'Or at 2018 Cannes Film Festival"
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Derzhitskaya, Antonina; Golotyuk, Dmitry (4 December 2016).
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Derzhitskaya, Antonina; Golotyuk, Dmitry (9 June 2018).
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Trailer of the Film That Will Never Exist: "Phony Wars"
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In line with the rest of Godard's late-period oeuvre,
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Letter in Motion to Gilles Jacob and
Thierry Frémaux
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627:"Jean-Luc Godard: Des mots comme des fourmis"
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1332:"Anticipation, ou: l'amour en l'an 2000" in
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368:gave it a negative review stating that:
321:. It was named the best film of 2019 by
278:2018 Toronto International Film Festival
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309:The film has a 90% approval rating on
301:in the United States on May 21, 2019.
1316:Les plus belles escroqueries du monde
1056:One Plus One (Sympathy for the Devil)
107:In association with Hamidreza Pejman
7:
1752:The Chronicle of Anna Magdalena Bach
1032:Two or Three Things I Know About Her
16:2018 collage film by Jean-Luc Godard
1184:JLG/JLG – Self-Portrait in December
14:
2252:Films directed by Jean-Luc Godard
398:"Ciak News 295: cos'è il cinema"
286:premiered on 11 May 2018 at the
234:. Similar to his earlier series
1273:All the Boys Are Called Patrick
680:"The Image Book Blu-ray Review"
545:"Le Livre d'Image (Image Book)"
2002:Private Fears in Public Places
1176:Les Enfants jouent à la Russie
678:Lumbard, Neil (13 June 2019).
1:
2193:The Bridges of Madison County
569:Kilday, Gregg (14 May 2018).
487:"The 2018 Official Selection"
1434:Ten Minutes Older: The Cello
1323:"Montparnasse-Levallois" in
791:Ebiri, Bilge (24 May 2018).
250:Israeli–Palestinian conflict
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1432:"Dans le noir du temps" in
1289:Charlotte and Her Boyfriend
597:Steve, Pond (19 May 2018).
378:The London Evening Standard
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1832:A Short Film About Killing
1458:"The Bridge of Sighs" in
1449:"Les Trois Désastres" in
1383:A Letter to Freddy Buache
1160:Germany Year 90 Nine Zero
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408:Radiotelevisione svizzera
293:The film was released on
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1417:The French as Seen by...
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105:Ecran Noir Productions
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1852:Freeze Die Come to Life
705:"The Image Book (2018)"
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1442:Tribute to Eric Rohmer
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1503:Le Parti des choses
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1305:"The New World" in
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759:(25 January 2019).
358:On the other hand,
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198:. Initially titled
88:Jean-Paul Battaggia
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1762:The Aviator's Wife
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1112:First Name: Carmen
944:A Woman Is a Woman
659:. 16 November 2018
410:. 5 September 2015
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493:. 12 April 2018
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1782:À Nos Amours
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1406:"Armide" in
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984:Bande à part
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819:
807:. Retrieved
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635:. Retrieved
631:Débordements
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481:
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467:(in Russian)
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435:Screen Daily
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412:. Retrieved
403:RSI Rete Uno
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154:Running time
126:Release date
106:
61:
2162:Pacifiction
2062:Holy Motors
1952:Esther Kahn
1892:Caro diario
1527:Redoubtable
1307:Ro.Go.Pa.G.
1296:"Sloth" in
1040:La Chinoise
917:Filmography
776:15 December
689:15 December
684:Blu-ray.com
633:(in French)
347:Bilge Ebiri
299:Kino Lorber
272:presenting
189:avant-garde
166:Switzerland
57:Produced by
39:Directed by
33:Film poster
2237:2018 films
2231:Categories
2032:Wild Grass
1872:Unforgiven
1399:Meetin' WA
1088:Number Two
1000:Alphaville
936:Breathless
809:15 January
771:Condé Nast
720:10 October
663:2 December
637:2 December
414:26 October
384:References
319:Metacritic
212:Palme d'Or
158:85 minutes
137:2018-05-11
119:Wild Bunch
96:Production
49:Written by
2152:First Cow
2142:City Hall
2092:Mia Madre
1992:Last Days
1802:Hail Mary
1602:The River
1593:Best Film
1495:Paparazzi
1247:Short and
1136:King Lear
1128:Détective
1120:Hail Mary
657:Swissinfo
582:29 August
471:1 January
444:1 January
305:Reception
268:Producer
242:Holocaust
163:Countries
98:companies
81:Edited by
2022:Redacted
1862:Van Gogh
1702:Contempt
1519:One P.M.
