Knowledge (XXG)

The Lathrop sisters

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Northampton mulberry groves (family homes were at 57 and 81 Bridge Street and 78 Pomeroy Terrace). The sisters spent early years in Savannah, where Henry ran a store and briefly manufactured Confederate uniforms. During the Civil War, the family fled to Montreal but remained financially comfortable; they studied at Bute House, and portraits of them by the society photographer
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praised her skill at rendering “every delicate shade imaginable” and observed that Susie “has a genius for figure drawing and character.” Susie worked mainly in watercolor and pen and ink, specializing in scenes of Greek mythology and rural Massachusetts. She exhibited at the Art Institute of Chicago
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Historic Northampton owns Lathrop family letters, paintings, sketches, Bessie's tooled leather strip, photos including images of Bessie's carvings, a painted wood Dachshund made by a Clarke student, and extensive files about the sisters' careers. Northampton's Forbes Library also has Lathrop family
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described her furniture as evidence that her “hand is sure and her eye true." The sisters held group shows and intellectual salons at their studio in downtown Northampton (Bernard Berenson lectured there in 1894), which was draped with fishnets and packed with paintings, prints, embroideries,
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The sisters were daughters of Henry Lathrop (1811–1888), a dry-goods merchant, and Clara Stebbins Lathrop (1823–1908), a philanthropist who founded a home for aged and invalid women in Northampton. The girls’ grandfather Daniel Stebbins was a physician and entrepreneur who raised silkworms in
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of New York, worked in oil, watercolor and pastel and was known for portraits, studies of flowers and views of Cape Cod, Holland, Cornwall, Brittany and Venice. (Her works are usually signed C. W. Lathrop.) She exhibited at venues including the Paris Salon (1891), 1893
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in Montreal. The girls’ brother Dwight (1851–1887), who became a railroad cashier in New York, stole from the company and ended up in Sing Sing prison. The sisters all studied at Smith College. Clara and Susie also trained at the
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and Karl von Rydingsvard's woodcarving classes. The sisters traveled and painted along Cape Cod and eastern Canada and, in Europe, from Norway to Venice. They gave private art lessons and taught at Smith (their students included
198:(1857–1907). In June 1907, Clara died suddenly of meningitis. After her death, Bessie and Susie continued teaching but largely stopped exhibiting artwork. Institutions that own Lathrop pieces include the 140:(1892, 1898), Art Association of Indianapolis (1892), Gill's Art Galleries in Springfield (1889, 1890), Woman's Art Club (1892, 1893, 1894), National Academy of Design (1892, 1893), the 165:(1889), American Water Color Society (1889, 1892, 1893), Boston Art Club (1890, 1891) and Art Club of Philadelphia (1892). She illustrated M. Helen Beckwith's children's book, 103: 566: 178: 112: 83: 132:(Palace of Fine Arts), Pennsylvania Academy of the Fine Arts (1887, 1891, 1895, 1898), Art Institute of Chicago (1889, 1892, 1896, 1898), 206:, SC 1907:1-1), Harvard's Houghton Library (Clara's 1897 pastel portrait of Emily Dickinson's sister-in-law Susan, MS Am 1118.9) and the 210:(Bessie's triangular chair based on German models). Susie is portrayed at her easel outdoors in the Hestia Art Collective's 1980 mural, 221:
contributor Eve M. Kahn spoke about the sisters' artistic salon, travels, exhibitions, and teaching posts, among other topics.
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and nearby girls’ schools including Mary A. Burnham School, Miss Howard's and the MacDuffie School.
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The Lathrop sisters displayed their paintings and woodcarvings in their Northampton, Mass., studio.
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The sisters were buried next to each other at the Bridge Street Cemetery in Northampton.
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During the Hestia Mural 35th Anniversary Lecture on November 7, 2015,
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In 1906, Clara was appointed successor to Smith College art teacher
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Picturesque Hampshire, a Supplement to the Quarter-centennial
