277:"... I think it’s related to the idea that Hal feels so captive to this new office of King; he’s, himself, unsure of his own feelings, at times before the events of the film have taken place, he’s leading a very different life, and I think the idea of being uncertain of your fate, and at the same time having so much responsibility for others, is such an interesting dynamic. I think virtually everyone goes through a real complex period of life when they’re coming of age, when you’re learning about how the world works, and shedding some of your ideas, and to have that be happening concurrently with becoming the leader of a nation is kind of a mind-blowing idea."
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strings were felt like "something that could represent the story across the ages, in a way" and spent a lot of time with MichĂ´d on the use of strings as there are multiple ways it can be played, as the sound can be emotional, or can have vibrato or non-vibrato. They experimented with multiple variations of strings, as they wanted it to have a sense of "emotion and richness" and had to represent the time period.
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He started working on the score during that March 2019 and explored with various sounds and instruments, including bass clarinets played outside the range and used in tape filters to create a "human, yet strange feeling". A theme called "Tetrachord" where the motif goes from the first to the fifth
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wrote "The album is resolutely not an easy listen – it’s frequently as black as coal, in parts really rather difficult – don’t expect anything like the two famous earlier Henry V scores. But really, it’s great that there is a place today for a film score like this – Britell is a smart, impressive
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In addition to bass clarinets, he used a sound of metal and distorted it throughout the score, so that it "felt musical and wove the sound into a lot of the pieces. At times, it’s more noticeable and more subtle, but there’s literally just the sound of clanging metal in some of these pieces." The
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had approached
Britell in January 2019, and watched rough cuts of the film without music and felt it "right away like this amazing canvas to imagine a musical landscape", appreciating the film's script, cinematography and performances, and agreed to be a part of the film as he did not score for a
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performing chorals. The inclusion of
Trinity choir is to provide a "wordless choir" and "resonates musically and symbolically" with the film. The cues were titled as "ballade", "canticle" and "hymn" as Britell wanted to "deep dive into late medieval music and early renaissance music". He further
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had said that "the zone that he was hoping for, feeling wise, was the idea that this is almost like a hell on earth. The land is sick under Henry IV, and there’s already a darkness there in the landscape. So, it’s a combination of factors that I think led to a dark score."
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descend of the scale, was the "ancient motif used for thousand years", and
Britell felt that "there's something about the downward scale that has this darkness and sadness" as the film is "dark and sombre". Britell recalled on what director
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is so dramatically potent and the emotion runs deep – it’s subtle and that’s becoming so much less common, it’s actually really enriching hearing something where you have to put the effort in to get the reward." In her review for
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period film. His instinct on scoring for the film was to imagine that the film was set not in the 15th century but in the 25th century, and had thought of a set of sounds that could work in either the past or the future.
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who approached a futuristic music set in the 25th century, despite being the film set in the medieval period. He called it as the most "dark and sombre" music, he had composed, reflecting the setting and soundscape.
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321:'s works on the same, as the research itself had an interesting impact and tried to channel with some of the names, such as ballade or hymn, as they imply certain ideas and feelings.
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He orchestrated the string music, so that there are more violas, celli and basses, proportionally to have a "lower, richer sound". The violins in the orchestra were recorded at the
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called it as "one of his most indifferent scores". Commercially, the score album was streamed over 18 million times on the music streaming platform
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778:"Nicholas Britell ('The King' composer) on 'looking at the 1400's like it was a foreign planet' through music [EXCLUSIVE VIDEO INTERVIEW]"
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752:"'The King' Composer Nicholas Britell Crafts "Most Somber" Score Of His Career In First Collaboration With David MichĂ´d"
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release and received positive critical response. On 8 July 2022, the score was released into a
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1141:"'Joker,' 'Lion King,' 'Us' Lead 2019 Hollywood Music in Media Awards Nominees"
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963:"The King Turns Shakespeare's Henriad Into the Tragedy of the Obama Years"
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837:"Nicholas Britell Gets to the Emotional Core of Composing for 'The King'"
1015:"Cover For Vinyl Edition of The King Score Revealed [EXCLUSIVE]"
713:"Cover For Vinyl Edition of The King Score Revealed [EXCLUSIVE]"
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1115:"Nicholas Britell The King (Original Score from the Netflix Film) 2LP"
1040:"The King (Original Score From The Netflix Film), by Nicholas Britell"
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863:"Grandeur and Awe - Nicholas Britell's Film Score for 'The King'"
914:"The King soundtrack review | Nicholas Britell | movie-wave.net"
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809:. American Society of Composers and Lyricists. 14 November 2019
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Britell's score received critical acclaim. James
Southall of
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composer who’s surely got a wonderful career ahead of him.