1048:Week-end
976:Contempt
805:, France
715:Fandango
554:30 April
529:12 April
497:12 April
248:and the
222:Synopsis
2216:(2010s)
2206:(2000s)
2196:(1990s)
1922:Hana-bi
1742:Persona
1487:Related
1249:segment
1104:Passion
924:Feature
604:SF Gate
519:Variety
295:Blu-ray
276:at the
260:Release
254:iPhones
214:at the
135: (
2175:(2023)
2165:(2022)
2155:(2021)
2145:(2020)
2135:(2019)
2125:(2018)
2115:(2017)
2105:(2016)
2095:(2015)
2085:(2014)
2075:(2013)
2065:(2012)
2055:(2011)
2045:(2010)
2035:(2009)
2025:(2008)
2015:(2007)
2005:(2006)
1995:(2005)
1985:(2004)
1975:(2002)
1965:(2001)
1955:(2000)
1945:(1999)
1935:(1998)
1925:(1997)
1915:(1996)
1905:(1995)
1895:(1994)
1885:(1993)
1875:(1992)
1865:(1991)
1855:(1990)
1845:(1989)
1835:(1988)
1825:(1987)
1815:(1986)
1805:(1985)
1795:(1984)
1785:(1983)
1775:(1982)
1765:(1981)
1755:(1968)
1745:(1967)
1735:(1966)
1725:(1965)
1715:(1964)
1705:(1963)
1695:(1962)
1685:(1961)
1675:(1960)
1665:(1959)
1662:Ugetsu
1655:(1958)
1645:(1957)
1635:(1956)
1625:(1955)
1615:(1954)
1605:(1951)
1479:(2023)
1471:(2014)
1463:(2014)
1454:(2013)
1445:(2010)
1437:(2002)
1428:(1998)
1420:(1988)
1411:(1987)
1402:(1986)
1394:(1985)
1386:(1982)
1371:(1976)
1363:(1972)
1355:(1969)
1346:(1967)
1337:(1965)
1328:(1964)
1319:(1963)
1310:(1962)
1301:(1962)
1292:(1958)
1284:(1958)
1276:(1957)
1268:(1955)
1260:(1955)
1235:(2018)
1227:(2014)
1219:(2010)
1211:(2004)
1203:(2001)
1195:(1996)
1187:(1995)
1179:(1993)
1171:(1993)
1163:(1991)
1155:(1990)
1147:(1987)
1139:(1987)
1131:(1985)
1123:(1985)
1115:(1983)
1107:(1982)
1099:(1980)
1091:(1975)
1083:(1972)
1075:(1969)
1067:(1969)
1059:(1968)
1051:(1967)
1043:(1967)
1035:(1967)
1027:(1966)
1019:(1966)
1011:(1965)
1003:(1965)
995:(1964)
987:(1964)
979:(1963)
971:(1963)
963:(1963)
955:(1962)
947:(1961)
939:(1960)
803:Cannes
610:19 May
465:Séance
208:Séance
181:French
168:France
143:Cannes
141: (
1912:Crash
742:9 May
192:essay
1682:Lola
1451:3X3D
1408:Aria
856:IMDb
811:2020
778:2019
744:2019
722:2021
691:2019
665:2018
639:2018
612:2018
584:2022
556:2018
531:2018
499:2018
473:2017
446:2017
416:2016
246:ISIS
202:and
865:at
854:at
362:of
333:of
297:by
2233::
1612:Él
801:.
795:.
769:.
763:.
713:,
707:,
682:.
629:.
601:.
573:.
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516:.
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463:.
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433:.
400:.
327:.
256:.
244:,
183::
1575:e
1568:t
1561:v
900:e
893:t
886:v
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780:.
693:.
667:.
641:.
614:.
586:.
558:.
533:.
501:.
475:.
448:.
418:.
179:(
145:)
139:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