402:. Northampton, Mass.: Hampshire County Journal. 1890. 104:Pennsylvania Museum and School of Industrial Art 169:, and published sketches of local scenery in 8: 52:(1860–1938) were artists and teachers in 417:. Florence, Mass.: Charles A. Sheffield. 179:the Society of Arts and Crafts of Boston 242: 567:People from Northampton, Massachusetts 415:The History of Florence, Massachusetts 175:The History of Florence, Massachusetts 276:"The Water-Color Club's Exhibition". 86:(her mentors over the years included 84:Pennsylvania Academy of the Fine Arts 7: 535:"Gifts to Library by Miss Lathrop". 500:. Northampton, Mass.: Smith College. 388:. Boston: Educational Publishing Co. 212:The History of Women in Northampton 14: 352:"Miss Clara W. Lathrop's Work". 496:Seelye, Laurenus Clark (1907). 428:"The Arts and Crafts Exhibit". 295:Champney, Elizabeth W. (1894). 82:in Paris, Susie studied at the 413:Sheffield, Charles A. (1895). 1: 473:Jordan, Mary Augusta (1907). 367:"Local Artist's Reception". 138:American Water Color Society 130:World's Columbian Exposition 382:Beckwith, M. Helen (1896). 200:Smith College Museum of Art 186:woodcarvings and ceramics. 102:), and Bessie attended the 583: 113:Clarke School for the Deaf 54:Northampton, Massachusetts 251:"D.S. Lathrop's Disgrace" 146:New York Water Color Club 142:Art Club of Philadelphia 443:"Northampton's Salon". 123:Clara, a member of the 38:Bessie Stebbins Lathrop 458:"An Artist's Corner". 430:Springfield Republican 369:Springfield Republican 354:Springfield Republican 208:Emily Dickinson Museum 183:Springfield Republican 177:. Bessie, a member of 162:Springfield Republican 29: 21: 479:Smith College Monthly 301:Quarterly Illustrator 171:Picturesque Hampshire 154:Quarterly Illustrator 144:(1892, 1893) and the 92:Rhoda Holmes Nicholls 88:Alice Barber Stephens 27: 19: 516:HISTORIC NORTHAMPTON 498:Clara Welles Lathrop 204:A French Flower Girl 196:Mary Rogers Williams 34:Clara Welles Lathrop 28:Clara Welles Lathrop 257:. 17 September 1882 202:(Clara's portrait, 562:American educators 462:. 20 October 1891. 333:. 14 February 1894 327:"Woman's Art Club" 219:The New York Times 96:Edward Percy Moran 30: 22: 537:Hampshire Gazette 512:"Lathrop Sisters" 460:Hampshire Gazette 447:. 7 October 1890. 445:Hampshire Gazette 371:. 2 October 1891. 356:. 4 October 1895. 574: 557:American artists 541: 540: 532: 526: 525: 523: 522: 508: 502: 501: 493: 487: 486: 470: 464: 463: 455: 449: 448: 440: 434: 433: 432:. 22 March 1902. 425: 419: 418: 410: 404: 403: 396: 390: 389: 379: 373: 372: 364: 358: 357: 349: 343: 342: 340: 338: 323: 317: 316: 292: 286: 285: 273: 267: 266: 264: 262: 247: 125:Woman's Art Club 100:Julius Rolshoven 40:(1854–1930) and 582: 581: 577: 576: 575: 573: 572: 571: 547: 546: 545: 544: 539:. 30 July 1929. 534: 533: 529: 520: 518: 510: 509: 505: 495: 494: 490: 472: 471: 467: 457: 456: 452: 442: 441: 437: 427: 426: 422: 412: 411: 407: 398: 397: 393: 381: 380: 376: 366: 365: 361: 351: 350: 346: 336: 334: 325: 324: 320: 294: 293: 289: 275: 274: 270: 260: 258: 249: 248: 244: 239: 230: 192: 150:The Art Amateur 134:Boston Art Club 121: 80:AcadĂ©mie Julian 73:survive at the 66: 12: 11: 5: 580: 578: 570: 569: 564: 559: 549: 548: 543: 542: 527: 503: 488: 465: 450: 435: 420: 405: 391: 374: 359: 344: 331:New York Times 318: 297:"Woman in Art" 287: 268: 255:New York Times 241: 240: 238: 235: 229: 226: 191: 188: 158:New York Times 136:(1890, 1892), 120: 117: 71:William Notman 65: 62: 13: 10: 9: 6: 4: 3: 2: 579: 568: 565: 563: 560: 558: 555: 554: 552: 538: 531: 528: 517: 513: 507: 504: 499: 492: 489: 484: 480: 476: 475:"Vita Brevis" 469: 466: 461: 454: 451: 446: 439: 436: 431: 424: 421: 416: 409: 406: 401: 395: 392: 387: 386: 378: 375: 370: 363: 360: 355: 348: 345: 332: 328: 322: 319: 314: 310: 306: 302: 298: 291: 288: 283: 279: 272: 269: 256: 252: 246: 243: 236: 234: 227: 225: 222: 220: 215: 213: 209: 205: 201: 197: 189: 187: 184: 180: 176: 172: 168: 163: 159: 155: 151: 147: 143: 139: 135: 131: 126: 118: 116: 114: 110: 105: 101: 97: 93: 89: 85: 81: 76: 75:McCord Museum 72: 63: 61: 59: 58:Smith College 55: 51: 47: 43: 39: 36:(1853–1907), 35: 26: 18: 536: 530: 519:. Retrieved 515: 506: 497: 491: 482: 478: 468: 459: 453: 444: 438: 429: 423: 414: 408: 399: 394: 384: 377: 368: 362: 353: 347: 335:. Retrieved 330: 321: 304: 300: 290: 281: 277: 271: 259:. Retrieved 254: 245: 231: 223: 218: 216: 211: 203: 193: 182: 174: 170: 166: 161: 157: 153: 149: 122: 119:Achievements 109:Blanche Ames 67: 49: 45: 41: 37: 33: 32:The sisters 31: 485:(1): 42–43. 385:In Mythland 307:: 111–124. 284:: 43. 1894. 278:Art Amateur 233:documents. 190:Later years 167:In Mythland 64:Biographies 551:Categories 521:2018-05-12 237:References 313:25581862 156:and the 337:3 March 261:3 March 111:), the 50:Lathrop 42:Susanne 311:  228:Papers 160:. The 309:JSTOR 46:Susie 339:2017 263:2017 173:and 98:and 553:: 514:. 483:15 481:. 477:. 329:. 303:. 299:. 282:30 280:. 253:. 214:. 152:, 94:, 90:, 60:. 48:) 524:. 341:. 315:. 305:2 265:. 44:(

Index



Northampton, Massachusetts
Smith College
William Notman
McCord Museum
Académie Julian
Pennsylvania Academy of the Fine Arts
Alice Barber Stephens
Rhoda Holmes Nicholls
Edward Percy Moran
Julius Rolshoven
Pennsylvania Museum and School of Industrial Art
Blanche Ames
Clarke School for the Deaf
Woman's Art Club
World's Columbian Exposition
Boston Art Club
American Water Color Society
Art Club of Philadelphia
New York Water Color Club
the Society of Arts and Crafts of Boston
Mary Rogers Williams
Smith College Museum of Art
Emily Dickinson Museum
"D.S. Lathrop's Disgrace"
"Woman in Art"
JSTOR
25581862
"Woman's Art Club"

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