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Because people forget that Novak can act. I really didn't do her justice. But there are some stars whose motion picture image is so firmly and deeply rooted in the public's mind that an audience comes to a movie with a pre-conception about that person. And that pre-conception makes "reality" or any kind of myth that's contrary to their pre-conceived reality impossible. To make this picture work, to make LYLAH work, you had to be carried along into that myth. And we didn't accomplish that. You can blame it on a lot of things, but I'm the producer and I'm the director. I'm responsible for not communicating that to the audience.
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628:. If I can get Novak to trust me I think she has the talent to pull it off. If she doesn't it's a dodgy bet." Novak said "I have been on both sides so I can identify with both characters." Aldrich said the Novak character was "an amalgamation of myths. The teleplay, which Tuesday Weld did, and did marvellously, was much more strikingly fashioned to fit the Monroe mould and we tried hard not to do that."
617:) and because she had lost interest in working. She had been briefly married and divorced, and been involved in two car crashes and lost her house in a mudslide. Aldrich was initially thrilled with the idea of Novak in the role stating that she was a rare mixture of "ice and fire". "There are only a handful of actresses who can immediately establish the image of a movie star," he said. "Kim is one".
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death from the high-wire, apparently possessed by the same acrophobia that had killed Lylah. The resulting publicity makes his film a huge success, but he is deeply shaken by the repeat of his being the cause of death of both Lylah and Elsa. The plot ends in uncertainty as
Rosella loads a pistol in preparation to kill either herself or Zarkan.
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At various times, Aldrich blamed Novak's performance and bad editing for the film's failure. In 1972, Aldrich said "I think there are a number of faults with" the film. "I was about to bum rap Kim Novak, when we were talking about this the other day, and then I realized that would be pretty unfair.
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The male lead was Peter Finch who said he accepted it to work with
Aldrich again, and because he wanted to work with Novak. Finch called the film a "Hollywood melodrama with bitter irony, an enormous sense of fun... It's right on the edge of being too much... Zarkan is one of those monsters who can
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Aldrich said the theme of all his work was that it was about a "man who believes he can control his own destiny, even if he gets killed trying." He said the Finch character "gives in to his self destructive urges to go way beyond himself." Although the film was about a film director
Aldrich said it
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By the last day of shooting, her personality seems to have merged with that of the outrageous Lylah, whose fatal fall, we learn, was prompted by the jealous Zarkan. To antagonise him, she first lets him find her in bed with the gardener. Then, as he directs her in a circus scene, she falls to her
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A satire on
Hollywood, full of references to similar films, it recounts how an untalented beginner is hired to play the legendary Lylah Clare, a tempestuous actress who died mysteriously 20 years ago, and is herself consumed by the system. Although Aldrich's previous 1960s efforts were praised by
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charm people. He's passe, yet you have a sneaking admiration for him. There's something grand and theatrically right about him. Let's say we're a seedy lot in this picture - it's black
Mahogany Gothic horror."
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was signed to play the lead. Hugo Butler and Jean
Rouveral wrote the script. Novak hadn't made a film in three years, partly because she had been involved in a riding accident on the set of the film
340:). As filming continues, her identification with her role gets more intense. She also begins to fall in love with Zarkan, who is happy to sleep with her but his priority is to get his film finished.
321:), a would-be actress who looks and sounds just like Lylah Clare, a flamboyant star who fell to her death in suspicious circumstances 20 years ago. He persuades arrogant director Lewis Zarkan (
746:"I probably shouldn't have made that picture," said Novak later. In 1996, she called it "a weird movie. It didn't have to be that bad." She was upset when she found out Aldrich had
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Besides coping with the tyrannical Zarkan and easy access to alcohol and drugs, Elsa also has to contend with other hazards of
Hollywood, such as malicious journalist Molly Luther (
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A final sequence – in this case, a TV commercial for dog food that interrupts the film itself – suggests that the world of
Hollywood is literally one of dog eats dog.
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of less than $ 1 million in the United States. Aldrich later said he understood the reasons, and did not think the film was well made but it developed a small cult reputation.
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was "autobiographical only in the sense that we may have exaggerated Peter Finch's impatience at suffering fools and that he has to be more patient than he's willing to be."
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In
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dub Novak in some lines in a deep German accented voice. "He didn't tell me. I thought I'd die when I saw the movie. God, it was so humiliating."
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would play the lead in Lylah Clare, However, filming was pushed back due to
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was released to DVD by Warner Home Video on October 4, 2011, via the Warner Archive DVD-on-demand system sold through Amazon.
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Francis Lederer was going to play a role but had to withdraw due to laryngitis and was replaced by Milton Seltzer.
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because it was "Not merely awful; it is grandly, toweringly, amazingly so...I laughed myself silly at
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Flatley, Guy (February 4, 1977) "At the Movies: David Warner Too Busy to Brood Over 'Providence'"
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Browning, Norma Lee (October 1, 1967) "With a Bagful of Co-Stars, Peter Finch Still Has a Quarry"
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failed was to do with me; she was badly served by her director. But take a look at her work in
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Combs, Richard (Spring 1976). "Worlds Apart: Robert Aldrich since 'The Dirty Dozen'".
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Windeler, Robert (September 3, 1967) "Aldrich: To Shut Up and Take Your Lumps?"
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Thomas, Kevin (October 19, 1967) "Why 'Madding Crowd' Is Haunting Peter Finch"
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Aldrich Film Program to Cost $ 14 Million Los Angeles Times 30 Oct 1963: E11.
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Rehearsals started in June 1967 at MGM studios. Filming began in July 1967.
