361:
349:
337:
66:
57:
48:
231:
The triptych was gilded with gold, the painting material was egg tempera and gold leaf on three separate wood panels. The width is 79 cm (31.1 in) and the height is 67 cm (26.4 in). The gilded metallic portion was made with elaborate decorations. The upper portion features scenes
206:
The final and infinite judgment by God is believed to be the Second Coming. People of every nation will be judged resulting in the approval of some and the penalizing of others. This triptych is a pictorial representation of that event. Greek and
Italian Byzantine artists used the theme in countless
283:
On panel 1 to the viewer's left in the upper archway six apostles are seated in heavenly thrones. Throughout the three panels, naked figures are mixed with nobility and clergy. Klontzas makes a clear distinction between the chosen and damned. Below the apostles in panel 1,
828:
304:
On the third panel to the viewer's right, the upper archway features the remaining six apostles. Below the apostles, clergy, and nobles. A huge scene depicting hell occupies over half of the panel. Klontzas created a magnificent version of hell.
300:
stands by the wheel. The remaining figures participate in the dance of the last judgment. The hierarchs, military saints, monks, and holy women are present. At the bottom of the panel, a scene depicts the resurrection of the dead.
959:
220:
146:
135:
265:
carries the wood of sacrifice on his back. He is escorted by two lions. Below the group, a band plays and the book of life is opened. Two archangels appear in the lower vertical center of the image. The
236:
in fifteen small circles. In the central upper archway right below the scenes of
Genesis Jesus appears, the Virgin Mary is to his right and John the Baptist appears to his left resembling
156:
612:
360:
348:
336:
909:
189:, Crete. He created many forms of art such as triptychs, portable icons or paintings, and manuscripts. Klontzas created several versions of the
1025:
1020:
1000:
969:
878:
477:
1005:
854:
537:. Thessaloniki, Greece: Aristotle University of Thessaloniki School of Philosophy Division of Archaeology and History. p. 33-35.
933:
460:
421:
65:
56:
47:
846:
317:
sit on top of the smoking renaissance building which is crowded with demons. A figure reminiscent of Greek mythology resembling
990:
925:
790:
721:
408:
289:
782:
500:
995:
893:
870:
276:
238:
199:
1035:
1015:
941:
605:
598:
325:
was the ferryman of Hades who carried the souls of the dead. The ferry boat carries the damned to the mouth of hell.
549:
1030:
766:
838:
274:
behind him holds the sword. Winged demons are also present. The demon characters resemble his other works namely
821:
813:
798:
774:
741:
297:
1040:
696:
285:
203:
also features the same theme but is a painting, not a triptych. Klontzas also created other triptychs.
245:
Below the holy trio, Adam and Eve hold the cross as they gaze upon hell. To the right of the cross,
706:
267:
1010:
964:
758:
716:
711:
665:
645:
529:
310:
182:
445:
Greek
Painters after the Fall of Constantinople (1450-1830). Volume 2: Kavallaros - Psathopoulos
385:
701:
655:
640:
456:
447:]. Athens: Center for Modern Greek Studies, National Research Foundation. pp. 89–91.
417:
170:
81:
917:
448:
862:
736:
233:
726:
660:
650:
984:
691:
686:
670:
621:
194:
190:
174:
109:
208:
104:
531:
A Detailed
History of the Second Coming (Last Judgment) in Greek Paintings (Greek)
731:
293:
215:. Klontzas may have been exposed to Italian prototypes. Both the triptych and
440:Έλληνες Ζωγράφοι μετά την Άλωση (1450-1830). Τόμος 2: Καβαλλάρος - Ψαθόπουλος
186:
127:
67 cm × 26.4 cm (79 in × 31.1 in)
635:
416:. London And New York: Rutledge Taylor & Francis Group. p. 893.
178:
452:
306:
271:
254:
185:. His artistic period was between 1550 and 1608. He had a workshop in
590:
322:
318:
438:
314:
262:
258:
250:
246:
594:
242:
painting of
Klontzas. The trio is surrounded by flying heads.
502:
A Guide to the Museum of Icons and the Church of St. George
173:. Klontzas was a Greek painter and prominent member of the
505:. Venice, Italy: Hellenic Institute of Venice. p. 40.
249:
carries the ark over his head, to the left of the cross
480:. Digitized Archive of the Hellenic Institute of Venice
952:
750:
679:
628:
270:holds a scale depicting the weighing of souls. The
152:
142:
131:
123:
115:
103:
95:
87:
77:
21:
437:Hatzidakis, Manolis; Drakopoulou, Evgenia (1997).
413:Encyclopedia of Greece and the Hellenic Tradition
253:is holding a tablet. On the same side as Noah,
606:
8:
550:"The Second Coming (triptych, central part)"
99:gold enamel, egg tempera, gold leaf on wood
910:Beheading of John the Baptist (Damaskinos)
613:
599:
591:
18:
548:Eugenia Drakopoulou (November 13, 2021).
