17:
69:
Northampton mulberry groves (family homes were at 57 and 81 Bridge Street and 78 Pomeroy
Terrace). The sisters spent early years in Savannah, where Henry ran a store and briefly manufactured Confederate uniforms. During the Civil War, the family fled to Montreal but remained financially comfortable; they studied at Bute House, and portraits of them by the society photographer
25:
164:
praised her skill at rendering “every delicate shade imaginable” and observed that Susie “has a genius for figure drawing and character.” Susie worked mainly in watercolor and pen and ink, specializing in scenes of Greek mythology and rural
Massachusetts. She exhibited at the Art Institute of Chicago
232:
Historic
Northampton owns Lathrop family letters, paintings, sketches, Bessie's tooled leather strip, photos including images of Bessie's carvings, a painted wood Dachshund made by a Clarke student, and extensive files about the sisters' careers. Northampton's Forbes Library also has Lathrop family
185:
described her furniture as evidence that her “hand is sure and her eye true." The sisters held group shows and intellectual salons at their studio in downtown
Northampton (Bernard Berenson lectured there in 1894), which was draped with fishnets and packed with paintings, prints, embroideries,
68:
The sisters were daughters of Henry
Lathrop (1811–1888), a dry-goods merchant, and Clara Stebbins Lathrop (1823–1908), a philanthropist who founded a home for aged and invalid women in Northampton. The girls’ grandfather Daniel Stebbins was a physician and entrepreneur who raised silkworms in
56:, who exhibited and traveled widely. Clara was a painter, Bessie was a leather worker and woodcarver, and Susie illustrated publications. In addition to exhibiting in the U.S. and Europe, they organized intellectual salons at their Northampton studio and taught art at schools including
127:
of New York, worked in oil, watercolor and pastel and was known for portraits, studies of flowers and views of Cape Cod, Holland, Cornwall, Brittany and Venice. (Her works are usually signed C. W. Lathrop.) She exhibited at venues including the Paris Salon (1891), 1893
181:, tooled leather and wood for furniture and panels in medieval and Renaissance styles. She showed at the 1893 World's Columbian Exposition (Woman's Building's Record Room), Detroit Architectural Club (1909) and Smith College (1913, 1914). The
77:
in
Montreal. The girls’ brother Dwight (1851–1887), who became a railroad cashier in New York, stole from the company and ended up in Sing Sing prison. The sisters all studied at Smith College. Clara and Susie also trained at the
106:
and Karl von
Rydingsvard's woodcarving classes. The sisters traveled and painted along Cape Cod and eastern Canada and, in Europe, from Norway to Venice. They gave private art lessons and taught at Smith (their students included
198:(1857–1907). In June 1907, Clara died suddenly of meningitis. After her death, Bessie and Susie continued teaching but largely stopped exhibiting artwork. Institutions that own Lathrop pieces include the
140:(1892, 1898), Art Association of Indianapolis (1892), Gill's Art Galleries in Springfield (1889, 1890), Woman's Art Club (1892, 1893, 1894), National Academy of Design (1892, 1893), the
165:(1889), American Water Color Society (1889, 1892, 1893), Boston Art Club (1890, 1891) and Art Club of Philadelphia (1892). She illustrated M. Helen Beckwith's children's book,
103:
566:
178:
112:
83:
132:(Palace of Fine Arts), Pennsylvania Academy of the Fine Arts (1887, 1891, 1895, 1898), Art Institute of Chicago (1889, 1892, 1896, 1898),
206:, SC 1907:1-1), Harvard's Houghton Library (Clara's 1897 pastel portrait of Emily Dickinson's sister-in-law Susan, MS Am 1118.9) and the
210:(Bessie's triangular chair based on German models). Susie is portrayed at her easel outdoors in the Hestia Art Collective's 1980 mural,
221:
contributor Eve M. Kahn spoke about the sisters' artistic salon, travels, exhibitions, and teaching posts, among other topics.
129:
124:
326:
561:
199:
137:
53:
556:
145:
141:
16:
250:
207:
91:
87:
195:
115:
and nearby girls’ schools including Mary A. Burnham School, Miss Howard's and the MacDuffie School.
20:
The
Lathrop sisters displayed their paintings and woodcarvings in their Northampton, Mass., studio.
308:
95:
79:
296:
108:
474:
99:
511:
133:
224:
The sisters were buried next to each other at the Bridge Street
Cemetery in Northampton.
70:
550:
74:
57:
24:
383:
312:
217:
During the Hestia Mural 35th
Anniversary Lecture on November 7, 2015,
148:(1893, 1895, 1897). Critics lauded her work in publications including
194:
In 1906, Clara was appointed successor to Smith College art teacher
23:
15:
400:
Picturesque Hampshire, a Supplement to the Quarter-centennial
402:. Northampton, Mass.: Hampshire County Journal. 1890.
104:Pennsylvania Museum and School of Industrial Art
169:, and published sketches of local scenery in
8:
52:(1860–1938) were artists and teachers in
417:. Florence, Mass.: Charles A. Sheffield.
179:the Society of Arts and Crafts of Boston
242:
567:People from Northampton, Massachusetts
415:The History of Florence, Massachusetts
175:The History of Florence, Massachusetts
276:"The Water-Color Club's Exhibition".
86:(her mentors over the years included
84:Pennsylvania Academy of the Fine Arts
7:
535:"Gifts to Library by Miss Lathrop".
500:. Northampton, Mass.: Smith College.
388:. Boston: Educational Publishing Co.
212:The History of Women in Northampton
14:
352:"Miss Clara W. Lathrop's Work".
496:Seelye, Laurenus Clark (1907).
428:"The Arts and Crafts Exhibit".
295:Champney, Elizabeth W. (1894).
