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31:
309:
review by Rick
Anderson noted: "McShann had much more to offer the world than his role as caregiver to the inventor of bebop. Leading an all-star cast ... McShann teaches an entire course on the history of blues-based jazz... Highly recommended".
297:
wrote that "a sextet is his backup, a stripped-down band which is perfect both for pushing through an old swing number like 'Jumpin' at the
Woodside' to make it live again and adding the proper burlesque touch to his vocal
680:
664:
571:
522:
383:
258:
737:
632:
144:
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327:
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119:
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363:
685:
103:
464:
Both Sides Now: Atlantic Album
Discography, Part 3 – 1200 Jazz Series (1966–1977)
580:
440:
436:
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359:
187:
131:
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43:
704:
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420:
306:
221:
38:
183:
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553:
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590:
Years listed represent year of recording, not year of release
373:, Herman Walder, Leo Corday, Booker Washington) – 5:37
596:
130:
118:
102:
86:
74:
66:
58:
50:
37:
23:
538:Miller, Mark (August 16, 1978). "Jay McShann".
446:Jackie Williams – drums (tracks 1–6 & 8–10)
264:
565:
70:RCA Recording Studios, Studio B, New York, NY
8:
226:
348:"Blue Devil Jump" (Paul Quinichette) – 3:25
572:
558:
550:
474:
472:
201:
29:
20:
433:– electric guitar (tracks 1–6 & 8–10)
379:"'Fore Day Rider" (McShann, Brown) – 4:08
456:
190:, recorded in 1977 and released by the
319:"Confessin' the Blues" (Jay McShann,
207:
7:
681:Last of the Whorehouse Piano Players
665:Last of the Whorehouse Piano Players
510:The Penguin Guide to Jazz Recordings
302:Tain't Nobody's Bizness If I Do'."
259:The Penguin Guide to Jazz Recordings
18:1978 studio album by Jay McShann
266:
14:
413:– trumpet (tracks 1–6 & 8–10)
228:
62:June 29 & 30 and July 1, 1977
328:'Tain't Nobody's Bizness If I Do
280:
275:
270:
265:
247:
242:
237:
232:
227:
376:"Hot Biscuits" (McShann) – 3:25
1:
625:The Last of the Blue Devils
490:. Retrieved April 10, 2019.
482:The Last of the Blue Devils
351:"My Chile" (McShann) – 4:15
179:The Last of the Blue Devils
154:The Last of the Blue Devils
24:The Last of the Blue Devils
754:
605:Goin' to Kansas City Blues
388:Jerry Leiber, Mike Stoller
587:
215:
212:
138:
28:
641:A Tribute to Fats Waller
345:, McShann, Brown) – 4:29
163:A Tribute to Fats Waller
738:Atlantic Records albums
693:The Missouri Connection
466:accessed April 10, 2019
443:(tracks 1–6 & 8–10)
427:(tracks 1–6 & 8–10)
356:Jumpin' at the Woodside
673:Blowin' in from K.C.
478:Anderson, Rick.
203:Professional ratings
204:
733:Jay McShann albums
657:The Big Apple Bash
649:Kansas City Hustle
540:The Globe and Mail
202:
715:
714:
610:Jimmy Witherspoon
524:978-0-141-03401-0
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513:(9th ed.).
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417:Paul Quinichette
369:"Just for You" (
341:"Hootie Blues" (
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617:McShann's Piano
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517:. p. 987.
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425:tenor saxophone
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336:Porter Grainger
332:Everett Robbins
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182:is an album by
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125:İlhan Mimaroğlu
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405:electric piano
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364:John Hendricks
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343:Charlie Parker
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294:Globe and Mail
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542:. p. F2.
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505:Morton, Brian
502:
501:Cook, Richard
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480:Jay McShann:
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431:John Scofield
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314:Track listing
313:
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220:
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211:
208:Review scores
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686:Ralph Sutton
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371:Pete Johnson
321:Walter Brown
304:
292:
290:
257:
178:
177:
176:
161:
153:
152:
143:
39:Studio album
15:
728:1978 albums
633:After Hours
581:Jay McShann
437:Milt Hinton
401:Jay McShann
384:Kansas City
360:Count Basie
188:Jay McShann
145:After Hours
132:Jay McShann
44:Jay McShann
722:Categories
705:Some Blues
698:John Hicks
451:References
421:Buddy Tate
411:Joe Newman
134:chronology
54:March 1978
403:– piano,
395:Personnel
198:Reception
507:(2008).
488:AllMusic
407:, vocals
390:) – 4:51
366:) – 4:36
338:) – 6:59
323:) – 4:43
307:AllMusic
222:AllMusic
192:Atlantic
186:pianist
120:Producer
109:Atlantic
59:Recorded
51:Released
41: by
700:, 1992)
688:, 1989)
612:, 1957)
515:Penguin
194:label.
167:(1978)
158:(1978)
149:(1977)
113:SD 8800
708:(1992)
696:(with
684:(with
676:(1982)
668:(1979)
660:(1978)
652:(1978)
644:(1978)
636:(1977)
628:(1977)
620:(1966)
608:(with
597:Albums
521:
484:Review
216:Rating
213:Source
87:Length
67:Studio
300:'
104:Label
76:Genre
519:ISBN
441:bass
305:The
291:The
184:jazz
81:Jazz
486:at
423:–
386:" (
358:" (
330:" (
724::
503:;
471:^
439:–
419:,
362:,
334:,
96:36
92:46
573:e
566:t
559:v
527:.
382:"
354:"
326:"
298:'
94::
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