386:"The Second Coming by Georgios Klontzas"
552:. National Hellenic Research Foundation
376:
332:
902:The Last Judgement Triptych (Klontzas)
7:
879:Adoration of the Kings (Damaskinos)
384:Panayiotis Kabanis (May 27, 2019).
855:Dormition of the Virgin (El Greco)
476:Staff Writers (October 28, 2021).
14:
970:Institute of Neohellenic Research
934:Vision of the Apocalypse (Bathas)
499:Paliouras, Athanasios D. (1976).
847:Adoration of the Magi (El Greco)
359:
347:
335:
64:
55:
46:
926:Stoning of Stephen (Damaskinos)
1:
1026:Paintings of John the Baptist
883:
803:
582:
570:
219:are in the collection of the
207:works of art. Italian artist
16:Painting by Georgios Klontzas
1021:Paintings of the Virgin Mary
1001:Cretan Renaissance paintings
894:The Last Supper (Damaskinos)
871:In Thee Rejoiceth (Klontzas)
221:Hellenic Institute of Venice
147:Hellenic Institute of Venice
136:Hellenic Institute of Venice
942:Portrait of Gabriel Severus
166:The Last Judgement Triptych
1057:
767:Saint Anne with the Virgin
211:created many triptychs of
22:The Last Judgment Triptych
1006:The Last Judgement in art
960:Hellenic Institute Venice
839:Madonna of Constantinople
830:Nursing Madonna and Child
515:
40:
29:Τρίπτυχο Δευτέρα Παρουσία
26:
822:Madre della Consolazione
814:Christ Bearing the Cross
799:The Crucifixion (Pavias)
742:Nikolaos Philanthropinos
528:Siopis, Ioannis (2016).
157:Official Website (Greek)
407:Speake, Graham (2021).
991:17th-century paintings
791:Jesus Hominum Salvator
35:Il Giudizio Universale
783:The Virgin Pantanassa
722:Antonios Papadopoulos
697:Theophanes the Cretan
478:"Greek Art Catalogue"
629:Principal proponents
388:. Greek City Culture
996:Paintings in Venice
707:Ioannis Permeniates
177:. He is likened to
1036:Paintings of Moses
1016:Paintings of Jesus
965:Manolis Hatzidakis
759:The Virgin Eleousa
717:Nikolaos Lampoudis
712:Angelos Pitzamanos
666:Nikolaos Tzafouris
646:Michael Damaskinos
622:Cretan Renaissance
217:The Last Judgement
213:The Last Judgement
183:Michael Damaskinos
119:The Last Judgement
1031:Paintings of Noah
978:
977:
702:Frangos Katelanos
656:Angelos Akotantos
641:Georgios Klontzas
411:Georgios Klontzas
366:Detail of panel 3
354:Detail of panel 2
342:Detail of panel 1
277:The Last Judgment
272:Archangel Gabriel
268:Archangel Michael
239:The Last Judgment
200:The Last Judgment
171:Georgios Klontzas
169:is a triptych by
162:
161:
82:Georgios Klontzas
1048:
918:Virgin Nikopoios
888:
887: 1587–1591
885:
808:
807: 1440–1512
805:
615:
608:
601:
592:
586:
580:
574:
568:
562:
561:
559:
557:
545:
539:
538:
536:
525:
519:
513:
507:
506:
496:
490:
489:
487:
485:
473:
467:
466:
434:
428:
427:
404:
398:
397:
395:
393:
381:
363:
351:
339:
68:
59:
50:
19:
1056:
1055:
1051:
1050:
1049:
1047:
1046:
1045:
981:
980:
979:
974:
948:
886:
863:Modena Triptych
806:
775:Christ the Vine
746:
737:Nikolaos Ritzos
675:
624:
619:
589:
581:
577:
569:
565:
555:
553:
547:
546:
542:
534:
527:
526:
522:
514:
510:
498:
497:
493:
483:
481:
475:
474:
470:
463:
436:
435:
431:
424:
406:
405:
401:
391:
389:
383:
382:
378:
374:
367:
364:
355:
352:
343:
340:
331:
229:
73:
72:
71:
70:
69:
61:
60:
52:
51:
32:
17:
12:
11:
5:
1054:
1052:
1044:
1043:
1038:
1033:
1028:
1023:
1018:
1013:
1008:
1003:
998:
993:
983:
982:
976:
975:
973:
972:
967:
962:
956:
954:
950:
949:
947:
946:
938:
930:
922:
914:
906:
898:
890:
875:
867:
859:
851:
843:
835:
826:
818:
810:
795:
787:
779:
771:
763:
754:
752:
748:
747:
745:
744:
739:
734:
729:
727:Ioannis Apakas
724:
719:
714:
709:
704:
699:
694:
689:
683:
681:
677:
676:
674:
673:
668:
663:
661:Andreas Ritzos
658:
653:
651:Andreas Pavias
648:
643:
638:
632:
630:
626:
625:
620:
618:
617:
610:
603:
595:
