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The Kite (2003 film)

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253: 212:) lives with her family in the village. Her family had promised to marry her off to her cousin Samy (Edmond Haddad), who lives on the Israeli side. Lamia's mother, Amira (Randa Asmar) was dejected and unwilling to send her daughter away because that meant that Lamia could never come back because of the tense political situation at the border. 228:
loves someone else, who turns out to be Youssef. Samy's family gets frustrated with Lamia and takes her to the border so that she can talk to her mother. Lamia is given binoculars, but instead of looking at her mother, she turns to look at Youssef and exchanges smiles with him. Both families fume at this and her binoculars are taken away.
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Because of her continuous unpleasant behavior, Lamia becomes unwanted in Samy's house and she is forced to go back. Samy warns Lamia that no one else would want her anymore if he divorces her and she would be alone forever. Lamia faces a great dilemma because she does not want to be with her husband
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Lamia, too, is completely reluctant to agree to the marriage because she has never seen him nor does she love him. She is simply a naïve young teenager who has no idea about marriage. Similarly, Samy was not much interested in marrying his cousin either; however, he agreed to the marriage because he
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Meanwhile, the movie reveals that an Israeli soldier, Youssef (Maher Bsaibes), stationed at the border is in love with Lamia. After Lamia comes to live in Samy's house, she barely eats or sleeps or talks; this goes on for 20 days. Later, during an argument with her husband, Lamia tells him that she
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between the Lebanon side and Israel side, they communicate with each other through megaphones and can only see each other through binoculars. Before the marriage, Lamia had to get a pass from the authorities to cross the border. The day of the wedding, the entire village gathers at the border gates
1230: 303:" film, and wrote that the director's tone was "gentle and generous", except for a single scene involving the discovery of an aborted fetus which he described as "tasteless". Atkinson added that Sabag considered the points of view of each character in the film, even that of the Israeli officers. 290:
was Sabag's biggest commercial and critical success, with generally positive reviews. Nitrate Online described it as a story of "life and love in the middle of conflict" with a "refreshingly original appeal that crosses some formidable barriers", while Strictly Film School called it a "poignant,
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to witness Lamia being sent across the border. On the Israeli side, people wave a white flag as a signal to start. Lamia hugs her family and starts her long walk towards the Israeli border in her majestic wedding gown and a lone bouquet. She keeps looking back, knowing that she may never return.
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Unfortunately, Lamia returns to Deir Mimas, to her and the soldier's utter disappointment. She becomes a subject of insult in her home village, which is seen when a shop-owner does not accept money from her, calling it "money of dishonor".
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Cineuropa said that despite the subject of the story being tragic, Sabag tried to deal with it using irony and managed to "triumph life, love and imagination" at the end. Both male and female critics on the French film blog
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The ending of the movie has been purposely left vague and open to interpretation. It appears like a dream or surreal scene where Lamia magically crosses the fence of the border and finally gets to be with Youssef.
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described this kind of reception as "a radical departure from the hostile press the controversial filmmaker (Sabag) once received".
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community, who is forced to marry her cousin across the Israeli border, but finds herself in love with an Israeli soldier.
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was Sabag's most commercially and critically successful movie, and her last; she died in 2008. The film was Lebanon's
