Knowledge (XXG)

The King (soundtrack)

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277:"... I think it’s related to the idea that Hal feels so captive to this new office of King; he’s, himself, unsure of his own feelings, at times before the events of the film have taken place, he’s leading a very different life, and I think the idea of being uncertain of your fate, and at the same time having so much responsibility for others, is such an interesting dynamic. I think virtually everyone goes through a real complex period of life when they’re coming of age, when you’re learning about how the world works, and shedding some of your ideas, and to have that be happening concurrently with becoming the leader of a nation is kind of a mind-blowing idea." 301:
strings were felt like "something that could represent the story across the ages, in a way" and spent a lot of time with MichĂ´d on the use of strings as there are multiple ways it can be played, as the sound can be emotional, or can have vibrato or non-vibrato. They experimented with multiple variations of strings, as they wanted it to have a sense of "emotion and richness" and had to represent the time period.
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He started working on the score during that March 2019 and explored with various sounds and instruments, including bass clarinets played outside the range and used in tape filters to create a "human, yet strange feeling". A theme called "Tetrachord" where the motif goes from the first to the fifth
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wrote "The album is resolutely not an easy listen – it’s frequently as black as coal, in parts really rather difficult – don’t expect anything like the two famous earlier Henry V scores. But really, it’s great that there is a place today for a film score like this – Britell is a smart, impressive
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In addition to bass clarinets, he used a sound of metal and distorted it throughout the score, so that it "felt musical and wove the sound into a lot of the pieces. At times, it’s more noticeable and more subtle, but there’s literally just the sound of clanging metal in some of these pieces." The
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had approached Britell in January 2019, and watched rough cuts of the film without music and felt it "right away like this amazing canvas to imagine a musical landscape", appreciating the film's script, cinematography and performances, and agreed to be a part of the film as he did not score for a
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performing chorals. The inclusion of Trinity choir is to provide a "wordless choir" and "resonates musically and symbolically" with the film. The cues were titled as "ballade", "canticle" and "hymn" as Britell wanted to "deep dive into late medieval music and early renaissance music". He further
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had said that "the zone that he was hoping for, feeling wise, was the idea that this is almost like a hell on earth. The land is sick under Henry IV, and there’s already a darkness there in the landscape. So, it’s a combination of factors that I think led to a dark score."
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descend of the scale, was the "ancient motif used for thousand years", and Britell felt that "there's something about the downward scale that has this darkness and sadness" as the film is "dark and sombre". Britell recalled on what director
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is so dramatically potent and the emotion runs deep – it’s subtle and that’s becoming so much less common, it’s actually really enriching hearing something where you have to put the effort in to get the reward." In her review for
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period film. His instinct on scoring for the film was to imagine that the film was set not in the 15th century but in the 25th century, and had thought of a set of sounds that could work in either the past or the future.
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who approached a futuristic music set in the 25th century, despite being the film set in the medieval period. He called it as the most "dark and sombre" music, he had composed, reflecting the setting and soundscape.
987: 321:'s works on the same, as the research itself had an interesting impact and tried to channel with some of the names, such as ballade or hymn, as they imply certain ideas and feelings. 304:
He orchestrated the string music, so that there are more violas, celli and basses, proportionally to have a "lower, richer sound". The violins in the orchestra were recorded at the
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called it as "one of his most indifferent scores". Commercially, the score album was streamed over 18 million times on the music streaming platform