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Marks, Sally K. (July 28, 1967) "A Sneaky Preview of Film Premiere"
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Thomas, Bob (October 12, 1967) "Kim Novak Is Able To Hobble Around"
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Hallowell, John (January 5, 1969) "'I'm a Loner -- I Have to Be'"
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Scott, Vernon (August 24, 1967) "Kim Novak Stars In Lylah Clare"
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Silver, Alain (Spring 1972) "Mr. Film Noir Stays at the Table"
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What Ever Happened to Robert Aldrich?: His Life and His Films
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Ringel, Harry (summer 1974) "Up to Date with Robert Aldrich"
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Martin, Betty (June 21, 1967) "'Bedazzled' Role for Raque"
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wrote the film was "awful ... but fairly enjoyable", while
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Martin, Betty (July 12, 1967) "'Europe, USA' for Wolper"
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Martin, Betty (May 15, 1967) "'Oedipus' Goes Universal"
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who had made a number of films about Hollywood, notably
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1103:"The Legend of Lylah Clare Movie Review"
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738:she was put in so much garbage."
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1476:What Ever Happened to Baby Jane?
1197:Shales, Tom (October 14, 1996).
154:Associates & Aldrich Company
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1199:"Kim Novak: No Fear of Falling"
665:"fights clichés with clichés."
274:. The film was based on a 1963
1130:. January 15, 1969. p. 1.
1124:"Pre-Polk Metro Loss-Taking".
1091:(1996). Marion Boyars. pg.127.
771:List of American films of 1968
521:. He had prepared scripts on
476:Whatever Happened to Baby Jane
466:Film rights were purchased by
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1089:Raising Kane And Other Essays
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1675:1960s English-language films
1536:The Killing of Sister George
1496:Hush...Hush, Sweet Charlotte
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513:There Really Was a Gold Mine
305:opened to negative reviews.
1226:. Hal Leonard Corporation.
827:"The Legend of Lylah Clare"
379:as Lewis Zarkan/Louie Flack
179:November 16, 1968
16:1968 film by Robert Aldrich
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317:) finds Elsa Brinkmann (
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1222:Silver, Alain (1995).
537:. Other projects were
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856:Role for Miss Moreau"
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661:magazine stated that
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863:, July 6, 1965, p.7
806:at Box Office Story
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248:Metro-Goldwyn-Mayer
242:is a 1968 American
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68:Edward DeBlasio and
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1466:Sodom and Gomorrah
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1184:The New York Times
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1157:Silver (1995) p.30
1000:The New York Times
881:v.8, n.1, pp.14-23
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527:Vengeance Is Mine
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603:In May 1967,
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1107:. Retrieved
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878:Film Comment
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830:. Retrieved
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742:Novak's view
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455:Coral Browne
451:as Cameraman
449:Dave Willock
433:as Legman #1
413:Jean Carroll
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334:Coral Browne
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275:
246:released by
238:
237:
236:
195:Running time
172:Release date
134:
131:Frank De Vol
1486:4 for Texas
1356:Big Leaguer
728:Lylah Clare
696:Lylah Clare
675:Roger Ebert
523:Now We Know
505:Paper Eagle
443:Nick Dennis
397:as Rossella
377:Peter Finch
323:Peter Finch
303:Lylah Clare
295:Robert Thom
256:Peter Finch
223:$ 3,490,000
199:130 minutes
93:Peter Finch
77:Produced by
71:Robert Thom
53:Hugo Butler
39:Directed by
1660:1968 films
1654:Categories
899:. p.
777:References
754:Home media
702:Box-office
622:Lylah Care
462:Production
244:drama film
228:Box office
183:1968-11-16
146:Production
1386:Vera Cruz
646:Reception
605:Kim Novak
598:Revisited
596:Marienbad
518:Vera Cruz
371:Kim Novak
362:Kim Novak
319:Kim Novak
301:critics,
260:Kim Novak
113:Edited by
89:Kim Novak
1289:AllMovie
1109:March 3,
832:March 3,
765:See also
658:Newsweek
497:Brouhaha
403:as Paolo
293:creator
281:TV drama
212:Language
127:Music by
85:Starring
63:Based on
1276:at the
1252:at the
1127:Variety
547:The Man
445:as Nick
439:as Mike
215:English
204:Country
181: (
148:company
1639:(1981)
1629:(1979)
1619:(1977)
1609:(1977)
1599:(1975)
1596:Hustle
1589:(1974)
1579:(1973)
1569:(1972)
1559:(1971)
1549:(1970)
1539:(1968)
1529:(1968)
1519:(1967)
1509:(1965)
1499:(1964)
1489:(1963)
1479:(1962)
1469:(1962)
1459:(1961)
1449:(1959)
1439:(1959)
1429:(1956)
1426:Attack
1419:(1956)
1409:(1955)
1399:(1955)
1389:(1954)
1379:(1954)
1376:Apache
1369:(1954)
1359:(1953)
1307:at BFI
1230:
934:p.A33.
736:Picnic
511:, and
270:, and
220:Budget
1187:p.D11
1063:p.d12
1048:p.d16
1018:p.e12
1003:p.65.
970:p.c10
919:p.d25
782:Notes
684:'
626:Losey
582:Lylah
578:Lylah
1298:IMDb
1267:IMDb
1228:ISBN
1172:p.46
1111:2014
1078:p.d8
1033:p.e1
952:p.H1
834:2014
680:Life
562:and
533:and
474:and
351:Cast
309:Plot
1296:at
1287:at
1265:at
624:is
574:MGM
283:of
1656::
1201:.
975:^
957:^
939:^
901:43
868:^
811:^
686:s
609:13
590:.
549:.
541:,
529:,
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507:,
503:,
499:,
495:,
491:,
485:,
478:.
297:.
266:,
258:,
1334:e
1327:t
1320:v
1236:.
1207:.
1113:.
903:.
836:.
721:I
185:)
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