936:"Review: Timothée Chalamet Is 'The King' We Deserve"
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803:"Nicholas Britell's Latest Score Is Fit for a King"
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1065:"The King (Original Score from the Netflix Film)"
232:. The original score to the film is composed by
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22:The King (Original Score from the Netflix Film)
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680:Best Original Score in a Feature Film
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503:"Song of Hal: Conclusio in C Minor"
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437:"Ballade in B-flat Minor: Descent"
371:"Song of Hal: Strings in C# Minor"
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835:Tangcay, Jazz (5 November 2019).
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426:"Song of Hal: Strings in B Minor"
415:"Ballade in F# Minor: Trebuchets"
349:"Ballade in C# Minor: Coronation"
961:Butler, Isaac (1 October 2019).
750:Grobar, Matt (4 November 2019).
1623:The Famous Victories of Henry V
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563:Release dates and formats for
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382:"Tetrachord – War and Fate"
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404:"Hymn – Mvmt 1: Prelude"
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470:"Hymn – Mvmt 2: Lament"
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492:"Hymn – Mvmt 3: Elegy"
360:"Estampie – Eastcheap"
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306:British Grove Studios
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459:"Marche – Agincourt"
265:Plan B Entertainment
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1705:At the Boar's Head
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1119:Elusive Disc
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1069:Presto Music
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312:and had the
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269:Dede Gardner
262:
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198:David MichĂ´d
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1746:Film scores
1094:Rough Trade
1024:29 November
998:29 November
972:29 November
946:29 November
920:29 November
898:29 November
846:29 November
813:29 November
787:29 November
761:29 November
658:Nominee(s)
259:Development
210:Sean Harris
190:score album
73:Air Studios
1730:Categories
1594:Richard II
1565:Prince Hal
1530:Charles VI
1513:Characters
1471:(1979; TV)
1455:(1960; TV)
1404:(1979; TV)
1388:(1960; TV)
1359:(2012; TV)
1345:(1979; TV)
1329:(1960; TV)
1308:(2012; TV)
1305:Richard II
1286:(1979; TV)
1278:(1960; TV)
1270:(1960; TV)
1262:(1954; TV)
1250:Richard II
1211:Richard II
1150:7 November
1124:1 December
1099:1 December
1074:1 December
1049:1 December
1019:ScreenRant
872:1 December
722:1 December
717:ScreenRant
698:References
689:Nominated
619:Lakeshore
579:Format(s)
530:Movie Wave
448:"Antiphon"
136:chronology
84:Film score
37:Film score
1242:On screen
807:Ascap.com
782:GoldDerby
655:Category
642:Accolades
612:streaming
524:Reception
250:double LP
111:Lakeshore
1697:Falstaff
1555:Henry IV
1550:Fluellen
1545:Falstaff
1525:Bardolph
1498:The King
1423:The King
1364:The King
756:Deadline
592:Various
535:The King
156:The King
118:Producer
57:Recorded
49:Released
39: by
1608:Sources
1560:Henry V
1490:Henry V
1476:Henry V
1444:Henry V
1435:Henry V
1232:Henry V
1198:Henriad
1145:Variety
841:Variety
661:Result
573:Region
552:Spotify
246:Netflix
192:to the
188:is the
169:(2021)
165:Cruella
160:(2019)
151:(2018)
1716:(1963)
1708:(1925)
1700:(1913)
1681:(1760)
1673:(1599)
1501:(2019)
1493:(2012)
1479:(1989)
1463:(1966)
1447:(1944)
1426:(2019)
1418:(2012)
1396:(1966)
1367:(2019)
1337:(1966)
1294:(2001)
649:Award
582:Label
341:Length
310:London
228:, and
89:Length
65:Studio
1665:1597)
1642:1593)
1630:1585)
1584:Poins
631:Vinyl
576:Date
516:43:31
338:Title
253:vinyl
106:Label
80:Genre
1152:2019
1126:2022
1101:2022
1076:2022
1051:2022
1026:2022
1000:2022
974:2022
948:2022
922:2022
900:2022
874:2022
848:2022
815:2022
789:2022
763:2022
724:2022
665:Ref.
586:Ref.
506:4:50
495:2:46
484:1:26
473:3:41
462:2:46
451:2:16
440:2:23
429:4:20
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352:2:28
147:Vice
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