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humorous, and exquisitely realized" film. Less than a year after Sabag's death, when the film was out on DVD,
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gave it 4 out of 5 stars, with one of them noting that the film was reminiscent of
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over the border of the pre-occupied territories in southern Lebanon (occupied by
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but she does not want to go back either (because of Youssef).
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Prix international de la musique et du film, Auxerre, 2003
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called the occasion "a triumph for Lebanese film". The
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Global Lens (Global Film Initiative), New York, 2008
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Archived from 450:Atkinson, Michael (14 April 2009). 370:Prix de la paix- Gillo Pontecorvo, 522:Menzione, Paolo (30 August 2003). 14: 424:Lybarger, Dan (16 January 2004). 251: 1451:Venice Grand Jury Prize winners 1431:Israeli–Lebanese conflict films 398:Quilty, Jim (27 August 2008). 1: 363:Prix de la Lanterne Magique, 156: 1446:2000s Arabic-language films 855:Tangos, the Exile of Gardel 524:"In Competition - The Kite" 1477: 353:Prix de TV5, Belgium, 2004 1250: 823:They Don't Wear Black Tie 499:Hoang, Mai (March 2004). 26: 893:And Then There Was Light 642:A Streetcar Named Desire 299:as a "tragicomedy" and " 1060:The Secret of the Grain 702:Peace to Him Who Enters 979:The Wind Will Carry Us 694:Rocco and His Brothers 260:This section is empty. 142: 1278:When Maryam Spoke Out 1270:Around the Pink House 847:Favorites of the Moon 794:Our Lady of the Turks 164:film by the director 1456:Lebanese drama films 1436:Films about marriage 1390:Costa Brava, Lebanon 1240:Lebanese submissions 1156:An Officer and a Spy 933:Natural Born Killers 901:An Angel at My Table 724:Introduction to Life 372:Venice Film Festival 365:Venice Film Festival 358:Venice Film Festival 1326:Blind Intersections 1318:Where Do We Go Now? 1188:Evil Does Not Exist 1116:The Look of Silence 758:Simon of the Desert 480:on 27 December 2014 335:Divine Intervention 186:76th Academy Awards 178:official submission 987:Before Night Falls 505:World Press Review 318:World Press Review 190:First Run Features 166:Randa Chahal Sabag 50:Randa Chahal Sabag 40:Randa Chahal Sabag 1408: 1407: 1206: 1205: 1132:Nocturnal Animals 1084:Essential Killing 909:The Divine Comedy 752:Modiga mindre män 326:L'Oil sur L'Ecran 280: 279: 157:ṭiyyāra min waraʔ 130: 129: 1468: 1426:2003 drama films 1233: 1226: 1219: 1210: 971:Terminus Paradis 885:Camp de Thiaroye 620: 613: 606: 597: 572: 570:Global Lens 2008 567: 561: 560: 558: 556: 546: 542: 536: 535: 533: 531: 519: 513: 512: 496: 490: 489: 487: 485: 470: 464: 463: 461: 459: 447: 438: 437: 435: 433: 428:. Nitrate Online 421: 412: 411: 409: 407: 402:. 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346: 345: 341: 339: 337: 336: 332:'s 2002 film 331: 330:Elia Suleiman 327: 321: 319: 315: 314: 309: 304: 302: 298: 294: 289: 282: 274: 265: 261: 257: 254: 250: 249: 243: 241: 237: 233: 229: 225: 222: 221:no-man's land 217: 213: 211: 207: 203: 195: 193: 191: 187: 183: 179: 175: 171: 167: 163: 158: 152:طيّارة من ورق 148: 144: 140: 136: 135: 125: 121: 117: 113: 109: 103: 89: 88: 86: 80: 77: 73: 72:Liliane Nemri 69: 65: 64:Maher Bsaibes 61: 58: 54: 51: 48: 44: 41: 38: 34: 30: 25: 20: 1396: 1388: 1380: 1372: 1364: 1356: 1348: 1340: 1332: 1324: 1316: 1308: 1300: 1292: 1285: 1284: 1276: 1268: 1260: 1254: 1194: 1186: 1178: 1170: 1162: 1154: 1146: 1138: 1130: 1122: 1114: 1106: 1098: 1090: 1082: 1076:Soul Kitchen 1074: 1066: 1058: 1052: 1044: 1036: 1028: 1021: 1020: 1012: 1004: 998:2001–present 985: 977: 969: 961: 953: 945: 941:God's Comedy 939: 931: 923: 915: 907: 899: 891: 883: 875: 867: 861: 853: 845: 837: 829: 821: 817:Sweet Dreams 815: 798: 792: 784: 778: 770: 764: 756: 750: 744: 736: 730: 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Index


Randa Chahal Sabag
Randa Chahal Sabag
Flavia Bechara
Maher Bsaibes
Julia Kassar
Liliane Nemri
Ziad Rahbani
French
Levantine Arabic
Lebanese
Randa Chahal Sabag
Druze
official submission
Academy Award for Best Foreign Language Film
76th Academy Awards
First Run Features
Deir Mimas
Israel
Flavia Bechara
no-man's land

adding to it
Michael Atkinson
IFC.com
absurdist
Beirut
Daily Star
World Press Review
Elia Suleiman

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