888: 778:"Nicholas Britell ('The King' composer) on 'looking at the 1400's like it was a foreign planet' through music [EXCLUSIVE VIDEO INTERVIEW]" 751: 1740: 1576: 544:, Iana Murray said that Britell's score "is a delicate mood-setter until it explodes in bellowing horns and a roaring choir". Isaac Butler of 1755: 1750: 1064: 962: 777: 1183: 836: 1524: 1735: 1622: 671: 1114: 1140: 1039: 1304: 1483: 1408: 1349: 1298: 752:"'The King' Composer Nicholas Britell Crafts "Most Somber" Score Of His Career In First Collaboration With David MichĂ´d" 1258: 1657: 1634: 1489: 1467: 1400: 1341: 1282: 1615: 802: 110: 146: 1593: 1176: 305: 68: 1704: 1677: 1745: 1529: 1497: 1422: 1363: 264: 201: 193: 164: 1554: 1475: 1443: 1192: 1712: 1669: 1559: 1459: 1392: 1333: 1290: 988:"The King movie review: Robert Pattinson's unhinged performance outshines Netflix's period drama" 313: 248:
release and received positive critical response. On 8 July 2022, the score was released into a
1210: 252: 241: 221: 935: 1696: 1588: 1571: 1224: 1217: 1169: 889:""You Have to Need the Music": Nicholas Britell, Kathryn Bostic and the Composer Roundtable" 862: 684: 546: 283: 233: 225: 213: 133: 122: 41: 1451: 1384: 1325: 1266: 611: 117: 1161: 293: 197: 1598: 1539: 1519: 1231: 1014: 712: 606: 318: 229: 217: 1729: 1544: 205: 1534: 601: 268: 105: 28: 1090:"Nicholas Britell - The King (Original Score From The Netflix Film) - (Vinyl LP)" 209: 79: 72: 1141:"'Joker,' 'Lion King,' 'Us' Lead 2019 Hollywood Music in Media Awards Nominees" 1564: 189: 36: 1583: 630: 249: 963:"The King Turns Shakespeare's Henriad Into the Tragedy of the Obama Years" 1549: 837:"Nicholas Britell Gets to the Emotional Core of Composing for 'The King'" 1015:"Cover For Vinyl Edition of The King Score Revealed [EXCLUSIVE]" 713:"Cover For Vinyl Edition of The King Score Revealed [EXCLUSIVE]" 1197: 551: 245: 1115:"Nicholas Britell The King (Original Score from the Netflix Film) 2LP" 1040:"The King (Original Score From The Netflix Film), by Nicholas Britell" 913: 309: 863:"Grandeur and Awe - Nicholas Britell's Film Score for 'The King'" 914:"The King soundtrack review | Nicholas Britell | movie-wave.net" 1165: 809:. American Society of Composers and Lyricists. 14 November 2019 1089: 528:
Britell's score received critical acclaim. James Southall of
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composer who’s surely got a wonderful career ahead of him.
936:"Review: Timothée Chalamet Is 'The King' We Deserve" 286:, referring to Hal's mindset while scoring the film. 1688: 1649: 1607: 1512: 1433: 1374: 1315: 1248: 1241: 803:"Nicholas Britell's Latest Score Is Fit for a King" 663: 340: 332: 240:The score album was released on 1 November 2019 by 132: 116: 104: 88: 78: 64: 56: 48: 35: 21: 1065:"The King (Original Score from the Netflix Film)" 232:. The original score to the film is composed by 566:The King (Original Score from the Netflix Film) 275: 185:The King (Original Score from the Netflix Film) 22:The King (Original Score from the Netflix Film) 776:Beachum, Chris; Laws, Zach (25 October 2019). 1177: 8: 1245: 1184: 1170: 1162: 645: 561: 27: 18: 329: 703: 509: 16:2019 film score by Nicholas Britell 1275:The Life and Death of King Richard II 861:Scorer, The Film (30 December 2019). 680:Best Original Score in a Feature Film 591: 510: 7: 830: 828: 826: 824: 745: 743: 741: 739: 737: 735: 733: 1139:Harris, LaTesha (5 November 2019). 887:Cassidy, Kevin (27 November 2019). 503:"Song of Hal: Conclusio in C Minor" 1013:Hullender, Tatiana (18 May 2022). 711:Hullender, Tatiana (18 May 2022). 664: 437:"Ballade in B-flat Minor: Descent" 371:"Song of Hal: Strings in C# Minor" 14: 835:Tangcay, Jazz (5 November 2019). 585: 426:"Song of Hal: Strings in B Minor" 415:"Ballade in F# Minor: Trebuchets" 349:"Ballade in C# Minor: Coronation" 961:Butler, Isaac (1 October 2019). 750:Grobar, Matt (4 November 2019). 1623:The Famous Victories of Henry V 672:Hollywood Music in Media Awards 563:Release dates and formats for 333: 1: 1741:Lakeshore Records soundtracks 1756:Nicholas Britell soundtracks 1751:2010s film soundtrack albums 634: 621: 382:"Tetrachord – War and Fate" 1772: 1658:The Merry Wives of Windsor 263:One of the producers from 194:2019 film of the same name 1401:Henry the Fourth, Part II 1205: 670: 660: 657: 654: 651: 648: 618: 584: 581: 578: 575: 572: 499: 488: 477: 466: 455: 444: 433: 422: 411: 400: 389: 378: 367: 356: 345: 337: 267:which produced the film, 177: 140: 128: 26: 404:"Hymn – Mvmt 1: Prelude" 1342:Henry the Fouth, Part I 1283:King Richard the Second 470:"Hymn – Mvmt 2: Lament" 1736:2019 soundtrack albums 1616:Holinshed's Chronicles 893:The Hollywood Reporter 492:"Hymn – Mvmt 3: Elegy" 360:"Estampie – Eastcheap" 279: 244:, coinciding with the 393:"Canticle in E Minor" 306:British Grove Studios 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Index


Film score
Nicholas Britell
British Grove Studios
Air Studios
Genre
Label
Lakeshore
Producer
Nicholas Britell
Nicholas Britell
Vice
Cruella
score album
2019 film of the same name
David MichĂ´d
Timothée Chalamet
Joel Edgerton
Sean Harris
Tom Glynn-Carney
Lily-Rose Depp
Thomasin McKenzie
Robert Pattinson
Ben Mendelsohn
Nicholas Britell
Lakeshore Records
Netflix
double LP
vinyl
Plan B Entertainment

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