588:
587:
575:
563:
540:
520:
508:
491:
468:
461:
429:
422:
399:
375:
373:
370:
369:
368:
365:
358:
356:
353:
346:
344:
341:
334:
330:
327:
228:
225:
160:
159:
154:
150:
149:
144:
140:
139:
133:
129:
128:
125:
121:
120:
117:
113:
112:
107:
101:
100:
97:
93:
92:
89:
85:
84:
79:
75:
74:
63:
62:
54:
53:
45:
44:
43:
42:
41:
38:
37:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
1053:
1042:
1041:Demons in art
1039:
1037:
1034:
1032:
1029:
1027:
1024:
1022:
1019:
1017:
1014:
1012:
1009:
1007:
1004:
1002:
999:
997:
994:
992:
989:
988:
986:
971:
968:
966:
963:
961:
958:
957:
955:
951:
944:
943:
939:
936:
935:
931:
928:
927:
923:
920:
919:
915:
912:
911:
907:
904:
903:
899:
896:
895:
891:
881:
880:
876:
873:
872:
868:
865:
864:
860:
857:
856:
852:
849:
848:
844:
841:
840:
836:
833:
832:(Permeniates)
831:
827:
824:
823:
819:
816:
815:
811:
801:
800:
796:
793:
792:
788:
785:
784:
780:
777:
776:
772:
769:
768:
764:
761:
760:
756:
755:
753:
749:
743:
740:
738:
735:
733:
730:
728:
725:
723:
720:
718:
715:
713:
710:
708:
705:
703:
700:
698:
695:
693:
692:Markos Bathas
690:
688:
687:Thomas Bathas
685:
684:
682:
680:Other artists
678:
672:
671:Michael Fokas
669:
667:
664:
662:
659:
657:
654:
652:
649:
647:
644:
642:
639:
637:
634:
633:
631:
627:
623:
616:
611:
609:
604:
602:
597:
596:
593:
584:
579:
576:
572:
567:
564:
551:
544:
541:
533:
532:
524:
521:
517:
512:
509:
504:
503:
495:
492:
479:
472:
469:
464:
462:960-7916-00-X
458:
454:
450:
446:
442:
441:
433:
430:
425:
423:9781135942069
419:
415:
414:
410:
403:
400:
387:
380:
377:
371:
362:
357:
350:
345:
338:
333:
328:
326:
324:
320:
316:
312:
308:
302:
299:
295:
292:stand by the
291:
287:
281:
279:
278:
273:
269:
264:
261:are present.
260:
256:
252:
248:
243:
241:
240:
235:
226:
224:
222:
218:
214:
210:
204:
202:
201:
196:
195:Second Coming
192:
191:Last Judgment
188:
184:
180:
176:
175:Cretan School
172:
168:
167:
158:
155:
151:
148:
145:
141:
137:
134:
130:
126:
122:
118:
114:
111:
110:Cretan School
108:
106:
102:
98:
94:
90:
86:
83:
80:
76:
67:
58:
49:
39:
36:
30:
25:
20:
940:
932:
924:
916:
908:
901:
900:
892:
877:
869:
861:
853:
845:
837:
829:
820:
812:
797:
789:
781:
773:
765:
757:
585:, pp. 33-35
583:Siopis, 2016
578:
573:, pp. 33-35
571:Siopis, 2016
566:
556:November 13,
554:. Retrieved
543:
530:
523:
518:, p. 893-894
516:Speake, 2021
511:
501:
494:
482:. Retrieved
471:
444:
439:
432:
412:
409:
402:
392:November 13,
390:. Retrieved
379:
303:
282:
275:
244:
237:
230:
216:
212:
209:Fra Angelico
205:
198:
165:
164:
163:
91:c. 1560-1608
34:
28:
945:(1577–1599)
897:(1587–1591)
874:(1560–1608)
858:(1565–1566)
850:(1565–1567)
834:(1520–1530)
817:(1487–1501)
794:(1436–1492)
786:(1436–1492)
778:(1425–1457)
770:(1425–1457)
762:(1425–1457)
751:Major works
732:Euphrosynos
484:October 28,
453:10442/14088
286:Constantine
227:Description
223:in Italy.
985:Categories
372:References
294:True Cross
124:Dimensions
1011:Triptychs
905:1560–1608
321:appears.
298:Catherine
187:Heraklion
33:Italian:
636:El Greco
296:. Saint
179:El Greco
138:, Venice
132:Location
105:Movement
953:Related
329:Gallery
311:Lazarus
307:Abraham
255:Abraham
234:Genesis
153:Website
116:Subject
27:Greek:
937:(1596)
929:(1591)
921:(1594)
913:(1590)
866:(1568)
842:(1530)
825:(1490)
459:
420:
323:Charon
319:Charon
290:Helena
197:. His
96:Medium
78:Artist
535:(PDF)
443:[
315:Isaac
263:Isaac
259:Isaac
251:Moses
232:from
143:Owner
558:2021
486:2021
457:ISBN
418:ISBN
394:2021
313:and
288:and
257:and
247:Noah
181:and
88:Year
449:hdl
193:or
987::
884:c.
804:c.
455:.
309:,
280:.
31:,
889:)
882:(
809:)
802:(
614:e
607:t
600:v
560:.
488:.
465:.
451::
426:.
396:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