82:in Paris, Susie studied at the
413:Sheffield, Charles A. (1895).
1:
473:Jordan, Mary Augusta (1907).
367:"Local Artist's Reception".
138:American Water Color Society
130:World's Columbian Exposition
382:Beckwith, M. Helen (1896).
200:Smith College Museum of Art
186:woodcarvings and ceramics.
102:), and Bessie attended the
583:
113:Clarke School for the Deaf
54:Northampton, Massachusetts
251:"D.S. Lathrop's Disgrace"
146:New York Water Color Club
142:Art Club of Philadelphia
443:"Northampton's Salon".
123:Clara, a member of the
38:Bessie Stebbins Lathrop
458:"An Artist's Corner".
430:Springfield Republican
369:Springfield Republican
354:Springfield Republican
208:Emily Dickinson Museum
183:Springfield Republican
177:. Bessie, a member of
162:Springfield Republican
29:
21:
479:Smith College Monthly
301:Quarterly Illustrator
171:Picturesque Hampshire
154:Quarterly Illustrator
144:(1892, 1893) and the
92:Rhoda Holmes Nicholls
88:Alice Barber Stephens
27:
19:
516:HISTORIC NORTHAMPTON
498:Clara Welles Lathrop
204:A French Flower Girl
196:Mary Rogers Williams
34:Clara Welles Lathrop
28:Clara Welles Lathrop
257:. 17 September 1882
202:(Clara's portrait,
562:American educators
462:. 20 October 1891.
333:. 14 February 1894
327:"Woman's Art Club"
219:The New York Times
96:Edward Percy Moran
30:
22:
537:Hampshire Gazette
512:"Lathrop Sisters"
460:Hampshire Gazette
447:. 7 October 1890.
445:Hampshire Gazette
371:. 2 October 1891.
356:. 4 October 1895.
574:
557:American artists
541:
540:
532:
526:
525:
523:
522:
508:
502:
501:
493:
487:
486:
470:
464:
463:
455:
449:
448:
440:
434:
433:
432:. 22 March 1902.
425:
419:
418:
410:
404:
403:
396:
390:
389:
379:
373:
372:
364:
358:
357:
349:
343:
342:
340:
338:
323:
317:
316:
292:
286:
285:
273:
267:
266:
264:
262:
247:
125:Woman's Art Club
100:Julius Rolshoven
40:(1854–1930) and
582:
581:
577:
576:
575:
573:
572:
571:
547:
546:
545:
544:
539:. 30 July 1929.
534:
533:
529:
520:
518:
510:
509:
505:
495:
494:
490:
472:
471:
467:
457:
456:
452:
442:
441:
437:
427:
426:
422:
412:
411:
407:
398:
397:
393:
381:
380:
376:
366:
365:
361:
351:
350:
346:
336:
334:
325:
324:
320:
294:
293:
289:
275:
274:
270:
260:
258:
249:
248:
244:
239:
230:
192:
150:The Art Amateur
134:Boston Art Club
121:
80:Académie Julian
73:survive at the
66:
12:
11:
5:
580:
578:
570:
569:
564:
559:
549:
548:
543:
542:
527:
503:
488:
465:
450:
435:
420:
405:
391:
374:
359:
344:
331:New York Times
318:
297:"Woman in Art"
287:
268:
255:New York Times
241:
240:
238:
235:
229:
226:
191:
188:
158:New York Times
136:(1890, 1892),
120:
117:
71:William Notman
65:
62:
13:
10:
9:
6:
4:
3:
2:
579:
568:
565:
563:
560:
558:
555:
554:
552:
538:
531:
528:
517:
513:
507:
504:
499:
492:
489:
484:
480:
476:
475:"Vita Brevis"
469:
466:
461:
454:
451:
446:
439:
436:
431:
424:
421:
416:
409:
406:
401:
395:
392:
387:
386:
378:
375:
370:
363:
360:
355:
348:
345:
332:
328:
322:
319:
314:
310:
306:
302:
298:
291:
288:
283:
279:
272:
269:
256:
252:
246:
243:
236:
234:
227:
225:
222:
220:
215:
213:
209:
205:
201:
197:
189:
187:
184:
180:
176:
172:
168:
163:
159:
155:
151:
147:
143:
139:
135:
131:
126:
118:
116:
114:
110:
105:
101:
97:
93:
89:
85:
81:
76:
75:McCord Museum
72:
63:
61:
59:
58:Smith College
55:
51:
47:
43:
39:
36:(1853–1907),
35:
26:
18:
536:
530:
519:. Retrieved
515:
506:
497:
491:
482:
478:
468:
459:
453:
444:
438:
429:
423:
414:
408:
399:
394:
384:
377:
368:
362:
353:
347:
335:. Retrieved
330:
321:
304:
300:
290:
281:
277:
271:
259:. Retrieved
254:
245:
231:
223:
218:
216:
211:
203:
193:
182:
174:
170:
166:
161:
157:
153:
149:
122:
119:Achievements
109:Blanche Ames
67:
49:
45:
41:
37:
33:
32:The sisters
31:
485:(1): 42–43.
385:In Mythland
307:: 111–124.
284:: 43. 1894.
278:Art Amateur
233:documents.
190:Later years
167:In Mythland
64:Biographies
551:Categories
521:2018-05-12
237:References
313:25581862
156:and the
337:3 March
261:3 March
111:), the
50:Lathrop
42:Susanne
311:
228:Papers
160:. The
309:JSTOR
46:Susie
339:2017
263:2017
173:and
98:and
553::
514:.
483:15
481:.
477:.
329:.
303:.
299:.
282:30
280:.
253:.
214:.
152:,
94:,
90:,
60:.
48:)
524:.
341:.
315:.
305:2
265:.
44:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.